
ERL SS26 "Poison Ivy" Evokes Dark Academia
ERLsituates its all-new Ivy/Prep-inspired styles in a boarding school, following the character Ivy's fixation on infiltrating the exclusive social hierarchy headed by his peer Chirstian — ultimately manifesting in a violent break driven by madness.
The collection toys with these twisted and contrasting themes throug the reinterpretation of tailored sillhouettes and elegant styles with edgy finishes and relaxed sensibilities.
Staples of prep fashion including relaxed Donegal linen suits, v-neck knitted sweaters, and pleated shorts are cast in a dusty neutral palette — injecting the collection with a gritty undertone. Across the board, fabrics boast a broken-in feel, boosted by faded finishes, distressed details, and brushed fibres. Elsewhere, super short swim trunks and surf nylon tailoring, remind us of ERL's Venice Beach roots.
Further, an offbeat energy is brought in with patterns including a bold polka dot found in a neck tie and gloves, striped shirting, and a flamboyant baroque floral top. Arguably, the centrepiece of the range is a blue and white plaid suit, worn with a purple shirt and vest with a pastel striped tie.
See the gallery above for a closer look at ERL's SS26 Poison Ivy campaign and head to theERL web storefor more details.
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New York Post
31 minutes ago
- New York Post
‘Superman' director faces backlash for calling the Man of Steel an ‘immigrant': ‘Superwoke'
'Superman' director and DC Studios co-head James Gunn is facing backlash for calling the Man of Steel 'an immigrant that came from other places' in a new interview. Ahead of the release of Warner Bros.' superhero reboot on July 11, Gunn, 58, told The Sunday Times of London that ''Superman' is the story of America… An immigrant that came from other places and populated the country.' The 'Guardians of the Galaxy,' the director added: 'But for me it is mostly a story that says basic human kindness is a value and is something we have lost.' Advertisement 'Superman' director James Gunn called the Clark Kent 'an immigrant.' AP Clark Kent is, of course, not human. Named Kal-El, he's an alien from planet Krypton who lands on Earth as a baby and is adopted by a couple in Smallville, Kansas. In the new movie, the iconic red cape is donned by 32-year-old actor David Corenswet. Advertisement Gunn said that some audience members who watch the action movie through a political lens could have a negative reaction to it. Driving home that point, the Sunday Times' headline is: 'Some people will take offense at my new 'Superman.'' 'Yes, it plays differently,' Gunn said. 'But it's about human kindness and obviously there will be jerks out there who are just not kind and will take it as offensive just because it is about kindness. But screw them.' Several media personalities bristled at Gunn's remarks. 'He's creating a moat of woke, enlightened opinion around him. He's got a woke shield,' said Fox News' Greg Gutfeld, with a graphic on the screen that read 'Superwoke.' Advertisement James Gunn said 'there will be jerks out there' who criticize his film's immigrant themes. WireImage Kellyanne Conway said, 'We don't go to the movie theater to be lectured to and to have somebody throw their ideology onto us.' The cast stood by Gunn's interview on Monday's red carpet in Los Angeles. 'My reaction to [the backlash] is that it is exactly what the movie is about,' Sean Gunn, James Gunn's brother who plays Maxwell Lord, told Variety. Advertisement 'We support our people, you know? We love our immigrants. Yes, Superman is an immigrant, and yes, the people that we support in this country are immigrants and if you don't like that, you're not American. People who say no to immigrants are against the American way.' Nathan Fillion, who plays the Green Lantern, put it more succinctly. 'Aw, somebody needs a hug,' the actor said. 'Just a movie, guys.' 'Superman' hits theaters on July 11.
