logo
How have so many Australians ended up doing big things in K-pop?

How have so many Australians ended up doing big things in K-pop?

With so many Australians doing big things in K-pop, a key question is why. How is it that Australia has produced so many homegrown K-pop stars?
This is something Roald Maliangkay from the Australian National University has pondered.
And yes, he is named after the late decorated British children's author Roald Dahl.
Professor Maliangkay specialises in popular culture in East Asia and has researched the South Korean entertainment industry throughout the 20th century up to the present day.
He's come up with a few reasons why Australia is fertile ground for producing K-pop stars.
"I think one important reason is that a lot of the Korean Australians here speak Korean, maybe not well, but they are fairly recent migrants," Professor Maliangkay said.
"It's usually their parents who migrate to Australia and that means that their parents will speak Korean at home.
"I think that's one important reason so that makes it very likely for the trainees, which they are at first, to at least be familiar with the sounds so they can pick up Korean quite easily even if they didn't always speak Korean at home or outside in public.
"So, I think the language aspect is quite significant."
Professor Maliangkay says demographics plays a part.
"Of course, we are a very small country in terms of population but if you look at cities like Sydney and Melbourne then the concentration of Asians around you will be much greater which probably provides a bit of an impetus for young people to try and establish their own identity and be noticed.
"And I think that is another driver for young Australians with an Asian background to perhaps try their luck at becoming a K-pop artist."
"Another factor is that communication amongst Australians tends to be rather positive," Professor Maliangkay said.
"People here communicate in a very positive manner.
"Australians are really good at representing themselves and in engaging in conversation so that also makes things easy for an agency.
"Australians are generally very polite, they're pleasant and they use a lot of words like fantastic, wonderful and great, which when you go to Britain that is not exactly the case."
Professor Maliangkay says it's unlikely there are political reasons at play, but it could be a tiny factor.
"I don't think it is very likely that it's a political decision not to go with a United States-born artist," he said.
"But I do think that it's a little easier for Chinese fans to fall in love with a non-US based idol than it is when you're dealing with someone born in Australia.
"It's a tiny factor and the fans ultimately will fall in love anyway, but I think it might make things just a little easier."
"If you're a young person and you want to go to a workshop in Korea and try your luck at an audition, at the moment, the time difference between us and Seoul is one hour only," Professor Maliangkay said.
"So, that makes going back-and-forth even when you're in high school just a little easier.
"Again, that's a tiny reason just like the political one but the other reasons I'm more sure of, that is, the language aspect, the greater convergence of Asian Australians and then the communication and the representation of Australians in general."
So, who has made it big and who is on their way?
Blackpink's Rosé made history when her collaboration with Bruno Mars APT debuted at number one on the ARIA singles chart making her the first solo female K-pop star to top the ARIA chart.
"She was born in New Zealand but then she was raised in Melbourne, I think from the age of seven and then she trained herself singing in church choirs," says Professor Maliangkay.
"She just suddenly had the courage when she was quite young, I think she was 16, to pack her bags and go to YG entertainment where she went to train, and it worked out.
"In the beginning, she was an absolute nobody, of course, and risked a lot doing all this and spending money on this.
NewJeans broke a Guinness World Record when they became the fastest K-pop act to reach a billion streams on Spotify, unseating BTS.
They have two Australian members.
"Danielle was born outside a big city, in Newcastle, NSW," Professor Maliangkay said.
"She has an Australian father and a Korean mother.
"And they moved to Korea in 2019 at around the age of 14.
"She was kind of scouted by HYBE.
"Hanni was born in Melbourne and she's half Vietnamese.
"[She] moved to Seoul around 2020 at the age of 16 so that would make her 21 right now.
