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Kesha reveals regret over grisly lyric that got her canceled... after changing Diddy line

Kesha reveals regret over grisly lyric that got her canceled... after changing Diddy line

Daily Mail​a day ago
Kesha has expressed regret over yet another of her song lyrics - a little over a year after permanently changing a line about Sean 'Diddy' Combs in her 2009 debut single TikTok.
This time, the 38-year-old pop star was referring to the lyric 'Be too sweet, and you'll be a goner (Yep) / I'll pull a Jeffrey Dahmer' from her 2010 song Cannibal.
'Oh my God, I got re-canceled for the Jeffrey Dahmer lyric. It was a controversial lyric,' Kesha (last name Sebert) admitted to People on Thursday.
'If some people aren't offended by what I'm doing, I'm probably not doing a very good job of being a pop star.'
Between 1978 and 1991, the notorious serial killer raped, killed, and dismembered 17 boys and men - Steven Hicks (18), Steven Tuomi (28), James Doxtator (14), Richard Guerrero (25), Anthony Sears (24), Ricky Beeks (33), Eddie Smith (28), Ernest Miller (24), David Thomas (23), Curtis Straughter (18), Errol Lindsey (19), Anthony Hughes (31), Konerak Sinthasomphone (14), Matt Turner (20), Jeremiah Weinberger (23), Oliver Lacy (23), and Joseph Bradehoft (25).
Jeffrey - otherwise known as the Milwaukee Monster or the Milwaukee Cannibal - had been diagnosed with borderline personality disorder, schizotypal personality disorder, and a psychotic disorder before he was beaten to death by a fellow Columbia Correctional Institution inmate in 1994.
In 2022, Ryan Murphy and Ian Brennan released their dismally-reviewed Netflix crime thriller, Dahmer – Monster: The Jeffrey Dahmer Story, starring Evan Peters, which depicted his unimaginable crimes and the victims desperate for justice.
The two-time Grammy nominee previously altered her track TikTok from 'Wake up in the morning feeling like P. Diddy' to 'Wake up in the morning like f*** P. Diddy' during Reneé Rapp's 2024 Coachella set.
'Yes, it will be [permanent]. The fans should learn it for my upcoming [shows]. I want to hear it louder than ever. I stand by that,' Kesha told TMZ at the time.
'I'm not the kind of person that shuts the f*** up. I know what I stand for, I know my integrity is rock-solid, so I speak the truth. The industry can kinda, like, suck my d***.'
The LA native tweeted her support for Casandra 'Cassie' Ventura on Wednesday following the shocking split verdict at her disgraced 55-year-old ex's seven-week federal criminal trial.
'Cassie, I believe you,' Kesha - who boasts 43.1M social media followers - tweeted. 'I love you. Your strength is a beacon for every survivor.'
Diddy was facing life in prison before a jury of eight men and four women found him not guilty of racketeering conspiracy and sex trafficking charges.
However, the rap mogul was found guilty on two counts of the Mann Act aka transportation for the purposes of prostitution for flying paid escorts around the country for his baby oil-drenched sex orgies dubbed 'freak offs.'
Both Cassie and 'Jane Doe' - who testified at the trial - submitted letters to US District Judge Arun Subramanian requesting Diddy remain held at MDC Brooklyn's Special Housing Unit before his sentencing, which he granted Wednesday evening.
