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‘The integrity of the story we tell is paramount'

‘The integrity of the story we tell is paramount'

Straits Times2 days ago
Interactive graphics editor Rodolfo Carlos Pazos says the goal is to create visuals that complement and enhance the written word, helping to tell stories that inform, resonate and inspire action.
Rodolfo Carlos Pazos, 42
Portrait
Mr Rodolfo Carlos Pazos was born in Argentina and trained in Fine Arts in Bologna, Italy. He worked in newsrooms across Europe, Australia and Singapore before joining The Straits Times as creative director in 2015. As technology evolved, he built up the digital storytelling and interactive graphics team, pioneering new approaches to visual stories, data visualisation and immersive formats like augmented and virtual reality.
'Our effort has been to push the boundaries of how we tell stories,' says Mr Pazos, 42.
Under his leadership, the team has earned global recognition, including 11 Society for News Design awards in 2023 and 51 in 2024, with multiple golds. At the 2025 Wan-Ifra Digital Media Awards Asia, the team won five awards, including golds for Best News Website and Best Data Visualisation. Their digital work has kept readers engaged through major events such as Mr Lee Kuan Yew's death, general elections and the Covid-19 pandemic.
Recollections
'Visual stories allow us to break down complex issues into digestible, engaging pieces that invite readers to explore and learn at their own pace. It's about transforming data into stories and creating a visual language that anyone can understand, regardless of their background. Whether it's explaining the spread of a pandemic, breaking down election results or visualising a complex economic trend, the visual element often makes these stories more accessible, memorable and impactful.
At the core of everything we do is the belief that the story matters most. A compelling story not only informs, but also connects with the audience. While the medium we use – whether it's data visualisation, animation or 3D visuals – is important, the integrity of the story we tell is paramount.
As visual journalists, we are entrusted with the responsibility of maintaining accuracy, especially when presenting data. An incorrect figure or misleading visualisation can lead to confusion or misinterpretation.
In today's fast-paced digital world, misinformation can spread quickly. Accuracy is the foundation of any good visual story, and our responsibility is to present the facts clearly, ensuring that the narrative is truthful and supported by solid data.
Innovation is one of the key pillars of modern journalism. As technology advances, so must our approach to storytelling. Interactive graphics, data visualisation and augmented reality are just some of the tools that allow us to push the boundaries of what's possible in visual journalism.
By creating immersive experiences, we not only inform, but also evoke emotions and spark conversations. Presenting news in innovative ways ensures that our work stands out, making each piece memorable for our audience.
In the newsroom, collaboration is key. Journalists, developers and designers come together to tell stories that are greater than the sum of their parts. Each person brings a unique perspective and expertise to the table, ensuring that the final product is not only visually compelling but also accurate and relevant. Our goal is to create visuals that complement and enhance the written word, helping to tell stories that inform, resonate and inspire action.'
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But if he continues using Kpods, it would only be a matter of time before he dies.' Daughter vaped in toilet with boys When Sara (not her real name) received a call from her daughter, 13, at 4.30am to fetch her from a mall in Yishun, she feared the worst. The teen had been caught by the police vaping in a handicap-accessible toilet with three older boys. Sara, 55, who works in social services and is widowed, first found the girl's vape stash in her drawer in 2024. Different types of vapes belonging to Sara's 13-year-old daughter. PHOTO: COURTESY OF SARA Sara said: 'She used to vape secretly, but then vaped openly. She was caught vaping in Orchard (Road) and in Serangoon.' Sara said she had approached agencies for help, but still feels helpless. Her daughter is at a residential girls' home undergoing rehabilitation. To fuel her addiction, she would borrow money from friends and sell her clothes and make-up online for quick cash. She even stole money from her late father's drawer. Sara said: 'I have gone beyond depression, helplessness, tears and frustration. I need to maintain the relationship I have with her. That is all I have. 'But when I remind her about the damaging health effects vaping has, she just sniggers at me. I am at my wits' end.' Referring to ST's anti-vape campaign, she said: 'With this push, I hope there will be a review of the law and (it will) open up space for conversations on this issue. Kids are suffering. Parents are suffering.' Classify etomidate as a drug: Vikram Nair Mr Vikram Nair, chairman of the Government Parliamentary Committee for Home Affairs and Law, acknowledged the growing problem of vaping in Singapore and called for a much stricter regime for etomidate. Mr Nair, who is an MP for Sembawang GRC, said: 'I am in favour of etomidate being classified as a drug. The main purpose is for harsher penalties for those trafficking it. This would also permit ordering mandatory treatment for addicts and those caught using it.' Referring to the ST video of an HSA officer diving into a moving car to stop a suspected vape peddler from escaping, Mr Nair said: 'HSA is doing the best they can about this issue. I have seen stories on their crackdowns and the dramatic video with the car. 'But if the penalties are somewhat limited after their arrests, there is only so much that can be done under the current framework.' Former Jurong GRC MP Tan Wu Meng said more than 10 Clementi residents, mostly young parents, had spoken to him in 2025 of their concerns of vaping before he retired from politics in April. He said one 13-year-old girl told him she was worried her friends could get vapes so easily. In January and March, Dr Tan raised the issue in Parliament. He brought up a case of a parent reporting the child to the police for vaping, and the child getting fined by HSA. Dr Tan then called for agencies to consider helping children curb their addiction rather than handing them fines. 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‘The integrity of the story we tell is paramount'
‘The integrity of the story we tell is paramount'