"She also ended up with the same company, with HYBE."
Fans of K-pop would be aware of some recent news surrounding the multinational entertainment company HYBE.
"Although the company has responded to the recent allegations of insider trading by a former executive saying it is fully cooperating with the authorities, it denies any wrongdoing by chairman Bang Si-hyuk.
"And yet, since December, Bang has been under police investigation on suspicion of profiting by as much as $450 million from misleading shareholders during the company's listing."
HYBE has issued the following statement to ABC News on the matter.
Regarding NewJeans, Professor Maliangkay says fans were distraught to learn of a stand-off between NewJeans and parent company HYBE.
"What is more, following the public fallout over management rights with former CEO Min Hee-jin of ADOR that began in April last year, NewJeans's activities have now been put on hold, with ADOR last Friday winning an injunction against the group members engaging in any unauthorised individual entertainment activities until the legal process has run its course," Professor Maliangkay said.
"The idols stand by Min and argue that HYBE's reorganisation of ADOR has turned it into something very different from the label they signed with.
"Conflicts between idols and their management over contracts are not uncommon. Groups like Fifty Fifty, Loona, and TVXQ have faced serious disputes, some of which have led to their disbandment.
"While the high stakes of investment and intense competition help explain the often inequitable nature of contracts, fans typically rally behind the idols, so the companies almost always stand to lose from public disputes.
"I suspect that quite a few fans will respond to the scandals either by not investing as much money in HYBE products, or embracing the idols of other agencies, or both.
"Despite the negative reports surrounding HYBE's management, however, fans' excitement for BTS's long-awaited return — marked by SUGA's military discharge on June 21 — will likely remain undiminished."
HYBE subsidiary ADOR has issued the following statement.
"We express our sincere gratitude for the court's judicious decision to grant the preliminary injunction.
Bang Chan was born and raised in Sydney and Felix grew up in Sydney.
"Felix is the fashion icon, partly, of Stray Kids and he's doing really well in that sense in addition to of course being a very talented performer," Professor Maliangkay said.
"Bang Chan is also very much a composer.
"He has his own kind of composing agency as well.
"So, he's composed quite a lot of music for Stray Kids.
"He's also the leader of [the group].
"If I had to pick the top K-pop groups at the moment, NewJeans and Stray Kids would be in that list.
"It's quite something to have both groups having two Australian members so it is significant and that's why I think it's very good to ask indeed why is it?
"Because you do wonder why is it that there are so many Australians [in K-pop]."
NMIXX's Lily is returning home this month to perform in Melbourne and Sydney.
"Lily was born in Marysville, Victoria to a Korean mother and an Australian father," Professor Maliangkay said.
"About 10 years ago, she left to work for JYP Entertainment.
"She signed a contract in 2015 and eventually then into 2022 she then debuted with NMIXX, which means seven years of training and preparation before you actually end up being a frontline act.
"It's a long time to just be training, it's a bit like doing a PhD."
"Jake was born in South Korea but then grew up in Brisbane,' Professor Maliangkay said.
"He moved back to Seoul in 2019 and then trained under HYBE.
"Roughly after one year he was made part of Enhypen and I think they're doing quite well.
"Of course, Brisbane also has a very large Asian community, so I suppose there's a little bit of an impetus for young Asian Australians to kind of stand out a little bit and do something different, be noticed, and then of course with all trainees the lure of fame, money, fashion, and perhaps cosmetic surgery, which is definitely one of the perks, because the agencies will help you arrange that."
Others to watch out for are Robin from n.SSign, who has debuted, and who said on TikTok that he went to the same school as Felix from Stray Kids and cites the whole group as role models.
And Mackiah from ampers&one who is from Western Sydney and debuted in 2023.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Webjet fined $9 million for excluding fees from ads, falsely confirming bookings
Webjet fined $9 million for excluding fees from ads, falsely confirming bookings

