
Wildlife conservationist and author Maruti Chitampalli passes away at 93
Born on November 5, 1932, in Solapur, Chitampalli served in the Maharashtra Forest Department for over 36 years. During his tenure, he played a key role in wildlife and forest management, especially in ornithology, and represented India at several international conferences, presenting papers on biodiversity and conservation. He remained active in advisory roles even after retirement, contributing to academic and policy initiatives in the field of environment.
An acclaimed writer, Chitampalli pioneered nature writing in Marathi with his vivid, lyrical descriptions of birds, forests, animals, and tribal life. His books Ranvata, Nisargachitre, Pakshimitra, and Junglecha Doctor introduced readers to the unseen, untouched rhythms of the wilderness. He seamlessly blended scientific observation with a literary sensibility, earning him a wide readership and inspiring generations of nature lovers and writers.
In 2006, he presided over the 83rd Akhil Bharatiya Marathi Sahitya Sammelan held in Solapur, using the platform to awaken ecological awareness among the Marathi-speaking public. His contributions were formally recognised with the Vinda Karandikar Jeevan Gaurav Puraskar in 2017 by the Government of Maharashtra. In April 2025, he was awarded the Padma Shri for his lifetime achievements in literature and environmental conservation.
Chief minister Devendra Fadnavis said 'Chitampally sir, who knew 13 languages, expressed many of the wonders of nature in words. He put into words the knowledge possessed by the tribals. He told the world the language of birds. He made the knowledge he created, the Vanopanishad and Pakshikosha, available to us forever. While serving literature, he also held the post of president of the Akhil Bharatiya Marathi Sahitya Sammelan. For his comprehensive work, he was honoured with the Padma Shri Award this year.'
Milind Joshi, president, Akhil Bharatiya Marathi Sahitya Mahamandal, said, 'With a blend of passion, deep study, and lived experience, Chitampalli carved a space for himself in Marathi literature. He gave voice to forests, animals, birds, and trees. His works introduced Marathi readers to tribal dialects and the mystical life of nature that had long remained unknown. His encyclopaedic compilations on birds, wildlife, and flora enriched Marathi lexicography. With his passing, we have lost a sage-like literary figure.'
For the past decade, the Pune-based Adventure Foundation has been presenting the Maruti Chitampalli Nisargamitra Award in his honour. Its president, Vivek Deshpande, who shared a four-decade-long association with Chitampalli, recalled, 'We went on countless jungle safaris together. He taught me what it really means to conserve the forest. We had long hoped that he would receive the Padma Shri. Just two months ago, I spoke to him about the award and we were planning a felicitation event in Pune. Unfortunately, due to his ill health, he couldn't attend — a moment now lost forever. But the award named after him will continue to celebrate his legacy.'
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Hindustan Times
10 hours ago
- Hindustan Times
Taste of Life: Encouraging fasting to protect religious traditions
Pune: In early twentieth-century Colonial India, a resurgence of religio-cultural self-awareness that endorsed traditions played a significant role in defining cultural identities. This self-awareness existed alongside the diversities based on caste, ethnicity, and region. The encounter with modernisation sharpened the expressions of cultural identity that differed from traditional religio-cultural conflicts. Movie halls like the Minerva Talkies and Prabhat were known to distribute dates to the fasting audience. Fasting on 'Ekadashi' was considered a tool to bridge the gaps and rifts between different castes and communities. (HT) Keshav V Datye of Shukravar Peth, Pune, wrote a letter to the Marathi daily 'Dnyanaprakash' on July 29, 1940, that began with the criticism of the youth for indulging in frivolity by watching movies on the important festival of 'Ashadhi Ekadashi'. 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The fast ended after the evening ritual of paying obeisance to the spiritual or religious guru of the family or the deity. Some well-to-do families in Pune organised community feasts in Vishnu temples in the city. Many invited their guru, or a Brahmin for lunch. It was also a day when students bowed before their teachers in schools and colleges. The Hindu unification project, initiated and led by the likes of Mahadevshastri Divekar in the early 1920s, called for the abolition of rituals that encouraged the segregation supported by the caste system. Fasting on 'Ekadashi' was considered a tool to bridge the gaps and rifts between different castes and communities, chiefly owing to the association with the pilgrimage to Pandharpur, where men and women belonging to different castes and communities participated. Those not fasting every 'Ekadashi' were not considered good Hindus. Following religious rituals was deemed necessary to preserve Hinduism in its 'pure' form. As a result, groups like 'Tarun Maharashtra Mandal' organised bhajans and keertans for three days before the 'Ashadhi Ekadashi' in the so-called 'lower caste' localities. People belonging to these castes and communities were urged to fast and follow Hindu rituals. Extra shows of movies and plays, apart from the regular shows at 6 pm and 10 pm, were organised at 3 pm on 'Ashadhi Ekadashi'. Movies like 'Sant Sakhu' and 'Sant Meerabai' were shown, and plays like 'Swargasundari' were staged. The trend probably started in the late 1920s. On the 'Ashadhi Ekadashi' in July 1930, Jagadish Film Company's 'Dwarakadhesh' was screened at Aryan Theatre. The 3 pm show was packed with a large crowd outside the movie hall shouting at the doorkeeper to let them in. In the following years, movie halls in Pune made it a regular custom to organise extra shows on 'Ashadhi Ekadashi'. Movie halls like the Minerva Talkies and Prabhat were known to distribute dates to the fasting audience. According to Datye, 'Ashadhi Ekadashi' was an occasion to cleanse mind and body, and those watching movies and drinking 'soda-lemon' were drifting away from the purpose, and hence, from their religion. The young men, on whom 'future of the country rested', were supposed to take pride in the glorious religious traditions of Hinduism; 'modern education' had corrupted the minds of men and women who were gratified by 'western indulgences', but the least they could do was fast on 'Ashadhi and Kartiki Ekadashis', he wrote. Datye's letter in 'Dnyanaprakash' was a testament to the renewed enthusiasm surrounding Hindu festivals in twentieth-century Maharashtra that emphasised the importance of fasting and prayer as integral to the lifestyle of the community, and that these practices were deeply embedded in their religious identity. It showed how the stress, emotions, and novelty associated with westernisation and modernity collided with challenges from the internal and external world that demanded self-control, orderliness, and homogeneity. Chinmay Damle is a research scientist and food enthusiast. He writes here on Pune's food culture. He can be contacted at


Time of India
2 days ago
- Time of India
Freezed since 2012, teacher hiring must restart: Former ZP member
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Time of India
3 days ago
- Time of India
Govt cites Kakodkar's PoP report, he says it's harmful
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