Lauren Goodger shows off her surgically-enhanced curves in a tiny black bikini after revealing plans to have her BBL removed because plastic surgery 'ruined her looks'
The former TOWIE star, 38, teased some new 'exclusive content' as she posed in front of a lavish pool with Chris Brown 's Under The Influence playing in the background.
It comes weeks after Lauren admitted that she thinks she has 'ruined her looks' with plastic surgery.
Earlier this year the TOWIE star, who shot to fame on the show when it first aired in 2010, revealed her plans to have her breast and bum implants removed this year.
And speaking to The Sun, Lauren admitted the surgery she has undergone has left her thinking her body looks 'abnormal'.
Lauren said she thinks her 'massive boobs and bum' have made her look bigger than she actually is and shared her plans to look like her old self again.
The reality star expressed regret about getting the work done and insisted she plans to have all of it removed or reversed.
Lauren said: 'I've ruined my looks with surgery - I hate my fake boobs and bum now.
'I feel like my body looks abnormal - I don't need these massive boobs and massive bum.
She added: 'When I look at myself naked in the mirror, all I see is lumps and bumps everywhere.'
In May, Lauren revealed she is having her 'heavy' breast implants removed and can't wait to go back to a 'natural look '.
She admitted her breasts were 'perfect' before although now they simply 'make her look big' while opening up about her breast-reduction journey on Instagram.
The reality star shared on her Instagram page a snap posing in a sheer dusty pink baby doll, showing off her very ample assets.
She wrote in the lengthy caption: '11 years ago I had a breast augmentation, one of the things I regret later in life.
'I had the perfect boobs .. they have been great over the years but since being a mum and breastfeeding for 1 year they have now changed and I've always found they make me look bigger!
'Also they are heavy and I don't like the idea of an implant being in me all these years and I miss my old boobs so much.. so after looking around I've found someone that I feel really keen with having my consultation with @marksolomos.
'This is a HUGE step for me I've wanted to have them removed for so long but suffering with serve anxiety surgery is the last thing I can do !
Lauren finished: 'So it's early stages but I am bringing you a long with me!
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The Sun
an hour ago
- The Sun
It all started when Bill and I went round to Ozzy's house looking for a singer, says Black Sabbath's Tony Iommi
FOR 57 years, Tony Iommi has been Black Sabbath's keeper of the flame. He is 'Master Of The Riffs' — some say he invented heavy metal — and he is the only band member to stay the course. 5 'Everybody else has come and gone and come back,' the guitarist tells me in his soft Brummie tones. 'I've been the constant one.' Talking to the affable Iommi, 77, it's hard to imagine that he's responsible for some of rock's darkest, dirtiest, most bone-crunching riffs. Tomorrow, he and the rest of the original line-up face their final curtain. It's our last chance to hear Paranoid, War Pigs and Iron Man performed live by the four musicians who created them. No doubt all eyes will be on the singer, the 'Prince Of Darkness' himself. Despite complaining to me recently that he has enough health issues 'to fill a medical dictionary', Ozzy Osbourne is set to give his hometown of Birmingham a hellraising last hurrah. But let's not forget that the Back To The Beginning extravaganza at Villa Park also marks the end of a journey for bassist Geezer Butler, drummer Bill Ward — and Iommi. Sabbath are held in highest esteem by the bands that followed in their wake, hence an incredible supporting cast. With Rage Against The Machine's Tom Morello serving as musical director, there's a blizzard of metal titans paying their dues. Metallica, Slayer, Pantera, Alice In Chains, Sammy, Hagar, Steven Tyler (Aerosmith), Billy Corgan (Smashing Pumpkins), Duff McKagan and Slash (Guns N' Roses), Fred Durst (Limp Bizkit) — the list goes on. Ozzy Osbourne announces final Black Sabbath gig as band reunite for 'greatest heavy metal show ever' with HUGE line up 'It's a great honour,' says Iommi. 'I'm so proud of everyone who has come forward to support Sabbath. 'They've come from everywhere to be a part of something. This is a real one-off.' Iommi is particularly chuffed that his old mucker Ward, who he first met at Birchfield Road School, is back in the Sabbath fold for the first time since 2005. 