ABC News

time12 minutes ago

  • ABC News

Webjet fined $9 million for excluding fees from ads, falsely confirming bookings

Travel giant Webjet has been fined $9 million after it admitted it failed to include compulsory fees in some of its advertised airfare costs, and it provided misleading booking confirmations. In the Federal Court case, brought on by the Australian Competition and Consumer Commission (ACCC), Webjet admitted it made misleading statements in promotional emails and social media posts on airfare prices between 2018 and 2023. Webjet further admitted it provided false or misleading booking confirmations to 118 customers for flights it had not actually confirmed between 2019 and 2024, then asked for payments of up to $2,120 from consumers to complete the booking. Webjet has since refunded those customers. The consumer watchdog began investigating Webjet after a customer complained that an airfare advertised as "from $18" ended up costing triple that amount once all the compulsory fees were added. "We took this case because we considered that Webjet used misleading pricing by excluding or not adequately disclosing compulsory fees in its ads," ACCC chair Gina Cass-Gottlieb said. Compulsory fees, including "Webjet servicing fee" and "booking price guarantee" fee, ranged from $34.90 to $54.90 a booking, depending on the destination. While fees were disclosed on the website, app and most emails, Webjet's social media posts did not disclose the additional fees. "Retailers must ensure their advertised prices are accurate. They should clearly disclose additional fees and charges," Ms Cass-Gottlieb said. Webjet's fees made up 36 per cent of its total revenue between November 1, 2018 and November 13, 2023. Webjet cooperated with the ACCC, admitted liability and agreed to make joint submissions to the court about orders, including the penalty. A statement published to the ASX by Webjet Group on Monday acknowledged the agreed penalties. "In accordance with the Federal Court's orders, and consistent with the agreement reached between the parties, Webjet Marketing has agreed to: In a February ASX statement, Webjet said it had "voluntarily and proactively implemented improvements to its fee disclosures". "Webjet Group is confident that any customer concern with its offering, disclosure, service, or pricing was limited," it said. "It has always prided itself on its high levels of trust with all customers and stakeholders and has fully cooperated and positively engaged with the ACCC to resolve this matter."

‘Don't mention my son's name again': Aaron Woods fires shots after being labelled a ‘coward'
‘Don't mention my son's name again': Aaron Woods fires shots after being labelled a ‘coward'

News.com.au

time12 minutes ago

  • News.com.au

‘Don't mention my son's name again': Aaron Woods fires shots after being labelled a ‘coward'

Former NSW Blues forward Aaron Woods has fired back at his Origin critics, weeks after his comments on Billy Slater sparked one of the most iconic State of Origin feuds. The Triple M host was the latest guest on Paul Kent's podcast Kenty Primetime where he revealed he later spoke to Slater's former teammate Ryan Hoffman. Hoffman labelled Woods a 'coward' on the ABC for calling Queensland coach Slater a 'grub' before Game 2 of the series this year. FOX LEAGUE, available on Kayo Sports, is the only place to watch every game of every round in the 2025 NRL Telstra Premiership, LIVE with no ad-breaks during play. New to Kayo? Join now and get your first month for just $1. 'Ryan Hoffman came out and called me a coward, and then he back flipped and said he didn't,' Wood's explained. 'We had a conversation. I said, 'look you can call me whatever you want, just don't ever mention my son's name again with things that didn't happen', because Buster didn't get a photo with Billy.' Hoffman's comments were centred on claims Woods had asked Slater to take a photo with his son Buster earlier in the season before he later slammed the Origin coach to create an Origin narrative. The claim originally came from former Origin forward and NRL360 host Gorden Tallis who took aim at Woods labelling Slater a grub ahead of Game 2. But Woods has now clarified the situation with the alleged photo, which occurred at Magic Round while commentating for Triple M. 'We're up at the top boxes of Suncorp Stadium, I was going to take my little fella downstairs, Buster, because he was going to be a ball boy for the 3 o'clock game on the Saturday arvo which was Newcastle v Souths,' Woods said. 'As I was going down the lift, we were right at the back, everyone jumped in, then we get down to I think level 3, that's where the Channel 9 and Fox boxes are. 'Billy Slater rocks in with his producer from Channel 9. We go downstairs, everyone gets out, Billy's there at the front, I literally walk out, I walk past, I shake his hand, 'hey Bill', I say to Buster to shake his hand. 'Once he shakes his hand we walk away, Buster goes 'who's that Dad?' 'I go 'mate, he's one of the best fullbacks to ever play the game'. My young bloke is only five. And that is all that happened. 'So from that, there's only three people that would've said something to Gordy about that. So someone's dropped the lip and had a little complaint, wasn't too happy.' The entire ordeal looked to become a major talking point among league fans as Queensland rallied after the saga to come back and win the next two games and take the series shield back from NSW. The story blew up particularly with Slater's response in which he suggested Woods was unaware of the mental health concerns his words could have on people, controversially referencing late Maroons coach Paul Green, who suffered from CTE. It left Woods admitting he felt partially responsible for the whole situation. 'A little bit. I was so confident because Game 1 I don't even think NSW played well,' he said. 'To win up at Suncorp, to be up there in enemy territory and the way they played, I would've thought we'd go to Perth quite excited. 'You go over there and then the performance in that first half, I was just like 'oh my God, far out, what have I done here?' Just really stirred the pot.'

