Maccas drops update to Happy Meals
McDonald's is giving the classic childhood staple a modern twist, teaming up with Crocs to launch a limited-edition Happy Meal across Australia from July 10.
From 10.30am, Aussies will be able to get their hands on the new Crocs Happy Meal, featuring collectable mini Crocs in a range of colourful designs.
The promotion includes eight miniature Crocs key chains, each packaged in its own McDonald's-branded mini shoebox. McDonald's has partnered with Crocs to step up their beloved Happy Meal toys. Supplied. Credit: Supplied
Each toy also comes with a sticker sheet styled like Crocs' Jibbitz charms, designed to let enthusiasts customise their tiny shoes with icons and characters.
The collaboration follows a similar campaign in the United States, which proved popular with fans and collectors.
McDonald's Australia expects similarly strong demand locally.
'After a huge response to the Crocs Happy Meal in the US, we knew we had to bring the fun Down Under,' Marketing Director of Menu and Brand for McDonald's Australia Amanda Nakad said.
'Crocs are all about comfort and self-expression,
'With eight bold designs, mini shoeboxes, and Jibbitz sticker sheets, this collab is the perfect mix of individuality and fun we know Aussie families will love,
'Get set to collect! The Happy Meal you've been waiting for is here.'
The Crocs Happy Meal will be available from 10:30am to midnight for a limited time only in participating restaurants across Australia.
Customers can order via the front counter, drive-through, kiosks, or through the MyMacca's app.
As usual, the Happy Meal comes with a choice of a hamburger, cheeseburger, Chicken McNuggets or grilled chicken snack wrap, along with apple slices and a small drink.
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Sydney Morning Herald
a day ago
- Sydney Morning Herald
‘Like seeing society unravel': Kirsha Kaechele's unlikely return to the Gold Coast is a genius fit
The first time Kirsha Kaechele visited the Gold Coast, on one of her early trips to Australia about 15 years ago, she was mortified. 'I was depressed. I felt suicidal. I thought, 'this is the fall of Western Civilisation',' the American-born artist and curator says. Whether earnest or exaggerated (with Kaechele, the line is often imperceptible), her frank impression cuts to a familiar feeling. For all its beauty, gaudiness remains a hallmark of Queensland's storied Glitter Strip. 'I walked the mall and must have passed a McDonald's or some kind of fast food chain,' Kaechele says. 'I felt like I was seeing society unravel … I vowed never to come back.' Kaechele, now an Australian resident after marrying Museum of Old and New Art (Mona) founder David Walsh in 2014, has evidently faltered on her pledge, returning to the Gold Coast for the interstate debut of Ladies Lounge, one of her most celebrated works. The living installation, part of Mona's program since 2020 and the source of much controversy, including two court cases, will enjoy a 10-day residence at the Home of the Arts (HOTA) as part of this year's Bleach* festival. 'I got a call from [Brisbane artist and Bleach* artistic director] Michael Zavros, whom I respect and adore as an artist, and he asked if I would participate in this exhibition,' Kaechele explains. 'He had been forced by his daughters to invite me. [They] really run the show.' Loading In contrast to her views on Cavill Avenue, Kaechele speaks highly of HOTA – 'this museum is excellent,' she says – and the city's suitability to host her work. 'I've always been attracted to a challenging or unlikely context for my work,' she says. 'As a cultural destination, I had no interest whatsoever in visiting the Gold Coast. But as a context for artwork, I found it fascinating and far more interesting than other invitations I received from Sydney or Melbourne.' Kaechele was taken by the city's reputation for 'toxic masculinity' and flagrant displays of shirtless machismo, but first she wanted Gold Coast City Mayor Tom Tate's blessing. 'We met for drinks – he slammed cognacs, I slammed margaritas,' Kaechele says, though the mayor's team did not verify this anecdote. 'I expressed that I was really concerned about the possibility of the Gold Coast being sued. This is a public institution, it's not Mona, so there's a responsibility in taking on an artwork like this.' Last year, NSW man Jason Lau complained to Equal Opportunity Tasmania after being denied entry to the Ladies Lounge – an art-filled space that only admits women – during a visit to Mona in April 2023. The matter was referred to the Tasmanian Civil and Administrative Tribunal, and Mona was ordered to either close, remove, reform or allow men to enter the lounge. Kaechele opted to close the space and appeal to the Supreme Court of Tasmania. In September, Acting Justice Shane Marshall ruled the lounge was not in breach of anti-discrimination law and permitted the installation to re-open and continue refusing entry to men. According to Kaechele, Tate was not dissuaded by the legal saga, even volunteering to be a butler, a role that sees men permitted to the lounge to dote on female guests, pouring champagne and offering massages. Kaechele is adamant Tate will make a cameo as a butler, alongside American contemporary artist Jeff Koons, who also features on the Bleach* lineup. Tate, meanwhile, tells this masthead: 'I did apply for the butler job at the Ladies Lounge, but I was rejected!' As for what visitors can expect, Kaechele says the Gold Coast installation maintains its original vision, 'to create a special, intimate and deeply bonding experience for women' and 'an experience of rejection for men'. It's an important part of the work, she says, though she adds her exclusionary stance has somewhat softened as a result of court proceedings. 