logo
Apple TV+ drops 'terrifying' first trailer The Blacklist creator's explosive new thriller

Apple TV+ drops 'terrifying' first trailer The Blacklist creator's explosive new thriller

Daily Mirror3 days ago
The Last Frontier is set to make its global debut later this year on Apple TV+.
The Blacklist boss has stepped away from the world of Red Reddington with Apple TV+ unveiling the first teaser trailer for his next thriller.

Located in Alaska's remote wilderness, The Last Frontier is a 10-part drama making its worldwide debut with its opening two episodes landing on Friday, October 10, on Apple TV+.

The official synopsis states: "The Last Frontier follows Frank Remnick (Clarke), the lone US marshal in charge of the quiet, rugged barrens of Alaska.

"Remnick's jurisdiction is turned upside down when a prison transport plane crashes in the remote wilderness, setting free dozens of violent inmates.
"Tasked with protecting the town he's vowed to keep safe, he begins to suspect the crash wasn't an accident, but the first step of a well-crafted plan with far-reaching and devastating implications."

To celebrate the announcement of its release date, the streaming service has dropped its first chilling trailer which takes place on an aircraft packed with shackled prisoners.
As one examines his restraints and another mutters to himself, a third is spotted seated alone at the rear, masked and sporting headphones.
A blast then tears through the quiet with fire engulfing the aircraft's side.

An external shot reveals one of the wings ablaze before cutting back to the convicts, now shrieking in terror as the aircraft judders and oxygen masks drop down.
In the trailer's closing scenes, the aircraft appears moments away from crashing as it skims treetops and plummets towards the snow-blanketed terrain.

The high-octane series has been developed by Richard D'Ovidio, who penned The Call, alongside The Blacklist mastermind Jon Bokenkamp.
The Blacklist enjoyed a remarkable 10-year run on NBC, featuring James Spader as infamous criminal Raymond "Red" Reddington, before concluding in 2023.
The Last Frontier will feature Zero Dark Thirty and Terminator star Jason Clarke, who is also serving as executive producer.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

With Chief of War, Hawaii gets the Game of Thrones treatment
With Chief of War, Hawaii gets the Game of Thrones treatment

New Statesman​

timean hour ago

  • New Statesman​

With Chief of War, Hawaii gets the Game of Thrones treatment

Photo by Apple tv+ When it comes to subtitles, I'm in tune with the times. Like most young people, I use them a lot. It's something to do with 'dynamic range compression', and the audio being lower quality online than on DVDs or traditional TV. But equally, it's nice to be able to double-check mumbly dialogue, especially since TV shows are so well written these days. And when trying to impress a cultured companion by watching a Fellini down the BFI, they're obviously a must-have. That said, I was still struck by the ballsiness of Apple TV's Chief of War, the first two episodes of which are almost entirely in the language known as 'Ōlelo Hawai'i. As Hawaii's biggest televisual exports to date are Hawaii Five-0 and Lilo & Stitch, and that in Britain the word 'Hawaiian' normally occasions an argument about fruit on pizza, I understand the urge to deepen our understanding of the islands' culture. And Chief of War has reportedly been headed by an entirely indigenous creative team. Still, this is what TV in 2025 amounts to: not just watching, but reading too. We're in late-18th-century Hawaii, long before the high-rise Honolulu of our time – before even the eponymous 'Hawaiian' shirt. This is a land of geometric tattoos, spears and lads in scanty loincloths (about as revealing as thongs). In this period, the archipelago was split into four major kingdoms which try to keep themselves to themselves, but also occasionally feud. Overhanging this is a prophecy, introduced via voiceover, that 'a star with a feathered cape will signal the rise of a great king', destined in turn to unify all of Hawaii. The series is the story of that prophecy coming true – though not in the way anyone expected, since it becomes quickly entangled with European colonialism. We open with Jason Momoa (you'll know him as Khal Drogo, a loinclothed warlord in Game of Thrones). He plays Ka'iana and executive-produced the series, so I have a feeling his character might have something to do with this prophecy. He's in exile from his home kingdom, where he had been a famed warrior. He's living his best life, catching sharks on rafts with his brothers, and considering starting a family. But Hawaii has different plans for him. He is summoned back to his homeland by King Kahekili (Temuera Morrison, familiar as Jango and Boba Fett in the Star Wars saga), who believes the time of the prophecy is upon them. Ka'iana is soon press-ganged into taking up the office of Kahekili's 'Chief of War' and together they attack the nearby kingdom of O'ahu, massacring its inhabitants. (The subtitles during these scenes read, '[grunting]', '[shouting]', '[clamouring continues]'; they may as well have said '[throat-slitting]', '[skull-splitting]' and '[head-clubbing]'.) But it soon becomes apparent that Kahekili is even more bloodthirsty than Ka'iana had accounted for, and he and his family find themselves on the run, pursued as traitors. I'm not ashamed to admit that this was all a bit tricky to follow. There are lots of warriors racing through grassy forests (barefoot, despite the obvious risks of thorns and thistles), and lots of slow-motion punching and pummelling, set to a pounding drumbeat soundtrack. There are – at least for the time being – some baffling side-characters, such as a dead-eyed priestess who apparates into scenes to explain what the gods are thinking, or to deliver vague prophecies. Midway through episode two, the main plot complication looms into view: a British galleon, spied through a storm. Some furtive googling (one eye always on the subtitles, of course, though the arrival of these scraggly sailors and their more familiar speech patterns lent some relief) informs me that the real-life Ka'iana was among the first Hawaiians to travel beyond Polynesia after encountering British explorers. Pursued by Kahekili's men, we see Ka'iana swept out to sea and rescued by the British ship. By episode three, one year on, he's in Alaska, being shown how to work a musket. Subscribe to The New Statesman today from only £8.99 per month Subscribe I was sufficiently gripped by Chief of War to push on. It's nice to see the production values of Troy given to a forgotten, world-historical narrative. The islands look amazing (VisitHawaii will be happy): great green volcanic crags, half-misted in low cloud, lapped by white, splashy beaches. And, thanks to the subtitles, I think I even picked up some 'Ōlelo Hawai'ian. So have a good weekend, folks, and hui hou koke iā oe! Chief of War Apple TV+ [See also: 150 years of the bizarre Hans Christian Andersen] Related

