
The new Harry Potter child stars have confirmed my worst fears
Still now in the corner of my childhood bedroom a discarded Gryffindor scarf, Fleur Delacour's wand, and battered copies of the original book series sit collecting dust.
When I saw the news of an open casting call (where anyone can audition, regardless of experience) for leads in the new HBO series I felt worry bloom in the pit of my stomach.
And now our three newcomers have been cast with Dominic McLaughlin in the role of Harry Potter, Arabella Stanton as Hermione Granger, and Alastair Stout as Ron Weasley – that concern has only increased.
And that's for two reasons – firstly, because I've left the 'Potterverse' firmly in the past after JK Rowling's offensive comments on transgender people and think the entire franchise needs to be forgotten about.
But also because I'm truly concerned about what will happen to the new Harry, Ron, and Hermione, plucked from childhood and obscurity and flung into stardom.
Not only will this trio of unknown actors star in what will surely become one of the most heavily scrutinised TV shows this decade, but all under the creative jurisdiction of someone who has, in my view, opposed the rights of a marginalised community.
We have already seen the dangers this level of fame can create, even before the author of the series descended into Twitter troll status.
To view this video please enable JavaScript, and consider upgrading to a web browser that supports HTML5 video
During the height of Daniel Radcliffe, Rupert Grint and Emma Watson's stint as the golden trio, Emma almost called it quits due to the pressure and Daniel struggled with drinking heavily (and has since been almost 15 years sober).
Years later, I'm seriously impressed with all three actors.
Not only for their stability in life, considering the extraordinary pressure they were under from such a young age, but for remaining firm allies of the transgender community as it remains under attack from JK Rowling.
So I worry for the young soon-to-be stars stepping into their shoes for a rebooted series that no-one was really asking for.
If anything, the new series almost feels like watching a car crash in slow motion. Morbid but difficult to look away from.
It's already a PR nightmare with a controversial author behind the source material and constant speculation about the ultimate fate of the company behind the reboot, Warner Brother Discovery, which has seen its stock price plummet and desperately needs this show to be a success.
There are all the elements for disaster waiting to happen – and while, for me, schadenfreude is tempting given Rowling's behaviour – I'm worried that these innocent children will be the collateral damage.
There are so many reasons for fans and non-fans alike to oppose this new series.
Chiefly, of course, is mine and many former fans' moral object to lining Rowling's pocket as she continues to make comments about trans women and others that shock and disgust many people.
We need only look at her recent commentary about Olympic boxer Imane Khalif to see how far down this rabbit hole she has gone.
Not only can the Harry Potter set, in my view, never be a safe environment for trans and non-binary actors, but given the increasingly foul taste Rowling is leaving in her critics' mouths, the whole project appears to be growing more taboo by the day.
Unlike the blockbuster film franchise, which saw iconic British stars such as Alan Rickman, Maggie Smith and Julie Walters pass through its doors, for me the relaunched big-budget TV show will act as a litmus test for the morals of established actors.
How many will want to risk potentially losing the respect of their fanbase for an unnecessary remake of a fantasy series?
All this leads me to say that, clearly, Harry Potter is a cultural relic in more ways than one.
The films only left cinemas just over a decade ago, which hardly warrants enough time passed to re-imagine them.
Meanwhile, spin-off content like the Fantastic Beasts franchise has clearly lost all momentum.
That series has been plagued with its own scandal by featuring controversial actors Ezra Miller and Johnny Depp, which, coupled with a lack of popularity, the original five-film plan has seemingly been put on an indefinite hiatus. More Trending
Much like the Defence Against the Dark Arts position, the whole series is starting to seem cursed.
Instead of re-creating a series that already has a widely-beloved on screen adaptation and a controversial author, why not invest in new fantasy adaptations that are truly forward-looking?
In 2025, there are better options for us to be investing our time and money in so that we can finally leave Harry Potter where it belongs – in the past.
View More »
This article was first published on September 12, 2024.
Do you have a story you'd like to share? Get in touch by emailing Ross.Mccafferty@metro.co.uk.
Share your views in the comments below.
