
Does Naruto die in Boruto? Explained with facts
Naruto has been a character so goated that he is also playing a major role in Boruto: Next Generations. After achieving his dream of becoming the Hokage, Naruto has been seen managing the peace between all the nations in the ongoing anime. However, a lot of rumours around the show told us that the goated character is dead. To debunk all that stuff - No, Naruto is not dead, and there is no proof of the same happening in any reality of universe. Moving forward, let's have a look at the reasons behind the same and how things are going to work out in the future for our Hokage.
Naruto is not dead until now - That's the only fact here
Boruto is messed up as a show, and there have been a lot of instances that show us why. And one of the reasons is the story-building around Naruto. So, according to the anime, Naruto and his wife Hinata have been sealed away in a different dimension by Kawaki with the help of Daikokuten - a technique that is not every shinobi's cup of tea. And the reason behind Kawaki doing this is that he wanted to protect both Naruto and Hinata from the ongoing war against the Otsutsukis.
Now, people think Naruto is dead because of zero screen time and mentions of the character in the show moving forward. Furthermore, the antagonist Eida from Boruto recreated the reality and altered the memory of the masses. Now, people believe that Boruto is the villain in the story, and Naruto's real son is Kawaki.
However, Boruto remembers everything, and he is on a mission, as we all know. The main reason behind the story flipping this way could be that with Naruto on screen, no one is going to give attention to any other characters. Speculations are that we will get to see Naruto in the near future when Boruto anime will be reaching its end.
Also Read:
The Beginning After The End anime is the perfect combination of kingdom and magic
Check out our list of the
latest Hindi
,
English
,
Tamil
,
Telugu
,
Malayalam
, and
Kannada movies
. Don't miss our picks for the
best Hindi movies
,
best Tamil movies,
and
best Telugu films
.

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Mint
18 minutes ago
- Mint
Vivek Agnihotri breaks silence on multiple FIRs filed against The Bengal Files: 'They are challenging our guts, courage'
Filmmaker Vivek Ranjan Agnihotri is facing mounting legal heat ahead of the release of his upcoming film 'The Bengal Files'. In a video statement, Agnihotri revealed that multiple FIRs have been filed against him and the film by members of the ruling party in West Bengal. Despite the pressure, he remains defiant and plans to launch the trailer in the state itself. 'The ruling party of West Bengal and their members have been filing so many FIRs against us in different cities. That is their strategy. I was quiet and did not share this information with anyone because we were taking the legal course. I have great faith in Indian judiciaries, especially Calcutta High Court,' he said. 'The Calcutta High Court has given us a stay on all these FIRs, but as the case was being heard in the High Court, at the same time, they filed more FIRs. The ruling party wants to trap us with so many legal hassles and battles so that we cannot focus on the promotion of the film. This strategy has been deployed by them for a very long time.' Agnihotri also detailed the challenges of making the film. 'I must tell you it's one of the most defining and important films. It uncovers many dark chapters of our history.' He added, 'I have finished the film. It has taken a lot from us. We have put in whatever we had to make this very difficult film. We were not allowed to shoot in Bengal. We had to shoot the entire film in Bombay. Now, with our limited resource, we want this film to reach every citizen of India.' He concluded the video by saying, 'This is people's film. It is your film. I want you to support us. I want you to expose all those agencies and powers who do not want this film to come out. They are challenging our guts and courage. They want to see how we are going to fight. We are alone while they have the state power. But I have taken this challenge and I am going to release the trailer of the film in West Bengal. Nobody can silence me because nobody can silence the truth.' The Bengal Files, originally titled 'The Delhi Files: The Bengal Chapter', is an upcoming Hindi-language film directed by Vivek Ranjan Agnihotri. It serves as the third and final instalment in Agnihotri's 'Files Trilogy' on modern Indian history, following 'The Tashkent Files' (2019) and 'The Kashmir Files' (2022). The film focuses on the 1946 Great Calcutta Killings. The project is set to be released in two parts. The first instalment, titled 'The Bengal Files: Right to Life', is slated to hit theatres on September 5, 2025, coinciding with Teachers' Day in India. Set against the backdrop of the 1940s, the film delves into the violence that engulfed undivided Bengal, spotlighting pivotal events such as Direct Action Day in 1946 and the Noakhali riots.


