
Glastonbury 2025 Saturday live: Kneecap, John Fogerty and Neil Young set to perform
28 June 2025 2:21pm
2:19PM
Should we boycott Rod Stewart?
Eleanor Halls writes: That's the question I hear a punter in his deckchair casually asking the stage at Leftfield tent following a discussion of Israel, as I pass by on my way to West Holts to catch indie rocker Nulifer Yanya. Stewart recently denounced Netanyahu for 'annihilating' Palestinians. The compère isn't having it: 'I'm not answering that.'
Lauren Shirreff says: Labour MP Zarah Sultana and journalist Carol Cadwalladr sat on a panel this morning about the rise of the far right, moderated by John Harris. The only relevant news stories from the weekend are that Keir Starmer has said that he 'deeply regrets' referring to Britain as an island of strangers, and that Rod Stewart has said that we should all 'give Nigel Farage a chance'. Will it dampen the rock legend's Pyramid stage show tomorrow afternoon?
2:09PM
Will the BBC be showing Neil Young on TV?
Hey hey, my my, it turns out that yes they will. It's been a rollercoaster since Young was announced as the Saturday headliner. First, he pulled out altogether over the BBC's involvement. A day later, he changed his mind. Then, when the BBC confirmed their schedules last week, there was a very conspicuous hole where old man Young should be, and, when prodded, the BBC released a vague statement that suggested he wouldn't be shown, but they were continuing negotiations.
But good news has come for any baby boomers not out on a weekend and hoping to watch tonight with a whisky in hand, the BBC announced today that he will be broadcast after all. Other Stage headliner Charlie XCX has already been given the BBC One slot. So Young's set will air on BBC Two from 10pm. He has a heart of gold after all.
2:05PM
Will the BBC be showing Kneecap on TV?
Irish rap group Kneecap are set to perform on the West Holts Stage at 4pm. The live stream from that stage will be available on the iPlayer – although it seems unlikely that Kneecap's set will be shown live. The BBC's television broadcast doesn't begin until 5pm, on BBC Two, so they were never going to be broadcast live on old-fashioned linear television. There may well be highlights shown on TV later in the evening, but it sounds like the BBC will make that decision once they've considered the band's performance.
A BBC spokesperson said: 'Whilst the BBC doesn't ban artists, our plans ensure that our programming meets our editorial guidelines.
'We don't always live-stream every act from the main stages and look to make an on-demand version of Kneecap's performance available on our digital platforms, alongside more than 90 other sets.'
We shall see what happens.
2:01PM
Which celebrities let their hair down backstage last night?
There will be quite a few sore heads among the A-list set this morning, since I have heard reports that a topless Andrew Scott, Rita Ora, Ncuti Gatwa, Tilda Swinton wearing a stick-on moustache and someone who looked suspiciously like Harry Styles were key players on the dance floor at riotous gay club NYC Downlow last night.
In fact, Swinton was originally denied entry by an overzealous bouncer until someone swooped in to hiss 'that's Tilda Swinton' in his ear. If it was indeed Mr Styles, then perhaps we might expect him to come out with Olivia Rodrigo tomorrow night. Or maybe he's doing some field research ahead of his rumoured headline slot in 2027 – after 2026's fallow year. Eleanor Halls
1:57PM
Welcome to Glastonbury Saturday live blog
Once again, we have our six journalists (Neil McCormick, Eleanor Halls, Poppie Platt, James Hall, LA Robinson and Lauren Shirreff) sending back reports, reviews, photos, videos and anything else they can rustle up. They seem to have survived the heat, mayhem and very high step-counts of Friday. Manning the blog from the office is Catherine Gee, and later Marianka Swain.
The weather forecast today is sun and cloud with a high of 25C, so there won't be any pictures of rain-soaked festival-goers, I'm afraid. Probably a fair bit of sunburn, though.
