Netflix star attends F1 red carpet after being cut from film
Originally slated to star in a minor love interest role, Ashley's part in the film – which lands in Australian cinemas on Thursday – has reportedly been reduced to a lineless cameo, echoing a similar treatment of The Acolyte and The Good Place actor Manny Jacinto by Kosinski in the director's 2022 film Top Gun: Maverick.
Ashley attended the London premiere of the film this week despite her treatment in the final edit, but has yet to make an official statement. In 2022, when Jacinto was cut from Top Gun: Maverick he told GQ that it 'wasn't shocking' for him to have been cut from the film.
'It kind of fuels you because at the end of the day, Tom Cruise is writing stories for Tom Cruise. It's up to us — Asian Americans, people of colour — to be that [for ourselves]. We can't wait for somebody else to do it. If we want bigger stories out there, we have to make them for ourselves,' Jacinto told the outlet.
F1 co-star Damson Idris told Buzzfeed this week that Ashley's role 'was more of a cameo ... it was sort of a love interest situation that happened. But, as with many movies, you know the director's cut. I mean I've been cut out of movies, and these things happen.'
Loading
Idris said he was set to star alongside Ashley again soon, and that the actress would work with Kosinski in a future project.
Kosinski told People that actors getting cut from final edits 'happens on every film' and lauded Ashley's ability, saying 'she's an incredible talent, incredible actress, incredible singer, and I would love to work with her again.'
The news has caused controversy online with many saying that Kosinski's removal of Ashley, and earlier Jacinto, was a race issue, while others argue that this is a normal part of the filmmaking process.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


West Australian
2 hours ago
- West Australian
Prawns, Pimms and Pedigree: Tessa Daly returns to hometown of Carnarvon for food, fashion and race day fun
She's the daughter of Carnarvon's most decorated trainer, a rising racing media talent, and now, a proud hometown host for one of the region's most delicious new events. Tessa Daly — the daughter of Carnarvon horse trainer Peter Daly — is set to return to her roots on August 1 for the Massey Bay Prawns and Pimms Race Day, the grand finale of Carnarvon's Gascoyne Food Festival leg. 'I grew up following (dad) around the countryside, going to lots of different racecourses all around WA,' she said. 'I guess it's in your blood when you grow up with it.' Despite dabbling in WAFL operations and dreaming of a career in sports media, Daly said the pull of the racing world was far too strong to ignore. 'I was getting up at 3.30am to work with horses, get that job done by 8am and then rushing to East Fremantle Football Club and back to the stables,' she said. 'It was ridiculously long days and I thought – 'I'm 26 - I either need to try and chase these media dreams while I'm still somewhat young and don't leave it too late'.' Now part of Racing WA's TV broadcast team as mounting yard analyst, Daly's focus is on blending her background with her passion – and that's exactly what Prawns and Pimms is all about. 'It's about bringing people from all walks of life into racing,' she said. 'Sea Harvest have donated prawns for the day, and Pimms goes hand in hand with the races — prawns, Pimms and a bit of a punt and a bit of fun as well.' Held on the day that all Australian horses celebrate a birthday, the afternoon will feature local food, drinks, music, and a laid-back trackside atmosphere – all part of a bigger plan to showcase Carnarvon's produce. 'Racing in Carnarvon falls at the perfect time of the year. The weather's great and the produce is even better,' Daly said. 'Doesn't matter if you're involved in racing or if you like racing or not — it's an opportunity to dress up, have a drink and enjoy fresh seafood.' The event is supported by Sea Harvest, Racing and Wagering WA, and the Gascoyne Food Council, and forms one part of the month-long Gascoyne Food Festival trail. For more information, head to the Gascoyne Food Festival website .