MORE: Pillion review – I experienced one of the filthiest films I've ever seen at Cannes
MORE: Iconic Netflix show will have even more 'horror' when season 2 finally drops
MORE: A stranger questioned my gender – but I'm a biological woman
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Metro
an hour ago
- Metro
Arrests made after thousands of Oasis fans descend on Heaton Park gig
To view this video please enable JavaScript, and consider upgrading to a web browser that supports HTML5 video Local police have issued a statement after ticketless Oasis fans desperately tried to break into Heaton Park. Tickets to see Liam and Noel Gallagher reunite have been like gold dust, whispered between music fans ever since they went on sale in August last year. Many will remember battling it out in queues all day long, only to be met with dynamically priced seats and sold-out messages. While millions were left disappointed, a determined few took matters into their own hands and decided to risk scaling the fences around the Manchester gig. As Liam, 52, and Noel, 58, performed to the 80,000 concert-goers in their hometown for the first time in 16 years, the security staff had their hands full with overly enthusiastic fans. Six were arrested on the first night, while a further nine were booked on night two after the Greater Manchester Police put a 'section 47' dispersal order in place. Drunk and disorderly behaviour prompted some arrests as GMP said three were suspected of assault, one of which was a serious 'section 18' assault inside the venue. Another suspect was arrested after a member of the security team was attacked, according to Manchester Evening News. However, others were held on suspicion of fraud after scores of fans attempted to bluff their way into the venues. Assistant Chief Constable Matt Boyle said: 'We have been planning for these events for several months, working with partners and the organisers to make sure everyone can enjoy the concerts safely. 'To that end, I'm pleased to say that the first two Oasis homecoming events have been a success.' 'What has been especially pleasing is how more than 100,000 people have enjoyed these iconic events safely and without trouble. We will have a highly visible presence in and around Heaton Park, and across the city, to ensure the next three events continue to pass safely.' Section 47 allows police to remove anyone loitering in the area, in a bid to keep the crowd outside of the park to a minimum. 'A number of people without tickets attempted to gain entry through a perimeter gate on Saturday night but failed to do so,' shared Boyle. 'We continue to support the event organisers and the local authority with their plans preventing any unauthorised access to the arena site. 'While arrests have thankfully been minimal, we have had to take some suspects into custody, including one after an alleged assault on a steward on Saturday night. We will not tolerate any abuse of anyone doing their job. 'On Friday night, we also dealt with a number of breaches of airspace restrictions involving drones, where our officers seized five drones and spoke to two other pilots. More Trending 'We continue to have airspace restrictions in place on the nights of the concerts and anyone found breaching the one-and-a-half-mile restriction zone could face prosecution.' Other fans decided to watch the show from a nearby hill, given that the concert was plenty loud enough for the surrounding area to hear. Dubbed 'Gallagher Hill', the fans didn't feel half the world away as they sang along and watched with a birdseye view of the gig. Oasis will perform five more shows in Manchester before continuing on to London and then the rest of the world. Got a story? If you've got a celebrity story, video or pictures get in touch with the entertainment team by emailing us celebtips@ calling 020 3615 2145 or by visiting our Submit Stuff page – we'd love to hear from you. MORE: Jack Grealish sends message to Manchester City fans at Oasis gig MORE: Liam and Noel Gallagher's kids put on united front in 'pic of the century' MORE: Readers discuss royal value, road rules, seagulls and Spitting Image


Metro
2 hours ago
- Metro
The inside story of Wedding Crashers as it celebrates 20 years