Hindustan Times
18 minutes ago
- Hindustan Times
Dhadak 2 box office collection day 5: Siddhant Chaturvedi-Triptii Dimri film stays steady, collects ₹14 crore
Dhadak 2 box office collection day 5: Dhadak 2, starring Siddhant Chaturvedi and Triptii Dimri, continues to stay steady at the box office. After a lukewarm opening weekend, the film added ₹1.52 crore on its fifth day, bringing the total domestic collection to ₹14.27 crore (India net), according to Sacnilk. Despite good reviews, the film hasn't gained the momentum expected of a mainstream romantic drama. Siddhant Chaturvedi and Triptii Dimri film is a remake of Pariyerum Perumal. Dhadak 2 box office collections on Day 5 On Tuesday, 5 August, Dhadak 2 recorded an overall Hindi (2D) occupancy of 21.15%, reflecting a marginal improvement in afternoon shows but a complete decline by evening and night. In terms of show-wise performance, the film saw a morning occupancy of 13.70%, which improved to 28.60% in the afternoon. It registered 32.07% for the evening shows. City-wise, the film's performance was a mixed bag. The National Capital Region (NCR) emerged as the top-performing region with 35% overall occupancy across 343 shows, followed by Chennai with a strong 44%, though with limited screenings. Jaipur also fared decently with 30.5% overall occupancy. Mumbai and Pune posted average numbers at 22% and 21.5% respectively, while Bengaluru and Lucknow hovered around the 17–24% range. On the other hand, cities like Hyderabad, Ahmedabad, and Surat showed weak response with single-digit occupancy levels. Chandigarh and Bhopal also registered subdued interest. About Dhadak 2 Dhadak 2 is a romantic drama starring Siddhant Chaturvedi and Triptii Dimri. It is directed by Shazia Iqbal and produced by Karan Johar's Dharma Productions. A spiritual sequel to the 2018 film Dhadak, it explores themes of inter-caste romance and societal oppression. With weekday trends showing little sign of acceleration, Dhadak 2 faces an uphill climb to sustain its run at the box office. Whether word-of-mouth can turn things around remains to be seen as the film heads into its second weekend.


NDTV
37 minutes ago
- NDTV
Director Aanand L Rai And Dhanush Mull Legal Action On Raanjhanaa AI Ending: "Worried About Our Other Films"
New Delhi: Filmmaker Aanand L Rai has confirmed that he and actor Dhanush are exploring legal action against the AI-altered re-release of their 2013 film Raanjhanaa. The filmmaker called the modification which features an alternate happy ending "a very dangerous precedent" and raised alarm about what this could mean for the future of creative ownership. "I am very worried about my other films. So is Dhanush. We are actively looking at judicial remedies to restore and preserve our creative content from such extraneous interventions," Aanand L Rai said in a strongly worded statement. He emphasised that while they're examining long-term legal measures, the immediate focus is on the unauthorised alteration of Raanjhanaa. The Tamil version of the film, titled Ambikapathy, was re-released by rights holder Eros International on August 1 with an AI-generated climax that gives the film a happy ending, a drastic departure from the original. Aanand L Rai, who directed the film, shared his deep disapproval on social media, calling the AI edit "jarring and disturbing." In a post, he wrote, "The past three weeks have been surreal, and deeply upsetting. To watch Raanjhanaa, a film born out of care, conflict, collaboration, and creative risk, be altered, repackaged, and re-released without my knowledge or consent has been nothing short of devastating. What makes it worse is the complete ease and casualness with which it's been done." View this post on Instagram A post shared by Aanand L Rai (@aanandlrai) Dhanush, who played the lead role in the film, echoed the sentiment. In a post on X, he said, "The re-release of Raanjhanaa with an AI-altered climax has completely disturbed me. This alternate ending has stripped the film of its very soul, and the concerned parties went ahead with it despite my clear objection." For the love of cinema 🙏 — Dhanush (@dhanushkraja) August 3, 2025 In response, Eros International Media Limited, which holds the copyright to the film issued a statement saying that they are the "sole and exclusive copyright owner" and have full rights to exhibit, adapt, and re-release the film in any format. Pradeep Dwivedi, Group CEO, Eros Media World, told NDTV in an exclusive interview, "While not legally required, Eros believes in fair engagement. In this case, despite the ongoing legal matter, our notice of creative intent was conveyed post-production to Mr Rai. We regret his response but stand by the decision to proceed responsibly and transparently." Dwivedi further said, "We view Mr Rai's public outburst, especially timed just days after the regulatory disclosures advised previously, as a conscious attempt to shift focus away from the legal and governance issues he currently faces. It is unfortunate that a filmmaker of his stature would attempt to conflate legal accountability with creative victimhood." As for Dhanush's objection, the studio issues a statement, "We would like to respectfully clarify that an Eros representative had engaged in direct communication with Mr Dhanush's team regarding the proposed revisions, and no formal objection was communicated to us prior the AI-enhanced re-release of Ambikapathy." Even as the controversy grows, Aanand L Rai and Dhanush seem determined to take the matter to court, warning that if left unchallenged, such use of AI could set a precedent that undermines the integrity of creative work across the film industry.