‘Insane': Run-down home sells for $3 million
‘Insane': Run-down home sells for $3 million

News.com.au

time42 minutes ago

  • News.com.au

‘Insane': Run-down home sells for $3 million

The more than $3 million sale of an overgrown two-bedroom house in Brisbane has raised questions about the state of the city's housing market. The home in Perrott Street, on a 473 sqm corner block in the ritzy inner-city suburb of Paddington, went under the hammer over the weekend. After an opening offer of $2.75 million, a flurry of bids quickly brought the sale price to $3.1 million – well above the suburb's median price of $1.9 million. The property listing said it had been in the same family for 100 years and was used as a hospital during the Second World War. But it had not been occupied since the 1990s and would require 'significant works to bring it up to a comfortable living standard'. Photos showed the house was in a state of disrepair with the roof overrun with weeds, though it stood on a spacious block and commanded views of the city. Reaction to the sale on social media was mixed, with some Aussies labelling the $3.1 million sale price as 'insane' and 'ridiculous', and the home itself as a 'dump'. 'Problem is someone will knock it down for the land and build some garbage thing,' one said. 'It gets you a block of land worth $3.5 million three weeks from now after you bulldoze the shack,' another added. But Ray White agent Max Hadgelias told that the new owners were a local family who intended to be owner-occupiers. There had been 'fantastic interest' in the home, with 15 registered bidders at the auction along with scores of locals who attended out of curiosity, Mr Hadgelias said. Given the home was a protected character house it was 'unlikely' to be bulldozed to make way for a development. 'It requires a lot of work, but someone restoring it will bring it back to its former glory.' Although the property was in a run-down state, the price was 'underpinned by its location,' which included its sought-after Paddington postcode, elevated position and city views. Mr Hadgelias described the local housing market as 'strong – there's good activity across all spectrums at the moment'. Leith van Onselen, chief economist at said the sale was indicative of overstretched demand for housing in Brisbane. The city had seen an 89 per cent increase in house prices since March 2020. 'Brisbane's had one of the biggest house price rises in the country since the pandemic,' Mr van Onselen said. 'It's gone from being one of the more affordable housing markets to being the second-most expensive (after Sydney).' The cause was a 'gigantic surge' in both interstate and overseas migration to Brisbane. 'It's a real pressure cooker situation in Brisbane unfortunately, and I think the (2032) Olympics will make it worse. 'Obviously the inward migration from overseas and Australia has overwhelmed supply.' PropTrack data for June showed Sydney remained Australia's most expensive city with a median house price of $1.18 million, followed by Brisbane at $908,000, Adelaide at $837,000, Perth at $836,000 and Melbourne at $818,000.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store