Harrison Ford, 83, reveals real reason why he will never retire
Harrison Ford, 83, reveals real reason why he will never retire

Daily Mirror

time10 hours ago

  • Daily Mirror

Harrison Ford, 83, reveals real reason why he will never retire

Indiana Jones and Star Wars actor Harrison Ford explains why he won't stop acting Hollywood legend Harrison Ford says he has no plans to retire — even suggesting he chose the acting profession for that very reason. ‌ 'No. That's one of the things I thought was attractive about the job of an actor, was that they need old people, too, to play old people's parts,' the Star Wars actor, 83, said in a new interview. ‌ Harrison is celebrating more success and another accolade ticked off and his new chat came a few months after he pulled out of the Oscars due to illness. ‌ After decades of making great work playing the likes of Han Solo in Star Wars and Indiana Jones, he finally got his first Emmy nomination this year, for the AppleTV+ show 'Shrinking,' where he plays Dr. Paul Rhoades, a therapist who has Parkinson's disease. He modestly told Variety magazine: 'I don't think there's anything competitive about creativity, and I don't understand the need to compare and contrast one person's work to another's. If you like it, you like it; if you don't like it, look at something else. I'm grateful, but I would have done what I did — and I'll do what I'm doing — regardless of whether it's deemed worthy of mention or not. Because it's what I do. It's what I love doing. I love telling stories. I love pretending to be somebody else.' He had been working with Michael J. Fox in Season 3 which just finished filming, and Harrison's character, Paul, has been diagnosed with Parkinson's. Ford says that it was "essential" to talk to Fox as Paul continues to deal with his disease. 'Michael's courage, his fortitude and his grace, more than anything else, is on full display. He's a very smart, very brave, noble, generous, passionate guy, and an example to all of us, whether we're facing Parkinson's or not. You cannot help but recognise how amazing it is to have such grace. So he gives me both a physical representation of the disease to inform myself with, but more than that, he allows me to believe that Paul could believe that he could be adequate to the challenge. The truth is that we can't be fucking around with this just to make a joke or anything. Parkinson's is not funny. And I want to get it right. It's necessary to be correct with what we do in respect of the challenge that Parkinson's represents, and that we don't use it for its entertainment value.' Ford has overcome his own difficulties which have affected his acting, crashing his plane on a golf course in 2015 in an accident which was described as near-fatal, in March 2015. ‌ Harrison said: 'Did it have an impact? I suppose it did. I've been through a couple of big accidents that took a while to heal from. This is not something dismissed lightly, but s**t happens; it was a mechanical issue that was judged to be beyond my control. If I'd been at fault, I would have taken another direction. But I don't think it informs my life on a day-to-day basis now that I've recovered sufficiently from the physical effects.' Harrison also spoke about how America has changed and seems less 'banal and safe' with Trump in charge. He said: 'The pendulum doth swing in both directions, and it's on a healthy swing to the right at the moment. And, as nature dictates, it will swing back. ‌ But currently the issue is not who we are, but that we're not who we used to be because we've been purposefully disaggregated into serviceable political units. And that has caused the middle to become frayed and tenuous, and the middle is where we belong. Not because it's banal and safe, but because it's fair. Compromise is fair and honest. 'In politics and in life, you don't always get what you want, but you get what you get and you don't get upset. They teach us that in kindergarten, but they also teach you to fight for what you think is right. Now, because we've been disaggregated in this way, we're having a hard time finding commonality. But if you look at the economy, you'll figure out where the commonality is — it's where it always was: Rich get richer, and poor get poorer. And that ain't exactly right.'

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store