Colour And Ease Lift Paris Men's Fashion Week
Colours ran wild and silhouettes softened at Paris Men's Fashion Week, which ends Sunday, as designers brought a rare breath of fresh air to a gloomy fashion climate.
Despite the heavy news cycle and economic turbulence affecting the luxury sector, this Fashion Week was a "shot of creativity that felt incredibly good", Alice Feillard, men's buying director at Galeries Lafayette, told AFP.
The spring-summer 2026 season "is much more creative than the previous ones, which were a bit duller", said Adrien Communier, the fashion editor at GQ France.
Both experts observed a more relaxed vibe, with Feillard pointing to "good humour" and "optimism", while Communier noted a "lighter mood".
"With so many debuts, there was a sense of renewal. And so, I found that people were more curious," he added.
After a notable women's show in March, Julian Klausner made waves Thursday with his first menswear show for Dries Van Noten, while Jonathan Anderson's long-awaited debut at Dior drew applause on Friday.
A renewed burst of creativity lit up the runways, most visibly through bold colour choices. Brown tones and pastels made way for a richer, more saturated palette for next summer.
Saint Laurent opened the week with violet, navy, orange and moss green, while Pharrell Williams at Louis Vuitton channelled Indian motifs and hues.
Dries Van Noten made a splash with bold fuchsia and blood red, while Kenzo exploded with candy pink, aquatic blue and chick yellow.
Dior Homme took a more restrained approach, showcasing rich tones like a deep forest green on structured pieces.
The tones sometimes appeared as prints -- tiger at Kenzo, childlike safari at Louis Vuitton and floral at Dior.
At Comme des Garcons Plus, prints leaned into pop-style 1970s geometry -- a look also seen at Amiri, Saint Laurent and Junya Watanabe, who embraced flared trousers.
Stripes were ubiquitous but subtle, adding detail without overwhelming.
Designers leaned into fluidity with flared trousers, long jackets, open shirts and an ongoing pyjama trend.
"There's a sort of nonchalant elegance in having a very fluid yet thoughtfully designed silhouette," Communier said.
Last season's neo-dandy look is now much more relaxed.
"Tailoring is still omnipresent in the collections, but it's becoming more fluid. There's still formality, but it's far more relaxed and remains very elegant," said Feillard.
Bags were omnipresent, from clutch to shoulder, styled for both casual outings and evening occasions.
Finally, flip-flops made a major comeback, seen at Officine Generale, Auralee and even Hermes, "worn in an almost formal way", said Communier. A perfect example of relaxed chic.
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Int'l Business Times
14 hours ago
- Int'l Business Times
Colour And Ease Lift Paris Men's Fashion Week
Colours ran wild and silhouettes softened at Paris Men's Fashion Week, which ends Sunday, as designers brought a rare breath of fresh air to a gloomy fashion climate. Despite the heavy news cycle and economic turbulence affecting the luxury sector, this Fashion Week was a "shot of creativity that felt incredibly good", Alice Feillard, men's buying director at Galeries Lafayette, told AFP. The spring-summer 2026 season "is much more creative than the previous ones, which were a bit duller", said Adrien Communier, the fashion editor at GQ France. Both experts observed a more relaxed vibe, with Feillard pointing to "good humour" and "optimism", while Communier noted a "lighter mood". "With so many debuts, there was a sense of renewal. And so, I found that people were more curious," he added. After a notable women's show in March, Julian Klausner made waves Thursday with his first menswear show for Dries Van Noten, while Jonathan Anderson's long-awaited debut at Dior drew applause on Friday. A renewed burst of creativity lit up the runways, most visibly through bold colour choices. Brown tones and pastels made way for a richer, more saturated palette for next summer. Saint Laurent opened the week with violet, navy, orange and moss green, while Pharrell Williams at Louis Vuitton channelled Indian motifs and hues. Dries Van Noten made a splash with bold fuchsia and blood red, while Kenzo exploded with candy pink, aquatic blue and chick yellow. Dior Homme took a more restrained approach, showcasing rich tones like a deep forest green on structured pieces. The tones sometimes appeared as prints -- tiger at Kenzo, childlike safari at Louis Vuitton and floral at Dior. At Comme des Garcons Plus, prints leaned into pop-style 1970s geometry -- a look also seen at Amiri, Saint Laurent and Junya Watanabe, who embraced flared trousers. Stripes were ubiquitous but subtle, adding detail without overwhelming. Designers leaned into fluidity with flared trousers, long jackets, open shirts and an ongoing pyjama trend. "There's a sort of nonchalant elegance in having a very fluid yet thoughtfully designed silhouette," Communier said. Last season's neo-dandy look is now much more relaxed. "Tailoring is still omnipresent in the collections, but it's becoming more fluid. There's still formality, but it's far more relaxed and remains very elegant," said Feillard. Bags were omnipresent, from clutch to shoulder, styled for both casual outings and evening occasions. Finally, flip-flops made a major comeback, seen at Officine Generale, Auralee and even Hermes, "worn in an almost formal way", said Communier. A perfect example of relaxed chic.
