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Economic Times
2 days ago
- Entertainment
- Economic Times
Sci-fi movie lost to censorship got 100% rating; even film negatives were destroyed due to controversy. Check plot, cast
On the Silver Globe, a 1970s Polish sci-fi film directed by Andrzej Żuławski, was shut down by the communist government before it could be completed. The film, which critiqued authoritarianism, had parts of its footage destroyed on official orders. Years later, Żuławski salvaged the remaining material, filling in missing scenes with real-life footage and narration. Despite never being finished, the film has earned a 100% rating on Rotten Tomatoes and is celebrated for its bold vision and lasting impact. Tired of too many ads? Remove Ads An Epic That Never Was: Plot Details On the Silver Globe poster (Image Source: IMDB) A Fragment Resurrected Tired of too many ads? Remove Ads Legacy of a Lost Classic In the realm of science fiction cinema, few projects are as mystifying and tragic as On the Silver Globe , a 1970s film that was halted mid-production and partially destroyed by the government that funded it. The Polish film, directed by Andrzej Żuławski—renowned for works such as Possession (1981) and Fidelity (2000)—was intended to be an ambitious, philosophical space epic. However, the movie never saw full release due to political interference and remains one of cinema's most captivating unfinished per Unlilad, On the Silver Globe was adapted from a series of lunar novels written by Żuławski's great-uncle, Jerzy Żuławski. Production began in the mid-1970s and featured an ensemble cast including Andrzej Seweryn, Jerzy Trela, and Grażyna Dyląg. The story followed a group of astronauts who land on the moon and establish a new civilization. Over time, their descendants evolve into a society that regards a visiting Earth scientist, Marek, as a prophesied plot was rich with allegorical layers, blending existentialism, mythology, and science fiction. However, the film's critical undertones—particularly its perceived commentary on authoritarian regimes—did not sit well with the then-communist Polish government. As a result, in a rare and drastic move, the Ministry of Culture ordered the production to be stopped in 1977. According to Seweryn, the cast and crew were powerless to resist the decision, as all Polish cinema was under state control. Despite efforts to appeal the order, the project was abruptly shut down, and portions of the filmed negatives were deliberately a decade in limbo, Żuławski returned to the unfinished footage in the late 1980s. Though he couldn't complete the movie as originally envisioned, he decided to release what he could. Missing sequences were substituted with scenes from daily life in Poland, and Żuławski used narration to explain the gaps during the film's debut screening at the 1988 Cannes Film the result was an incomplete version of the original concept, critics and cinephiles praised its haunting imagery and intellectual depth. Despite its fragmented nature, On the Silver Globe has earned a rare 100% rating on Rotten Tomatoes, a testament to the film's lasting never completed, On the Silver Globe remains a poignant example of artistic ambition stifled by political censorship. Its partial release still resonates with audiences and film historians, not just for what it is, but for what it could have been. Reviewers continue to commend its originality and audacity, with one noting that even in its incomplete state, the film's emotional and visual power endures. Żuławski's vision, though obstructed, managed to transcend suppression—securing its place in cinematic history as a lost but legendary work.
