Here's my top 10 Edinburgh Festival picks not to be missed
Hanif Kureishi: Shattered but Unbroken
Edinburgh International Book Festival, Venue T, Edinburgh Futures Institute, August 15, 3.15pm
Author Hanif Kureish (Image: Getty Images)
Some years ago (maybe around the time Gordon Brown was Prime Minister) I interviewed Hanif Kureishi at his home. He was a splendid, feisty, bullish interviewee, calling out my questions and taking the hump at times. In 2022 he suffered a fall that left him paralysed. He's now a tetraplegic. If anything, he might have become a better, braver writer as a result. Hosted by journalist Chitra Ramaswamy, this Book Festival event sees him appear remotely, but, such is the force of his personality even now, that shouldn't make any difference.
CLASSICAL
Best of Monteverdi Choir
Edinburgh International Festival, Usher Hall, August 4
I do like a choir. And in this year's compact (or should that be financially constrained?) Edinburgh International Festival this is the performance I'm drawn to. Led by conductor Jonathan Sells, it should be a showcase for the choir and the English Baroque Soloists. The programme takes in Purcell and Bach (both JS and Johann Christoph) and culminates with a performance of Handel's Dixit Dominus.
ART
Andy Goldsworthy: Fifty Years
Royal Scottish Academy, July 28-November 2
Stretched Canvas on Field, with mineral block removed, after a few days of sheep eating it, 1997 (Image: Andy Goldsworthy)
Sometimes you can have enough of flyers and street jugglers and dingy comedy venues, right? That's the time to take in an exhibition. And this August you are spoiled for choice in Edinburgh. Resistance, curated by filmmaker Steve McQueen, continues at Modern Two for anyone seeking inspiration to be an activist. Dovecot Studios is home to an exhibition dedicated to the textile design of IKEA and the Scottish Gallery has a celebration of the artist Victoria Crowe on her 80th birthday. All well worth your time. And then there is Andy Goldsworthy taking over the Royal Academy. This exhibition includes more than 200 works by Scottish-based environmental artist, including an expansive new installation built in situ. Remarkable work from a remarkable man.
TALK
Tim Pope
Fringe by the Sea, The Dome, North Berwick, August 2, 2.45pm
It's tempting to forego [[Edinburgh]] all together this August and just decamp to North Berwick for the duration. Because this year's Fringe by the Sea programme contains everyone from Chris Hoy, Eddi Reader, Judy Murray and Jim Moir (aka Vic Reeves) to Hamish Hawk, the Bluebells and Dave from Blur. There's even an indie disco overseen by Scotland's pre-eminent musical Stuarts, Murdoch and Braithwaite.
But can I single out this appearance by director Tim Pope? His work with The Cure, Siouxsie Sioux, Talk Talk, Soft Cell, Strawberry Switchblade and even Wham! (he directed the video for Young Guns Go For It) made him one of the key visual artists of the 1980s. In this special event he's in conversation with Vic Galloway.
FILM
Grow
Edinburgh International Film Festival, August 16-19, Cameo, Filmhouse, Vue, various times
Grow with Nick Frost (Image: unknown)
I suppose we should be grateful that we still have an [[Edinburgh]] International Film Festival at all after the collapse of CMI in 2022, but even before that it seemed to be struggling to match the buzz and the engagement found at the other end of the M8 at the annual Glasgow Film Festival. This is the second year of the revivied Film Festival under director Paul Ridd and it comes trailing some criticism that it's not Scottish enough. (Critic and journalist Siobhan Synnot has claimed that 90 per cent of the people selecting films for the festival live outside Scotland).
Despite all that, there is much to see here. As well as a retrospective of Budd Boetticher westerns, there will be in-person conversations with directors Andrea Arnold (Red Road, Fish Tank) and Nia DaCosta (Candyman, The Marvels and the upcoming 28 Years later sequel The Bone Temple), producer Jeremy Thomas, as well as premieres from directors including Paul Andrew Williams, Andrew Kotting, Helen Walsh and the Dardenne brothers. I'm intrigued to see Grow, the new film from Scottish director John McPhail (Anna and the Apocalypse), with a cast of familiar British comedy faces (including Jane Horrocks and Nick Frost) and a plot description that combines the phrases 'Scottish fantasy' and 'pumpkin-growing contest'.
