Meghan Markle and Prince Harry's ‘Meet Me at the Lake' movie still has no director or cast
The Duke and Duchess of Sussex announced back in August 2023 that they were producing a film adaptation of Carley Fortune's hit romance novel, Meet Me at the Lake for the streamer.
But Page Six reports Archewell productions has yet to hire a director or come anywhere close to picking a cast.
Netflix is believed to have paid out around $US3 million for the rights to the book for the duo to produce, though it's understood little has been done to get the project moving.
'By this point, you would have thought they would have got a director on board and a cast. So what is the delay?' asked a Hollywood source.
'And when you make something for Netflix, it takes a long time for it to actually hit the streamer — there is so much to do in post production, to make sure it's ready for every country. If the deal is up this year, then when is this film going to be made?'
The couple were also working on a documentary set in Africa — albeit without Harry, 40, or Markle, 43, appearing. This, too, may be on the back burner.
'What's the betting that neither of these projects will see the light of day?' said a source in the know.
It was revealed this week the Sussexes' Netflix deal will end this year, and the couple may move to a first-look contract, like President Barack Obama and his wife Michelle's production company, Higher Ground, has. This week, sources were quick to tell us, however, that there will be more TV shows from the renegade royals.
We have reached out to Sussex reps.
Netflix has also been working with Markle on her As Ever range which includes her rosé wine, jams, tea and honey. Her show, With Love, Meghan, will return for season 2 in September, so that production partnership doesn't seem to be going anywhere.
The Netflix cash has been reported to be $100 million, although it's believed to be closer to $20 million. It was, indeed, a big chunk of the Sussexes' fortune.
So far, their biggest Netflix success has been Harry & Meghan, which debuted in December 2022 with 81.55 million hours viewed — making it the highest viewed documentary premiere for the streaming platform.
'Let's be honest … Netflix got what they really wanted out of the Sussexes — their documentary,' said the source in the know.
Meanwhile, the docu-series Polo, which was released last December and executive-produced by Harry and Markle, was watched by 500,000 viewers and ranked at 3,436 on the Netflix ratings chart.
Last week, the streamer announced that Markle's lifestyle show, With Love, Meghan, was at No. 383 in its semi-annual report, 'What We Watched', with a total of 5.3 million views since its March 4 debut.
It was even beaten by re-runs of Markle's old show, Suits.
Despite this, an insider pointed out that With Love, Meghan was actually in the top 5 per cent of Netflix shows — and had outperformed other leading 'lifestyle' shows such as The Great British Baking Show, two seasons of Chef's Table and Season 9 of Queer Eye.
However, the Hollywood insider noted that Netflix likely expected the show to fare better given the amount of promotion put into it.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles

Sydney Morning Herald
29 minutes ago
- Sydney Morning Herald
This Netflix drama is up for seven Logies on Sunday, but mystery surrounds its second season
For Greg Mclean, director of the Netflix drama series Territory, the day the Logie nominations were announced was rather bittersweet. The outback soapie about a succession struggle for the world's largest cattle station is the second most nominated drama of the year, with seven nods (Apple Cider Vinegar has eight). It was a bona fide hit for the streamer, making the top 10 list in 70 countries around the world, and becoming the most watched Australian original yet, with more than 26 million views to date of the entire seven-episode season. And yet, it was also cancelled, when a second season had clearly been set up and anticipated by everyone involved. 'If it played well, we kind of assumed we would get a second season,' says McLean. 'There's a story, a world to soak in, there are characters people fall in love with. Obviously, nothing is guaranteed, but it's certainly disappointing for everyone involved.' Netflix Australia's former head of originals, Que Minh Luu, is no longer at the company, and precisely why she didn't order a second season remains unclear. But McLean is reasonably philosophical about it all. 'The reality is, there are so many decisions made at different levels about types of programming, how long things take to get on screen, loss of audience between delivery of one series and the next. And it's not a small show, so it would have taken at least a year and a half to get the second season out.' It's not like Territory is the only show to get the chop despite doing well, either. 'I read recently that The Residence, which was a huge Netflix show and I believe a huge hit, also got cancelled,' he says. 