Time of India
2 days ago
- Entertainment
- Time of India
Sci-fi movie lost to censorship got 100% rating; even film negatives were destroyed due to controversy. Check plot, cast
An Epic That Never Was: Plot Details On the Silver Globe poster (Image Source: IMDB) A Fragment Resurrected Legacy of a Lost Classic In the realm of science fiction cinema, few projects are as mystifying and tragic as On the Silver Globe , a 1970s film that was halted mid-production and partially destroyed by the government that funded it. The Polish film, directed by Andrzej Żuławski—renowned for works such as Possession (1981) and Fidelity (2000)—was intended to be an ambitious, philosophical space epic. However, the movie never saw full release due to political interference and remains one of cinema's most captivating unfinished per Unlilad, On the Silver Globe was adapted from a series of lunar novels written by Żuławski's great-uncle, Jerzy Żuławski. Production began in the mid-1970s and featured an ensemble cast including Andrzej Seweryn, Jerzy Trela, and Grażyna Dyląg. The story followed a group of astronauts who land on the moon and establish a new civilization. Over time, their descendants evolve into a society that regards a visiting Earth scientist, Marek, as a prophesied plot was rich with allegorical layers, blending existentialism, mythology, and science fiction. However, the film's critical undertones—particularly its perceived commentary on authoritarian regimes—did not sit well with the then-communist Polish government. As a result, in a rare and drastic move, the Ministry of Culture ordered the production to be stopped in 1977. According to Seweryn, the cast and crew were powerless to resist the decision, as all Polish cinema was under state control. Despite efforts to appeal the order, the project was abruptly shut down, and portions of the filmed negatives were deliberately a decade in limbo, Żuławski returned to the unfinished footage in the late 1980s. Though he couldn't complete the movie as originally envisioned, he decided to release what he could. Missing sequences were substituted with scenes from daily life in Poland, and Żuławski used narration to explain the gaps during the film's debut screening at the 1988 Cannes Film the result was an incomplete version of the original concept, critics and cinephiles praised its haunting imagery and intellectual depth. Despite its fragmented nature, On the Silver Globe has earned a rare 100% rating on Rotten Tomatoes, a testament to the film's lasting never completed, On the Silver Globe remains a poignant example of artistic ambition stifled by political censorship. Its partial release still resonates with audiences and film historians, not just for what it is, but for what it could have been. Reviewers continue to commend its originality and audacity, with one noting that even in its incomplete state, the film's emotional and visual power endures. Żuławski's vision, though obstructed, managed to transcend suppression—securing its place in cinematic history as a lost but legendary work.
Hindustan Times
4 days ago
- Entertainment
- Hindustan Times
Rick Hurst dies at 79: All on Dukes of Hazzard star's wives and children
Jun 27, 2025 03:38 PM IST Rick Hurst, the beloved actor best known for his role as Deputy Cletus Hogg on The Dukes of Hazzard, has passed away at the age of 79. Rick Hurst, famed for playing Deputy Cletus Hogg in The Dukes of Hazzard, has died at 79. (IMDB) His death was confirmed by his wife, Candace Kaniecki, who told TMZ that Hurst died unexpectedly on Thursday in Los Angeles. The cause of death has not been made public. Hurst's warm and goofy portrayal of Cletus made him a fan favourite in the late 1970s and early '80s. Rick Hurst's family Hurst was married twice. His first marriage was to Katherine Shelley Weir, with whom he had one son. Later, he married acting coach Candace Kaniecki, his second wife, who remained by his side until his passing. He is survived by his two sons, Ryan and Collin Hurst.
Graziadaily
4 days ago
- Entertainment
- Graziadaily
The Bear Season 4 Reviews Are In: Is It Worth Watching?
The much-awaited fourth series of The Bear has dropped on Disney+. Jeremy Allen White reprises his role as tortured chef Carmen 'Carmy' Berzatto in season four, alongside his team – Richard 'Richie' Jerimovich (Ebon Moss-Bachrach), Sydney Adamu (Ayo Edebiri), Marcus Brooks (Lionel Boyce) and Tina Marrero (Liza Colon-Zayas). Reviews of the new episodes of the US comedy-drama emerged shortly after its premiere, and the latest series has left critics divided. Many are excited to see what's in store for Carmy in the rest of the season, while others appeared less than impressed. Most critics agree that the latest run is an improvement on the third series last year. Here's what people think about the new series… After all the drama and chaos from the past three series, the fourth run starts with a flashback of Uncle Jimmy (Oliver Platt), who has installed a countdown clock after investing in the fledgling Chicago restaurant The Bear, and trying to get the business to turn its fortunes around in 1,440 hours. Season four is less about the restaurant and more about the 'family', not just the blood relatives but friends and colleagues. The fans have spoken – and they are rating season 4 of The Bear. It's had an impressive 83% popcornmeter and 74% tomatometer. The episodes are rating on IMDB too, with episodes four and eight receiving the lowest score of 8.3/10 while episodes three and six are the highest rated with scores of 9/10. Entertainment Weekly's Kristen Baldwin gave a B+. 