The Laughs We Needed
I remember the first time I fell in love with comedy—not just the laughs, but the making of them.As a kid, I went with my family to see The Cannonball Run in the theaters. I remember enjoying it, though at 8 years old, a lot of the jokes went over my head. What stuck with me most came after the movie: the end credits.A blooper reel of Burt Reynolds and Dom DeLuise cracking each other up. Missed cues, slapstick stumbles, muffled giggles that exploded into uncontrollable laughing fits.That was the moment I knew I wanted to be part of whatever that was.
There's something uniquely powerful about comedy—especially from an ensemble cast. It doesn't just entertain us; it becomes a reliable friend.These shows and movies fill dorm rooms and hospital waiting rooms, light up bar TVs on first dates, and play during midnight reruns when you can't sleep. They meet us in breakups, boredom, and burnout... and they make us feel okay.Whether it's Arrested Development, Anchorman, It's Always Sunny in Philadelphia, or Ted Lasso, the best ensemble comedies create a kind of gravity. They pull us in. They make us feel like part of the group—like we're hanging on the couch at Central Perk or grabbing a drink at Cheers.And often, what we remember most isn't the plot, but the feeling—that rhythm when the cast clicks. The scene where someone breaks character and everyone else tries not to lose it. Saturday Night Live is never funnier than when the cast themselves start to crack.
There's a phrase people always say after a great comedy:"They must've had so much fun making that."We never say that about thrillers or dramas. We say it when the joy on set seeps through the screen. When the chemistry is real, and the camaraderie is contagious. When it feels like the cast is having just as much fun as we are.From Ghostbusters to Superbad, MASH* to Parks and Rec, there's a kind of magic when the process becomes part of the product. Even if it's messy, even if it's rough around the edges, you feel the joy. You want to stay in that world just a little longer.As The Office's Andy Bernard once put it:
'I wish there was a way to know you were in the good old days before you actually left them.'
Nostalgia has a way of making everything feel like the good times are all behind us—forever locked away in re-runs and memories.You start to wonder: Do they still make them like that anymore?
Every so often, something new comes along that gives you that old feeling. Not because it's copying what came before... but because it shares its spirit. A little chaotic. A lot joyful. And full of people who genuinely seem to enjoy making each other laugh.This summer, a YouTube series called Shanked quietly fits that bill.Set at a barely-functional L.A. country club teetering on the edge of hosting a major PGA event, the show feels like a cousin of Caddyshack and Eastbound & Down—but with a modern, creator-led twist.Shanked has the feeling of a camera, a golf course, and a group of comedians and creators trying to make something weird and wonderful.And isn't that how the best ones always start?
You never know where the biggest laughs will come from...John C. Reilly and Will Ferrell destroying each other in Step Brothers.The infamous bridal boutique blowout in Bridesmaids.And if you've ever seen it, you'll never forget Chuckles the Clown's funeral on The Mary Tyler Moore Show.Comedy finds us when we need it. It doesn't promise to fix everything. But it reminds us we're not alone. That someone else saw the absurdity—and loved it just as much.
A good comedy, made by a cast with the right intentions, is one of the most generous things you can share. You laugh, and then you want others to laugh with you. That's the power of it.You don't have to be on the set to be part of the experience—you just have to be watching.It becomes your own little ensemble.Your own inside joke.Your own memory.And that's the magic we need to keep finding.Truth be told, I had nothing to do with the making of Shanked.I just thought I'd share the laughs... and lend a hand to a group that's in it for the right reasons and armed with the best intentions.
ShankedPremiering June 13 on YouTube, Shanked is a new ensemble comedy set in an unhinged Los Angeles country club on the brink of hosting a PGA Tour event.Created by and starring digital-native comedians including James Lynch, Patrick Farley, Mikey Smith, Laura Clery, Blake Webber, Mitsy Sanderson, and Dylan Adler, the series is directed by Adam Newacheck (Workaholics) and Christian Breslauer (Industry Baby), and produced by London Alley.
This story was originally reported by L.A. Mag on Jun 13, 2025, where it first appeared.
