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Time Out Tokyo summer–autumn 2025 issue out now: 24-hour city

Time Out Tokyo summer–autumn 2025 issue out now: 24-hour city

Time Out30-06-2025
With our ultimate round-the-clock guide to the capital, you'll be able to plan the perfect day – and night – in Tokyo.
From wolfing down a bowl of super-fresh seafood before sunrise to embarking on an all-night indie club crawl or soaking in an open-air hot spring at 3am, we've got you covered with brilliant things to do at every hour.
Hungry for something different? You're in the right place: Tokyo is widely regarded as one of the world's greatest food cities, and serves as a culinary melting pot where innovative chefs showcase their distinctive and imaginative interpretations of cuisines from around the world. From flawlessly crafted pizzas to boundary-pushing Peruvian cuisine, we've rounded up the best international restaurants to experience in Tokyo right now.
Fruit picking and vegetable harvesting experiences are available outside the city year-round, but are an especially alluring escape from sweltering central Tokyo in the summer. In the mag you'll find our favourite family-friendly farms for crop picking – all within easy reach of the city.
Ah, go-go boys. What's not to love? These professional dancers elevate the energy of any event where they perform, LGBTQ+-related or otherwise. But who are these Adonises when they aren't shaking their stuff on stage? We profile some of the city's best performers.
Heading to Fuji Rock this summer? Check out our festival preview, complete with a guide to the acts you definitely shouldn't miss and an interview with Australian electro-poppers Confidence Man.
Pick up your FREE copy of Time Out Tokyo magazine at Haneda and Narita airports as well as selected hotels and tourist information centres in Tokyo.
You can also check out the digital edition below, or read the magazine here or on Kindle Unlimited.
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Queen Mary of Denmark had been conducting a walkabout with King Frederik and two of their children when she grabbed her leg in pain after an unusual encounter A key royal had to be rushed from a major outing after wincing in pain following a freak incident. ‌ Queen Mary of Denmark had been preparing to conduct a walkabout in the Danish town of Gråsten along with husband, King Frederik and two of their children - Princess Isabella and Prince Vincent - when she suddenly started clutching her leg. ‌ The family were being greeted by local mayor Erik Lauritzen - and as the Queen rubbed her leg in pain, her husband and two children looked on concerned before she went inside the town hall for assistance. It comes after Princess Anne's friend admitted that her horse accident was "so much worse" than people knew. ‌ Mary's family carried on with the walkabout, and after several minutes, she rejoined them in greeting the crowds. It later transpired that her sudden pain had been caused after she had been stung by a wasp. Danish publication Billed Bladet said: "The Queen certainly did not seem to be badly affected by the encounter with the stinging wasp, and she, together with the King, Isabella and Vincent, made sure to greet the many citizens who had gathered in the square." ‌ The family outing came as the King and Queen of Denmark moved to Gråsten, where each year they stay at their summer residence. It is believed they will be joined by their other children, Crown Prince Christian and Princess Josephine, at a later date. However, it is not the first time that Mary has been the victim of a freak event during a royal walkabout. Last year, footage emerged of her being hit by a scooter as she greeted well-wishers. It came during an official trip to Greenland when the incident took place. ‌ Footage of the moment showed the mum-of-four greeting well-wishers who had come out to see the royal couple and their youngest children. As Mary, dressed in traditional dress, chatted with fans, a scooter was seen nudging her legs, causing her to lose her balance and almost fall to the floor. Onlookers appeared shocked, and although Mary quickly composed herself, she appeared slightly shaken by the incident. Afterwards, the Queen's security quickly rushed in to push the scooter rider back, and later the Danish Royal House confirmed Mary was not injured in the incident. ‌ It was later reported that the scooter rider had been an elderly man who had tried to get closer to Mary in order to shake her hand. However, it is believed he accidentally hit his accelerator, prompting the incident, which left him shaken up, too. Mary's husband, Fred, became King of Denmark in January 2024 when his mother, Queen Margrethe, at the time Europe's longest-serving monarch, decided to abdicate. This made Mary Queen, and she became the first Australian-born Queen of a European monarchy. ‌ Her first brush with royalty came in 2000 when she met her future husband, the then Prince Frederik of Denmark, in a bar in Sydney during the Olympic Games. Mary didn't recognise the handsome stranger who introduced himself as 'Fred', and she gave him her phone number. He later recalled feeling she was his 'soulmate' from that first encounter. When news of their long-distance romance broke, Mary moved to Copenhagen. They wed in 2004 in a grand ceremony similar to that of Prince William and Kate's, with Frederik declaring, 'Mary is mine and I am hers.'