FILM
Bulk
Edinburgh International Film Festival, Cameo, August 14, 11.55pm
And sticking with the film festival ... 'This is a midnight film through and through. Car chases, gun fights, sci-fi and romance,' director Ben Wheatley has said of his new film Bulk which is having its world premiere at this year's EIFF, part of the festival's Midnight Madness strand. Sounds fun. Wheatley's last outing was Generation Z, the Channel 4 TV horror series (the one with Anita Dobson and Sue Johnston as OAP zombies). Before that he gave us The Meg 2. But I'm hoping Bulk - which stars Sam Riley and Noah Taylor - might be fit to stand alongside his best films, Kill List and A Field in England, both of which belied small budgets to offer up potent, unheimlich horror thrillers. Here's hoping this is another one. If midnight is too late for you, there are screenings of the film on Friday, August 15 at the National Galleries and Vue, and there will be a special In Conversation event with Wheatley himself on August 15 at 1.30pm at the Tolcross Central Hall Auditorium.
DANCE
Journey of Flight: Kathryn Gordon
DB3 @Dance Base, August 12-17, 2.30pm
Intrigued by the sound of this dance performance based on the migration patterns of birds and the idea of place. Accompanied by live music from Jenny Sturgeon, Shetland-based dance artist and choreographer Kathryn Gordon's show combines bespoke visuals and avian-inspired movement and should offer a calm retreat from the hurlyburly of the Grassmarket. 'We've really explored what home is to us and that feeling of nostalgia and leaving and coming back,' Gordon says of the piece. It also involves paper planes. And who doesn't love paper planes?
POETRY
At What Point with Caitlin O'Ryan
Spiegeltent, Edinburgh International Book Festival, August 19, 6pm
Actor Caitlin O'Ryan was a regular in the TV series Outlander, but it's her spoken-word poetry that has really got her noticed. Last year her performance of her poem At What Point went viral and it wasn't hard to see why: an impassioned cri de coeur about violence against women, gender inequality and the challenges of female experience, it had echoes of Self Esteem's breakthrough hit I Do This All the Time. But, if anything, O'Ryan's words hit even harder. In this book festival event she talks to Holly McNish.
COMEDY
Zainab Johnson: Toxically Optimistic
Pleasance Courtyard (Above), July 30-August 24
There is quite a lot of work-in-progress shows coming to Edinburgh this summer, Aisling Bea, the wonderful Ania Magliano, Laura Smyth and Larry Dean among them. Nothing wrong with that but usually Edinburgh is what you're progressing towards. Case in point. Zainab Johnson may have her own hit stand-up show on Amazon Prime (Hijabs Off), but here she is making her debut at the Fringe. Johnson's new show talks gun ownership (yes, she is American), relationships and, as the title suggests, optimism as a toxic trait.
To purchase tickets for the Fringe, please click here
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Here's my top 10 Edinburgh Festival picks not to be missed
BOOK EVENT Hanif Kureishi: Shattered but Unbroken Edinburgh International Book Festival, Venue T, Edinburgh Futures Institute, August 15, 3.15pm Author Hanif Kureish (Image: Getty Images) Some years ago (maybe around the time Gordon Brown was Prime Minister) I interviewed Hanif Kureishi at his home. He was a splendid, feisty, bullish interviewee, calling out my questions and taking the hump at times. In 2022 he suffered a fall that left him paralysed. He's now a tetraplegic. If anything, he might have become a better, braver writer as a result. Hosted by journalist Chitra Ramaswamy, this Book Festival event sees him appear remotely, but, such is the force of his personality even now, that shouldn't make any difference. CLASSICAL Best of Monteverdi Choir Edinburgh International Festival, Usher Hall, August 4 I do like a choir. And in this year's compact (or should that be financially constrained?) Edinburgh International Festival this is the performance I'm drawn to. Led by conductor Jonathan Sells, it should be a showcase for the choir and the English Baroque Soloists. The programme takes in Purcell and Bach (both JS and Johann Christoph) and culminates with a performance of Handel's Dixit Dominus. ART Andy Goldsworthy: Fifty Years Royal Scottish Academy, July 28-November 2 Stretched Canvas on Field, with mineral block removed, after a few days of sheep eating it, 1997 (Image: Andy Goldsworthy) Sometimes you can have enough of flyers and street jugglers and dingy comedy venues, right? That's the time to take in an exhibition. And this August you are spoiled for choice in Edinburgh. Resistance, curated by filmmaker Steve McQueen, continues at Modern Two for anyone seeking inspiration to be an activist. Dovecot Studios is home to an exhibition dedicated to the