Between 1978 and 1991, the notorious serial killer raped, killed, and dismembered 17 boys and men
In 2022, Ryan Murphy and Ian Brennan released their dismally-reviewed Netflix crime thriller, Dahmer – Monster: The Jeffrey Dahmer Story, starring Evan Peters (M), which depicted his unimaginable crimes and the victims desperate for justice
Subramanian scheduled a remote hearing for next Tuesday at 2pm ET to address the detailed scheduling for sentencing, which happens October 3 at 10 a.m. ET.
The three-time Grammy winner - who's already been incarcerated for 10 months - faces a maximum penalty of 20 years in prison, but prosecutors hope the sentence is at least 51 months (4.25 years).
But some legal experts are predicting Diddy will face far less time - as little as 18 and 24 months.
The Harlem-born hip-hop star's legal battles are far from over as he still has over a hundred civil lawsuits from accusers including Joi Dickerson-Neal, Liza Gardner, Rodney 'Lil Rod' Jones, Crystal McKinney, April Lampros, Adria English, Derrick Lee Cardello-Smith, Dawn Richard, Thalia Graves, Ashley Parham, Bryana 'Bana' Bongolan, LaTroya Grayson, Phillip Pines, and Joseph Manzaroc.
It's been two years since Kesha settled her nine-year legal battle against her former producer Dr. Luke - whom she accused of physical, sexual, and emotional abuse as well as workplace discrimination (all of which he denied).
The Yippee-Ki-Yay singer also parted ways with the 51-year-old Grammy nominee's (born Łukasz Sebastian Gottwald) Kemosabe Label as well as RCA Records and Vector Management.
Kesha proudly 'gained back legal rights over my own voice' and her sixth studio album Period - dropping this Friday - will officially mark the first from her very own label, Kesha Records.
Kesha told TMZ: 'Yes, it will be [permanent]. The fans should learn it for my upcoming [shows]. I want to hear it louder than ever. I stand by that. I'm not the kind of person that shuts the f*** up. I know what I stand for, I know my integrity is rock-solid, so I speak the truth'
'Cassie, I believe you,' Kesha - who boasts 43.1M social media followers - tweeted. 'I love you. Your strength is a beacon for every survivor'
Kesha and the Scissor Sisters will next bring their joint 26-date The T**s Out Tour to the Shoreline Amphitheatre in Mountain View, CA on Thursday night
'For this chapter I really wanted to capture the moments where I felt liberated, safe, happy, playful, hot, horny, but all of it was coming from a whole place. I feel very whole,' the Brentwood High School drop-out told People.
'Now all of my energy gets to focus back on my true purpose — helping people feel seen, loved, safe and f***ing entertained as hell. My power is all back in my hands, and I'm excited.'
Kesha and the Scissor Sisters will next bring their joint 26-date The T**s Out Tour to the Shoreline Amphitheatre in Mountain View, CA on Thursday night.
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Mother Play review – Sigrid Thornton is terrific as a gin-soaked, monstrous matriarch
Mother Play review – Sigrid Thornton is terrific as a gin-soaked, monstrous matriarch