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My 30-year love affair with Edinburgh's summer festivals
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Baby Reindeer star Richard Gadd regularly performed in small venues at the Edinburgh Festival Fringe. (Image: Supplied) I couldn't believe the transformation of the normally quiet closes and courtyards of the Royal Mile as I found them filled with noise, colour and, well, chaos. Every time I walked past The Mound I found myself drawn in by the huge crowds gathered around street performers. It was completely intoxicating, even if the only tickets I bought were for a couple of late-night shows towards the end of the month. Australian performer Tim Minchin made his Fringe debut at the Gilded Balloon 20 years ago. A later I was living near the bottom of the Broughton Street, which I quickly discovered was in close proximity to several Fringe venues. One of them was a school playground where a Polish theatre company, some of whom were performing on stints, staged a terrifying production inspired by the horrors of the war in Bosnia. George Square is transformed by venues for Edinburgh's festivals. (Image: Alistair Leith) Nearby churches were turned into venues which ran round-the-clock with music and theatre programmes packed full of international performers. The garden of one of these churches became a favourite place to hang out in between shows on countless balmy summer evenings. But the other local bars and restaurants buzzed with conversation from people from around the world. When September came, and the performers had packed up and left, it was something of a relief, but the streets seemed so much greyer than had been just a few days before. The summer was the start love affair with the festivals that I'm still as passionate about as ever. I have missed just one festival since then, when I inexplicably went on holiday to Bilbao only to find that its own summer festival - which was largely staged after dark - was on. It's since become an unmissable and all-consuming feast for the senses for me. A big part of the enduring appeal of the festivals is that so much about them feels familiar, welcoming and even reassuring. Much of that is down to Edinburgh's array of remarkable venues. Those that are here all year take on another life entirely in August, when Summerhall's courtyard, the Filmhouse cafe and the Traverse bar are abuzz with excitable chatter about the latest hot tickets or festival gossip. Others stalwarts like The Stand and Monkey Barrel comedy clubs take over as many nearby spaces as possible to try to satisfy demand from their fiercely loyal performers and audiences. Some festival hotspots are eerily quiet the rest of the year, such as the Pleasance Courtyard and George Square, but become entire festival villages in August. Other venues, such as St Giles' Cathedral, or the Scottish Storytelling Centre, which has a terrific garden tucked away off the Royal Mile, offer vital space to simply chill out and contemplate as the festival swirls around them. An undoubted benefit of the festivals is how they both open and encourage public access to places and spaces most people would probably never go to. I cannot imagine how else I would have ventured inside Freemasons' Hall on George Street, the Royal Scots Club on Abercromby Place, the Ukrainian Community Centre on Royal Terrace or the Hibernian Supporters Club off Easter Road. Although the cost of accommodation in Edinburgh is notoriously eye-watering, the single biggest selling point of the festivals themselves is how affordable they are. With more than 4000 events to choose from, the sheer level of competition has pegged ticket prices back. Hundreds of shows and events are either free or offer pay-what-you-want deals, with many other tickets costing less than the price of a pint. The average cost of a Fringe ticket is around £12, most book and film festival tickets are only marginally more expensive and the Edinburgh International Festival sells seats for as little as £10, including for on the day concessions. Many festivalgoers, especially those resident in the city, are fiercely loyal to their favourite shows and performers, returning year after year to see them. Others will spend almost their entire festival at the one event or venue. After all, a large chunk of Fringe audiences is made up of people performing or working on other shows, who know exactly what it takes to get onto a stage in Edinburgh. For me, the festival season is all about the thrill of the new and especially the prospect of seeing a star of the future emerge from obscurity. While the Fringe in particular is awash with hype for months in advance these days, there is something particularly thrilling about its first few days, when shows finally open and word of mouth takes over. I learned long ago to keep plenty of space clear in my diary for shows I have not previously heard about which suddenly become the talk of the town. I wasn't lucky enough to catch Steve Coogan, Kevin Bridges, Peter Kay or Phoebe Waller-Bridge on their way to the top, but I did see Frankie Boyle, Johnny Vegas, Tim Minchin, Fern Brady and Richard Gadd perform in some of the smallest rooms in the city. At the start of August, no-one in Edinburgh knows which performers and shows will be winning over audiences, making the headlines and taking home five-star reviews. It's probably the one thing which fills me real enthusiasm as the festival city takes shape and throws opens its doors. Even the most hardened of festivalgoers will be familiar with the sinking feeling of running out of time to catch a show the rest of the city seems to be talking about or, even worse, being unable to secure a ticket. But they will also know the thrill of a successful hustle outside a venue or a last-minute return at the box office.

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