Eleanor Halls writes:
Yesterday's headliner The 1975 went down well in the field, despite initial apprehensions, with punters streaming out looking exhilarated – you can read our four-star review here. But today is the biggie: Kneecap will be riling things up on the West Holts Stage from 4pm, and Neil Young – who the BBC will be broadcasting after all – is competing against Charli XCX (Other Stage) and Doechii (West Holts) for eyeballs this evening, no doubt creating the festival's clearest demographic split of the weekend. Considering the madness of Lorde's secret set yesterday morning, there are concerns for a possible crush ahead of Charli's show on the Other stage.
If you're watching from your sofa, make sure you have a look at our music critic Neil McCormick's top gigs to watch and catch up on our Friday live blog.
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Daily Mail
18 minutes ago
- Daily Mail
As Sir Rod Stewart prepares to play Glasto, the veteran rocker says the country is 'fed up' with Labour and the Tories and should 'give Nigel Farage a chance'
He didn't quite say he'd found a Reason To Believe in Nigel Farage. But when Sir Rod Stewart steps on to Glastonbury 's Pyramid Stage tomorrow afternoon, fans may ponder his plea to 'give Farage a chance'. The 80-year-old singer's teatime set comes the day after he claimed the country was 'fed up' with the Tories and that Labour was trying to ditch Brexit. He accused Prime Minister Keir Starmer of giving Scottish fishing rights 'back to the EU', although the Government insists it has simply renewed an existing deal for European boats. His views represent a second volte-face given that he appeared to support Labour at last year's election – despite previously backing the Conservatives. Asked where Britain's political future now lay, he told The Times: 'It's hard for me because I'm extremely wealthy, and I deserve to be, so a lot of it doesn't really touch me. 'But that doesn't mean I'm out of touch. For instance, I've read about Starmer cutting off the fishing in Scotland and giving it back to the EU. That hasn't made him popular. 'We're fed up with the Tories. We've got to give Farage a chance. He's coming across well. What options have we got? I know some of his family, I know his brother, and I quite like him.' Asked what Mr Farage stands for aside from Brexit, tighter immigration and controversial economic promises he replied: 'Yeah, yeah. But Starmer's all about getting us out of Brexit and I don't know how he's going to do that. 'Still, the country will survive. It could be worse. We could be in the Gaza Strip.' Sir Rod also seemed unconvinced that Sir Keir was going to fully address one of his personal pet hates. Three years ago, the singer donned a hi-vis jacket and rang around friends asking for help filling in potholes outside his Essex house. 'I took me Ferrari out. Nearly lost the f***ing wheel,' he said. 'And before I did in the Ferrari, I saw an ambulance that couldn't move, the wheel stuck right in there. 'So I took me mates out, and we knew what to do because I had builders in the house. 'We filled in a considerable length of the road, actually.' He added that potholes were still present 'all over Britain' in contrast to Europe.


Daily Mail
18 minutes ago
- Daily Mail
TALK OF THE TOWN GLASTONBURY SPECIAL: Did Sophie Turner and her aristocrat boyfriend Peregrine 'Perry' Pearson seal their revived romance with a proposal?