'I heard men when they said they were upset that they couldn't come in, so I've adjusted the artwork slightly to include a butler training area outside of the Ladies Lounge, where men may apply for a position.' This will see men practice their massage and ironing skills, the latter while holding a 'baby' in the form of a smooth solid bronze sculpture. 'The ones who are really good at all of the tasks, and look good in a tuxedo and have wonderful manners … can come in as butlers,' Kaechele says. Loading The Ladies Lounge will be accompanied by The Complaints Department, a new installation from Brooklyn-based multidisciplinary artist and long-time collaborator Tora López. Described as Severance meets customer service centre, the performance piece is an invitation for anyone to air their frustrations, so long as they have direct experience and knowledge of the issue they are complaining about. López said the project was born out of an 'intense' legal housing situation in New York. 'I had to complain so much through city agencies and through a lawyer,' she explains. 'So I got interested in complaining and learning how to complain, and what makes a good complaint.' Kaechele is no stranger to complaints, and has welcomed criticism of her work, including during her legal dispute with Lau. 'He's the Ladies Lounge's Prince Charming. He kissed the work and brought it to life,' she says. 'If it wasn't for Jason Lau, the work would have had a much smaller life.' And if she's worried about how a feminist work might land in a once-detested destination teeming with hypermasculity, she certainly doesn't show it. 'It's the most uncomfortable piece I've ever done, [and] for the questioning visitor, there are many problematic layers,' Kaechele says. 'But a key part of the work, and maybe my favourite part, is that I really enjoy myself. I'm a hedonist, so I love going in, getting my feet massaged, looking at these handsome men, watching them strip down and having them serve me … it's truly beautiful and transformative.'
The Age
a day ago
- The Age
‘Like seeing society unravel': Kirsha Kaechele's unlikely return to the Gold Coast is a genius fit
The first time Kirsha Kaechele visited the Gold Coast, on one of her early trips to Australia about 15 years ago, she was mortified. 'I was depressed. I felt suicidal. I thought, 'this is the fall of Western Civilisation',' the American-born artist and curator says. Whether earnest or exaggerated (with Kaechele, the line is often imperceptible), her frank impression cuts to a familiar feeling. For all its beauty, gaudiness remains a hallmark of Queensland's storied Glitter Strip. 'I walked the mall and must have passed a McDonald's or some kind of fast food chain,' Kaechele says. 'I felt like I was seeing society unravel … I vowed never to come back.' Kaechele, now an Australian resident after marrying Museum of Old and New Art (Mona) founder David Walsh in 2014, has evidently faltered on her pledge, returning to the Gold Coast for the interstate debut of Ladies Lounge, one of her most celebrated works. The living installation, part of Mona's program since 2020 and the source of much controversy, including two court cases, will enjoy a 10-day residence at the Home of the Arts (HOTA) as part of this year's Bleach* festival. 'I got a call from [Brisbane artist and Bleach* artistic director] Michael Zavros, whom I respect and adore as an artist, and he asked if I would participate in this exhibition,' Kaechele explains. 'He had been forced by his daughters to invite me. [They] really run the show.' Loading In contrast to her views on Cavill Avenue, Kaechele speaks highly of HOTA – 'this museum is excellent,' she says – and the city's suitability to host her work. 'I've always been attracted to a challenging or unlikely context for my work,' she says. 'As a cultural destination, I had no interest whatsoever in visiting the Gold Coast. But as a context for artwork, I found it fascinating and far more interesting than other invitations I received from Sydney or Melbourne.' Kaechele was taken by the city's reputation for 'toxic masculinity' and flagrant displays of shirtless machismo, but first she wanted Gold Coast City Mayor Tom Tate's blessing. 'We met for drinks – he slammed cognacs, I slammed margaritas,' Kaechele says, though the mayor's team did not verify this anecdote. 'I expressed that I was really concerned about the possibility of the Gold Coast being sued. This is a public institution, it's not Mona, so there's a responsibility in taking on an artwork like this.' Last year, NSW man Jason Lau complained to Equal Opportunity Tasmania after being denied entry to the Ladies Lounge – an art-filled space that only admits women – during a visit to Mona in April 2023. The matter was referred to the Tasmanian Civil and Administrative Tribunal, and Mona was ordered to either close, remove, reform or allow men to enter the lounge. Kaechele opted to close the space and appeal to the Supreme Court of Tasmania. In September, Acting Justice Shane Marshall ruled the lounge was not in breach of anti-discrimination law and permitted the installation to re-open and continue refusing entry to men. According to Kaechele, Tate was not dissuaded by the legal saga, even volunteering to be a butler, a role that sees men permitted to the lounge to dote on female guests, pouring champagne and offering massages. Kaechele is adamant Tate will make a cameo as a butler, alongside American contemporary artist Jeff Koons, who also features on the Bleach* lineup. Tate, meanwhile, tells this masthead: 'I did apply for the butler job at the Ladies Lounge, but I was rejected!' As for what visitors can expect, Kaechele says the Gold Coast installation maintains its original vision, 'to create a special, intimate and deeply bonding experience for women' and 'an experience of rejection for men'. It's an important part of the work, she says, though she adds her exclusionary stance has somewhat softened as a result of court proceedings. 