
Dead & Company in IMAX: Upcoming concert will play in select theaters
The band, led by Grateful Dead members Bob Weir and Mickey Hart, along with John Mayer, will perform three shows at Golden Gate Park in San Francisco. Fans can stream each night on subscription streaming service Nugs.net. The Aug. 3 concert will also be shown live in select IMAX theaters across the U.S. and Canada.
Speaking of IMAX, later in the month fans of the Grateful Dead can gather in theaters for the annual "Meet-Up At The Movies" for a screening of "The Grateful Dead Movie" at theaters including some select IMAX locations.
Ozzy Osbourne's iconic songs: See top tracks from the Prince of Darkness
The Golden Gate Park concerts by Dead & Company – which in addition to Weir, Hart and Mayer includes bassist Oteil Burbridge, keyboardist Jeff Chimenti and drummer Jay Lane – serve as a celebration of 60 years of the Grateful Dead's music.
Here's the details on joining the celebration – in theaters or at home.
Dead & Company: Watch Aug. 3 Golden Gate Park concert in IMAX
You can watch Dead & Company's Sunday, Aug. 3 performance on the immersive big screen at about 30 IMAX locations across the U.S. Attendees also get a mini-poster and concert lanyard at participating theaters. For more information, go to IMAX.com.
Dead & Company livestream of Aug. 1-3 San Francisco concerts
Can't get to a movie theater? No problem. You can stream one or all three concerts at home via Nugs.net. Single-night access is $39.99 for HD video or $49.99 for 4K video; three-night access, $99.99 (HD) or $129.99 (4K).
Each concert stream includes two full Dead & Company sets and the opening guest sets:
You can watch your pay-per-view purchase live and watch on-demand for up to 48 hours after the event ends. Live sound recordings of the Golden Gate Park concerts will also become available in Nugs.net's extensive Dead & Company recording archive. With your purchase, you also get a 60-day all access pass to Nugs.net to listen to those Aug. 1-3 concerts, plus you can also stream past sound and video recordings from many artists including Dead & Company, Grateful Dead, Jerry Garcia Band, Bobby Weir & Wolf Bros shows, Phil Lesh & Friends and more.
Win tickets to Dead & Company Golden Gate Park concerts
Through Thursday, July 24, at 11:59 a.m. PT, you can donate via Fandiem for a chance to win a Super VIP Weekend With Dead & Company at Golden Gate Park including travel, hotel and tickets for two to attend the three-day event.
Don't want to leave it to chance? Some Super VIP packages remain available; $2,175 for a one-day package and $6,346 for three-day package.
'The Grateful Dead Movie' Meet-Up at the Movies 2025
Across the U.S., IMAX and standard theaters will be screening "The Grateful Dead Movie," a 1977 film co-directed by Jerry Garcia, which captures the band's five-night stand at San Francisco's Winterland Ballroom in October 1974.
These screenings, which begin Aug. 13 and run through Aug. 20, will include a bonus live performance of "China Cat Sunflower > I Know You Rider," not included in the official film release. For more information, go to meetupatthemovies.com.
Mike Snider is a national trending news reporter for USA TODAY. You can follow him on Threads, Bluesky, X and email him at mikegsnider & @mikegsnider.bsky.social & @mikesnider & msnider@usatoday.com
What's everyone talking about? Sign up for our trending newsletter to get the latest news of the day
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


CNBC
40 minutes ago
- CNBC
'Superman,' 'F1' both cross $500 million at the global box office
Warner Bros. Discovery had a bountiful weekend at the global box office. The studio had two films cross the $500 million mark worldwide — "Superman" soared to $502 million and Apple's "F1," which Warner Bros. distributed, topped $509 million in ticket sales. The benchmark is a boon for Warner Bros.' DC Studios, as "Superman" is the first theatrical debut of James Gunn and Peter Safran since they became co-heads of the film and TV unit in late 2022. The pair has developed a 10-year plan to reinvigorate the studio's franchises across TV and film, including fresh spins on Superman and Batman. At present, 2025's "Superman" is the fourth-highest-grossing film featuring Superman. Zack Snyder's 2016 "Batman v. Superman: Dawn of Justice" is the highest with $874 million in global ticket sales, while 2013's "Man of Steel" is second-highest with $669 million and 2017's "Justice League" with $661 million, according to data from Comscore. "Superman" debuted in theaters just two weeks ago and continues to drive weekend moviegoing as well as weekday trips. As for Apple's "F1," passing the $500 million mark is just another feather in the cap for the studio. Earlier this month, the film became Apple's best film release ever, surpassing Ridley Scott's "Napoleon," which generated $221 million during its 2023 run, to become Apple's then-highest-grossing theatrical release. The tech company has only sent a handful of films to cinemas with wide releases since delving into the media business in recent years. "Killers of the Flower Moon" tallied $158 million worldwide, "Fly Me to the Moon" took in just $42 million and "Argylle" generated $96 million in ticket sales globally. "F1" has benefited greatly from its partnership with IMAX. Before production, Apple and the film's top creatives reached out to not only secure the use of IMAX's camera technology but also a three-week release in its theaters.