The Guardian

timean hour ago

  • The Guardian

Mother Play review – Sigrid Thornton is terrific as a gin-soaked, monstrous matriarch

Poisonous and heavily self-medicating mothers are a standard in the theatre, from Mary Tyrone in Long Day's Journey into Night to Violet Weston in August: Osage County. Self-absorbed, vain and hypercritical, they tend to stalk their stages like injured lionesses, their own offspring the convenient targets of their abuse and cynicism. US playwright Paula Vogel adds Phyllis Herman (Sigrid Thornton) to this list, as monstrous and brittle as any of them. While Mother Play (the subtitle is A Play in Five Evictions) flirts with the toxicity and histrionics of those antecedents, it feels closer in spirit to Tennessee Williams' 'memory play' The Glass Menagerie. Where Williams created the character of Tom as an authorial surrogate, Vogel gives us Martha (Yael Stone), who is likewise desperate to escape her mother's clutches while trying to understand what makes her tick. There's a deep melancholy working under the play, a sense of all that's been lost to the ravages of time and forgetting. Like Williams, Vogel is mining a lot of her own biography here – her mother was also named Phyllis, and worked as a secretary for the Postal Service after the breakdown of her marriage – and she traces the outline of a family in slow decline with poignancy and skill. The rot sets in during the first eviction, as Martha and her elder brother Carl (Ash Flanders) move boxes and furniture around while Phyllis drinks herself into a state of grotesque self-pity. The kids are only 12 and 14, and yet already they seem like the parents to a stubborn and petulant child. Sign up for the fun stuff with our rundown of must-reads, pop culture and tips for the weekend, every Saturday morning As the play progresses and the narrative moves inexorably through the decades – it opens in the early 60s and ends in the present day – this parental imbalance only worsens. Gin-soaked and combative, Phyllis alternately berates, guilts and clings to her children like resented support structures; one moment she is rejecting them for being gay, the next grasping for their approval. She's fiendish and cruel, but Vogel also lets us see the damage done to her, the ways in which she is shaped by the casual cruelties of others. It isn't so much a cycle of abuse as a long sputtering out, levelled by great reserves of forgiveness and stoicism from the kids. Thornton is terrific, constantly alive to the character's gaping flaws without once losing the central pathos that keeps us engaged and sympathetic. She has a harsh, steely quality under the gaucheness and impropriety that softens as the play progresses, eventually reaching a kind of weary dignity and poise. Stone finds great depth and complexity in Martha, pained by her mother's sadism but determined to see beyond it. Flanders is solid in the lesser part of Carl, and together the cast paint a convincing and intricate family dynamic. Sign up to Saved for Later Catch up on the fun stuff with Guardian Australia's culture and lifestyle rundown of pop culture, trends and tips after newsletter promotion Director Lee Lewis gets many things right, which makes the ones she gets wrong seem more egregious, somehow. Those performances are beautifully calibrated and expertly pitched, but Vogel's startling tonal shifts and narrative longueurs seem to trip Lewis up; too often the production falters, pitching into silliness and camp. One scene in a gay bar – where Phyllis starts dancing a conga line with her adult children – feels desperate, and the less said about a giant cockroach that waves at the audience the better. This reticence seeps into Christina Smith's design, which is surprisingly banal and unwieldy – although not her costumes, which are little treasure troves of period wit and personality. The family's five different abodes are simultaneously underdone and overly complicated, necessitating some clunky transitions. Niklas Pajanti's inventive lighting helps, pitching from glamorous to desolate as the family's fortunes change. Kelly Ryall's compositions are similarly mercurial, jaunty one minute and plaintive the next. Vogel is a fascinating and idiosyncratic playwright, and if this production of Mother Play doesn't quite coalesce, it still achieves moments of beauty and quiet awe. That temporal scope allows the actors to track the emotional beats of their characters' lives like pins on a map, and if political and social events tend to disappear into the background, their effect on the family's interpersonal relationships is forcefully underlined. The moral battle between liberalism and conservatism, those ideological polarities currently tearing the US apart, are depicted here as fissures of the self and the family unit, a long time coming. Memory plays are by definition fragmentary and elliptical, so perhaps the staccato rhythms and jolting tonal shifts are necessary. The cliche of the monstrous feminine, where the mother becomes the repository of all the family's sickness and perversion, is subtly but surely unpacked and debunked. What we're left with is a mother and a daughter tremulously reaching for care, compassion and connection. In this way, it feels vital and contemporary. Mother Play, by the Melbourne Theatre Company, is on at the Sumner theatre until 2 August

Rose McGowan leads celebrity tributes for Julian McMahon as Charmed cast grieves their Australian co-star: 'A force of brilliance'
Rose McGowan leads celebrity tributes for Julian McMahon as Charmed cast grieves their Australian co-star: 'A force of brilliance'

Daily Mail​

timean hour ago

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Rose McGowan leads celebrity tributes for Julian McMahon as Charmed cast grieves their Australian co-star: 'A force of brilliance'

