YouTube Star Mikayla Raines Dies by Suicide at 29. 'She Couldn't Bear What She Was Feeling,' Says Husband
Her husband Ethan confirmed the news in an Instagram video on Monday, June 23, and shared that this happened after she allegedly faced bulling from people whom she considered "close friends"
He noted that he planned to "continue her dream" of saving foxes and other animals "in her name"Fox rescue activist and YouTube star Mikayla Raines has died.
Her husband Ethan confirmed the news in an emotional video on Instagram on Monday, June 23, and shared that the 29-year-old Save a Fox founder died by suicide 'a couple days ago."
"She couldn't bear what she was feeling any longer and she ended her life," he said in the video, adding that her death is "the biggest loss of my life."
Ethan went on to share that he had to perform CPR on his wife for 15 minutes until first responders arrived and paramedics tried to revive her.
He added that her daughter Freya was "heartbroken" at her mother's death.
'We have suffered a loss that is unimaginable," Ethan wrote in the caption of the video. "Mikayla was truly the most amazing and inspiring individual I have ever known, and not having her here makes everything feel empty. I feel broken.'
'But I will continue her dream, and I hope to have your support going forward so that we can do good in her name,' he added.
In the Instagram video, he noted that while Mikayla — who founded her Minnesota-based non-profit in 2017 when she was just 20-years-old — was 'one of the most selfless people I have ever known' due to her work with animals, she also faced several challenges in her private life.
'As many of you know she was on the autism spectrum and while that made her life very difficult, it allowed her to hyperfocus on one thing, and that one thing was obviously animals,' an emotional Ethan said in the video.
He also noted that the wildlife activist, who garnered over 2.4 million subscribers on YouTube, was "so sensitive to everything,' which was 'a double-edged sword.'
'On one hand, it allowed her endless empathy for those in her care. But it also means that she took everything negative to heart,' he continued.
Ethan added that in recent years, Mikayla and her animal rescue non-profit had allegedly been the focus of an 'online bullying campaign' from people she knew, including those who worked at 'other animal sanctuaries.' He said this 'hurt her a lot' and while she initially 'pushed through,' things got worse in recent months when people 'she considered her close friends' started joining in.
Never miss a story — sign up for to stay up-to-date on the best of what PEOPLE has to offer, from celebrity news to compelling human interest stories.
'[Mikayla] felt as if the entire world had turned against her,' Ethan said. 'She couldn't bear what she was feeling any longer. And she ended her life. And it breaks my heart that is selfless and devoted her life to animals could have so much negativity pointed at her,' he added.
Ethan concluded his video noting that if anyone felt "lost and hopeless," they should "reach out to someone."
He added that people should continue to "look out" for their loved ones, "look for the signs" and "do something or say something before it's too late." He also shared that he would continue Mikayla's legacy and work to save foxes.
PEOPLE has reached out to a contact for Save a Fox for comment.
If you or someone you know is considering suicide, please contact the National Suicide Prevention Lifeline at 1-800-273-TALK (8255), text "STRENGTH" to the Crisis Text Line at 741-741 or go to suicidepreventionlifeline.org.
Read the original article on People
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Gizmodo
2 minutes ago
- Gizmodo
USDA Weaponizes Adam Driver and Scarlett Johansson's ‘Marriage Story' Fight to Scare Wolves
Noah Baumbach wanted to challenge audiences with Marriage Story, making them sit in the discomfort and tension of a relationship falling apart. He probably didn't know that his audience was going to be wolves, though. According to a report from the Wall Street Journal, the famous fight scene between Adam Driver and Scarlett Johansson from Baumbach's award-winning drama is just one tool the United States Department of Agriculture has started to use in an effort to scare the growing wolf (and hungry) population in Yellowstone National Park. Here's the deal: After Yellowstone opened in the late 1800s, ranchers near the park started complaining that the wolf population was feasting on their cattle. Viewed as a threat to the food supply and humans, the US Fish and Wildlife Service set out to cull the population, and it effectively drove gray wolves into local extinction and ultimately ended up on the endangered species list. From the 1920s on, wolves were rarely seen in the park or its surrounding areas. That was, as it turns out, not great. The elk population skyrocketed as a result. Coyotes thrived in their absence, too, which did major damage to the antelope population. So in 1995, armed with decades of data and a significantly better understanding of natural predator-prey ecology, an effort was finally made to reintroduce the wolves to the park. That has gone great, both for the parks and the wolves. It has restored balance to the ecosystem, and there have been some incredible cascading effects, like the first bloom of a new generation of aspen trees in over 80 years and a major resurgence of beavers, which had been pushed to the brink of vanishing from the park. The wolves have done so well, in fact, that we're back to the starting point of this whole cycle. Ranchers are once again frustrated by the gray wolves doing a number on their cattle. Because the wolves are still considered an endangered species, the farmers can't kill them. So the USDA has opted to employ some novel techniques with the aim of scaring the wolves away. That includes using drones armed with speakers to blare loud noises. On the playlist, per the Wall Street Journal, is AC/DC's 'Thunderstruck,' the sounds of fireworks and gunshots, and the aforementioned argument from Marriage Story. 'I need the wolves to respond and know that, hey, humans are bad,' Paul Wolf, a USDA district supervisor in Oregon, told the outlet. It works… as long as the wolves don't get their paws on the drones. According to WSJ, the drones were deployed in southern Oregon after 11 cows were taken down by wolves over a 20-day period. Just two were killed over the next 85 with the drones on patrol. But the wolves have also been seen play-bowing to the drones and, when the drones go down, the wolves tear them up. Maybe they're just big fans of Adam Driver.


