logo
From Abu Dhabi to Amman: District 105 Toastmasters Take the Spotlight at DTAC 2025

From Abu Dhabi to Amman: District 105 Toastmasters Take the Spotlight at DTAC 2025

Mid East Info10-06-2025

Dubai, United Arab Emirates: Toastmasters from four countries came together with members from Oman, Abu Dhabi, Jordan, and Palestine in Amman for DTAC 2025, the District 105 Annual Conference. Held under the theme 'Rise to Inspire,' the event showcased the region's dedication to empowering confident communicators and leaders, with strong representation from Abu Dhabi and other regions. The conference was led by TM Mohammed Al-Kiswani and his team in Jordan.
With over 250 attendees, the two-day event brought together diverse voices to celebrate courage, connection, and growth. Members shared stories, stepped boldly into the spotlight, and transformed fear into confidence – proving once again the power of Toastmasters to uplift and inspire.
Keynote Inspiration
One of the featured keynote speakers was Mohammed Murad, DTM from Dubai, a previous International President of Toastmasters International. His thought-provoking session, 'Leadership: Reality or Illusion?' invited attendees to reflect on the essence of authentic leadership, leaving the audience inspired and introspective.
Elevating Voices Through Speech Contests
Four captivating English contests filled the conference with laughter, insight, and inspiration. The champions who rose to the occasion were: Evaluation Contest Champion – TM Agnik Bose (Oman)
– TM Agnik Bose (Oman) Humorous Speech Contest Champion – TM Thomas John (Oman)
– TM Thomas John (Oman) Table Topics Contest Champion – TM Krishan Kumar (Oman)
– TM Krishan Kumar (Oman) International Speech Contest Champion – TM Rasiah Raslyn Agatha (Abu Dhabi)
Running simultaneously, the Arabic Speech Contest showcased District 105's linguistic diversity, reinforcing Toastmasters' commitment to empowering voices in every language and ensuring regional representation across the district.
The Defining Moment
A deeply moving moment was the recognition of 94-year-old DTM Haifa Al Bashir, honored for 25 years of Toastmasters service. Though she arrived in a wheelchair, her energy lit up the room. With a twinkle in her eye, she declared, 'I came prepared to give a BIG speech,' and delivered one that resonated with every listener.
She was joined by fellow Silver Jubilee honorees: TM Mary Shawareb, DTM Haifa Sharaiha, DTM Maisoun Armouti, and TM Raghad Keilani – all celebrated for their lifelong commitment and contributions.
Leadership Recognition and Awards
District Director Saiju Victor, DTM expressed heartfelt appreciation to all members, clubs, and leaders whose efforts led to District 105 achieving Distinguished District status. He also welcomed the incoming district leaders for the 2025–2026 term.
The District Annual Awards honored excellence in Program Quality, Club Growth and Public Relations presented by: Program Quality Director Cyprian Misquith, DTM
Club Growth Director Ramanujam Raghavan, DTM
Public Relations Manager TM Maria Theresa de Mesa Mendoza
Looking Ahead: DTAC 2026 Abu Dhabi
The exciting announcement of DTAC 2026 to be held in Abu Dhabi, led by Chair TM Hadi Ali with Toastmasters from Abu Dhabi took the stage in a stunning display of unity. With its cultural richness and innovative spirit, DTAC 2026 promises an immersive and inspiring experience – an event the District is already looking forward to.
About District 105 Toastmasters:
District 105 is a part of Toastmasters International, supporting members across Oman, Abu Dhabi, Jordan and Palestine in developing public speaking and leadership skills. With the District's tagline 'Learn and Enjoy' the district offers a supportive and fun environment for personal and professional growth through the globally recognized Pathways educational program. With a strong focus on integrity, respect, service, and excellence, District 105 empowers individuals to become confident communicators and effective leaders in their communities.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Meet Mo Islam: The Podcaster Helping Rewrite Saudi's Story
Meet Mo Islam: The Podcaster Helping Rewrite Saudi's Story