'Bill and I were in a couple of bands before Sabbath,' he says, 'and that's when we went round to Ozzy's house looking for a singer. It was how it all started.' Seeing that the gig is called Back To The Beginning, I ask Iommi to sift through the mists of time to describe how the band came together. He begins by giving me his first impressions of Ozzy before moving on to Geezer. 'At school, I didn't even know that Ozzy could sing,' he says. 'It was a racket at first, I must say, but after we'd been playing for a while, he got really good.' As for the singer's madcap behaviour, Iommi adds: 'He got more loony as we went on. In the early days, we'd be on this little stage at a club or somewhere and we had this thing between us. 'If I broke a string, I'd shout to Ozzy, 'Organise a raffle, organise a raffle!' which meant, 'Talk to the audience'. 'He wasn't very good at that in the early days, he didn't know what to say. 'But he got more and more confident and, eventually, he became like he is — very out front.' Iommi moves on to Geezer and says: 'Before Sabbath, Bill and I used to play these all-nighters at a place in Birmingham. 'I always remember seeing Geezer there, crawling up walls because of the drugs they were on in those days. 'I made my fingertips' 'Me and Bill used to think, 'Blimey, he's mad, that guy'. Of course, when we got together with him, we realised he was very, very sensible. 'Geezer had never played bass before — he was a guitar player — but it was amazing how quickly he picked it up.' So what about Iommi himself? 'Originally, I wanted to play drums,' he replies, 'but because of where we lived with my parents, you couldn't get a drum kit in the house. It was so small. 'My mother bought me a guitar, one of these cheap £20 ones from a catalogue, and I sat in my room learning to play. I really enjoyed it.' Then he adds with a self-deprecating chuckle: 'And I'm still trying to learn to play the guitar!' This was the early Sixties when one band in particular caught Iommi's ear — The Shadows led by his guitar hero Hank Marvin. 5 'I used to listen to the Top 20 on my little radio,' he says. 'The Shadows really inspired me because I loved their sound and style. 'They were an instrumental band and it was great because I had something to learn and to relate to. Then I could go off and do my own thing.' I thought that I'd become involved in the scene in some way and I didn't expect to become a musician Iommi Iommi was also shaped by his tough upbringing in Aston. Of the neighbourhood where he lived, he says: 'It was rough and gang infested. You had to be careful walking round the streets because you'd get beaten up if you were in the wrong area. 'I started doing martial arts — judo and karate — purely to protect myself,' he continues. 'I went training three or four times a week. 'I thought that I'd become involved in the scene in some way and I didn't expect to become a musician.' Iommi recalls having 'a dream of being on a stage, look-ing out, I always thought it was to do with martial arts but, of course, it wasn't. I later realised it was about being on stage playing guitar'. At 17, he had a horrific industrial accident which would have a profound effect on Black Sabbath's signature heavy guitar sound. While operating a guillotine press in a sheet-metal factory, Iommi lost the tips of the middle and ring fingers on his right hand. He says: 'I went to the hospital and they said, 'You might as well forget playing the guitar'. 'I just couldn't accept that attitude so I made my own fingertips with thimbles. I had to come up with a totally different way of playing. 'I also worked on the guitar all the time. I had it in bits and put it back together, trying to make it more comfortable to play. 'Eventually, that extended to experimenting with amplifiers, making a sound that would be more full.' By the time Sabbath, originally known as Earth, got together in 1968, Iommi was on a mission to make a success of it despite financial hardships. 5 'Oh God, I drove the bloody van!' he exclaims. 'Unloaded the gear, played, drove back. 'We were hard up. We might make 15 quid and, on our way home, stop off and spend it all at a fish and chip shop. 'But it was great because we started from nothing and we went through the whole thing together. 'We became glued to each other, we lived in each other's pockets, and it really made us a band.' Iommi continues: 'The name was Geezer's idea after he watched a Boris Karloff film called Black Sabbath. It was appropriate for our music and it stuck. 