To view this video please enable JavaScript, and consider upgrading to a web browser that supports HTML5 video Rife for comedy, romance, hijinks and plot twists, weddings have long been the ultimate playground for movie makers — and not many have exploited it better than the 2005 box office hit Wedding Crashers. The story follows buddies, Jeremy and John — played by Vince Vaughn and Owen Wilson — who spend their weekends attending the most special day of people's lives… uninvited. Their playful hobby takes a serious turn when John falls for the bridesmaid Claire, played by Rachel McAdams, and agrees to a weekend retreat with her entire family. While there, Jeremy has to contend with the, at first, unwanted advances of Claire's sister Gloria (Isla Fisher), and Owen must compete against Rachel's boyfriend, Sack (Bradley Cooper). Released 20 years ago this month, Wedding Crashers received generally favourable reviews from critics and became an immediate box office hit, earning more than $200 million. It also became one of the most commercially successful R-rated comedies of all time, and laid the path for further bromance films such as Superbad, I Love You, Man, and 21 Jump Street. In honour of the film's 20th anniversary, the director David Dobkin speaks Metro and lifts the lid on what it was really like making the comedy classic… 'It's about that time in your life when love becomes your primary interest over sex, and what happens to two close guy friends when one of them falls in love. John is afraid to tell Jeremy that he loves a girl because of their important bond. Part of growing up is going through this experience and coming back together.' 'An older filmmaker told me the first movie you make shows you can do it, the second demonstrates that you're part of the system, and by the third one, you do one that speaks to you. I was a nerdy kid who didn't have any game, so when my friends started to fall for girls all of a sudden, it threatened the group's stability. When I saw that it was possible to tell that story in the movie, I chased it, because it was personal. I wanted to show how I felt about my guy friends, which is that we're ride or dies.' 'Vince came as my guest to the premiere of my movie Shanghai Knights, and he was talking 100 miles an hour at me. I saw in the background, Owen was eating a carrot and laughing with his slow Texas drawl. I grabbed my agent and told them that I needed the two of them in my next movie. He called me eight weeks later to say he'd found the script. 'When Isla, who was relatively unknown, came in for her audition, I was having a very hard time finding the person for Gloria. I was impressed by how she could make these instant, but realistic, 180-degree turns from a crazy 'you're never gonna leave' to an emotional 'I love you'. Bradley was also new to the industry, but he is the only actor I've ever hired in an audition. I'd seen 50 other people read it, and they all were moustache-twirly bad guys, but he had the talent to make it something more.' 'We stayed at a place called Perry Cabin in Maryland, which was where we shot the wedding in the first act. It was funny to go from your bedroom to being on set. 'We also filmed in Washington, which is where I grew up. I tailored the movie to become a little love letter to DC. It was incredible to me that Vince and Owen sat on the Lincoln Memorial steps saying, 'One day we'll look back on all this and laugh. We'll say we were young and stupid', because I sat there with my friends.' 'I recently watched Wedding Crashers again for the first time since its release, as my son was upset he hadn't seen it, and that movie holds up perfectly. R-rated comedies age better than any other comedy because they're finding humour in things that we normally find uncomfortable, and those things remain consistent, such as embarrassing sex moments. 'At the time, executives were scared of R-rated movies as they didn't know how to market them. I fought for it so we could push the boundaries more.' 'The cast had to sit at the dinner table for days to get that scene. It was difficult as there were so many people at the table, many reactions to capture, and we had to make it believable that Jeremy receives a hand job unnoticed. 'The opening montage of the boys crashing multiple weddings was the first thing we shot on the movie, because I knew that when executives realised I was doing it for four days, they would say, 'What are you doing?' 'I was inspired by James Bond, as in that franchise, the ticket cost has already been earned in the first five minutes. I thought, 'Why can't comedies start like that?' This way, for the rest of the movie, you're afforded so much leniency because everyone's having fun already.' 'Women are underwritten in almost every role. If they're not the lead, they are often reduced to terrible clichés. I wanted to make Jane, Isla and Rachel cool, funny and three-dimensional. Let's see women get a leg up on these good-looking dudes and use their sexuality in a way that makes them uncomfortable. Women initiate the sex scenes every single time. If a man initiates a sex scene, it can't be funny because we're not sure if there's consent.' 'We ad-libbed in a rehearsal room, and I took some notes, but there was hardly any improvisation on set. One of the few exceptions is when Vince is talking to the priest. That monologue got written and rewritten, but, man, he just riffed. Vince just had a couple of touchstones of what the scene was about; he loved Gloria, but didn't expect it. That was a difficult scene in the editing room because he gave something almost completely different every time.' 