'Though not quite at the level of the sublime second season, the new episodes put Carmen and company back on track by allowing them to confront, at long last, 'the f***ing elephant in the f***ing restaurant'.' The Guardian's Jack Seale awarded it 4/5. 'The Bear is finally becoming the show it was always destined to be,' he wrote. 'It's outgrown the 'Yes, chef!' rages and screaming matches in the pantry and morphed into something more tender, beautiful – and endlessly moving. Where once The Bear made pulses pound, now it lets the happy tears flow; the second half of the season is like one long therapy session. Indulge it – and you will have to indulge it, in a few ways – and you will find this experience just as rich.' Rolling Stone rated it highly too, saying the series 'is at its best far more often this year than it was the last time we saw it', with TV Line calling it 'an absolute triumph'. But not everyone was impressed. Vanity Fair called it 'slow', which was mirrored by Daily Telegraph, who said it is 'so aimless, pompous and, quite frankly, boring'. With mixed reviews for the fourth series, it's best for viewers to decide for themselves as to whether they should tuck into a fourth helping – or refrain from this course. So here's the trailer if you need some persuasion… All four seasons of The Bear are now streaming on Disney+ Shereen Low is a senior news and entertainment writer for Grazia UK, who has covered some of the biggest showbiz news from the past decade.
Graziadaily
4 days ago
- Entertainment
- Graziadaily
Is F1 The Movie Worth Seeing? The Reviews Are In
There are high hopes for F1 The Movie, which is in cinemas now. Starring Brad Pitt, Javier Bardem and Damson Idris, the film has received the full backing of Formula One and its governing body Federation Internationale de l'Automobile (FIA). Racing drivers from all Formula One ten teams, including Lewis Hamilton (who's also listed as one of the film's producers), George Russell, Charles Leclerc and Sergio Perez, as well as their bosses will appear as themselves on the big screen, giving it a rare and official seal of approval. Brad Pitt and Damson Idris in F1 The Movie ©Warner Bros F1 The Movie stars Brad Pitt as Sonny Hayes, a 1990s Formula One driver – dubbed 'the greatest that never was' – who had to give up his dream job after a severe crash nearly ended his career. 30 years on, he now works as a taxi driver and racer for hire. But his opportunity to come out of retirement comes when his former teammate and friend Ruben Cervantes (Javier Bardem), now an owner of a struggling Formula One team, persuades him to come back to Formula One for one last shot to save the team and mentor rookie prodigy Joshua 'Noah' Pearce (Damson Idris) for the Apex Grand Prix team. Cinemagoers are loving F1 The Movie. It has a very impressive 98% popcornmeter, with 86% tomatometer, on Rotten Tomatoes and a high score of 7.9 – of 4.9k viewers – on IMDB. F1 The Movie has divided critics, with some loving it while others are feeling more of a meh vibe. But most are in agreement over the high-octane spectacular visuals and Brad Pitt's acting. Entertainment Weekly said, 'F1 has no peer in its dedication to speed, movement and visceral excitement,' while Rolling Stone wrote, 'This is what blockbusters used to look like. Come for the most impressive, lustrous car that a gajillion-dollar budget can buy. The reason to stay, however, is the driver.' USA Today added, 'Watching Pitt burn this much rubber, and with macho panache, puts F1 in the winners' circle,' and The Hollywood Reporter called it 'a deft addition to a sturdy lineage of motorsport flicks'. Others called it 'predictable', 'formulaic', very 'macho' and said it was 'too long'. The Times said, 'There's an unashamedly 'enthusiastic' cross-promotional quality to the film, like a two-and-a-half-hour Formula One commercial that never quite gels with its hoary central story.' Variety added that the adrenaline rush wears off. 'It's a high that may leave you feeling a bit empty afterwards.' If you're a fan of racing or Brad Pitt, F1 The Movie is surely a must-watch for you this summer. You'll be in for a great time. But if you're in need of convincing, maybe this trailer can help you decide… F1 The Movie is in cinemas now Shereen Low is a senior news and entertainment writer for Grazia UK, who has covered some of the biggest showbiz news from the past decade.