DW
6 days ago
- DW
Indian-German design duo highlight fashion waste – DW – 06/23/2025
An Indian architect and German fashion designer work as Bouley Gandhi, making recycled artworks that shine a light on throwaway fast fashion. It was a collaboration that neither expected, but both needed. When Mumbai-based architect Kanhai Gandhi met Hedwig Bouley, the German founder of fashion brand LPJ Studios in 2018, the duo could have hardly known their sustainable artistic project would last years. Working from their respective studios in Bavaria and Mumbai under the name Bouley Gandhi, the duo create large-scale artworks out of upcycled fabrics, bringing awareness to the need for more sustainability in the fashion industry — one of the biggest polluters on the planet. "I've been a fashion designer for 40 years," Bouley told DW. "About eight years ago, I decided I wanted to do something with all of the leftovers and waste from the fashion industry." Some 92 million tons of annual textile waste is produced globally, according to the Global Fashion Agenda, a Copenhagen-based non-profit organization that supports the transition to a more sustainable future. That's the equivalent of a garbage truck full of clothing being disposed of each second. "We know the fashion industry is one of the biggest polluters on the planet, so we thought, let's get out of that. Art is a good way to create awareness. We don't use any new materials in our works," said large-scale wall hangings use a unique needle punch technique to sew used scraps of wool and cashmere. Gandhi uses his architectural background to create a design, while Bouley sews a small mockup by hand. Finally, they make the large-scale pieces using a rare technique where materials are worked into each other with the help of small needles. Upcycling, the process of transforming waste materials into new products of higher value, is becoming more commonplace in the fashion industry as concern for the environment grows. In Europe, fashion designer Marine Serre, for example, has gained traction for her use of waste fabrics. In India, too, upcycling is being embraced by both established and upcoming designers and artisans in recent years. Doodlage, a studio in New Delhi, makes clothes out of scraps of fabric and second-hand garments, for example. In April, Bouley Gandhi showed their latest collection at Milan Design Week at Rossana Orlandi collectable art space. In an interview with DW, they explained how they met back in 2018 at design trade show Maison & Objet in Paris. Gandhi was struck by the pieces displayed at Bouley booth and asked if he could visit her studio in the small town of Aschau in Chiemgau in Bavaria. "I thought he was making a joke and then a month later he really came!" Bouley recalled, smiling. "I said 'I'm coming from India, are you ok to meet me on a Sunday?'" added Gandhi. He was eager to respect German customs — including observing Sunday as a day of rest — despite coming halfway across the globe. Their collaboration has been a successful experiment in bridging often wide cultural differences between Germany and India, leading to new, positive experiences for both of them — including a style revamp. "Now you see more color on her and I wear more black now!" points out Ghandi, who himself has become a huge fan of Bavarian food during his regular visits to Aschau. The duo is busy working on new projects that also utilize recycled materials and look to the future. As Bouley says: "Our partnership is very nice and we think about what we can do in some years, for example. We always think about 'us' not only him or only me. It's really a good collaboration." Aside from the environmental aspect, Bouley Gandhi wants their work to spread a message of shared human experiences. In a time of division as conflicts rage and right-wing extremism is on the rise, the duo believe that art can help unite humanity by reminding us of our similarities. One Bouley Gandhi piece depicts a face with lips and mouth rising from the surface of a body of water, and was conceived of during the pandemic. Gandhi wanted the work to represent the human element of resilience and titled it "Hope in Depth." "A good part of the human mind is that if there is a strong will, you tend to survive," said Gandhi. "This characteristic of the human psyche is universal. It's not limited to a German or Indian or an American — it's about everyone."To view this video please enable JavaScript, and consider upgrading to a web browser that supports HTML5 video
Int'l Business Times
16-06-2025
- Int'l Business Times
Aviation Incidents Like Indian Plane Crash 'Predicted' by Prophet From the Philippines?
