
‘Mafia' Creator Says He Doesn't Get Credit for ‘The Traitors'
Dimma Davidoff created Mafia in the mid-80s. The game splits players are split into Villagers and Mafia, with the Villagers tasked with identifying the murderous Mafia and voting them out before the Mafia kills all the villagers—which sounds a lot like how Traitors separates contestants into Faithfuls (aka the Villagers) and Traitors (aka the Mafia). Dimma reportedly published official rules online in 1998 and holds a copyright for the game. And he's been asked for the rights before, including for a 2015 Russian film called Mafia that gave him full credit.
According to Dimma, he tried reaching out to The Traitors through their website but never heard back. 'Of course, they know about the Mafia game. How can they not? If you do any kind of due diligence, you see that Mafia is my game, under copyright. My email is right there,' he told Vulture in a new interview. While he admits that game rights are 'complicated,' Dimma said, 'Game designers' work deserves recognition and reward.'
In the past few years, Traitors has become a world-wide phenomenon, starting with the 2021 premiere of the Dutch show De Verraders. A UK version launched the following year, with Peacock's US version premiering soon after. Australia, New Zealand, Canada, and Belgium also have their own versions of the show, and just last month, an Indian version debuted on Prime Video. And with the success of the franchise showing no signs of slowing, you can't blame Dimma for speaking out.
Despite his lack of credit from the show, Dimma told Vulture that he did watch season 3 of The Traitors, adding that he was surprised to see Boston Rob booted so quickly. 'Watching Boston Rob being sniffed out while being so good reminded me of my own Mafia games for many years,' he said. 'The lesson of this season is: If you are too good, it's a disadvantage. But this makes it more interesting.'

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles

USA Today
16 minutes ago
- USA Today
What time do new episodes of ‘Love Island USA' come out this weekend?
"Love Island USA" has quickly become one of America's favorite pastimes, a show audiences can watch nearly every day of the week, weekends included. Season 7 of the popular reality dating series has taken over both our television screens and social media timelines, as the Islanders go head-to-head for a chance at love and $100,000. The show, hosted by Ariana Madix, airs every day except Wednesdays, giving fans the ability to watch all of the action unfold in almost real time. "And remember, the series is filmed in real time — with a one-to-two-day delay — meaning all the Islanders are actually making avocado toast, coupling up, and dumping each other in their luxurious Fiji villa as you watch from home," per NBC Insider. Viewers, just like last season, also play a very important role in how things proceed, deciding over spontaneous voting sessions which Islanders will recouple, who will remain in the villa and who goes home heartbroken. And this weekend won't be much different. Here's what to know about this weekend's "Love Island USA" episodes, including what time to tune in. When will new episodes of 'Love Island USA' come out this weekend? Two new episodes, excluding Friday's episode, will air this Saturday, July 5 and Sunday, July 6 at 6 p.m. PT / 9 p.m. ET on Peacock. The complete "Love Island USA" Season 7 episode schedule, courtesy of NBC Insider, is as follows: How to watch 'Love Island USA' Season 7 New episodes air every day, except Wednesdays, at 6 p.m. PT / 9 p.m. ET on Peacock. Previous episodes of "Love Island USA" are available to stream on Peacock. Peacock offers two subscription options, Premium for $7.99 a month, and Premium Plus for $13.99 a month. "Love Island USA" Seasons 4-6, the upcoming Season 6 spinoff "Love Island: Beyond the Villa," "Love Island Games," the UK's "Love Island: All Stars," and seasons of "Love Island South Africa" and "Love Island Spain" can be streamed on Peacock, too. We occasionally recommend interesting products and services. If you make a purchase by clicking one of the links, we may earn an affiliate fee. USA TODAY Network newsrooms operate independently, and this doesn't influence our coverage. Our team of savvy editors independently handpicks all recommendations. If you purchase through our links, the USA Today Network may earn a commission. Prices were accurate at the time of publication but may change. Contributing: Taylor Ardrey, USA TODAY Our team of savvy editors independently handpicks all recommendations. If you purchase through our links, the USA Today Network may earn a commission. Prices were accurate at the time of publication but may change.