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The Guardian
25 minutes ago
- The Guardian
‘Trauma is messy, but music will come of it': Jessica Curry on her new album, Shielding Songs
For the fortunate among us, the Covid lockdowns have, years later, become a memory – if not distant, then certainly ever-so-slightly faded. We have had a few years now, to get out there, to rebuild careers and relationships, to travel, to live in the world again. That's not the case for everyone. Award-winning composer Jessica Curry, who crafted the beguiling, elegiac soundtracks to games such as Everybody's Gone to the Rapture and Dear Esther, has only just emerged. Diagnosed with a degenerative disease in her mid-20s and seriously immunocompromised as a result of her condition, she began isolating at the start of the pandemic, and for the next five years barely left her home. While there, unable to work or write, her world began to collapse. 'Like many people I had an extraordinarily painful and difficult pandemic,' she says. 'I watched my dad die on Zoom, and then my auntie and more family members. Then they found a tumour in my ovary, and I had major abdominal surgery, but the operation had gone wrong, so I nearly died in 2022. While I was recovering from the third operation, the roof of our house fell in. It felt like a metaphor for everything. If a novelist had written this, no one would believe the story. And things just kept going wrong. So I wasn't writing music, I wasn't even listening to music. All of a sudden, I couldn't bear it. I'm still trying to work out what that rejection was about – I was just in too much of a mental crisis. I wasn't even feeding or dressing myself.' One day last year, however, Curry made the decision to start listening to her music again. Not yet ready to compose, she began cataloguing her work instead, putting it in some sort of order after years of manic productivity. The result is Shielding Songs, an album mostly made up of new versions of her favourite pieces, arranged as lusciously ethereal choral works featuring the acclaimed London Voices choir. 'Shielding Songs is a kind of gathering together, almost like a manifesto. I was thinking, what do I believe as a composer? What is my legacy? And I have to say, I did think it was going to be the last thing I would put out. And I was like, if it is going to be the last thing, I want it to be good. And I want it to say the things that I feel are important.' Among them are four pieces from Everything's Gone to the Rapture, a game about the apocalypse from the point of view of a tiny English village that won Curry a Bafta for her soundtrack. Created by developer The Chinese Room, of which Curry and her husband Dan Pinchbeck were co-founders, it drew praise for its lavish bucolic setting and highly emotional score, heavily inspired by Elgar and Vaughan Williams. It has been some of her most popular music. 'I still get emails about it 10 years later,' she says. 'So many people have Rapture tattoos – I often get emails that say, I only listen to death metal, but I love this soundtrack. That game has stuck with people, but I wanted to reimagine the music. The Mourning Tree is not the most played track on the score, but it's the one that people write to me about. Lots of people have played it at funerals. And I thought, there is something beautiful I can do with a purely choral arrangement here.' Another reason Rapture is so prominent on the new album is the parallel between its story of growing isolation at the end of the world and the experience of the Covid years. 'The game is about what it means to be human, what does it mean to love?' she says. 'And interestingly it has a lot of tie-in with a global event like a pandemic and how we cope with that.' Curry has described Shielding Songs as an exploration of what it means to love and grieve in isolation, but it is also a hopeful study of human endurance. Four of the tracks come from her anti-war requiem Perpetual Light, first performed in 2011 – a response to the nuclear attacks on Hiroshima and Nagasaki, undercut with a sense of hope for the future. A piece from Chinese Room's VR sci-fi adventure So Let Us Melt is included too. The titular track is a wilting choral work inspired by John Donne, but the other tracks on the score are more experimental and hint at where she is heading musically. 'You can tell it's mine, but it's a kind of weird mix of Baba O'Riley with minimalism, with a classical bent, but it also sounds like it's from a film,' Curry says. 'It's got that sort of epic space opera feel, and everything for me coalesced into that score. I loved the sound.' Curry and Pinchbeck (to whom one beautiful new song on the album, Rest With Your Dream, is dedicated) sold The Chinese Room to Sumo Digital in 2018; Curry departed, Pinchbeck stayed on as creative director, overseeing Bafta-winning oil rig horror adventure, Still Wakes the Deep, but left in 2023. Now the duo have formed a small new studio, and are working on fresh concepts. 'Maybe we're insane,' she says. 'But I think we are good at making games, me and Dan. We have things to say.' Curry is still sick, and she still worries about going out, especially now that some people have become aggressive toward those who wear protective masks. But she is composing again. 'This is the first time in a long time that I can hear music properly, in my head,' she says. 'I didn't think it would happen again, and I think it is going to be something new. It will be Jessica Curry, but I'm not the same person that I was. When really bad things happen to you, you don't go back. The ground doesn't just solidify again. Trauma is messy and it's exhausting, but music will come from it.' Shielding Songs is out now via Bandcamp