US actress Rose McGowan leads the celebrity tributes for Julian McMahon, who has died, aged 56, after a private health battle. The former Home and Away star's wife, Kelly Paniagua, revealed on Friday that he had passed away after secretly battling cancer. News of the beloved actor's death has sent shockwaves through Hollywood, with celebrities taking to social media to offer heartfelt tributes. Rose, 51, who starred alongside Julian in the hit series Charmed, took to Instagram on Saturday to pay homage to the star. She re-shared an illustration of Julian wearing what appeared to be angel wings. From A-list scandals and red carpet mishaps to exclusive pictures and viral moments, subscribe to the DailyMail's new showbiz newsletter to stay in the loop. Captioning the image, Rose remembered Julian as a 'force of brilliance.' 'Oh Julian, you force of brilliance,' she wrote. 'For you, your family, and your loving fans all over the world, I pray for comfort.' Rose also commented on the original post from artist 'Stagwarlock'. 'Beautiful art of a beautiful soul,' she wrote, to which the artist replied: '@rosemcgowan as sad as he was magnetic.' Fellow Charmed co-star Brian Krause, who played Leo Wyatt on the hit series, also shared his condolences. He posted a photo of Julian beaming broadly while remembering the actor as a 'kind soul'. 'Sad day for our Charmed family!' Brian captioned the image. 'Julian was one of the funniest, devilishly handsome and kind souls! Prayers to his family and close friends. He will surely be missed!' Brian wrote. His post was met with an outpouring of condolences from fans and followers. 'RIP JULIAN, our Cole Turner, gone too soon, now reunited with Shannen in Heaven,' one fan wrote, referring to fellow Chamed star Shannen Doherty who passed away in July 2024. Another chimed in with a similar: 'Nooo! Not Cole!!! So heartbreaking. F-Cancer. The only comfort is that I'm sure Shannen welcomed him with open arms. 'What a tremendously amazing actor. He could play a hero or villain beautifully. Gone too soon. Condolences to his family.' Holly Marie Combs, who starred as Piper Halliwell on the hit show, joined her Charmed alumni with a tribute. She shared a clip from a fan account that showed a montage of Julian behind-the-scenes from the filming of Charmed. The video shows the Aussie actor hamming it up with castmates including Alyssa Milano and Shannen Doherty. 'Sad day for our Charmed family!' he wrote. 'My favourite pain in the a** ever,' she wrote, augmenting the sentiment with silver heart emojis. Julian starred alongside Shannen Doherty and Alyssa Milano on the cult Aaron Spelling-created magical drama. He played Cole Turner, the half-demon ex-husband of Alyssa's character Phoebe Halliwell. Quickly becoming a fan-favourite, Julian had a starring role in the series for three seasons before returning in the seventh season in a guest capacity. During his time on Charmed, Julian was also romantically linked to Doherty, with the pair dating briefly during the show's third season in 2000–2001. Most recently, Julian starred alongside Nicholas Cage in Stan original film The Surfer. 'We're heartbroken to hear of the passing of Julian McMahon. His extraordinary talent and presence left a lasting mark on everyone he worked with, including the team behind The Surfer,' the Stan official Instagram account posted on Saturday. 'These words from Australian Producer Robert Connolly reflect the deep respect and affection he inspired.' Connolly penned: 'Julian was an exceptional gentleman, a consummate professional, a stunning actor and an absolute delight to work with. 'His performance in The Surfer is a triumph – one among many great performances in an incredible career – and a tour de force celebration of his skill and presence on our screens. 'His huge commitment to the film took Julian from the beaches of Western Australia, to its world premiere in Cannes, to the US and beyond, and we were all so very lucky to have shared this journey with such a gifted and exceptional performer. 'A true gift in all our careers to have had the chance to work together with such a wonderful person.' Julian's wife of 11 years, Kelly Paniagua, gave a statement to Deadline on Friday which read: 'With an open heart, I wish to share with the world that my beloved husband, Julian McMahon, died peacefully this week after a valiant effort to overcome cancer.' Kelly - whom he married in 2014 - continued by expressing the love Julian had for his fans and those around him and what being an actor meant to him during his life. 'Julian loved life. He loved his family. He loved his friends. He loved his work, and he loved his fans. His deepest wish was to bring joy into as many lives as possible,' she said. 'We ask for support during this time to allow our family to grieve in privacy. And we wish for all of those to whom Julian brought joy, to continue to find joy in life. We are grateful for the memories,' she added.

Baby you're a firework! Dancing Donald and Melania in rare PDA at 4th July display... as even music mishap can't dampen spirits
Baby you're a firework! Dancing Donald and Melania in rare PDA at 4th July display... as even music mishap can't dampen spirits

Daily Mail​

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Baby you're a firework! Dancing Donald and Melania in rare PDA at 4th July display... as even music mishap can't dampen spirits

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