Atlantic
8 hours ago
- Atlantic
Five Feel-Good TV Shows
This is an edition of The Atlantic Daily, a newsletter that guides you through the biggest stories of the day, helps you discover new ideas, and recommends the best in culture. Sign up for it here. A hard day is helped along by a few creature comforts: a good meal, a few friends, the right show to unwind with. So we asked The Atlantic 's writers and editors: What's your go-to feel-good TV series? Bones (streaming on Hulu and Peacock) A proper feel-good TV show must be bingeable and must require little mental exertion. It ideally walks a fine line between earnestness and cringe, with a slight bias toward cringe. Almost by definition, these are shows that Serious People who read Serious Books and watch Serious Television admit only under duress to watching, with hemming-and-hawing caveats and a dose of performative embarrassment. For me, that show is Bones, an investigative drama centered on a team led by an Army-veteran FBI agent and a socially challenged forensic anthropologist from a Smithsonian-style institute. The series ran from 2005 to 2017, and although it is certainly a product of its time—it is cask-strength copaganda and a bit too credulous about the Iraq War—it also has plenty to say to our own era of federal-research cuts. Beneath all the gore and disinterred remains, Bones is an uplifting love letter to public service, animated by the twin beliefs that justice is achieved through the pursuit of scientific knowledge and humanistic wisdom, and, equally important, that the federal government should provide (and pay) for both. — Tyler Austin Harper, staff writer Hannibal (streaming on Prime Video) It's got to be NBC's Hannibal! Fundamentally, Hannibal is a show about people commuting to work in and around the D.C. area in the most ridiculous ways possible, who also, somehow, find time to cook dinner from scratch. Hannibal 's premise is that FBI special agent Will Graham travels to Baltimore weekly from Wolf Trap, Virginia, to get therapy from ' the late, great Hannibal Lecter.' (That's roughly one hour and 15 minutes each way! Will has seven dogs. Those dogs must have bladders of steel.) Eventually, Will realizes that Hannibal is not sourcing his meat ethically, but that revelation takes one whole season, which is fair because so many other things that happen on this show are equally suspicious. Nobody owns a TV, but Hannibal owns a harpsichord and a theremin and has time to compose on both. There is a character named Bedelia Du Maurier. Bedelia Du Maurier! She is played by Gillian Anderson, another point in the show's favor. At one point, Will even cooks a special homemade dinner for his dogs, like those people from the TV commercials. Hannibal is a show about what I imagine I would be able to do if commuting took no time at all and I did not spend my entire life staring at my phone. Also, there is cannibalism. I would not do the cannibalism. — Alexandra Petri, staff writer Season 3 of The Office (streaming on Peacock) Calling The Office a feel-good show is strange considering how the first season or two could be so uncomfortable to watch. Michael, the incompetent boss, was often cruel and offensive; Pam was in a miserable relationship with her long-term boyfriend; Jim futilely (sometimes pathetically!) pined for her. Season 3, though, is when the show starts to feel good, in part because it eases off some of its cringiest elements: Jim moves away and gets a new girlfriend, which makes him seem not so pathetic. Pam summons the courage to make big changes to her life. Michael is still Michael, but we start to see glimmers of his sweetness and humanity. I've watched this season so many times that I know many of the episodes by heart, and the image of Pam's face at the end of the final episode is imprinted on my mind's eye; she may be the happiest person ever to sit in a conference room. — Eleanor Barkhorn, senior editor *** Parks and Recreation (streaming on Peacock) I recently found myself on a flight with no Wi-Fi and only a handful of viewing options. Passing up the opportunity to rewatch Wayne's World or Chicago, I opted for the three available episodes of Parks and Recreation, and my family has been bingeing it ever since. Parks shares much DNA with its mockumentary forebearer, The Office, but diverges in ways that make it ideal for multigenerational viewing. In the 10 years since its finale, the show has proved to be both evergreen and endearingly of its time. Parks Department Deputy Director Leslie Knope (played by Amy Poehler) is a goofy and lovable good-government workaholic, a pre-rejoinder to the DOGE caricature of the lazy bureaucrat. The series brims with catchphrases ('Treat yo self!') but derives its humor from its characters. And what characters! The cast weaves together stars reinventing themselves (Rob Lowe as a hyper-optimized cheer robot, Poehler as a Hillary-wannabe girlboss) and actors on their way to stardom (including pre-swole Chris Pratt and goth-baby Aubrey Plaza). And, of course, Li'l Sebastian, RIP. — Boris Kachka, senior editor Portlandia (streaming on Sling TV and Philo) If we're talking screen time, Sex and the City is my most-watched show. But when I think about which series has produced the most bellyaching laughs and quotable one-liners, it has to be Portlandia. If you aren't already privy to the art that is this show, you're in for a treat. Carrie Brownstein and Fred Armisen star in outlandish sketches set in Portland, and the result is something both deeply satisfying and weird that ran for eight seasons. Watching Portlandia is like sitting in on a master class in comedic timing. My personal favorite sketch? A recurring one where Armisen and Brownstein own a feminist bookstore called Women & Women First. It's just great television, and the best part is that there's essentially no storyline to follow. So pick an episode, any episode, and thank me later. — Annie Joy Williams, assistant editor Catch Up on The Atlantic When you buy a book using a link in this newsletter, we receive a commission. Thank you for supporting The Atlantic.