'I heard men when they said they were upset that they couldn't come in, so I've adjusted the artwork slightly to include a butler training area outside of the Ladies Lounge, where men may apply for a position.' This will see men practice their massage and ironing skills, the latter while holding a 'baby' in the form of a smooth solid bronze sculpture. 'The ones who are really good at all of the tasks, and look good in a tuxedo and have wonderful manners … can come in as butlers,' Kaechele says. Loading The Ladies Lounge will be accompanied by The Complaints Department, a new installation from Brooklyn-based multidisciplinary artist and long-time collaborator Tora López. Described as Severance meets customer service centre, the performance piece is an invitation for anyone to air their frustrations, so long as they have direct experience and knowledge of the issue they are complaining about. López said the project was born out of an 'intense' legal housing situation in New York. 'I had to complain so much through city agencies and through a lawyer,' she explains. 'So I got interested in complaining and learning how to complain, and what makes a good complaint.' Kaechele is no stranger to complaints, and has welcomed criticism of her work, including during her legal dispute with Lau. 'He's the Ladies Lounge's Prince Charming. He kissed the work and brought it to life,' she says. 'If it wasn't for Jason Lau, the work would have had a much smaller life.' And if she's worried about how a feminist work might land in a once-detested destination teeming with hypermasculity, she certainly doesn't show it. 'It's the most uncomfortable piece I've ever done, [and] for the questioning visitor, there are many problematic layers,' Kaechele says. 'But a key part of the work, and maybe my favourite part, is that I really enjoy myself. I'm a hedonist, so I love going in, getting my feet massaged, looking at these handsome men, watching them strip down and having them serve me … it's truly beautiful and transformative.'
Perth Now
a day ago
- Perth Now
Aussies horrified at ‘memory foam bread' TikTok trend
A new social media trend involving squishing down bread only to watch it bounce back into its original form has left Aussies in disbelief. Videos posted on TikTok have revealed the disturbing truth behind bread in the US, which reforms itself 'like memory foam' due to excessive additives. In one TikTok video, which has more than three million views, an American woman shares a clip of her folding a slice of bread into the palm of her hand to test the theory that the bread will expand into its original form. 'There it goes, it literally starts unfolding, that is crazy to me,' she says as the bread unravels. The videos caught the attention of Aussies, who have flooded the videos with comments; claiming the bread in the US must be different from the bread in Australia. If you'd like to view this content, please adjust your . To find out more about how we use cookies, please see our Cookie Guide. 'In Australia, when you spread Nutella on the slice you rip a hole in it,' wrote one. 'In Australia, when you put the bread in the shopping bag at the checkout, it always goes on top because once it's squished, it's forever squished,' said another. The now-viral trend has also sparked backlash from Aussie influencers who tested the bread-squishing trend themselves, demonstrating that Australian bread would stay squashed when pressed. A US influencer has shown the disturbing reality of bread reforming after being squished. Credit: TikTok One Aussie shared a video of her squishing a white slice of bread to see if it 'bounces back.' 'Hey America . . . I notice you've got some very different bread to what the rest of the world has, or at least Australia,' she says. After pressing the slice of bread into a ball she drops it on the counter in front of her to show it's still squished. 'That's normal bread,' she states at the end of the video. If you'd like to view this content, please adjust your . To find out more about how we use cookies, please see our Cookie Guide. The debate has grown into a international one; European's have been chiming in on the argument, with one influencer showing that even shop bought Italian sliced bread unravels. 'As you can see this high quality European Italian bread also acts like memory foam,' she explains while watching a slice of bread bounce back. Commenters on the video disputed that the bread was from Italy and made claims about bread from other countries. 'That's not Italian bread!!!!' wrote one. 'African bread never ever bounces back,' said another. If you'd like to view this content, please adjust your . To find out more about how we use cookies, please see our Cookie Guide. Aside from the videos, the differentiating factor that may divide American sliced bread from other countries is what it's composed of. American bread is typically made using five food additives: Azodicarbonamide (whitening and dough conditioner), Potassium bromate and iodate (rising agents), BHA and BHT (preservatives). Australia and many other countries have imposed strict bans on Azodicarbonamide, Potassium bromate and iodate, which have been linked to cancer and asthma – but they are still allowed to be used in US food products. However, wherever it's made, packaged mass-produced sliced bread have been found to be an ultra processed food by academics. 'UPF has a long, formal scientific definition, but it can be boiled down to this: if it's wrapped in plastic and has at least one ingredient that you wouldn't usually find in a standard home kitchen, it's UPF,' says Dr Chris van Tulleken in his book.