'The marketing team worried that the main characters were predatory, that it would come across that they were lying purely to sleep with women, but I didn't see it that way. They attend weddings because they love them. They love the fun of changing their names, dancing, the food, the music, and hanging out with the old people. When they're at a wedding, it's the best wedding ever, and the byproduct of that is that these girls are attracted to them, so they sleep with them. It's the way real seduction works.' 'About 15 years after the original, I came up with a funny and worthwhile idea based on what would happen if they both became single again as older men. More Trending 'We were very close to making that sequel, but we all couldn't quite see eye to eye, as there were feelings from the actors' representatives that we could not make a movie like Wedding Crashers after the Me Too movement. That made me upset, because I'm a feminist and he movie was never offensive. It has a big heart because it understands the rules. We'll see if we can finally get back to it someday. I always hold out hope.' Wedding Crashers is available to watch on Netflix and Amazon Prime Video Do you have a story you'd like to share? Get in touch by emailing Share your views in the comments below. MORE: 'I watched my classmate tear down my Pride poster – so I made an LGBTQ+ club' MORE: The terrifying case of the 'crossbow cannibal' who idolised Peter Sutcliffe MORE: The biggest loser: Inside the slimming clubs fighting for survival against Ozempic and AI


Metro
2 hours ago
- Metro
Larry Lamb, 77, retires from acting after emotional Gavin and Stacey finale
After a 'very fortunate career', TV icon Larry Lamb is unlikely to return to our screens as he retires from acting following Gavin and Stacey's farewell. The last ever Gavin and Stacey episode aired at Christmas, dubbed The Finale, and proved an emotional one as we said goodbye to the beloved characters. However, it turns out fans will have to let go of more than just the Shipmans, as Larry, 77, admitted that it will be his last major TV role. Focusing on his new novel, the EastEnders legend revealed he would consider small roles just to 'keep my face in' but he's stepping firmly out of the spotlight. Speaking of his time as Mick Shipman, father to central character Gavin and a fan favourite, Larry told the MailOnline: You get so involved with these characters that they become your favourite at that time. 'They are the focus of your life, but to finish up in my 70s playing a character like Mick who is beloved by millions of people, you have to give the writers credit… at this stage in my career Mick is the closest to my heart.' During the sitcom's run, Larry was praised for his natural, playful chemistry with on-screen wife Alison Steadman (Pam) as well as iconic moments — who could forget when Mick was 'on the telly'. Written by Ruth Jones and James Corden, the sitcom became a cultural icon and ran in total from 2007 to 2024, with extended breaks between specials. Gavin and Stacey ran for 22 episodes, comprised of three series and three Christmas specials, with each member of the core cast appearing in every single one. The show was set against the backdrop of a long-distance romance between Gavin (Mathew Horne), who lived in Essex and Barry Island's Stacey (Joanna Page). However, it quickly developed into far more than this as a complex relationship between Nessa (Ruth) and Smithy (James) became the central thread. From mysterious fishing trips to unforgettable neighbours — both in the form of Pete (Adrian Philip Scarborough) and Dawn (Julia Davis), as well as the late Margaret John as Doris — the show was bursting with laughs. A mind-boggling 12.3 million viewers tuned in on Christmas Day to watch the end of this 20-year journey, breaking its own 2019 viewership record. To view this video please enable JavaScript, and consider upgrading to a web browser that supports HTML5 video Alongside his role as Mick, Larry is well known for his turn in EastEnders as the devious Archie Mitchell and numerous other TV appearances over six decades. More Trending 'I have had a very fortunate career; I've done so much that I am really proud of that maybe not so many people know,' he continued. 'If you have been through a life in entertainment and people don't all know you to suddenly where pretty much everybody knows you as a character… I find it's a reward, it's better to be known than unknown as far as I'm concerned. 'Particularly if you are known as a character that people really love… what a way to finish your working life.' Got a story? If you've got a celebrity story, video or pictures get in touch with the entertainment team by emailing us celebtips@ calling 020 3615 2145 or by visiting our Submit Stuff page – we'd love to hear from you. View More » MORE: Clarkson's Farm sparks shock upset after beating The Traitors for major award MORE: Ruth Jones TV return confirmed after Gavin and Stacey with 'irresistible' period drama MORE: Ruth Jones announces split from husband who confirms his new relationship