CairoScene

time11 hours ago

  • CairoScene

Meet Mo Islam: The Podcaster Helping Rewrite Saudi's Story

Somewhere between the quiet hum of production gear and the clink of ceramic coffee cups, Mo Islam leans back in his chair, eyes focused but posture relaxed—the kind of composure you only earn after 160 episodes, a thousand follow-ups, and five years of never missing a beat. We're in the softly lit studio of The Mo Show. Nestled in the heart of Riyadh's evolving media district, it's one of the most distinctive podcasts to emerge from the region—not just in sound, but in purpose. Mo has hosted Rio Ferdinand, Gary Vaynerchuk, Princess Reema bint Bandar, and the CEO of IWC. He's moderated Boris Johnson. He's sat across from astronauts, Saudi sports champions, Formula E founders, fintech pioneers, and the quiet architects of cultural change. His guests are not chosen for virality but for credibility, conviction, and the ability to mark a moment. Which makes it all the more striking that this entire platform was built by someone with no formal background in media. He'd spent over a decade in oil and gas—nowhere near a studio, a script, or a strategy deck. 'I had absolutely no connection to the media industry,' he tells me. 'I mean, maybe a little bit of interest when I was in school in England and there was some radio...' The real shift happened during COVID lockdown. Six to eight weeks at home gave him space to reflect—and time to binge-watch podcasts. One episode in particular, featuring tech thinker Naval Ravikant on The Joe Rogan Experience, cracked something open. 'That episode spoke to me,' he says. 'I saw the industry right before my eyes. I acknowledged we don't have anything like that on a local level in Saudi.' It wasn't just the content. It was the format—long-form, unscripted, independent. No networks. No protocol. Just people talking. And in Mo's case, a glaring gap: there was no one doing that kind of deep, unfiltered conversation out of Saudi. Especially not in English. 'I didn't want to spend another day building someone else's dream,' he says. 'The information revolution is among us. So I went from oil and gas, which was industrial revolution, to the media space, which is the information revolution.' He signed up for a podcasting masterclass. Bought the gear. Started learning. For the next three years, he juggled it all—his job, his family, and the slow, steady building of The Mo Show. Mo grew up in Jeddah, the eighth of eleven siblings, before being sent to prep school in Berkshire and later university in Boston. That back-and-forth shaped him: Saudi by origin, but fluent in the grammar of Western discourse. 'I think in English,' he says—and that clarity of language would become his clearest tool. If there's a single thread that runs through every episode—beyond the polished cadence of his voice or the off-guard honesty he draws from his guests—it's this: a desire to correct the record with precision, persistence, and, crucially, in English. 'In the early days I was asked a lot about why am I doing it in English by my fellow citizens,' he recalls. 'That's when I knew that okay, clearly my content isn't for them... Let me double down on my strengths as opposed to working on my weaknesses and put something out there fully in English to hopefully one day with consistency be a source of soft power for the kingdom. I think we achieved that today.' And he has. Consistency, more than anything else, is his secret weapon. 'In the last five years, we have put out about an episode every 11 days,' he says. 'The consistency element really is the only thing that eventually works in your favor, like the seventh wonder of the world.' Princess Reema's appearance—arguably the show's flagship episode—was a moment of quiet validation. 'She is someone who can go on any interview show she chooses, yet she came on my show and helped empower me. That really showed me that I'm on the right track.' Increasingly, Mo Islam is not just hosting—but moderating on global stages. From Boris Johnson and Karim Benzema to astronauts, finance chiefs, women's football leaders and Formula E founders, Mo has become the go-to English-speaking Saudi voice for public discourse. Today, The Mo Show has sponsors like Tim Hortons, IWC, Noon, and Saudi Airlines. It's backed by KAFD, Riyadh's futuristic business district. International guests reach out directly. Whoop, the American performance wearable company, didn't just sponsor the show—they sent their CEO on as a guest. He's even shared a short exchange with Will Smith and Martin Lawrence. And yet, ask Mo what drives him, and he doesn't mention numbers or monetization. 'I love the craft,' he says simply. 'I used to love updating the website as much as, you know, 1, 2, 3, we're rolling... It never really felt like work. It's like a dream job for me.' Even now, when his strategy head Greg begs him to delegate, he stays deeply involved. 'He understands that I'm very much involved because I love the craft,' Mo explains. 'And I guess that's maybe why I've been doing it now consistently for five years... because it never really felt like work.' There's an unmistakable clarity to the way he speaks about purpose, and it cuts through even when the conversation turns light. A trip to Cirencester this summer with his wife and kids. The memory of updating the studio website himself. The fact that some of his family 'were a bit worried' during the early episodes. 'Historically, Saudi freedom of speech, you know, choosing to put yourself out there was very much not the norm,' he admits. 'But I knew that through my message and my intent and my patriotism… I'll always be the first line of defense for Saudi.' The Mo Show is ultimately a calibrated response to years of narrative absence. 'I honestly felt that the Wester Press was intentionally ignoring the positivity that exists on the ground here by way of achievements or projects.' he tells me. 'Yet a rising tide lifts all boats... Just because one region or country is on the up, it doesn't mean that it should come at the cost of a country going down.' He speaks from experience. His cousin, a former rower at Cambridge, went on to compete for Saudi at the Tokyo Olympics after being supported by the Ministry of Sports. 'Actors, musicians, if you are talented and you are fit for representation, you will be empowered by the top,' he says. 'That's what I've noticed in the last couple of years as I've peeked behind the curtain... and knocked on the door of excellence.' That clarity—paired with consistency—is what has made The Mo Show not just successful, but sustainable. Now, Mo is thinking about expansion. 'We are working on the show spinning off into a new touchpoint,' he hints. 'A medium that will coexist with the show as we know it.' He won't say more than that, not yet. But it's clear whatever comes next will carry the same DNA: self-funded, self-built, self-aware. An English-speaking Saudi voice that doesn't speak on behalf of anyone, but speaks with clarity, conviction, and a command of both form and content. 'We need this first line of defense in English,' he tells me again, near the end of our conversation. 'The people at the top... they can't break protocol when they speak. I can.' And he has. Quietly, consistently, and without compromise.

