logo
Ellen DeGeneres accused by comic Adam Carolla of leaving her former TV chat show staff ‘scared'

Ellen DeGeneres accused by comic Adam Carolla of leaving her former TV chat show staff ‘scared'

Perth Now3 days ago
Ellen DeGeneres has been accused by comic Adam Carolla of leaving her former TV chat show staff 'scared'.
The 67-year-old comedian's career on the small screen has come to an end after she was branded the 'Queen of Mean' over her alleged behaviour behind the camera towards her workers.
Now comic Adam, 61, has blasted the backstage atmosphere on The Ellen DeGeneres Show as terrifyingly toxic.
He has spoken out after appearing on the series as a guest in 2012, and has now recalled how even producers seemed paralysed by fear around the host.
Adam made his accusations during an appearance on the After Party show with Emily Dashinsky, sharing details of his experience with Ellen.
He said a segment producer repeatedly warned him not to reference meat ahead of his on-air chat with the comic – who was vegan at the time.
Adam said: '(I thought) this (producer) guy's scared to death. He came back 20 minutes later right before I went out, and he's like, 'OK, but don't talk about beef or meat or anything'.
"I was like, 'Oh, this guy's scared to death. This guy's scared'."
Adam also recounted the show's environment felt markedly different from other talk shows.
He contrasted Ellen's set with programmes hosted by Jimmy Kimmel and Jay Leno, where he found staff more at ease and professional.
Adam went on: 'Ellen's show, people were scared – real scared.'
He continued: 'She's not a nice person at all. Everyone was scared of her, which means she's mean... she's not gonna be mean to me, I'm a guest on the show, right? I wouldn't know it from my exchanges, I would know it from how her staff was cowering'.
Adam's revelations come amid a long‑standing debate over Ellen's alleged workplace culture.
In 2020, a BuzzFeed News investigation detailed allegations of racism, intimidation and fear on the set of the host's daytime talk show, leading to an internal inquiry and the departure of several top producers.
The show ended in 2022 after nearly two decades on air.
Ellen responded publicly in her 2024 Netflix special For Your Approval, reflecting on being labelled 'mean' and describing her journey toward self‑acceptance.
She said: 'After a lifetime of caring, I just can't anymore. So I don't.'
Ellen added she took pride in who she had become four years on from the scandal.
Her executive producers — Ed Glavin, Mary Connelly and Andy Lassner — issued a statement pledging to improve workplace culture, emphasising their responsibility over daily operations on the show.
They contended the host's image did not align with the internal environment experienced by some staffers.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Why the big streamers failed at the Logies and what it means for Aussie TV
Why the big streamers failed at the Logies and what it means for Aussie TV

Sydney Morning Herald

time2 hours ago

  • Sydney Morning Herald

Why the big streamers failed at the Logies and what it means for Aussie TV

What did we learn from last night's Logie Awards? That we love free-to-air TV (hooray for the ABC!), Netflix is bad (only one win from 18 nominations) and Home and Away's Lynne McGranger is the 'best' dramatic actress on Australian television. Mostly, that's correct. We do love the ABC – however much we like to complain about it – and its domination of the Logies, with 11 awards, including five for Kitty Flanagan 's terrific comedy Fisk, is a definite win for our public broadcaster. The ABC is the only free-to-air station providing a regular home for locally made dramas and comedy (honourable mention: SBS) and that should be celebrated, particularly in the face of a dramatic drop in locally made productions. But does the ABC's dominance mean we have turned our back on the flashy streamers? How else can you explain that Netflix, the most nominated streamer, won only one award (best miniseries or telemovie for Apple Cider Vinegar)? That's where it gets tricky. Netflix is the most popular paid streaming service in Australia, with an estimated 6.2 million subscribers. But over its 10 years in operation here, it has produced only a handful of local dramas, including three of the shows nominated last night: Apple Cider Vinegar, Territory and Heartbreak High. And while those dramas all feature high-profile talent, how many of us are actually watching those Australian dramas on Netflix? For the purposes of voting in the Logies, we don't really know as, unlike the ABC and the other free-to-air broadcasters, the streamers are unwilling to provide concrete ratings data. And when ratings data makes up 20 per cent of the Logies vote – along with 50 per cent for the popular vote and 30 per cent for the expert vote – the streamers are automatically kneecapped. But, wait, there's more! If you look at the results, it also shows us that yes, while shows such as Territory, for example, were disadvantaged from the beginning, it seems the audience didn't show up and vote for it, either, despite Netflix trumpeting its worldwide success.