Yahoo
an hour ago
- Yahoo
Snap Up Designer Handbags from Coach, Rebecca Minkoff & More at the Nordstrom Anniversary Sale
PureWow editors select every item that appears on this page, and some items may be gifted to us. Additionally, PureWow may earn compensation through affiliate links within the story. All prices are accurate upon date of publish. You can learn more about the affiliate process here. You can learn more about that process here. Yahoo Inc. may earn commission or revenue on some items through the links below. Read the original article on Purewow. Longchamp. Coach. JW Pei. Handbags from these and tons of other fan-favorite brands are up to 40 percent off during the Nordstrom Anniversary Sale designer handbag edit. This is not a drill—but there is a catch. To access these bargains now, you'll need to have a Nordstrom credit card or be a member of the Nordy Club. (It's free to join, and card holders are automatically enrolled.) Even though the Nordstrom Anniversary Sale will be open to the general public—non-cardmembers included—as of July 12, inventory is limited, so it's worth checking out ASAP (and definitely before the sale ends on August 3). Here's when you can shop: Here are the bags I've singled out as totally worth it—investment items even at full price—but on sale, they're too good not to add to cart. I'm talking about the Coach North Leather Tote (was $395, now $250), Longchamp's classic Le Pliage tote (was $250, now $187) and the Veronica Beard Leather Top Handle Bag (was $598, now $400), just for starters. And remember—you can't beat Nordstrom's shipping and return policy. Enjoy free standard shipping—the estimated delivery date is noted on the product page and at checkout. And returns are free in store or by mail—just print a label at home or show your QR code at a USPS or FedEx location. I'm a Fashion Editor & These Are My Top Picks from the Nordstrom Anniversary Sale Nordstrom Longchamp's iconic Le Pliage is indispensable for chic travel, whether you're commuting to the office or jetting off on vacation. I've had mine for years and as a tote bag enthusiast, I confidently say this is one of the most versatile bags in my closet. The leather-trimmed nylon tote is on sale in a cheerful pomegranate shade, is water-resistant and folds flat in your luggage. This iteration comes in a very trendy plum red. $250; $187 at Nordstrom Nordstrom Nothing screams '90s more than a big, slouchy hobo bag. If you really want to dive into the bohemian aesthetic, consider this Rebecca Minkoff suede hobo, complete with tassels and top stitching in an earthy maple brown. It's got two genius side zip exterior pockets for the essentials: phone, wallet, keys. I hate rummaging through my bag like I'm Mary Poppins, wondering why I can't find my keys as I sweat in the unbearable heat. Problem solved. The handle has Southwestern-inspired top stitching, while the lined interior has three additional pockets. $398; $250 at Nordstrom Nordstrom OK, I lied. The only thing that screams the naughties more than a hobo bag is a baguette bag à la Lorelei Gilmore, and I'm pretty sure she would have approved of this stylish Coach number. It's available in four colors, including a splashy Merlot, with the signature 'C' logo on the flap. I appreciate the removable crossbody strap so that you can convert the bag into a nighttime purse, while keeping it casual during the day. There are two pockets, one exterior and one interior, and the bag has a textured, pebble finish. $395; $230 at Nordstrom Nordstrom Both PureWow Fashion Editor Abby Hepworth and I have been toting around Naghedi's woven St. Barths bags for some time, and we're smitten. The woven texture is a classic wardrobe staple, and both the medium tote and St. Barths Petit Tote (was $225, now $168) are on sale in an alluring—but still neutral—pine hue. (Yes, I classify green as a neutral because it's everywhere and goes with every color in nature!) The bags are made from soft neoprene fabric. Though unlined, there is an insert for the floor of the bag to help it hold its shape and prevent everything from crumbling into the center when you pick it up, which I appreciate. The smaller iteration also comes with a removable crossbody strap that I like to stow in the tote—it's surprisingly roomy given the size. The only caveat is that you can't load down the bag too much, since the material will stretch out of shape. $285; $213 at Nordstrom Nordstrom While not a handbag, I'd be remiss not to include the past year's hottest handbag accessory: a handbag charm. Maison de Sabré has cute fruit charms resembling peaches and oranges made from the brand's upcycled leather, finished with brass hardware. As a bonus, you can slide an AirTag inside it so you know where your bag is at all times. (Though, if you're like me, you may opt to stash some candies instead.) $75; $60 at Nordstrom Nordstrom If you need a good schlep bag, but don't love the slouchy hobo designs going around, try this Coach North leather tote. The simple square design is spacious and great for commuting, with a magnetic snap closure and interior zip pocket. The pebbled leather adds some texture for visual interest, and the bag is available in two neutral colors, black and honey brown, which can be easily styled up or down. $395; $250 at Nordstrom Nordstrom JW Pei hits the sweet spot of being both a celeb fave and affordable. The Hana tote is a sculptural, water-repellent bag with a magnetic snap closure and interior pocket. It's reminiscent of the DeMellier New York tote, but at a much friendlier price point. Plus, buckle and