'When we were Earth, we got misbooked because they thought we were a pop band. We absolutely died a death!' An all-important step for Sabbath, like any up-and- coming act, was getting a record deal. Iommi remembers how it happened: 'We used to play at a club in Birmingham where Jim Simpson, who became our first manager, would get people to come down and see us. 'Of course 99 per cent of them said 'no' and one per cent said 'yes'. We were playing something different. In those days, it was all soul, not our kind of music.' The self-titled debut album contains the song Black Sabbath which bears Iommi's first great riff. He regards it as their breakthrough moment. 'That track hit home,' he says. 'It was so different and we knew straight away, 'That's it, that's what we want to do, that's the benchmark'.' 'Screaming girls' Iommi took on a lot of the responsibility at the time, getting the others out of bed and into the studio by 9am. 'Everybody needs somebody to direct them,' he affirms. 'Otherwise it turns into chaos.' That first album, now regarded as a trailblazing triumph, landed to lukewarm reviews but it didn't deter Iommi and his bandmates. I always remember somebody — I won't mention his name — came to review us. He left unknown to us and we DIDN'T play, but he still reviewed the show. What does that tell you? Iommi 'Of course, you never want a bad review but you have to believe in what you do,' he says. 'If we did get a reasonably good review, we'd bloody faint, but we never lost that belief and that's what made us stronger. 'I always remember somebody — I won't mention his name — came to review us. He left unknown to us and we DIDN'T play, but he still reviewed the show. What does that tell you?' Next came the album which propelled Sabbath to the stratosphere, Paranoid, with its iconic three-minute adrenaline rush of a title track. Iommi says: 'We never went to the States with the first album but Paranoid opened up America for us.' And yet the song itself was almost an afterthought, as he explains. 'When we were finishing the album, we went out to get something to eat. 'The producer came out and said to me, 'We need another track. We haven't got enough tracks'. So I had to come up with Paranoid. I waited for the others to come back and played it to them. 'Geezer wrote some lyrics, the guys learnt the song and we recorded it there and then. 'It was supposed to be filler but it was the one that took off — and we ended up on Top Of The Pops.' Appearing on the UK's premier pop showcase went against everything Sabbath stood for in their quest 'to be an album band taken seriously for our music'. Iommi says: 'It was funny. You've got people like Cilla Black and then us. Bloody odd combination, it was! 'And the last thing we wanted to do was attract screaming girls.' After Paranoid, Sabbath were on a roll, producing a string of high-octane, high-quality albums — Master Of Reality (1971), Vol.4 (1972), Sabbath Bloody Sabbath (1973) and Sabotage (1975). 'For each album, we tried different things,' says Iommi. 'On Master Of Reality, I started tuning down a bit to get an even heavier sound. 5 'The whole vibe on Vol. 4 was great. We went to Los Angeles where John du Pont was unfortunate enough to rent us his house. 'It was a fantastic place with a ballroom, swimming pools and, God, did we have some fun.' It was only after ten years in the business that the wheels started to fall off for Sabbath, resulting in Ozzy's exit. 'Obviously, drugs were involved,' says Iommi. 'It got to a stage where Ozzy had lost interest. He'd go missing for a couple of days in Los Angeles — things like that. 'I was nominated to go to the record company and make all the excuses. We were coming up with riffs but it just wasn't going anywhere. 'It got to a point where I had to say, 'Look, we'll have to replace Ozzy or break up'. At the time, it was best for both of us and Ozzy went off and did his own thing.' Sabbath regrouped with Ronnie James Dio taking over on lead vocals, the first of a succession of singers. Then, in the late Nineties, the original Sabbath reformed and toured until 2005. Minus drummer Ward, they got back together for the Rick Rubin-produced 13 (released in 2013) and played live again until 2017. Now, eight years on, Sabbath are making their last stand. They've all had well-documented health issues but Iommi and Ozzy see the funny side. Ozzy even called himself 'Iron Man' after surgeons inserted bolts in his neck following a fall at his home in the outskirts of Los Angeles 'He should be called the Six Million Dollar Man,' laughs Iommi. 'I hear from him every few days and we complain to each other. 'We've all had problems so it's quite an achievement for us to get on stage again after so many years. 'We'll do the gig – then we'll probably keel over!'