'There are so many factors that go into these things.' And there's some solace, perhaps, in Territory fulfilling the old showbiz adage of always leaving the audience wanting more. 'I feel like we will be a James Dean show, where we die young, leave a beautiful corpse, and people will look at it as the great thing that it was,' he says. Loading McLean isn't personally nominated for Territory, despite directing all seven of its episodes; the Logies do not recognise technical categories such as directing, editing, cinematography (the AACTA awards, which were held in February, do; Territory received three nominations – for best sound, cinematography and for Anna Torv as best actress – but won none). Torv is again up for best lead actress, while three of the male cast – Michael Dorman, Robert Taylor and Sam Corlett – will duke it out for best lead actor. Sam Delich is up for best supporting actor and Kylah Day for the Graham Kennedy Award for most popular new talent. If the show wins as best drama, it will likely be creators Ben Davies and Timothy Lee and producer Rob Gibson who take to the stage. But if it does, McLean promises, 'I'm going to just go up anyway. I'll be in the background and push my way to the front for the photo.' And how do you rate your chances? 'This is a very, very good year. There's a lot of really good stuff up, so who knows if we'll get anything,' he says. 'But it'd be hugely satisfying to see the actors get something, because I'm a huge fan of all the cast. They deserve it.' But if they go home empty-handed, he will still treasure the fact they got to make something a little mad, wild, ambitious – and successful. A 'meticulously researched' show inspired by the real-life characters of the Northern Territory, a 'Wild West' place unlike anywhere else on the planet. 'We were making a soap opera, granted. But we were at pains to say we wanted it to be really Aussie,' he says. 'We didn't want to over-Americanise it, or try and soften it for anyone else. It was broad Australian accents, it was dealing with the issues of the NT – it was about indigenous history to some degree, it was about the mining industry, it was about the cattle industry, and specifically the Australian cattle industry. We were trying to make it as Australian as we could and not compromise, and I think that flavour is what made it travel around the world. 'The fact that we got to make a show like that is extremely satisfying,' he adds. 'We took a very big swing with this to say we're going to do a big romantic Australian drama about this place that there really hasn't been a drama of that scale done in. 'To do that, to pull it off, and to feel like we were all proud of the show, that's kind of enough in some ways.'

The Age
29 minutes ago
- The Age
This Netflix drama is up for seven Logies on Sunday, but mystery surrounds its second season
For Greg Mclean, director of the Netflix drama series Territory, the day the Logie nominations were announced was rather bittersweet. The outback soapie about a succession struggle for the world's largest cattle station is the second most nominated drama of the year, with seven nods (Apple Cider Vinegar has eight). It was a bona fide hit for the streamer, making the top 10 list in 70 countries around the world, and becoming the most watched Australian original yet, with more than 26 million views to date of the entire seven-episode season. And yet, it was also cancelled, when a second season had clearly been set up and anticipated by everyone involved. 'If it played well, we kind of assumed we would get a second season,' says McLean. 'There's a story, a world to soak in, there are characters people fall in love with. Obviously, nothing is guaranteed, but it's certainly disappointing for everyone involved.' Netflix Australia's former head of originals, Que Minh Luu, is no longer at the company, and precisely why she didn't order a second season remains unclear. But McLean is reasonably philosophical about it all. 'The reality is, there are so many decisions made at different levels about types of programming, how long things take to get on screen, loss of audience between delivery of one series and the next. And it's not a small show, so it would have taken at least a year and a half to get the second season out.' It's not like Territory is the only show to get the chop despite doing well, either. 'I read recently that The Residence, which was a huge Netflix show and I believe a huge hit, also got cancelled,' he says. 'There are so many factors that go into these things.' And there's some solace, perhaps, in Territory fulfilling the old showbiz adage of always leaving the audience wanting more. 