Geek Tyrant
2 minutes ago
- Geek Tyrant
THE SANDMAN Showrunner Reveals a BATMAN Cameo Was "Briefly" on the Table for Series Finale — GeekTyrant
It turns out The Sandman almost had a Dark Knight surprise for fans in its series finale. Allan Heinberg, the co-creator and showrunner of the Netflix series, recently revealed that a Batman cameo was 'briefly' considered as the show reached its emotional end. Anyone familiar with Neil Gaiman's original comic run knows The Sandman is rooted in the main DC Universe, especially early on. The comics featured appearances from characters like Martian Manhunter, Mister Miracle, and even Batman, who shows up at Morpheus' funeral in The Wake . While the Netflix adaptation opted to keep those DC ties subtle, like the scene with Jed's DC Comics action figures, the creative team still toyed with the idea of bringing Gotham's brooding vigilante into the finale. Heinberg shared: 'We talked about, 'Does Robert Pattinson want to come to the funeral?' Briefly, we did discuss that, but only briefly.' That would've been one hell of a surprising moment. Even just a shadowy glimpse among the mourners would've sent fans into a frenzy. In the comic version, Batman is seen interacting with characters like Clark Kent at the wake. Speaking of Superman, the recently released bonus episode, Death: The High Cost of Living , throws in several nods to the Man of Steel, who happens to be Sexton's favorite hero in the original comic. Heinberg explained how that came together, and whether it had anything to do with the timing of James Gunn's new Superman movie: 'I didn't! I don't even know if James Gunn watches the show, but I hope so. No, it was that I tried to work in as many DC references as I can. It was one of those things where Colin (Morgan) really wanted to show the, not arrested side of Sexton, but playful side of Sexton. 'That this is somebody who actually, prior to this moment, has a lot of joy and a lot of idealism and he's trying to be out there and, as a climate emergency reporter for The Guardian, he's trying to be a superhero. And he's feeling like he's failing every time he turns around. 'So because we meet him at such a low point, we wanted to really show the audience, this is not someone who's usually like this, this is someone with big ideals and big dreams and who wants to be a hero. And Superman is the cleanest. 'And I've been putting DC Comics stuff into everything I've written for as long as I can remember. So it was a very natural thing to go to Superman.' Even without a Batman cameo, The Sandman finale still delivered a powerful closing chapter that felt true to the source material while charting its own course. What did you think of the final season? Did you catch all the DC references in the bonus episode?


Gizmodo
2 minutes ago
- Gizmodo
So Far, Elon Musk's Revival of Vine Is Seriously Disappointing
For quite some time now, Elon Musk has been promising to bring back Vine. Back in the day, the short-lived TikTok precursor allowed users to post dopey 6-second videos that looped and could be easily shared. However, as the Tesla billionaire's plans for the short-form video distributor come into view, it increasingly seems like he (as per usual) got us all excited for nothing. Vine, which was purchased by Twitter in 2012, has been officially dead for a little over half a decade now. After Twitter killed uploads of the app's videos in 2016, Vine's archive subsisted for another three years or so until 2019, when the platform pulled support for it. Since then, all that has survived is a nostalgia for those halcyon days when short-form video was novel and joy-inducing, instead of being a grim staple of our increasingly frenetic information landscape. Musk initially floated the idea of bringing the video-sharing app back in 2022, not long after he purchased Twitter. Since then, he has repeatedly teased the app's return, much to the delight of site users. Last April, Musk again touched on resurrecting Vine with one of his many X polls. 'Bring back Vine?' he asked. A vast majority of respondents voted 'yes.' In January, an X user tweeted at Musk, 'think it's time to bring it back.' And the Tesla CEO personally replied, 'We're looking into it.' However, as Vine's 'return' has approached, it seems increasingly clear that the app may not be exactly how you remember it. On Monday, Musk promised that the archive of old Vine videos would return in some form. However, it seems increasingly doubtful that the app will be an active service that users can use to make new videos. Instead, Musk has implied that Grok's new AI video generator, Imagine (which, Musk has bragged, can be used to create NSFW material), will act as a replacement. 'Grok Imagine is AI Vine!' Musk wrote, in an X post on Saturday. Little other information was shared, but it left onlookers with the sad suspicion that the new Vine won't resemble the fun-fueled video clips of yesteryear and will be more about repackaging the AI-generated porn slop that's taking over everyone's feeds uninvited. Is Musk saying that Grok Imagine is the new Vine? Or will a new version of Vine be launched by X, alongside the archive of old videos? It's all unclear at the moment. If the resurrection of Vine just ends up being Grok's AI video app, with Musk dubbing it a 'return' of Vine, then we will all have been taken for a ride, once again. Gizmodo reached out to X for more information. That said, it's not like anybody really needs Vine now. The app occupies a peculiar spot in American tech history, in that it predated many other short-form video services that have gone on to become ubiquitous by copying its business model (see: Reels and TikTok). Yet despite being a pioneer in the category of apps whose primary societal contribution has been the shrinking of our collective attention span, it seems to have found success just a little too early. After Twitter's acquisition of the app, it enjoyed a few good years before confronting a boom of those competitor apps that ultimately outpaced it.