
The show must go on: Elizabeth Forward's Performing Arts program returns to the stage after fire
flames and smoke caused significant damage to Elizabeth Forward High School
and that created challenges for the school's musical program.
Through community and support, they were able to preserve and now they're overjoyed to welcome this year's spring musical back home.
Construction of Elizabeth Forward High School's new auditorium is coming along, and it has a completion date of next summer, but in the meantime, the show must go on.
It will go on and return home, just to the middle school.
It's been two years since Elizabeth Forward's award-winning performing arts program graced the stage in front of a home crowd. Performances were held at Thomas Jefferson High School after a fire in the high school auditorium forced them to find a new space.
"It's great to be back with our community," said James Benedek, the Musical Director. "It was great to be at Thomas Jefferson, we love those folks up there, but it's just nice to be back on home turf."
After the fire, it seemed that all hope was lost, but thanks to an overwhelming amount of community support, the shows went on and the district began to rebuild.
"They immediately answered the call by renovating the middle school by getting new seats, putting in the proper lighting, getting the proper sound, so that we could bring the musical back while having our auditorium," said Kelly Garlow, the principal.
Last night was opening night of Hadestown: Teen Edition, and it was the culmination of two years of grit and determination. Talking to the student-actors, you'd never even know what they went through to get to this point.
"After that first number, the roar of the crowd, it was just not what we were expecting," said senior Abigail Ross. "All that hard work, it really does reward you."
"I'm excited to be back home, these past couple of years, not being home, you miss your space, so being home again feels so comforting," added Sydney Thomas, senior.
"Being home with our admin and our friends and our families is nice, and not having a long commute is also very nice," said junior Edward Denney.
For Ross and Thomas, this is their last high school performance and when asked if they were sad that they couldn't perform on the stage where it all started, surprisingly, they said a great show can be performed anywhere.
"I had a picture in my head freshman year of being on stage and singing in the bright lights of the old auditorium," said Ross. "I do get to end my night and my last show on my home turf."
"Although it's not the exact same space as it once was our freshman year, it's definitely worth the while," added Thomas.
Elizabeth Forward's spring musical runs through the weekend and ends with a matinee on Sunday.
The opening night was a sellout, so leaders are encouraging people to purchase tickets online if they want to see this year's production.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Los Angeles Times
2 days ago
- Los Angeles Times
The 9 best, funniest or most iconic moments from Diana Ross' show at the Hollywood Bowl
Diana Ross returned to the Hollywood Bowl on Friday night for the first of two weekend concerts — her fifth engagement at the hillside amphitheater since 2013 and her second gig in her adopted hometown of Los Angeles in less than a year (following her performance at last August's old-school Fool in Love festival). In other words, it's not exactly hard to catch the 81-year-old pop legend onstage these days — which isn't to say that it's not worth doing. Here are nine moments that made me glad I showed up Friday: 1. After coming out to — what else? — 'I'm Coming Out,' Ross zipped through a frisky Motown medley linking some of the 12 No. 1 hits she and the Supremes scored in the 1960s. Would I have liked to have heard full versions of 'You Can't Hurry Love,' 'Baby Love' and 'Stop! In the Name of Love'? Sure. But hearing these all-timers stacked up in rapid succession was a thrill of its own — a reminder of the blend of efficiency and ingenuity attained on a daily basis at Hitsville, U.S.A. 2. Ross was backed by more than a dozen musicians at the Bowl, including four horn players and four backing vocalists, and they were cooking from the get-go: crisply propulsive in the Motown stuff; tight and gliding in 'Upside Down'; lush yet down-home in Ross' take on Billie Holiday's 'Don't Explain,' from her 1972 Holiday biopic 'Lady Sings the Blues.' 3. Two wardrobe changes meant that we beheld three glittering gowns in all, beginning with the fluffy canary-yellow number she emerged in. About halfway through the show, Ross slipped into a pipe-and-drape dressing room at the rear of the stage then slipped back out wearing bedazzled ruby red; later, she changed into a shimmering gold look. Each dress came accompanied by a matching shawl that Ross would eventually toss to the stage to be retrieved by a waiting assistant who seemed to know precisely when it would happen. 4. Each dress also came with a bulky mic pack that — in an endearingly peculiar costuming choice — Ross opted to wear on her waist instead of hiding it around back. 5. 'I have an album out, a current album — the title of the album is called 'Thank You,'' Ross told the crowd as she began to introduce a tune from her not-bad 2021 LP. Then she turned her head stage-left toward a sound engineer in the wings: 'Who's talking in the mic? I can hear a mic.' She returned to the audience. 'Anyway, the title of the album is called 'Thank You.' Each song was specially written so that I could say 'thank you' to you for all the wonderful years, all the…' Another glance left. 'Somebody's talking in the microphone.' Another turn back. 'We're gonna start with this one — 'Tomorrow,' OK? We'll start that if I can out-talk whoever's talking over here.' 6. Ross' daughter Rhonda joined her mom to sing another new-ish tune, 'Count on Me' — 'She's been practicing,' Diana said proudly (if somewhat shadily) — then stuck around to do a mini-set of her own self-help-ish soul-folk songs, one of which beseeched us all to 'stop gaslighting ourselves.' 7. Half a century after 'The Wiz' debuted on Broadway in 1975, Ross sang her two big numbers from the Black retelling of the 'The Wizard of Oz,' which she helped cement as a cultural landmark with her role as Dorothy in a fondly remembered movie adaptation. Here, 'Home' was wistful yet determined, while 'Ease on Down the Road' got even the high-rollers in the Bowl's box seats moving. 8. During 'Reach Out and Touch (Somebody's Hand),' Ross led the crowd in a call-and-response recitation of what she called 'my mantra': 'I'm so grateful / For all the blessings in my life / For there are many / All is well / I'm resilient / Thank you, thank you, thank you.' 9. More of Ross' children appeared onstage at the end of the show to join her for a rowdy 'I Will Survive' — and to plug their latest commercial endeavors. 'Can I say one thing?' Tracee Ellis Ross asked. ''Solo Traveling with Tracee Ellis Ross' on Roku streams today, so check out the show.' Diana Ross reclaimed the microphone and gestured toward her son Ross Naess. 'This is my son — he's doing a line of caviar called Arne Reserve.' She looked around. 'Chudney, what's happening with you?'