USA Today
9 hours ago
- USA Today
July 4th fireworks on TV: Bigger NYC show to fire 80,000 shells around Brooklyn Bridge
Even TV events with built-in dramatic explosions get a bigger boom with a returning star. NBC's 49th annual Macy's 4th of July Fireworks viewing party on July 4 (8 ET/PT, and streaming live on Peacock) brings the holiday heat with the return of the iconic Brooklyn Bridge as a stunning spectacle backdrop for the first time since 2019. The famed 142-year-old suspension bridge with the telltale Gothic columns will undergo a digital facelift for its pyrotechnical closeup of 80,000 shells, following a concert hosted by Ariana DeBose featuring the Jonas Brothers, Trisha Yearwood, Lenny Kravitz, Keke Palmer, Ava Max and Eric Church. 'The Brooklyn Bridge absolutely stars in the concert and in the fireworks shot off four barges and from various points," says executive producer Will Coss, adding the bridge and columns will be enhanced digitally by "bespoke" projection mapping, which "will bring these static columns to life for the first time." New Yorkers can view the fireworks from several vantage points in the city. But TV viewers get up close to the biggest televised Independence Day fireworks show. Here's what to know about Macy's 4th of July Fireworks. The fireworks are desert-tested, 'Oppenheimer'-style Coss calls the fireworks, a 25-minute "beautifully choreographed dance" to a musical score produced by Ahmir 'Questlove' Thompson and James Poyser, accompanied by a live performance from DeBose. Gary Souza, the show's pyrotechnic designer for the last 40 years, says he has "literally shopped around the world" for this year's cutting-edge "three-dimensional" display, setting explosions as high as 1,000 feet in the air and firing horizontally from the 1,600-foot main bridge span over the East River. The bridge will be part of each fireworks burst, which will feature eight to 10 effects, many on the bridge itself. "There will be helixes, waves, and snakes that will progress and intertwine almost like a DNA molecule from bridge tower to tower," says Souza. Souza traveled to his ancestral country of Portugal to import a shimmering bridge waterfall display. The product arrived a day before Souza's June test of the show's key explosive elements in California's Mojave Desert, an annual event that resembles the "Oppenheimer" test for fireworks, where the full arsenal can be safely inspected. "They really over-delivered on this waterfall," Souza promises. "It's going to open up like a shimmering curtain in the bridge center all the way across the two towers for 60 seconds and will be one of those 'Oh My Gosh.' moments." 2025 show has more fireworks, fewer drones, still one helicopter Drones have soared into prominence in the world of fireworks displays, including previous Macy's July 4th celebrations. The 2023 event featured a 500-drone light show, and in 2024, hundreds of "pyro-drones" – equipped to mimic the visual effects of fireworks – took center stage in the spectacle on the Hudson River. However, the 2025 Macy's show is "taking a break" from show drones, says Coss, focusing the technological highlights on the bridge mapping. But drone cameras will get "up close and personal to the pyrotechnics," says Coss, supplementing dozens of cameras set in multiple locations to catch the fireworks, along with awed spectators. Still, the best TV camera shots still come from the overhead helicopter, where a high-definition onboard camera captures 'these beautiful, aerial-cinematic shots showing the city throughout the show's entirety," says Coss. Planning has been underway since last year's show. The final months included the desert test and a detailed digital rendering of the show, allowing producers to "pre-visualize" the most dramatic elements and prepare the cameras. One can't-miss show moment will feature eight unique fireworks shells individually shot off barges, including one of Souza's favorites: The Morning Glory. "It's called Morning Glory, but it looks like a jellyfish that bursts into popcorn with red tentacles," says Souza. "That's one you have to look for." The 'Golden Mile' sets up the grand finale The "Golden Mile" is a fireworks display shot from 38 positions over the East River with computer precision. That includes a 1,500-ft, gold-shimmering waterfall cascade spanning the bridge, setting up the grand finale of wall-to-wall fireworks. 'It's going to be a patriotic ending, visceral and heart-thumping with crackling reports at the end," says Souza. "We're planning on delivering a highly entertaining, patriotic show that celebrates America's birthday while over-delivering on the spectacle." Who is performing at the Macy's fireworks? The Macy's concert is hosted by Ariana DeBose featuring the Jonas Brothers, Trisha Yearwood, Lenny Kravitz, Keke Palmer, Ava Max and Eric Church. The fireworks' musical score was produced by Ahmir 'Questlove' Thompson and James Poyser, accompanied by a live performance from DeBose. How to watch the Macy's fireworks and what time? The Macy's 4th of July Fireworks show airs on NBC at 8 ET/PT (streaming live on Peacock) with the fireworks beginning at 9:25 ET/PT. There will be an hour-long NBC encore presentation at 10 ET/PT. Telemundo's telecast will air at 9 ET/PT.