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Boston Globe
5 hours ago
- Boston Globe
A writer sees Blue Man Group for the first time as it closes
But I didn't. Instead, I bought tickets to other things — maybe an acclaimed play at There was no pressure, of course. Blue Man Group would always be there, anyway. Advertisement But always is never forever. Blue Man Group announced on June 10 that Boston's July 4-6 weekend performances would end the production's 30-year run in town. Blue Man Group had already closed in Chicago in January, and in New York City, its hometown, in Blue Man Group in 1995. Tom Herde/Globe Staff After the final Boston performance at 5 p.m. on Sunday, Blue Man Group will only run in That's why I went to Blue Man Group Boston last week — at the Charles Playhouse — to say hello and goodbye at once. I was there on June 26, in a mostly sold-out room. Advertisement To the six full-time Blue Man Group performers who trade off shows, the three full-time band members, the nine part-time band members, and the 42 people who ran the production from the back, I'd like to say: You were weird. You were peaceful and neutral about the world. I'm sorry it took me so long. I'm surprised by how much I loved you. I have made some fun of Blue Man Group over the years — because it's easy to do that. It looks goofy (by design, the three performers are covered in blue paint and move kind of like aliens). Second, there's the legacy of 'Arrested Development,' one of my favorite TV comedies, which had its most ridiculous character, psychotherapist-turned-actor Tobias (David Cross), seeking out Blue Man Group because he's mistaken it for a support group for sad men, only to become an aspiring Blue Man who's desperate to be a member of the company. That plot becomes a running joke through seasons. Also, Blue Man Group's longevity turned it into a punch line, which is inevitable. Its origin was expect . Over time, it became clear that Blue Man Group was a safe show — something for people of all ages and backgrounds. The thing you did with those in-laws. But I always noticed that even when people made a joke about Blue Man Group — the way people joke about anything when it becomes mainstream — they never suggested it wasn't good or worthy of being seen. Advertisement At a collaborative exhibit at the Boston Children's Museum in 2004. David L. Ryan/Globe Staff At the Charles Playhouse last week, in the bar, where people can mess around with noise-making tubes similar to ones used in the show, I asked people why they got tickets. There was a New Englander who needed a Father's Day gift; a group that had been multiple times; and a family taking a teen for her first performance. Sitting behind me in the theater were more than 40 students who attend an all-girls school in Buffalo. Blue Man Group was their final social activity before heading home. The performance was mostly what I thought it would be — and many of you know what I'm going to say, because according to the show's producers, more than 4.5 million people have seen Blue Man Group in Boston over the years. There is schtick — including audience participation where people are asked to play instruments or help with wordless punch lines; sound-based art, where the blue men chew cereal loudly, making their own music; and some video clips that point out the absurdity of daily life under capitalism (that's my take, at least). My favorite moments were meditative — when the room went quiet as we all watched the blue men bang on paint-covered drums, the paint splattering everywhere, making beautiful flashes of light in time with the rumble of percussion. Last year, clown — as an art — is linked to the concept of 'ego death.' Clowns are at their best when the performer can fully detach and be silly without trying to be anything in particular. It's not easy to pull off. Advertisement During Blue Man I realized: This is it. Ego death. There is no credit for the performers — no laugh that isn't shared among the group, no success or failure. They're just hopping around, doing weird or beautiful things. People wait under the theater marquee at the Charles Playhouse before a performance by the Blue Man Group in March 2000. Bill Polo/Globe Staff I think I experienced it in the audience, too. I went in cynical and became a person smiling because toilet paper was being shot at me from above. The next morning, I interviewed a blue man, 'This place, Boston, held a show for 30 years. I mean, that's a remarkable thing.' McLin said this weekend's performances will deliver what the ensemble always has: 'We'll send this off in a way that befits the gift that it's been for all of us.'


New York Post
19 hours ago
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Rob McElhenney's wife and ‘Sunny' co-star Kaitlin Olson reacts to his last name change
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UPI
a day ago
- UPI
Watch: Rob McElhenney explains name change to 'Rob Mac'
1 of 3 | Rob McElhenney, now Rob Mac, arrives for the Primetime Emmy Awards in September. He explained the reason for his name change in an Instagram video Tuesday. File Photo by Chris Chew/UPI | License Photo July 2 (UPI) -- It's Always Sunny in Philadelphia creator and star Rob McElhenney is changing his legal name. The actor, 48, explained why he is now going by Rob Mac in a video he shared to Instagram Tuesday. "Yes, I'm shortening my name to Rob Mac. Mostly a stage name, but I digress. Is it kind of douchey? Sure, but the amount of time that I have wasted trying to get people to either say or spell my name correctly is literally days of my life. Trust me, I added it up," he said. He assured fans the name change has nothing to do with family estrangement. "I love them and I want to stay connected," he said. He clarified, however, that the spelling of his surname has changed several times over the generations. "Most people already call me Rob Mac anyway," he added. He first announced the news in a story for Variety. TMZ reported last week that the actor had filed the documents for his name change in Los Angeles.