New York Times
3 days ago
- New York Times
Tracee Ellis Ross on the Joy and Loneliness of Solo Travel
In an episode from Marrakesh, Morocco, Tracee Ellis Ross sits in a bathrobe on the edge of her bed inside a palatial suite at the Royal Mansour hotel. Beside her: a plate of fries and a glass of wine. Having chosen to stay in for the night, she talks to the camera as if it were an intimate friend — while unbraiding her hair and showcasing products from her Pattern Beauty hair-care line. It's a quiet moment, but everything about the scene screams luxury. The host of a new travel show, Ms. Ross, the star of 'Black-ish' and other well known sitcoms like 'Girlfriends,' has been called 'the definition of the rich Black auntie.' As the daughter Diana Ross raised in the fashion world, she knows not everyone can travel as lavishly as she does, and her goal isn't necessarily to be relatable. Instead, she aims to be 'transparent,' she said in a recent interview, about what she feels and looks like when traveling alone. 'Solo Traveling With Tracee Ellis Ross,' now available for free on The Roku Channel, premieres at a time when solo travel is growing ever more popular, despite criticisms that it can be scary, boring or unsatisfying. Black women in particular, who are actively prioritizing their well-being, are encouraging one another in Reddit threads and in the comments section of travel enthusiasts' social media accounts. Within these spaces, women are swapping notes on issues like safety, racism, sexism and loneliness — all of which Ms. Ross discusses during her travels to Spain, Mexico and Morocco. The following interview with Ms. Ross has been edited and condensed for clarity. I don't believe in advice. I offer experience and hope. And this is my version. My transparency is about how I can give you a jumping-off point. I say this in the Mexico episode: There's got to be something between cat ladies and Joan of Arc. You know what I mean? Want all of The Times? Subscribe.
Yahoo
4 days ago
- Yahoo
Grown-Ass Men Reveal The Moment They Knew They Were A 'Manchild'
At the edge of a high school track, I watched my 11-year-old son Thomas' face drop as the announcer read out the long jump results. His event was already over. I'd asked his twin brother, Charlie, to check the meet schedule, and he'd given me the wrong time. I'd trusted an 11-year-old with something that was my responsibility as the adult. Thomas had trained for months. Now he stood there, trying not to cry, while other kids celebrated. What hit hardest wasn't just that Thomas missed his event. It was that I'd let both of my sons down. One missed an important event he'd trained for. The other was left carrying the blame. And both of those outcomes were on me. That moment revealed a pattern I was reluctant to face. Even though I was divorced with 50/50 custody, I often treated parenting as a task I could delegate. I was trying too hard to be liked. I wanted to be the fun dad, not the firm one — and that meant avoiding some of the more mundane or difficult responsibilities. I kept acting like their friend when what my kids needed was a responsible adult. What I was doing is known as being a 'manchild,' a term used to describe men who avoid responsibility at home through procrastination, deflection or feigned ignorance. Men often say they are 'just not good at multitasking' or that their partner is 'better at organizing,' but the outcome is the same. One person ends up doing the emotional and logistical heavy lifting while the other waits for direction. This dynamic I experienced reflects a broader cultural conversation about men avoiding responsibility. Sabrina Carpenter's viral summer hit 'Manchild,' which has inspired dances, discourse and social media buzz, calls out grown men behaving like children. Though aimed at a past relationship, the song echoes a broader frustration with men dodging responsibility at home. The pattern of feigned ignorance is familiar to family therapists. 'They pretend they aren't aware of things that most people with kids would have on their radar, like needing a teacher gift at the end of school,' Bonnie Scott, a licensed professional counselor at Mindful Kindness Counseling, told HuffPost. These habits can follow men for years, but some are forced to grow up fast. When Man-Children Are Responsible For Real Children Rene Garcia, now the owner and lead clinician at Garcia Mental Health, learned he was going to be a father at 23 while still in college. 'My first daughter was unplanned, and I had not graduated from college yet. I desperately wanted to be a support for her and felt powerless on how to do so.' Garcia's biggest challenge was confronting his inconsistency. 'I'm awesome at goal setting, but following through is different. You become unreliable and someone people don't trust. This destroys relationships with kids and partners.' The deeper issue was internal: 'Change makes you challenge things in yourself you have purposefully pushed down, possibly out of protection. What pushed me was wanting to stop the same patterns from happening over and over again.' He was confronting parts of himself he had ignored for years, and the cost of continuing old patterns had become impossible to ignore. While Garcia's awakening came through early parenthood, other men face their limitations during crisis. Thomas Westerholtz, a therapist and father, experienced his turning point when his son was diagnosed with a rare and life-limiting medical condition. 