belt bags are all the rage right now, so you'll be perfectly on-trend, though it's still classic enough to wear for years to come. $139; $90 at Nordstrom Nordstrom Veronica Beard is one of my favorite brands, known for her tailored, classic silhouettes. And, if the Princess of Wales has anything to say about the matter, you can never go wrong with a structured top-handle bag. During the Nordstrom Anniversary Sale, this croc-embossed beauty is $200 off, available in a versatile and neutral navy with gold hardware. The suede-lined interior has a zip pocket, and the bag comes with a detachable crossbody strap so you can mix things up. $598; $400 at Nordstrom Nordstrom You can't go wrong with a bucket bag. This roomy rag & bone leather tote is the perfect carry-all, an essential Hepworth writes is a must in a handbag capsule wardrobe. The structured bag is incredibly roomy, with back and interior zip pockets and twill lining. During the Nordstrom Anniversary Sale, there are three colors on sale: Dusty Blue, Cognac and Cedar. $498; $330 at Nordstrom Nordstrom Here's another win under $100 from JW Pei. This fun, asymmetrical going-out bag might be a neutral brown, but it's anything but boring. With gold accents to finish and a structured, half-moon shape, it's as comfortable at a girls' night out as it is brunch with the family. $109; $70 at Nordstrom Nordstrom Teddy Blake's Lola bag features a soft, pebbled Italian leather with top handles and an optional shoulder strap. The Italian-made tote is finished with gold hardware and comes in some stunning colors. Aside from the neutrals, you can opt for an exciting shade of mint green and a camel that leans more towards a honey caramel. $685; $460 at Nordstrom Nordstrom This leather designer carry-all is perfect for running errands or accenting a party outfit. It's got a fun, structured design that'll make it the star of the show, while its chestnut hue also ensures that it remains versatile. There's an exterior zip pocket and interior wall pocket, plus polished silver hardware for an inventive take on the classic and buzzy belt bag. $459; $300 at Nordstrom Nordstrom Fans of Kate Middleton's Polène handbag, here's your chance to snag something similar—the Teddy Blake Kim bag. It, too, features a top handle, belted design with gleaming silver hardware and a detachable crossbody strap. The pebbled leather bag is made in Italy, and is finished with four dainty feet on the base. $730; $490 at Nordstrom Nordstrom This suede bag has whipstitched accents on the front flap and sides, with accent tassels trailing the clasp and zipper. There are two pockets: A slip beneath the flap and back slip pocket, in addition to a top zip closure. From an everyday crossbody to a shoulder bag and clutch, this Rebecca Minkoff design is the definition of versatile. $438; $230 at Nordstrom Fall Coats from the Nordstrom Anniversary Sale to Buy Now & Wear Later PureWow's editors and writers have spent more than a decade shopping online, digging through sales and putting our home goods, beauty finds, wellness picks and more through the wringer—all to help you determine which are actually worth your hard-earned cash. From our PureWow100 series (where we rank items on a 100-point scale) to our painstakingly curated lists of fashion, beauty, cooking, home and family picks, you can trust that our recommendations have been thoroughly vetted for function, aesthetics and innovation. Whether you're looking for travel-size hair dryers you can take on-the-go or women's walking shoes that won't hurt your feet, we've got you covered.


Los Angeles Times
an hour ago
- Los Angeles Times
Up, up and … eh? A rebooted ‘Superman' gives the Man of Steel a mind of marshmallow
Fine, I'll say it. I need Superman. I'm craving a hero who stands for truth and justice whether he's rescuing cats or reporting the news. Cheering for such idealism used to feel corny; all the cool, caped crusaders had ethical kinks. Even his recent movies have seemed a little embarrassed by the guy, scuffing him up with cynicism. I'm with the latest incarnation of Superman (David Corenswet) when he tells Lois Lane (Rachel Brosnahan) that having a big heart is 'the real punk rock.' Director James Gunn's antsy reboot skips past the origin story of infant Kal-El slamming into Kansas in an escape pod from Krypton. Instead, this 'Superman' opens with Corenswet's savior slamming into Earth again, this time after losing his first fight. Lex Luthor (Nicholas Hoult) and his bionic minions have batted Superman around Metropolis like a toy, forcing him to flee to his Fortress of Solitude in Antarctica with 14 broken bones and a busted bladder. The starkness of the white snow against his bright costume looks like a blank page asking: Who should Superman be today? The Superman myth has always been a fable of collision: a near-perfect alien challenged to protect fragile, scared humans who struggle to accept that we're not the bestest beings in the universe. Here, Kal-El's parents (Bradley Cooper and Angela Sarafyan) are heard insulting Earthlings outright — 'The people there are simple and profoundly confused' — which, for the franchise, is actually going a little easy on humankind. Historically, we tend to let him down, going back to his surprisingly spiky movie debut in 1951's 'Superman and the Mole Men' (note the lack of a 'versus'), in which George Reeves protected the outsiders of the title from a rural American mob. 'Obviously, none of you can be trusted with guns, so I'm going to take them away from you,' he lectures the townsfolk, pretzeling their shotguns. 