Courier-Mail
10 hours ago
- Courier-Mail
Eric Bana's Untamed leads best new TV shows to stream this week
Don't miss out on the headlines from TV. Followed categories will be added to My News. We've sifted through the latest offerings from TV and streaming platforms to find the best shows you should be watching this week. Eric Bana as Kyle Turner and Lily Santiago as Naya Vasquez in Untamed. Picture: Ricardo Hubbs/Netflix © 2025 UNTAMED NETFLIX Aussie Eric Bana's steely performance as a damaged, driven special agent is the main reason to seek out this six-part murder mystery set in California's spectacular Yosemite National Park. The ever-reliable Aussie plays Kyle Turner, who has been driven to drink by the memory of his dead son and is jolted into action when a young woman plunges to her death from the park's famous El Capitan rock face. But did she jump or did more sinister motives dating back decades drive her to do it? Turner's quest for answers, assisted by former LA cop turned rookie ranger Naya Vazquez (Lily Santiago) and his long-time friend and colleague Paul (Sam Neill) will take him deep into the wilds as he uncovers a dangerous secret within the tourist hot spot, as well as forcing him to confront his own troubled past and relationship with ex-wife Jill (an excellent Rosemarie DeWitt). While the sometimes grisly action unfolds a pace that might be too sedate for some, regular twists and surprises and the thrilling vistas from one of the world's most picturesque parks ensure it's never less that eminently watchable. The crew of luxury yacht Katina on Below Deck Down Under. Picture: Fred Jagueneau/Bravo BELOW DECK DOWN UNDER WEDNESDAY, 8.30PM, CHANNEL 7 Another season, another spectacular location, another collection of ridiculously good-looking crew and another group of very rich and entitled customers with first world problems – it's plain sailing as usual for one of the biggest guilty pleasure viewing experiences around. This week kicks off with day two of a cruise in the Seychelles and chief steward Lara in tears after day one 'shit show' on the luxury yacht Katina. With a beach excursion planned and a Cowboys and Cowgirls BBQ dinner on the menu, Captain Jason needs the team to lift their game to make sure the guests leave happy. Meanwhile things are heating up in the kitchen between head chef Tzarina and reluctant sous chef Anthony, which threatens to spill over into shore-leave dramas. Tom Ellis and Eddie Karanja in Washington Black. Picture: Disney/Lilja Jonsdottir WASHINGTON BLACK WEDNESDAY, DISNEY+ Adapted from Esi Edugayan's 2018 bestseller, this freewheeling and sometimes fantastical eight-part drama tells the story of how 11-year-old George Washington Black flees the nightmare of slavery on a 19th century Barbados sugar plantation to find a life of adventure. Flipping back and forth in time, with the adult Wash still on the run from bounty hunters while trying to forge a new life and find love in Canada, it kicks into gear with the title character's escape from racism and retribution on a flying machine thanks to a kindly English inventor. As they adventure together with pirates on the Caribbean and sled dogs in the Artic, the brilliant young Wash chases his dream of becoming a revered scientist in a society that's determined to keep him in his place. Robbie Williams is reinvented as a chimp in the biopic, Better Man. BETTER MAN SATURDAY, PRIME VIDEO Australian director Michael Gracey took a huge swing in his Melbourne-shot biopic of Robbie Williams by reimagining the UK pop superstar as a chimpanzee. While the bold move failed spectacularly in the cinemas, it deserves a second life on streaming as one of the best and most inventive movies of its type in recent years. Williams himself was heavily involved (most of the motion capture was done by UK actor Jonno Davies) and he is his usual self-deprecating and unflinchingly honest self, even when recounting his appalling actions at his lowest drug fuelled ebbs. With stunning set pieces – the dance on London's Regent St set to Rock DJ is a knockout – and a scarcely believable true story, it's well worth your time. Emma Watkins (second from left) in Teenage Boss: Next Level. TEENAGE BOSS: NEXT LEVEL SATURDAY, 7.30PM, ABC Former Yellow Wiggle Emma Watkins has headed to the Apple Isle for the second season of the delightful reality TV show that turns over the household budget to teenagers to see if they can balance their own saving goals with the needs of the family. First up is Caitlyn, who is laser-focused on raising the funds to fulfil her potentially expensive dream of joining a school ski trip to the mainland as well as juggling her school, work and volunteer commitments. Wise beyond her years, Caitlyn's spending choices are smart and practical – but her biggest obstacle might be mother Seher, who takes the Turkish custom of feeding and entertaining friends and family seriously, and whose plans for the coming Ramadan threaten to blow the budget. There's a new, fairer approach on season 21 of The Block. THE BLOCK SUNDAY, 7PM, CHANNEL 9 In its 21st season – and closing in on its 1000th episode – the beloved renovation reality show heads to the rural Victorian tourist destination of Daylesford with a rejigged approach designed to level the playing field. For the first time, each of the five houses is exactly the same size and with exactly the same floor plan, meaning hosts Scott Cam and Shelley Craft and judges Shaynna Blaze, Marty Fox and Darren Palmer will be comparing 'apples with apples' and making each design decision all the more important. There will be tears, tiffs and tantrums among the missteps and masterstrokes, with the fart-joke loving, risqué best mates from South Australia, Robby and Mat, already emerging as the jokers in the pack. Logie nominated Sally Phillips, Ben Miller and Michael Theo in Season 2 of ABC comedy drama Austin. AUSTIN SUNDAY, 7.30PM, ABC The first season of this gentle comedy-drama was one of the surprise packages of last year, earning well-deserved Logie nominations for its autistic lead actor Michael Theo in the title role, as well as Ben Miller as his possible long-lost father Julian and Sally Phillips as potential stepmother Ingrid. The second season picks up on the season one cliffhanger, with Austin and Julian about to get the results of a DNA that should settle the matter and shape the future of their personal and professional