Why the big streamers failed at the Logies and what it means for Aussie TV
Why the big streamers failed at the Logies and what it means for Aussie TV

The Age

time2 hours ago

  • The Age

Why the big streamers failed at the Logies and what it means for Aussie TV

What did we learn from last night's Logie Awards? That we love free-to-air TV (hooray for the ABC!), Netflix is bad (only one win from 18 nominations) and Home and Away's Lynne McGranger is the 'best' dramatic actress on Australian television. Mostly, that's correct. We do love the ABC – however much we like to complain about it – and its domination of the Logies, with 11 awards, including five for Kitty Flanagan 's terrific comedy Fisk, is a definite win for our public broadcaster. The ABC is the only free-to-air station providing a regular home for locally made dramas and comedy (honourable mention: SBS) and that should be celebrated, particularly in the face of a dramatic drop in locally made productions. But does the ABC's dominance mean we have turned our back on the flashy streamers? How else can you explain that Netflix, the most nominated streamer, won only one award (best miniseries or telemovie for Apple Cider Vinegar)? That's where it gets tricky. Netflix is the most popular paid streaming service in Australia, with an estimated 6.2 million subscribers. But over its 10 years in operation here, it has produced only a handful of local dramas, including three of the shows nominated last night: Apple Cider Vinegar, Territory and Heartbreak High. And while those dramas all feature high-profile talent, how many of us are actually watching those Australian dramas on Netflix? For the purposes of voting in the Logies, we don't really know as, unlike the ABC and the other free-to-air broadcasters, the streamers are unwilling to provide concrete ratings data. And when ratings data makes up 20 per cent of the Logies vote – along with 50 per cent for the popular vote and 30 per cent for the expert vote – the streamers are automatically kneecapped. But, wait, there's more! If you look at the results, it also shows us that yes, while shows such as Territory, for example, were disadvantaged from the beginning, it seems the audience didn't show up and vote for it, either, despite Netflix trumpeting its worldwide success.

Why Prince William, Prince Harry won't inherit Princess Diana's childhood home
Why Prince William, Prince Harry won't inherit Princess Diana's childhood home

Courier-Mail

time5 hours ago

  • Courier-Mail

Why Prince William, Prince Harry won't inherit Princess Diana's childhood home

Prince William and Prince Harry will not be inheriting their late mother Princess Diana's childhood home. While the Princess of Wales left behind many possessions when she died in 1997, her Althorp property in Northamptonshire, was not one of them. The sprawling estate, which served as the backdrop for much of Diana's childhood, has belonged to the Spencer family since 1508, the New York Post reports. The late royal's father settled there in 1975 after becoming Earl Spencer. To date, the lavish home belongs to the current Earl Spencer, Diana's brother Charles. And once he dies, his son Louis, Viscount Althorp, will inherit the estate — meaning the ownership of the property will not reach the Prince of Wales, 43, or Duke of Sussex, 40. RELATED: 'Prison': Kate and Wills in shock move Meghan's next move after Netflix disaster 'Toxic': King's staff stage mass exodus The Spencer dynamic was thrown for a loop with the property, as Louis will be the next owner despite the fact that he has three older sisters. According to a years-long tradition of the Spencer family observing primogeniture, Lady Kitty, Lady Eliza, and Lady Amelia will not be inheriting the estate. Speaking in 2015 about the unwritten rule, Charles said that while he's 'totally relaxed' about Kitty inheriting the estate, he did note that 'it would be against all tradition.' 'It's just the way it is,' he told the Daily Mail at the time. 'I get the problems with it as a concept. I also get the strengths of it, having worked to date.' Later that year, Kitty said that while she's 'totally pro-gender equality,' she's 'quite happy' with the property becoming her younger brother's 'responsibility.' 'I just think it's the correct way,' she told Tatler. 'I like that the house stays within the same family, with the same surname. 'I wouldn't want it any other way for the Spencers. And I just know my brother is going to do an impeccable job.' The estate holds a significant meaning for the Spencer family, as it's also Diana's final resting place. The late princess is buried on a small island in the middle of its Oval Lake — which is not accessible to the public. Speaking about the chosen location, the beloved royal's brother previously said that the lake acts 'as a buffer against the interventions of the insane and ghoulish, the thick mud presenting a further line of defence.' The secluded location also means that William and Harry are able to visit their late mother's resting place without the fear of being seen. 'It is, luckily, very tranquil here, and [William and Harry] can come and go as they wish whenever they want. And that's very lovely for me to know that,' he added. In his 2023 memoir, 'Spare,' Harry opened up about visiting Diana's memorial with his wife, Meghan Markle. The Sussexes ventured out to Althorp to pay their respects to the late royal on the 25th anniversary of her death in August 2022. The Invictus Games founder said the duo took a boat across the lake and 'gazed around at Althorp's rolling fields and ancient trees, the thousands of green acres where my mother grew up, and where, though things weren't perfect, she'd known some peace.' 'At long last, I was bringing the girl of my dreams home to meet mum,' he added. Parts of this story first appeared in the New York Post and was republished with permission. RELATED: George must abide by sad rule 'Desperate': Harry's fear when Wills is King Harry and Meg slash staff in brutal move

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store