'Stop acting like Nazi storm troopers!' Gunn isn't that punk rock. He's pop punk; he wants to be liked by a mass audience. Having taken control of the DC Universe, he's pivoted away from gloom to concoct a Superman who isn't too sweet or too serious — frankly, he's a little stupid. After a hasty resuscitation from his adorable dog Krypton and his robot butlers (voiced by Alan Tudyk, Pom Klementieff and Michael Rooker, among others), Superman races back into battle before he's healed. He gets beaten senseless again. Stupid is a smart idea for a 21st century reboot. Superman's stymied do-gooder impulse feels right for an era where you can't say 'Save the whales' without some genius asking why you don't care about plankton. The goal might have been to make him super naive. But Gunn doesn't do sincerity, so this Superman comes off as obtuse and overwhelmed — which, even for a Julliard-trained actor like Corenswet, is pretty impossible to pull off with any personality. His dimples and blue eyes are empathetic. But he mostly just looks dazed. This Superman is all impulsive energy, much like his unhousebroken puppy, who also wears a cape and tramples on things when he tries to help. They're essentially the same species. Superman gets distracted midfight by his urgent need to protect a squirrel; Krypto spends one brouhaha looting a pet store. Superman's reporter girlfriend of three months, Lois (a savvy and sensible Brosnahan, kitted in fabulous '70s-style threads), is well-aware of his dual identity and the flaws in his hasty reactions to injustice. She points out that physically threatening the thuggish president of fictional Boravia (Zlatko Buric) to stop invading weaker countries is technically torture. 'People were going to die!' Superman sputters. Lois' reticence about him mirrors our own vacillation with the DC Universe's new direction: We need to see something more from this guy before we commit. In this script, the lines of good and evil aren't drawn in black and white or even gray — they're a tangle of squiggles. There are no neat solutions, no shortcuts and there's no way for Superman to defend himself when Hoult's Luthor drums up a dubious sex scandal to accuse the Kryptonian of 'grooming' humanity and hires an actual room of typing monkeys to ruin his online reputation. (You may remember that before Gunn was hired to oversee DC Studios, Walt Disney fired him from Marvel when a blogger behind Pizzagate unearthed the director's old shock-jock jokes about pedophilia and 9/11. Clearly, that grievance is still on his mind.) The plot is impatient but entertaining enough. The villainous billionaire Luthor, who Hoult plays like a beady techno-zealot, has several schemes up his fancy sleeve. One involves a tent city in the desert that hides a portal to an extrajudicial jail for his enemies, both interstellar and domestic. (He's got green-skinned babies and a sobbing ex-girlfriend in there.) Gunn has sarcastically tried to make the place look cheery — Luthor's henchmen are dressed in mismatched Hawaiian shirts — but the sequence might give you the shivers. Gunn is known for wrangling groups of weirdos ('Guardians of the Galaxy,' 'The Suicide Squad') into blockbuster action-comedies. His instincts are to spray everything with silly string and slap on a wacky soundtrack. Here, there's actually a very good doom metal electronic score by John Murphy and David Fleming, but the movie stiffens up whenever it needs to get real. When we visit Clark Kent's family farm, it's touching to see his childhood bedroom. But his plainspoken Ma and Pa (Neva Howell and Pruitt Taylor Vince) have been made to talk so slowly they sound like they have brain injuries. It's as though 'Superman' isn't sure how to be earnest without whacking us over the head with it. The script is way more confident when Gunn gets to scribble in the margins, whisking in Milly Alcock's party-hardy Supergirl for a fast and fun cameo. (She'll have her own movie next summer.) Luthor's main henchwoman, known only as the Engineer (María Gabriela de Faría), is constructed from skittering robotic cells that let her change form like a Swiss Army Knife, while his latest ditzy blonde girlfriend, Eve (a very funny Sara Sampaio), wriggles her way into becoming a memorable highlight. One of the film's umpteenth kaiju fights introduces the corporate-sponsored Justice Gang, a trio of apathetic superheroes spearheaded by Green Lantern (Nathan Fillion) with Hawkgirl (Isabela Merced) and Mr. Terrific (Edi Gathegi). They dispatch a monster so gracelessly that Superman finally gets some sense knocked into him. 'There's got to be a better way to do this,' he groans. The movie's tone shape-shifts just as recklessly as an outer space inmate named Metamorpho (Anthony Carrigan) who can transform into explosive acid. Gunn is compelled to show us his entire vision for the DC Universe. But as he cuts from a slow-burning gag about a garage door opener to a legitimately brutal execution to a whizbang combat scene set to a song that whoops, 'Fun fun fun!,' I just wished I was having more of it. This isn't quite the heart-soaring 'Superman' I wanted. But these adventures wise him up enough that I'm curious to explore where the saga takes him next. Still, I left chewing over how comic book movies can be so popular and prescient, and yet people who've grown up rooting against characters like Lex Luthor cheer them on in the real world. Maybe Gunn can answer that in a sequel. Or maybe our stubborn myopia is what this Superman means when he says, 'I screw up all the time but that is being human.'