A controversial and self-proclaimed Filipino psychic has once again drawn international attention after claiming she predicted recent aviation tragedies, including the devastating crash of Air India Flight 171 on June 12. The prediction, posted days before the incident, has led some to question whether Rudy Baldwin's visions are more than a coincidence, while others remain firmly sceptical. Baldwin Made a Chilling Post Before the Crash On June 9, Rudy Baldwin shared a message on her public Facebook page detailing what she described as a prophetic vision of multiple air disasters. In all capital letters, Baldwin wrote, 'I SAW AN AIRCRAFT IN AN ACCIDENT. I SAW TWO IN ANOTHER COUNTRY AND ALSO IN AN ASIA COUNTRY.' 'ONE ACCIDENT WAS DUE TO A STRIKE OF STRONG LIGHTNING. TWO ACCIDENTS IN THE AIR WHICH THE REASON WAS THE ACT OF NATURE... A NATURAL DISASTER WHERE MANY LIVES WERE LOST...' The post continued with references to specific aircraft colours, including 'RED WITH WHITE WRITTEN ON IT' and 'YELLOW, BLUE, AND RED AND GREEN AND WHITE.' Baldwin concluded the message with a warning: 'LET ME REPEAT AGAIN THIS WILL HAPPEN... LET US NOT FORGET TO PRAY ALWAYS.' Just three days later, on June 12, Air India Flight 171 tragically crashed shortly after takeoff from Ahmedabad, killing over 200 people. The aircraft was bound for London's Gatwick Airport. According to local reports, British national Vishwash Kumar Ramesh was the sole survivor. The incident quickly prompted a wave of online attention directed at Baldwin's earlier post. Was the Indian Air Crash Foreseen? While Baldwin did not name any airline or exact location in her predictions, supporters argue that her vague description of an 'Asia country' and a red and white aircraft closely matches Air India's theme colour and operational geography. To add to the intrigue, the post also mentioned lightning strikes and engine failure. Though the exact cause of the Air India crash remains under investigation, early speculation around electrical systems and weather disruption has fuelled belief in Baldwin's supposed foresight. A Broader Warning About Aviation Baldwin's June 9 post wasn't limited to a single aircraft. It referenced multiple incidents, including one where an aircraft 'FELL HARD INTO THE OCEAN.' According to reports, she warned of aviation incidents in early 2025 as well. In the first six months of 2025 alone, there have already been three high-profile commercial plane crashes, and two of them were fatal. Along with the Air India crash that killed 241 passengers on Thursday, a mid-air collision on January 29 between an American Airlines Bombardier CRJ700 and a US Army Black Hawk helicopter over the Potomac River stunned aviation experts and the public alike. Scene of the devastating DC plane crash involving a Black Hawk helicopter and an airliner, claiming over 60 lives. Meanwhile, in February, a Delta Air Lines flight crashed while landing in Toronto, Canada. According to reports, there were no fatalities, but 21 passengers sustained injuries. Some believe Baldwin is drawing attention to real concerns in aviation safety, especially during the busy travel season and amid unpredictable weather patterns. Although these events vary in cause and outcome, some of Baldwin's followers point to her generalised warnings as aligning with a pattern that appears to be playing out in real time. Rudy Baldwin Interestingly, this isn't the first time Rudy Baldwin has sparked headlines with her extreme predictions. Known for her frequent warnings about disasters, celebrity deaths and health crises, she's developed a large following in the Philippines and among overseas Filipinos. According to reports, she even predicted the deaths of Kobe and Gianna Bryant. Earlier this year, Baldwin also predicted a major volcanic eruption and the return of a pandemic-like illness, which was often denoted as Monkeypox. Both claims stirred concern online but were quickly dismissed by scientific authorities. As clips from Baldwin's posts continue circulating online, the debate over her credibility remains a point of contention. While some point to the timing of her message and the crash as 'too close to ignore,' others see only coincidence. Originally published on IBTimes UK