'I feel like we will be a James Dean show, where we die young, leave a beautiful corpse, and people will look at it as the great thing that it was,' he says. Loading McLean isn't personally nominated for Territory, despite directing all seven of its episodes; the Logies do not recognise technical categories such as directing, editing, cinematography (the AACTA awards, which were held in February, do; Territory received three nominations – for best sound, cinematography and for Anna Torv as best actress – but won none). Torv is again up for best lead actress, while three of the male cast – Michael Dorman, Robert Taylor and Sam Corlett – will duke it out for best lead actor. Sam Delich is up for best supporting actor and Kylah Day for the Graham Kennedy Award for most popular new talent. If the show wins as best drama, it will likely be creators Ben Davies and Timothy Lee and producer Rob Gibson who take to the stage. But if it does, McLean promises, 'I'm going to just go up anyway. I'll be in the background and push my way to the front for the photo.' And how do you rate your chances? 'This is a very, very good year. There's a lot of really good stuff up, so who knows if we'll get anything,' he says. 'But it'd be hugely satisfying to see the actors get something, because I'm a huge fan of all the cast. They deserve it.' But if they go home empty-handed, he will still treasure the fact they got to make something a little mad, wild, ambitious – and successful. A 'meticulously researched' show inspired by the real-life characters of the Northern Territory, a 'Wild West' place unlike anywhere else on the planet. 'We were making a soap opera, granted. But we were at pains to say we wanted it to be really Aussie,' he says. 'We didn't want to over-Americanise it, or try and soften it for anyone else. It was broad Australian accents, it was dealing with the issues of the NT – it was about indigenous history to some degree, it was about the mining industry, it was about the cattle industry, and specifically the Australian cattle industry. We were trying to make it as Australian as we could and not compromise, and I think that flavour is what made it travel around the world. 'The fact that we got to make a show like that is extremely satisfying,' he adds. 'We took a very big swing with this to say we're going to do a big romantic Australian drama about this place that there really hasn't been a drama of that scale done in. 'To do that, to pull it off, and to feel like we were all proud of the show, that's kind of enough in some ways.'


Perth Now
an hour ago
- Perth Now
Ellen DeGeneres accused by comic Adam Carolla of leaving her former TV chat show staff ‘scared'
Ellen DeGeneres has been accused by comic Adam Carolla of leaving her former TV chat show staff 'scared'. The 67-year-old comedian's career on the small screen has come to an end after she was branded the 'Queen of Mean' over her alleged behaviour behind the camera towards her workers. Now comic Adam, 61, has blasted the backstage atmosphere on The Ellen DeGeneres Show as terrifyingly toxic. He has spoken out after appearing on the series as a guest in 2012, and has now recalled how even producers seemed paralysed by fear around the host. Adam made his accusations during an appearance on the After Party show with Emily Dashinsky, sharing details of his experience with Ellen. He said a segment producer repeatedly warned him not to reference meat ahead of his on-air chat with the comic – who was vegan at the time. Adam said: '(I thought) this (producer) guy's scared to death. He came back 20 minutes later right before I went out, and he's like, 'OK, but don't talk about beef or meat or anything'. "I was like, 'Oh, this guy's scared to death. This guy's scared'." Adam also recounted the show's environment felt markedly different from other talk shows. He contrasted Ellen's set with programmes hosted by Jimmy Kimmel and Jay Leno, where he found staff more at ease and professional. Adam went on: 'Ellen's show, people were scared – real scared.' He continued: 'She's not a nice person at all. Everyone was scared of her, which means she's mean... she's not gonna be mean to me, I'm a guest on the show, right? I wouldn't know it from my exchanges, I would know it from how her staff was cowering'. Adam's revelations come amid a long‑standing debate over Ellen's alleged workplace culture. In 2020, a BuzzFeed News investigation detailed allegations of racism, intimidation and fear on the set of the host's daytime talk show, leading to an internal inquiry and the departure of several top producers. The show ended in 2022 after nearly two decades on air. Ellen responded publicly in her 2024 Netflix special For Your Approval, reflecting on being labelled 'mean' and describing her journey toward self‑acceptance. She said: 'After a lifetime of caring, I just can't anymore. So I don't.' Ellen added she took pride in who she had become four years on from the scandal. Her executive producers — Ed Glavin, Mary Connelly and Andy Lassner — issued a statement pledging to improve workplace culture, emphasising their responsibility over daily operations on the show. They contended the host's image did not align with the internal environment experienced by some staffers.