Beat the Heat Fest Returns This July With Regional Stars & Concerts
Beat the Heat Fest Returns This July With Regional Stars & Concerts

CairoScene

time2 days ago

  • CairoScene

Beat the Heat Fest Returns This July With Regional Stars & Concerts

Running from July 4th to 13th at the Dubai World Trade Centre, the festival will feature artists like TUL8TE, Soulja, Almas, and more. Jun 25, 2025 The fourth edition of Beat the Heat – Dubai's iconic concert series bringing global superstars together on one stage – is set to take Dubai World Trade Centre by storm from July 4th to 13th. Here's everything you need to know: On July 4th, Egyptian rapper TUL8TE kicks off the series, performing crowd favorites like 'Habibi Leih' and 'Matigi A'adi Aleiki', while sharing the stage with the UAE's own Almas, known for her blend of English and Arabic lyricism. The following day, July 5th, Egyptian band Sharmoofers will take the stage alongside Jordanian singer-songwriter Aziz Maraka, delivering hits like Maraka's 'Mafi Mennik' and 'Ahla Wahda', and Sharmoofers' fan-favorites 'Zambahola' and 'Arosty'. Next week, on July 11th, Sudanese rapper Soulja will take the stage with fiery bars and popular tracks like 'Suits' and 'Argeen', joined by Montiyago's signature sounds and Mo Ali's reggae-infused hits. The energy continues on July 12th with Saudi pop sensation Bader Al Shuaibi performing chart-toppers like 'Bravo Aleik', alongside Kuwaiti star Abdulaziz Louis and Iranian artist Nasser Abbas. The final day of the series, July 13th, will see the likes of Akhras, Big Sam, and Lana Lubany take the stage – a powerhouse trio whose combined energy promises a thrilling grand finale. Ticket prices start from AED 105 and can be secured by heading to VisitDubai's official website.