'When your child is fighting for their life, you can't hide behind performance. I realized I was 'doing' a lot — working, showing up — but not always emotionally present with my family. I wasn't holding space for fear, grief or everyday vulnerability.' 'I used to quietly assume my partner would manage the emotional temperature of the household, birthdays, school forms, noticing when our kid was off. I wasn't actively avoiding it, but I wasn't owning it either. That left her burnt out and feeling alone.' When It's Time To Grow Up For men ready to change course, the hardest question they need to ask themselves, according to parenting psychologist Reena B. Patel, is whether they get defensive when asked to take responsibility. 'That defensiveness is usually a sign that you know you're not pulling your weight,' she said. Other warning signs include expecting partners to handle the majority of emotional labor and avoiding tasks until someone else steps in. Scott said the first step is uncomfortable but simple: 'Approach your partner and say, 'I want to make sure I'm doing my part in managing our life together. Could we sit together and talk about something like the weekly schedule?'' The goal isn't to take over but to participate with genuine interest. Planning was Garcia's breakthrough: 'PLAN! I never used to plan anything. Now, if I don't write it down or put it on my calendar, it won't happen.' Letting go of pride was the first hurdle Westerholtz had to face. 'Feeling useless at first' was the hardest part, he said. 'Vulnerability isn't something most men are trained in. I had to learn not to jump to fixing, but to actually be with pain or mess: my own and others'.' Westerholtz now checks in weekly with his partner and uses a shared calendar with reminders like 'pack lunch' and 'doctor follow-up.' 'Visibility equals responsibility,' he said. These changes have brought broader impacts. 'There's less resentment. More tenderness. My partner doesn't have to mother me, and that makes space for partnership,' Westerholtz said. The change has also shaped how their son understands masculinity: 'I also see my son learning not just how to survive, but how to be a man who feels, apologizes, and holds others with care.' Consistency became the turning point in Garcia's relationship with his daughter, but it required moving beyond traditional activities. 'Being intentional with our time, and not just taking her to dinners or baseball games, but getting to know her personally, has built a relationship between us that is indescribable,' Garcia said. When Garcia volunteered as a WATCH D.O.G. (Dads of Great Students), seeing his daughter light up when he showed up for lunch made her feel supported at school and among friends. What Kind Of Man Do You Want To Be? These fathers are consciously breaking generational patterns. For Westerholtz, this transformation meant redefining what it means to be a man for his son. 'Before, I think I believed being a man meant protecting, fixing and staying strong. Now I think it's about being present, especially when things are messy.' He tells his son it's OK to feel scared or sad, and that real strength means talking about emotions instead of shutting down: 'We talk about emotions like weather. They pass, but you don't need to pretend it's sunny when it's not.' This shift in emotional openness extends beyond family. In his male friendships, Westerholtz brings the same vulnerability. 'It used to be all banter and distraction, surface-level. But when I started being real about how hard things were with my son's health, I found that most men were relieved. Like they'd been waiting for someone to go first.' As he puts it: 'Vulnerability invites connection, not just with our partners, but with our mates too.' Patel notes that children benefit directly when fathers develop emotional maturity. 'They model respect, empathy and resilience skills that their children will carry into adulthood. Partners also feel more supported, less stressed and free to be individuals, not caretakers for another adult.' The 'manchild' label stings because it highlights a gap between how men see themselves and how they actually show up. Like Garcia and Westerholtz, I'm learning to show up differently for my sons. I need to be a father who is sometimes a friend, not a friend who is sometimes a father. That track meet taught me the hard way. Now, I check every appointment, every schedule, every exam and essay due date. Nothing has been missed since. My sons are 18 now, and my habit of double-checking everything still annoys them. But I would rather that than let them down again. As Westerholtz put it: 'You're not less of a man for softening. You're just becoming less of a boy.' Related... How To Avoid Being The 'Angry Dad' — Even If That's The Kind Of Father You Had Sabrina Carpenter Fans Are Fuming Over Her 'Degrading' New Album Artwork I'm A Gender Researcher & This Is The Real Reason Women Are Stepping Away From Dating & Relationships Solve the daily Crossword