textile design of IKEA and the Scottish Gallery has a celebration of the artist Victoria Crowe on her 80th birthday. All well worth your time. And then there is Andy Goldsworthy taking over the Royal Academy. This exhibition includes more than 200 works by Scottish-based environmental artist, including an expansive new installation built in situ. Remarkable work from a remarkable man. TALK Tim Pope Fringe by the Sea, The Dome, North Berwick, August 2, 2.45pm It's tempting to forego [[Edinburgh]] all together this August and just decamp to North Berwick for the duration. Because this year's Fringe by the Sea programme contains everyone from Chris Hoy, Eddi Reader, Judy Murray and Jim Moir (aka Vic Reeves) to Hamish Hawk, the Bluebells and Dave from Blur. There's even an indie disco overseen by Scotland's pre-eminent musical Stuarts, Murdoch and Braithwaite. But can I single out this appearance by director Tim Pope? His work with The Cure, Siouxsie Sioux, Talk Talk, Soft Cell, Strawberry Switchblade and even Wham! (he directed the video for Young Guns Go For It) made him one of the key visual artists of the 1980s. In this special event he's in conversation with Vic Galloway. FILM Grow Edinburgh International Film Festival, August 16-19, Cameo, Filmhouse, Vue, various times Grow with Nick Frost (Image: unknown) I suppose we should be grateful that we still have an [[Edinburgh]] International Film Festival at all after the collapse of CMI in 2022, but even before that it seemed to be struggling to match the buzz and the engagement found at the other end of the M8 at the annual Glasgow Film Festival. This is the second year of the revivied Film Festival under director Paul Ridd and it comes trailing some criticism that it's not Scottish enough. (Critic and journalist Siobhan Synnot has claimed that 90 per cent of the people selecting films for the festival live outside Scotland). Despite all that, there is much to see here. 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Car chases, gun fights, sci-fi and romance,' director Ben Wheatley has said of his new film Bulk which is having its world premiere at this year's EIFF, part of the festival's Midnight Madness strand. Sounds fun. Wheatley's last outing was Generation Z, the Channel 4 TV horror series (the one with Anita Dobson and Sue Johnston as OAP zombies). Before that he gave us The Meg 2. But I'm hoping Bulk - which stars Sam Riley and Noah Taylor - might be fit to stand alongside his best films, Kill List and A Field in England, both of which belied small budgets to offer up potent, unheimlich horror thrillers. Here's hoping this is another one. If midnight is too late for you, there are screenings of the film on Friday, August 15 at the National Galleries and Vue, and there will be a special In Conversation event with Wheatley himself on August 15 at 1.30pm at the Tolcross Central Hall Auditorium. DANCE Journey of Flight: Kathryn Gordon DB3 @Dance Base, August 12-17, 2.30pm Intrigued by the sound of this dance performance based on the migration patterns of birds and the idea of place. Accompanied by live music from Jenny Sturgeon, Shetland-based dance artist and choreographer Kathryn Gordon's show combines bespoke visuals and avian-inspired movement and should offer a calm retreat from the hurlyburly of the Grassmarket. 'We've really explored what home is to us and that feeling of nostalgia and leaving and coming back,' Gordon says of the piece. It also involves paper planes. And who doesn't love paper planes? POETRY At What Point with Caitlin O'Ryan Spiegeltent, Edinburgh International Book Festival, August 19, 6pm Actor Caitlin O'Ryan was a regular in the TV series Outlander, but it's her spoken-word poetry that has really got her noticed. Last year her performance of her poem At What Point went viral and it wasn't hard to see why: an impassioned cri de coeur about violence against women, gender inequality and the challenges of female experience, it had echoes of Self Esteem's breakthrough hit I Do This All the Time. But, if anything, O'Ryan's words hit even harder. In this book festival event she talks to Holly McNish. COMEDY Zainab Johnson: Toxically Optimistic Pleasance Courtyard (Above), July 30-August 24 There is quite a lot of work-in-progress shows coming to Edinburgh this summer, Aisling Bea, the wonderful Ania Magliano, Laura Smyth and Larry Dean among them. Nothing wrong with that but usually Edinburgh is what you're progressing towards. Case in point. Zainab Johnson may have her own hit stand-up show on Amazon Prime (Hijabs Off), but here she is making her debut at the Fringe. Johnson's new show talks gun ownership (yes, she is American), relationships and, as the title suggests, optimism as a toxic trait. To purchase tickets for the Fringe, please click here
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