The Sun
an hour ago
- The Sun
Iconic nightclub which hosted Rod Stewart & Stormzy to shut for good in days – as new owners reveal plans for venue
AN ICONIC nightclub which has hosted stars such as Rod Stewart and Stormzy is set to shut for good in just days. It marks the end of an era after the popular student hotspot and concert venue will close its doors for the last time after more than 20 years. Pryzm Kingston, which has hosted Stormzy, Rod Stewart and Billie Eilish will officially close this month. The club on Clarence Street closed its disco room at 3.30am on June 28 but will welcome partygoers for one final night in the main room on July 12. A spokesperson for the club said earlier this week: "Pryzm is closing its doors for the final time on Saturday July 12 at 3.30am. "We want to say a heartfelt thank you to everyone who has stepped through our doors over the years. "Whether you came for a dance, poured a few drinks or had a spin on the decks, we've loved every minute of creating memories with you." The venue has been a popular nightlife hotspot for more than 20 years but the party isn't over just yet. The nightclub's owners, Neos Hospitality, has other plans for the space, submitting plans to convert the Grade II listed building into two new venues. There will be a "party bar" on the ground floor, known as Bonnie Rogues, in addition to a new nightclub on the first and second floors called Circuit. Neos also want the spaces to continue Pryzm's live music legacy. The origins of the venue stretch back to 1939 when it was first built and known as the Granada Theatre. Following a building renovation it became a nightclub called Oceana in 2003 before it was rebranded as Pryzm in 2014. Russell Quelch, the CEO of Neos, said they want the site to continue being a night out favourite for Londoners. He added: "Thousands of people have made memories that will last them a lifetime, from over 20 years of amazing nights out at PRYZM and Oceana before it." "The closure is the end of a long running chapter for the Kingston club scene, but it's time to look to the future and reimagine what this site could hold, in a fresh new look at nightlife for next generation of UK party lovers." Neos bought club from previous owners Rekom UK after they went bust in 2024. At the time, Rekom had announced they were closing more than a dozen venues with immediate effect after plunging into administration. The company cited cost of living pressures and rising business rates and operational costs for the closures. But 11 of their sites were sold and remained open under new owners which included Kingston's PRYZM. The UK nightclub industry was hit hard by the pandemic and the cost of living crisis, with many other venues closing in recent years. High energy costs have crippled businesses and soaring inflation has seen punters cutting back on nights out. According to the Night Time Industries Association (NTIA), there has been a 32.7 per cent decline in activity since 2020.
Daily Mirror
an hour ago
- Daily Mirror
Jota was that rare breed - a player you admired regardless of who you support
If you don't follow football but you're wondering why the torrent of tributes to Diogo Jota has been so relentless, here are some of the reasons. Yes, the Liverpool footballer was an outstanding, versatile player, arguably the best finisher in the English champions' squad on his day. Yes, he lifted everything there was to win during his five years at Anfield. And yes, he scored crucial goals last season to help them to win the title, including the winner - his last ever goal - in the Merseyside derby against Everton in April. But he was also low maintenance, high in the good energy that attracts kindred spirits and universal respect. He wasn't ever pictured falling out of nightclubs, engaging in unseemly Twitter/X controversies or involved in the pantomime, Baller League-type flare ups we see on Instagram. Jota, the man, was summed up by the pictures that have so dominated the news agenda over the past 24 hours. A family man, a devoted man, taken too soon when the car he was in with his younger brother, Andre Silva, came off the road in north-west Spain on Thursday night. They'd been driving through northern Spain to catch an overnight ferry to the UK for pre-season which had been due to start on Monday. Jota had been advised not to fly following lung surgery, according to reports in Portugal. But the Lamborghini the siblings were in was said to have blown a tyre while overtaking on the A-52 at Cernadilla near Zamora - just ten miles over the border. We continue to await confirmation of the full, tragic circumstances. But what we do know is that Jota was loved. He was cherished within his club and adored within his native Portugal. He was the kind of guy who played computer games in his spare time. A guy who was still paying to play for his local club Gondomar at the age of 16, an age when some talented players in England are already pushing for a place in Premier League teams. He was a footballer whose lack of malice, hostility and animosity during matches came as a refreshing antidote to so many of the tiresome antics we see at the elite level of domestic and European football. He was a father, a son, most recently a husband whose low key life away from the game was summed up by the fact that he was with his brother when the tragedy struck. It doesn't seem real to be talking about him in the past tense. Jota - aged 28. A man barely past the first few chapters of his life. It wouldn't be an exaggeration to suggest he was that rare breed - the kind of player you admired regardless of which team you support. An army of top clubs and their fans had admired Jota and the 17 goals he'd scored to help Wolves into the Premier League as champions before Liverpool gazumped them all to sign him, five years ago. How do the Premier League Champions now focus on football beyond this? How do they park their grief and get on the game again? It is a given that the game will wrap its collective arms around Jota's family. But if we as journalists and fans are rocked by his sudden heartbreaking loss, what about Jota's close friends and colleagues in that dressing room. What about his bosses even? Sadly, Liverpool have a history stretching back decades of dealing with the kind of trauma they simply should not have to bear. And the sadness of it all is in the timing. He was just 28. No age. In May, he'd celebrated winning the Premier League title with Liverpool, he posted pictures all over his socials. In June he helped Portugal to win the Nations League international tournament alongside the likes of Cristiano Ronaldo. And less than two weeks ago he was married. Gorgeous pictures on his social media accounts of him with his childhood sweetheart, Rute Cardoso and his three children. Now, in the blink of an eye, she is a widow. He has been taken away from them. Football comes very much second to the magnitude of the chasm left in the Jota family. It will never be filled. What we do know is that he will never be forgotten.