USA Today
3 hours ago
- USA Today
Just how did 'Wizard of Oz' at Sphere Las Vegas take Dorothy from 2D to 4D?
LAS VEGAS – In a month, the Las Vegas Sphere will be turned into the verdant splendor of Emerald City. And the vibrant mosaic of Munchkinland. And the dusty amber plains of Kansas. It's 'The Wizard of Oz' not just as a film, but an experience. A place where the 160,000 square feet of Sphere screen transports you into Dorothy Gale's world and, through the use of 4D and haptics, immerses you in the feeling of being inside a tornado and makes you cower at the sight of those dastardly flying monkeys heading from the Wicked Witch's lair to your seat. The film, which opens Aug. 28 at the technologically sophisticated venue just off the Las Vegas Strip, was chosen for Sphere-i-fication because of its generation-spanning appeal. 'It's a movie that your mother watched, that you watched with your grandmother or your kids,' says Jane Rosenthal, the Oscar-nominated producer helping helm the production. 'The movie became so beloved because you felt you could go into Munchkinland or the Emerald City even in a traditional TV format. It's a natural for the Sphere because of the elements that can be made immersive.' The Sphere's film has been in development for two years with a team of more than 2,000 filmmakers, technicians, audio experts and AI creatives working to transform Oz from a 2D world into an extraordinary envelopment of sight and sound. Las Vegas Sphere concerts: All the bands that are playing and how to get tickets Why the Sphere's 'Wizard of Oz' is an unparalleled experience Those involved with 'Oz' wouldn't confirm the $80 million price tag alluded to when the project was announced in August 2024. But, from the near-final pieces of the film USA TODAY observed in July, it's evident this has been an exhaustive, finely detailed endeavor. From the clarity of Judy Garland's doe eyes with eyelashes that can be counted to the 16-foot-long helium-filled monkeys steered by drone operators, it's sheer wonderment. And the tornado? You'll find yourself ducking in your seat at what feels like farm equipment and animals flying toward you as 750-horsepower fans built specifically for "Oz" hurl wind and (paper) leaves around the venue. To assume the film is merely glorified IMAX is akin to saying earbuds provide the same sound quality as $16,000 studio headphones. The $104 admission likely seems steep, but not as much after you factor in the cutting-edge experience and the Vegas location. How 'ethical AI' transformed 'The Wizard of Oz' at the Sphere The Sphere team worked closely with Warner Bros. and the Academy of Motion Picture Arts and Sciences to mine the 'Oz' archives from its original 1939 form. Transforming what was filmed for a 4:3 aspect ratio on a standard-sized movie screen to the 16K x 16K LED screen resolution of the Sphere required the use of what Rosenthal calls 'ethical AI.' The time required to convert the film also necessitated editing from its original run time of 102 minutes to 75. The artificial intelligence in 'Oz' was primarily used to extend frames to fill the Sphere screen. Rosenthal gives the example of an early scene when irritable neighbor Miss Gulch wants to take Toto – himself given a furry glow-up – from the Gale home. 'That was originally a three-shot, but as you widen the frame, you now see Uncle Henry standing by the door. You train the AI on Uncle Henry to create him making a move like putting his hand on the door,' she says. 'That stuff was difficult to do.' The Sphere team, with the aid of Warner Bros., found props and set designs from the original movie so objects such as photos on the wall in Professor Marvel's caravan could be generated onto the screen. Every frame of the film takes 300 hours (12.5 days) to render. An edit of a few seconds might take days to fix. And then there is the equilibrium between respecting a classic and elevating it to immersive heights. Award-winning technician Glenn Derry, the executive vice president of MSG Ventures, spent thousands of hours refining minutiae such as the breathtaking moment when Dorothy awakens in her sepia-toned heartland and steps into Technicolor Munchkinland, the yellow brick road seemingly stretching into space. 'We're trying to be tasteful with these things,' Derry says. 