London museum opens vast 'on-demand' storehouse to public - Visual Art - Arts & Culture
London museum opens vast 'on-demand' storehouse to public - Visual Art - Arts & Culture

Al-Ahram Weekly

time19-06-2025

  • Al-Ahram Weekly

London museum opens vast 'on-demand' storehouse to public - Visual Art - Arts & Culture

Imagine being able to visit a museum and examine up close thousand-year-old pottery, revel alone in jewellery from centuries past or peer inside a Versace bag. Now London's V&A has launched a revolutionary new exhibition space, where visitors can choose from some 250,000 objects, order something they want to spend time looking at, and have it delivered to a room for a private viewing. Most museums have thousands of precious and historic items hidden away in their stores, which the public never gets to see or enjoy. But the V&A Storehouse, which opened on May 31 in a specially converted warehouse, has come up with a radical new concept. And it is totally free. "Museums should be and are for everybody ... the V&A's collection is for everybody. It belongs to everybody, and everyone should be able to have free, equitable, and meaningful access to it," said senior curator Georgia Haseldine. "So this is a world first, never has anyone been able to be invited freely, without having to book into the same space as a national collection, on this scale." One fifth of the museum's total collection is now available to be viewed and enjoyed in the four-storey building on the former site of the 2012 London Olympic Games. - No protective glass - "It's fantastic, it's so much better than an ordinary museum," enthused retired physics teacher Jane Bailey as she toured the floors. "I'm just really, really impressed by it. We've only just heard about it, but it's phenomenal." She was transfixed by the sight of the black and red drum kit which belonged to Keith Moon, from the band The Who, saying it would be great to be able to resuscitate the legendary drummer who died in 1978, to play a set for them. Jostling for space, side-by-side on shelves in a massive hanger which resembles a DIY warehouse and stretches for more than 30 basketball courts, are everything from ceramics and tapestries, to paintings and toys from the Tudor period. There is even a whole 15th-century gilded wooden ceiling from the now-lost Torrijos Palace in Spain, and the Kaufmann Office, a panelled room which is the only complete Frank Lloyd Wright interior outside of the United States. Also on display is a stunning 12-metre tall (40-foot) stage cloth made for a 1924 Ballets Russes show, "Le Train Bleu". The copy of a Pablo Picasso painting is so huge it has been rarely seen since its stage debut. There is no protective glass. One of the first visitors to the Storehouse was Princess Catherine, a patron of the V&A and keen art lover, who took a tour on Tuesday. She described the collection as "eclectic" as she used the "order an object" system to look at a samples book from renowned 19th century English textiles designer William Morris as well as rolls of ornate textiles and a musical instrument. All the works are available to the public seven days a week, and can be reserved via an online booking system for a private viewing at a date and time of your choice. Members of staff are on hand paying close attention as visitors don purple gloves and satisfy their curiosity, spending time with the object of their choice. - 'Love letter' - It's a huge departure from the usual admonishment of "Don't touch!" found in most museums seeking to protect their objects from damage. Curator Haseldine acknowledged "we have certainly met with some levels of scepticism and worry". But she said once the idea was explained properly, including "how meaningful it is to... start to open up and give collections back to a community... people just start to think creatively about how we can do this." American Manuel Garza said he thought the V&A Storehouse was "one of the most interesting spaces that just opened up here in London". Haseldine said "this building is a love letter to objects". "To be able to see around the back of an object, to be able to look inside a dress, to be able to see the bottom of a pot, all these things are how we really learn about our material culture," she added. Expert Kate Hill, who teaches cultural history at Lincoln University, said "it's pretty unusual for museums to open up their storehouses". "Most of the time they offer some 'behind the scene' tours, but their objects are not accessible. It's visible but not accessible." Visitor Jane Bailey said: "I would hope that this is the museum of the future, because some are very, very stuffy. We went to one recently and it was excruciating." Follow us on: Facebook Instagram Whatsapp Short link:

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store