100% it's Prabhas who brought in good openings for Kannappa, admits Vishnu Manchu with ‘no ego'
Before Metro…In Dino releases, explore five heartwarming Hindi romantic films on OTT, including Jab We Met, Rockstar, Raanjhanaa, Shaadi Mein Zaroor Aana, and Qarib Qarib Singlle, each offering unique love stories and emotional journeys.
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From Housefull 5 to Border 2: How Sonam Bajwa is shining with big-ticket blockbusters
In Border 2, she returns to her roots, playing the leading lady alongside Diljit Dosanjh, blending desi pride with emotional depth read more Sonam Bajwa is rewriting the rules of stardom. After reigning supreme in Punjabi cinema with a string blockbuster hits like Carry on Jatta 2 & 3, Honsla Rakh, Nikka Zaildar series, Puaada and power packed roles in Godday Godday Cha, Gudiyan Patole, Punjab 1984 amongst many others, she is now taking over Bollywood in full force. Known for her magnetic screen presence and acting prowess, Sonam has always been more than just a regional star. Her transition to Hindi cinema feels seamless and natural. And what a debut year it's turning out to be. STORY CONTINUES BELOW THIS AD She made an incredible Bollywood debut with Housefull 5, effortlessly switching between khaalis Urdu, Hindi, and her native Punjabi, leaving audiences stunned by her linguistic ease and comic timing. She quickly followed that up with the announcement of Baaghi 4, opposite Tiger Shroff, where she brings a bold and sultry energy to the screen. Next comes Deewane Ki Deewaniyat, a heartfelt romantic drama with Harshvardhan Rane. Sonam takes on a powerful, author-backed role, showing yet another shade of her range. And in Border 2, she returns to her roots, playing the leading lady alongside Diljit Dosanjh, blending desi pride with emotional depth. It is rare to see a debutante in Hindi cinema take on such a wide spectrum of roles within a single year. From comedy and glamour to action, romance, and patriotic drama, Sonam Bajwa is proving that she is not here to follow trends but to set them.
Time of India
31 minutes ago
- Time of India
Sarzameen OTT release date: When and where to watch Kajol, Prithviraj Sukumaran and Ibrahim Ali Khan's thriller
After making a quiet yet confident debut with Nadaaniyan earlier this year, Ibrahim Ali Khan is already stepping into heavier territory with his next film, Sarzameen . Set to premiere on JioHotstar on July 25, this emotionally charged thriller not only sees the young actor team up with powerhouses like Kajol and Prithviraj Sukumaran but also marks the directorial debut of Kayoze Irani , the son of Boman Irani. About the teaser The teaser, released by the makers on Monday, hints at a gripping drama rooted in duty, sacrifice, and family. Backed by Dharma Productions , Sarzameen explores the price one pays for loyalty to both country and kin. The story unfolds in the politically tense backdrop of Kashmir and follows Colonel Vijay Menon (Prithviraj Sukumaran), a decorated army officer whose life of discipline and sacrifice begins to unravel when personal and national duties collide. Kajol stars as Meera, a mother and wife trying to anchor her family in the midst of emotional turbulence, while Ibrahim Ali Khan plays Harman, a young man whose past is haunted by unspoken trauma and buried truths. His character promises a layered performance, marking a sharp pivot from his debut. What to expect from the movie? Director Kayoze Irani called Sarzameen 'profoundly intense and deeply intimate', in a press note as cited by ANI. He further added that the story allowed him to explore the emotional battlefields that are equally impactful as physical ones, and that working with such a powerful star cast was a privilege. Internet reacts Reddit users have begun buzzing about Sarzameen following its teaser release. Many drew comparisons between Kajol's character and her intense performance in Fanaa, while others expressed excitement over Prithviraj Sukumaran's commanding screen presence, saying he looks like he was born to be a Hindi film hero. Some even wondered aloud if Sarzameen could be a spiritual successor to Mission Kashmir, given its emotionally charged military backdrop.
India.com
36 minutes ago
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After Hera Pheri 3, Paresh Rawal has an big issue with...: 'Film let ke...'
In a no-holds-barred conversation with Himanshu Mehta on his podcast, acclaimed actor Paresh Rawal offered both nostalgia and sharp critique, confirming his return to the beloved Hera Pheri franchise while expressing deep concerns about the direction of Hindi cinema. Paresh highlighted how the pandemic changed audience expectations forever. 'OTT platforms offered variety, realism, and risk-taking storytelling,' he explained. The Hindi film industry, in contrast, 'has not adapted. The audience evolved, but filmmakers stayed stuck.' Rawal takes a dig at ticket prices A major pain point? Skyrocketing ticket prices. Rawal contrasted the pricing model in the South, where tickets rarely cross Rs 200, to that of Bollywood's urban multiplexes. He said, 'If the aam janta shuns your film and only the rich class endorses your films, then it's wrong. If a middle-class family, comprising 5-6 members, go to watch a film, unke Rs. 5000-6000 toh yuh nikal jaate hai… and there's no guarantee the film will satisfy you!' He also pointed out the added cost of snacks: 'The kids will, of course, ask for popcorn, soda and ice cream.' Taking a sharp dig at the plush recliner culture, Rawal didn't mince words, 'You are supposed to watch a film while sitting. Let ke nahin dekhi jaati. You haven't come to a spa! Waiters keep roaming around… Arre it's a film, not a wedding event!' He likened the experience to 'mujra viewing' and called for a return to basic, focused cinematic engagement. What's next for Paresh Rawal? On the work front, Rawal is set to appear in Nikita Roy, directed by Kussh S Sinha and starring Sonakshi Sinha, Arjun Rampal, and Suhail Nayyar. The release has been shifted to July 18. He's also part of the ensemble in Bhooth Bangla—a Priyadarshan horror-comedy alongside Akshay Kumar and Tabu—and the much-awaited Welcome To The Jungle.