'I don't want to distract from the film because it's one of the great masterpieces. You want people to be part of it, but balance that with not being distracting.' Emotion and revelations and nostalgia, oh my So while the cranky apple tree will hurl featherweight red orbs at Sphere "Oz" viewers, and seats will vibrate with ominous warnings of the Wicked Witch or hopeful spasms when Glinda the Good Witch soars inside her pink bubble, the heart of 'Oz' – as the Tin Man would appreciate – is intact. Derry says his favorite effect is the hulking Wizard head, which almost sneaks in from the side of the screen while pyro is dispatched in front of it. 'It's a nostalgic thing for me,' Derry, whose father worked in the industry as a machinist and physical effects expert, says. 'I love the elements that you don't notice and then you turn and are surprised.' The revelations will begin as soon as moviegoers step into the atrium of the venue, which will be converted to an Oz-like atmosphere with interactive elements (that Wizard head might have another role along with booming on screen). It's an experience that simply cannot be duplicated. 'With the emotion of 'there's no place like home' and 'Over the Rainbow,' I feel fortunate to bring this movie to life,' Rosenthal says. 'A venue like Sphere makes you want to keep going to the movies.'


Forbes
4 hours ago
- Forbes
Ozzy Osbourne Charts His First Posthumous Top 10 Hit In America
Ozzy Osbourne's 'Road to Nowhere' enters the top 10 on Billboard's Hard Rock Digital Song Sales ... More chart days after his death at 76, marking his first posthumous hit. A photograph taken on July 23, 2025 shows a memorial plaque left at a makeshift memorial by a mural depicting late British singer-songwriter Ozzy Osbourne, in Birmingham, central England, a day after his death. Tributes poured in on July 23, 2025 for hell-raiser singer Ozzy Osbourne as tearful fans laid flowers in his hometown and his Black Sabbath band mates mourned the death of their legendary heavy metal frontman, just weeks after he played an epic farewell concert in their Birmingham hometown. Osbourne, nicknamed the "Prince of Darkness" who famously once bit off the head of a bat while on stage, died on July 22, 2025 at the age of 76, his family said. (Photo by JUSTIN TALLIS / AFP) (Photo by JUSTIN TALLIS/AFP via Getty Images) Ozzy Osbourne passed away on July 22 at the age of 76, just weeks after performing his final show in Birmingham, United Kingdom, the city where he first launched his career. The legend changed the sound of hard rock music forever, introducing heavy metal to the world and becoming a defining character in the history of multiple genres. Fans around the globe are sure to mourn his loss for years to come, but the grief is especially pronounced in the immediate aftermath of shocking news. The impact of his death on the Billboard charts is only just beginning to be felt. "Road to Nowhere" Becomes a Posthumous Hit Osbourne scores a new top 10 hit in the U.S. this week, as "Road to Nowhere," taken from his No More Tears album, debuts at No. 10 on the Hard Rock Digital Song Sales chart. The late superstar claims his tenth top 10 on that tally and his twelfth overall appearance under his own name. Ozzy Osbourne Fills Multiple Spots on the Chart Osbourne occupies four spaces on the Hard Rock Digital Song Sales ranking this frame, as "Mama, I'm Coming Home," 'Crazy Train' and "No More Tears" appear at Nos. 2, 4 and 7, respectively. Those three tracks surged following all the excitement surrounding his final performance, which also marked the last-ever concert for Black Sabbath under its classic lineup, but now they've started to decline – though that downward movement may be temporary. "Crazy Train" Still Climbing Among that batch, "Crazy Train" remains Osbourne's biggest hit in America. While it declines on most of the rosters it appears on, the tune actually rises one spot on the Hot Rock Songs chart. The cut debuted just last week on Billboard's ranking of the most consumed rock tracks in the U.S., and now it lifts slightly to a new peak. A Big Week is Expected for Ozzy Osbourne Osbourne's death occurred toward the end of the most recent tracking period, which ran from Friday, July 18 through Thursday, July 24. A surge in streams and sales of his catalog — as well as Black Sabbath's — should be reflected more fully on Billboard charts published in a few days. This week's top 10 win is a meaningful posthumous achievement, but next frame will likely be even more impressive as the outpouring of support continues to build.