relationships. Meanwhile, Ingrid is still sleeping in the shed and taking notes of her marital positives and negatives – and whether she'd be better of moving to a women's commune. Freddie Highmore and Keeley Hawes in The Assassin. THE ASSASSIN STAN Former Spooks star Keeley Hawes is fantastic in the title role of this action-packed, unashamedly bloody, six-part crime thriller from the creators of the Australian-shot The Tourist. Audiences first meet her character Julie as a one-woman killing machine leaving a huge body count and copping a hellacious beating on a mission in Eastern Europe. Three decades later, she's living a booze-soaked and grumpy retirement on a Greek Island when she's visited by her estranged son (Freddie Highmore), now engaged to be married and with questions about his past she's reluctant to answer. But when someone claiming to be her former handler approaches her with her job she can't refuse, she's dragged back into her old violent ways as her professional and personal worlds collide. Keeley Hawes in the ABC historical drama Miss Austen. MISS AUSTEN SUNDAY, 9PM, ABC This gorgeous, four-part period drama, adapted from Gill Hornby's novel of the same name, purports to answer the question that has long haunted lovers of literature – why did Cassandra Austen burn her famous sister Jane's letters? In a very different role from her turn in The Assassin, the versatile Keeley Hawes plays the older Cassandra, who is trying to rescue the correspondence from her odious sister-in-law Mary to prevent their use in a biography of her husband (and Cassandra's brother), James, while also trying to help free family friend Isabella (Game Of Thrones' Rose Leslie) from the limitations and expectations of unmarried women of the era. As she re-reads the leaders, viewers are taken back to Cassandra's own heartbreak and challenges as a younger woman, as well as those of her talented sister, Jane. It's all bonnets and bows, matchmaking and merriment, tall hats and turns around the room – and right up there with the best Austen adaptations. Chef Guillaume Brahimi hosts Plat Du Tour on SBS PLAT DU TOUR MONDAY, 8PM, SBS FOOD Now in their sixth season, French chef Guillaume Brahimi's bite-sized Plat du Tour episodes make a tasty side dish to the Tour de France each year and this half-hour special highlights the best of country's northern region. Starting in Lille and moving through culinary centres including Boulogne-sur-Mer and Rouen, the enthusiastic and affable Brahimi shows how to rustle up the region's signature dishes such as Moules-Frite, Le Carpeaux de Valenciennes and a delicious looking French version of the Aussie pie called Tourte Meyennaise by using the best Australian produce. Along the way he also throws in historical titbits about the food and the regions and chats to celebrated Australian chefs. Actor Ryan Reynolds with Ray Liotta in Smokin' Aces. IN CASE YOU MISSED IT … SMOKIN' ACES Streaming, Tubi EVERYBODY wants to get their hands on Buddy 'Aces' Israel (Jeremy Piven). Having negotiated an immunity deal with the FBI that would see him serve up evidence against various Las Vegas underworld figures, Israel is put under the protection of special agents Messner and Carruthers (Ryan Reynolds and Ray Liotta) as assorted thugs and contract killers (played by the who's who of Hollywood) come looking to capture the magician turned mobster. Featuring Jason Bateman as a dodgy lawyer, Chris Pine as a neo-Nazi, Alicia Keys as an assassin and Ben Affleck as a laid-back bail bondsman, this film is a rollercoaster of rapid-fire dialogue and action sequences. Originally published as 'Thrilling': Eric Bana dazzles in new must-watch Netflix series


Perth Now
12 hours ago
- Perth Now
Drake Bell claims Nickelodeon doesn't pay residuals to former child stars
Drake Bell has blasted Nickelodeon for allegedly not paying residuals to child stars. The 39-year-old actor and musician - who appeared on shows like The Amanda Show and spinoff sitcom Drake and Josh for the network - has claimed that unlike of the deals reached with most adults performers, his early contacts involved one-off payments, which means he doesn't get any money from streaming or syndication. He told The Unplanned Podcast: "That's the perception of the world, it's always been this way. "It's like, you know, 'Oh, you made a Folgers Coffee commercial. You must live in a mansion in Hollywood. Like, I saw you on TV. You're rich.' 'That's far from the case. And especially, which is the bummer for most of us on Nickelodeon, we don't get residuals for our shows.' The star - who previously opened up about his childhood trauma and struggles in 2024 docuseries Quiet on Set: The Dark Side of Kids TV - pointed out how he doesn't get any money despite Drake and Josh's recent move to Netflix. He claimed: "It's a lot of evil, corrupt people. That's the only thing, that is the answer. There's no other answer. 'Do everything that they do to us mentally and emotionally, and then throw us to the wolves. And we're like, okay, cool. I got rent this month. "There are three channels doing marathons. Netflix just bought it, it's top 10 on Netflix, and I gotta figure out how to pay my rent this month." He pointed out how the cast of Friends are still able to earn huge amounts of money from re-runs of the classic sitcom. He said: 'The Friends cast at the peak was making a million dollars an episode. You make 13 episodes that year, you make $13,000,000. You make 20 episodes that year, you make $20,000,000, right? 'But right now, each cast member of Friends just in syndication alone is making over $20,000,000 a year, and they're not filming a show every week. "They're not going to work, but they're playing their show and they're using their likeness and they're doing all this, so they get paid for it.' He compared the studio's approach to the situation to "child labour", while addressing the lack of control young performers have. He added: 'People don't understand how the business works, the business side of this. They just see what the perception is on Instagram and social media and all the glitz and the glamour of Hollywood. 'We're putting in all of this work. This corporation is making billions with a 'B' off of us, and we're being compensated for the week of work, cool, but that's it. 'And forever, in perpetuity, it literally says in the contract, across universes and galaxies and planets.'