Sienna Miller Offers a Summery Take on Wimbledon Whites
Miller riffed on tennis whites in a romantic Alessandra Rich dress printed with purple and orange roses. While the body-hugging mini dress could have leaned sexy, its volant collar with a black bow, puff sleeves, and ruffle at the hip gave the look a more pastoral feel. Accessorizing her sweet, summery dress, Miller added a large Bottega Veneta tote bag in the brand's signature intrecciato leather and a pair of oversized sunglasses.
Ben Whitley -Green dressed the part of a Royal Box attendee, in a navy suit, gray tie, and thick black Ray-Ban Wayfarers, matching Miller's frames.
In years past, Miller has run the gamut of Wimbledon outfits, from the flowing two-piece polka-dot set she wore last year to the cinched-waist pinstripe Ralph Lauren number she paired with towering platforms the year before. But in her white floral dress, Sienna Miller raises the perfect courtside look and the perfect summer dress.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
New York Times
31 minutes ago
- New York Times
Why Germany's wins at Euro 2025 have been unconvincing despite ‘home advantage'
A crowd of 34,165 at St. Jakob-Park in Basel, Switzerland, watched Germany defeat Denmark 2-1, setting a record attendance for a match not involving the host nation at the Women's European Championship. But it didn't explain the full picture. The stadium in Basel is a mere 10-minute drive from the German border, and as thousands of supporters marched towards the stadium 90 minutes before kick-off, it was clear this was a home match for Germany. Some of those fans would be home in a couple of hours. Even those from Hamburg, in the north of Germany, can get a direct train home tomorrow morning. Advertisement 'Today it was very, very special to be in that situation, and to be involved in this,' said manager Christian Wuck after the game. 'And that's what we tell the players: enjoy every single second of this tournament, because you don't have this type of atmosphere often. In Basel, I heard there were lots of German fans in the town centre today and that the atmosphere was really good. The fan march is really special.' A post shared by FOX Soccer (@foxsoccer) German support was audible, too. The German fans cheered the goals in the 56th and 66th minutes, booed when the video assistant referee (VAR) waved off an early goal for being offside, and banged drums throughout. But the noise grew most noticeably when Germany won possession and threatened to counter-attack. Those fans know that it's at those moments, the moments of transition, when their side are at their most dangerous. Germany's best performers thus far have been the two wide players, Jule Brand on the right and Klara Buhl on the left. They linked up seamlessly for what they thought was an opener, only for a delayed VAR decision to rule it off due to a team-mate who was interfering with the goalkeeper's line of sight. Brand and Buhl are technically sharp but also physically imposing. They dribble forward in a menacing, determined manner. It helps, too, that between them they have Lea Schuller, always peeling off into the channels hopefully and finishing with confidence, as she's done twice in as many games thus far. In Germany's 2-0 win over Poland and the 2-1 win over Denmark, however, the team has not been convincing victors. In midfield, Germany are combative rather than elegant. Sjoeke Nusken is a peculiar midfielder who does her best work when running into the opposition's box. She also scored a calm penalty to equalise here. Her midfield colleague Elisa Senss is a useful midfield terrier, snapping into tackles and holding her position. Advertisement That largely does the job against sides of this calibre, but there's also an absence of guile in possession. No-one like Melanie Leupolz, one of many players who are no longer part of this German side since the disappointment at World Cup 2023, when Germany were eliminated at the group stage, remains. Leupolz recently retired from football altogether at the age of just 31. Germany's new generation features an impressive number of quality attackers, but it tends to be defences that win major tournaments. They've only conceded once at this tournament, but they certainly give opponents chances; Denmark had five and Poland had 10. Left-back Sarai Linder spent the second half popping up in inside-left positions, allowing Buhl to stay wide. Carlotta Wamser deputised well for Giulia Gwinn, the injured captain who had to leave the tournament early after an injury against Poland — Germany's players wore white wristbands as a tribute to her on Tuesday — but she's a converted attacker rather than a solid defender. The centre-backs are often exposed; at the start of the second half, Rebecca Knaak had to stop a promising Denmark break with an incredibly cynical foul. 'We have quick players up front,' said Denmark manager Andree Jeglertz after the game. 'Germany are a very good team but at transitions, if you challenge their backline, you will have opportunities, which I think we did, especially in the first half.' That said, the only heart-stopping moments for the 'home' German fans were, when 2-1 up, goalkeeper Ann-Katrin Berger twice performed drag-backs past opponents with the ball at her feet. In his post-match press conference, Wuck was asked if he was happy with that. 'No,' he replied flatly. 'That's all I can say right now. But of course I will discuss it with her. We have to find different solutions, or I will not grow old.' Maybe Germany are just gathering momentum. Their toughest test of the group stage will come in Zurich on Saturday against Sweden, with the winner finishing top of Group C. But finishing top still won't give them an easy draw in the quarter-finals, as they'll face the runners-up from Group D, likely the Netherlands or England, the past two winners of this competition, who Germany used to defeat routinely. Those two sides were both able to count upon home advantage in 2017 and 2022, respectively. The 2025 final is back in Basel. If Germany get there, they'll be the ones with home advantage.
Vogue
31 minutes ago
- Vogue
Kate Middleton Wears a Givenchy by Sarah Burton Gown for the French State Banquet at Windsor Castle
Tonight, the Princess of Wales made a statement in a dark red Givenchy by Sarah Burton gown to a state banquet at Windsor Castle honoring French President Emmanuel Macron. The flowing silk creponne gathered evening gown featured a cape back detailing. The Princess paired it with an evening clutch embroidered with a lily of the valley motif as well as the Lover's Knot Tiara. The diadem, made by the House of Garrard in 1913, consists of diamonds and a collection of 19 hanging pearls set in silver and gold. The Lover's Knot was also a favorite of the late Princess Diana. The Princess of Wales's choice of Sarah Burton for Givenchy is a clear statement of fashion diplomacy: a design by a British woman for a French fashion house, it serves as a sartorial symbol of the symbiotic relationship between the two European countries.
Wall Street Journal
35 minutes ago
- Wall Street Journal
‘Moisturizer' Review: Wet Leg Doubles Down
If you were an indie-rock fan in 2021, you had an opinion on Wet Leg's debut single, 'Chaise Longue.' The song, built on the quiet/loud structure that defined '90s alternative rock, wasn't formally daring or particularly confrontational, but it rapidly became ubiquitous. And when that happens to a tune from a previously unknown act, some find it hard to trust, wondering if industry machinations might be behind it all. When the band, led by the English duo Rhian Teasdale (lead vocals, guitar) and Hester Chambers (guitar, vocals), finally released its self-titled debut in April 2022, its remit was to prove that there was more to the project than a viral single. It did so handily—'Wet Leg' had at least a half-dozen good-to-great songs and showed a decent amount of stylistic range. Also embedded within 'Wet Leg' were signs of where the band might later go wrong. Here and there, the group's devil-may-care attitude gave way to a more solemn approach that sounded comparatively conventional. It was possible to imagine a future record where Wet Leg teams with a hit-making super-producer, leans toward pop, and chases a younger audience with straightforward songs about relationships and personal growth. Fortunately, the band's second album, 'Moisturizer' (Domino), out Friday, does none of that. Rather, it finds Wet Leg doubling down on what made it stand out in the first place—oddball humor, disarming expressions of lust and catchy, quirky tunes touching on antecedents like the Breeders and Elastica that avoid sounding like mere novelty.