Straits Times

time2 days ago

  • Straits Times

‘The integrity of the story we tell is paramount'

Interactive graphics editor Rodolfo Carlos Pazos says the goal is to create visuals that complement and enhance the written word, helping to tell stories that inform, resonate and inspire action. Rodolfo Carlos Pazos, 42 Portrait Mr Rodolfo Carlos Pazos was born in Argentina and trained in Fine Arts in Bologna, Italy. He worked in newsrooms across Europe, Australia and Singapore before joining The Straits Times as creative director in 2015. As technology evolved, he built up the digital storytelling and interactive graphics team, pioneering new approaches to visual stories, data visualisation and immersive formats like augmented and virtual reality. 'Our effort has been to push the boundaries of how we tell stories,' says Mr Pazos, 42. Under his leadership, the team has earned global recognition, including 11 Society for News Design awards in 2023 and 51 in 2024, with multiple golds. At the 2025 Wan-Ifra Digital Media Awards Asia, the team won five awards, including golds for Best News Website and Best Data Visualisation. Their digital work has kept readers engaged through major events such as Mr Lee Kuan Yew's death, general elections and the Covid-19 pandemic. Recollections 'Visual stories allow us to break down complex issues into digestible, engaging pieces that invite readers to explore and learn at their own pace. It's about transforming data into stories and creating a visual language that anyone can understand, regardless of their background. Whether it's explaining the spread of a pandemic, breaking down election results or visualising a complex economic trend, the visual element often makes these stories more accessible, memorable and impactful. At the core of everything we do is the belief that the story matters most. A compelling story not only informs, but also connects with the audience. While the medium we use – whether it's data visualisation, animation or 3D visuals – is important, the integrity of the story we tell is paramount. As visual journalists, we are entrusted with the responsibility of maintaining accuracy, especially when presenting data. An incorrect figure or misleading visualisation can lead to confusion or misinterpretation. In today's fast-paced digital world, misinformation can spread quickly. Accuracy is the foundation of any good visual story, and our responsibility is to present the facts clearly, ensuring that the narrative is truthful and supported by solid data. Innovation is one of the key pillars of modern journalism. As technology advances, so must our approach to storytelling. Interactive graphics, data visualisation and augmented reality are just some of the tools that allow us to push the boundaries of what's possible in visual journalism. By creating immersive experiences, we not only inform, but also evoke emotions and spark conversations. Presenting news in innovative ways ensures that our work stands out, making each piece memorable for our audience. In the newsroom, collaboration is key. Journalists, developers and designers come together to tell stories that are greater than the sum of their parts. Each person brings a unique perspective and expertise to the table, ensuring that the final product is not only visually compelling but also accurate and relevant. Our goal is to create visuals that complement and enhance the written word, helping to tell stories that inform, resonate and inspire action.'

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