'We played one of the last gigs at The Leadmill - it closing is a real worry'
EXCLUSIVE: One of the last bands to ever perform at Sheffield's iconic The Leadmill have revealed their fears for the music scene saying the closure meant losing 'the place to go' for a number of generations
One of the last ever bands to grace the stage at Sheffield's iconic The Leadmill have revealed their concern as the venue shuts its doors for one last time.
The region's longest running live music venue and nightclub lost its battle to remain open earlier this year after 45 years in business. It has been the stomping ground for some of the biggest names in the industry, hosting the likes of Pulp, Coldplay, The Stone Roses, Oasis and The Arctic Monkeys over the years. The venue's owners said they were "truly devastated" they were closing in a heartbreaking statement earlier this year.
But now, with time being called on the establishment, exciting indie rock band The Rosadocs have called its closure a "real worry" for the industry's grassroots. Made up of Keelan Graney, Joe Egan, Adam Sleight, Callum Raynor and Myles Henderson, the band - like many others - used The Leadmill as a stepping stone to success, calling it "the place to go" for generations.
Frontman Keelan explained: "I think the feeling in the city is that it's going to be really sorely missed. It's still a place that we wanted to return and I think with the history of it, it's more about the grassroots - it's for people going to gigs.
"If you've got somewhere to go where it's almost just a given that that's where you go and see bands, then losing that is massive."
Drummer Callum added: "It's closure kind of puts a real worry for musicians and music fans in general." "Grassroots is being hit from all sides at the moment," Keelan continued. "Festivals are disappearing day after day.
"There's an infrastructure that's provided these opportunities for artists and if we lose that then we're going to lose the music, we're going to lose the festivals, we're going to lose everything."
However, the boys were thrilled to have been able to put on a spectacle for the fans at the venue one last time earlier this month. "It was amazing," Keelan confessed. "I think it was one of the best shows we've ever done.
"I think it was a culmination of the mood with the fact the venue's shutting and also because it's almost like that one last hurrah. We really enjoyed it. It was bouncing from the start of the set to the end. We couldn't even hear ourselves during some of the songs because it was so loud being sang back to us."
"There's still a feeling in the room," keyboard star Myles said of returning to the venue. "I don't know what it is, but it feels different playing there."
Despite the show being a true end of an era performance, the future is very bright for the band. The rising force from Sheffield recently released their latest five-track collection named The City's No Good for Reflection.
Among the tunes is a powerful and poignant anthem of hope and emotional resilience titled In the Storm. Speaking of the release, Keelan said the collection of songs on the EP vary brilliantly. "We tried to give each track its own personality, to say something different about this theme," the singer said.
"And I think it's a good culmination of ballads and a sort of anthemic indie sound and then also Bittersweet, which is the first track on it, was is a little bit more rocky."
Callum added the five tracks are the perfect sample of what a fan would get from their full gigs, with Myles explaining it's a "similar kind of journey" to how they would set out to entertain a live crowd.
And speaking of their live shows - the group has a busy schedule of festivals this summer including Rock n Roll Circus and Hardwick Festival - Keelan said it's their live presence that helps set them apart in the scene.
"We like things to flow," he said. "We like to get everybody jumping and bouncing. But in between, I think it's nice to have that interaction, and people feel like they're more involved in the show if you bring them into it."
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
BBC News
2 hours ago
- BBC News
'It was the atmosphere that made The Leadmill so special'
"It's about the people you meet there and the memories you make, not how the place is decorated. It's the atmosphere - that's what made The Leadmill so special." So says Will Penney, 23, who is just one of hundreds of people queueing up outside Sheffield's famous venue on Friday night for one final time before it shuts its to get in to see Miles Kane perform, Will, who lives in Sheffield and who is originally from Northern Ireland, says he had always wanted to see Kane play at The Leadmill, so the fact he is the star of the final gig there is "very fitting".This last event comes at the end of several years of legal argument involving the venue - and once Kane has left the stage and a few final club nights have been held, The Leadmill will close in its current Electric Group, which owns the site, has promised it will remain a music venue with the "coolest bands" taking to the stage in a refurbished building, fans waiting under The Leadmill's landmark red neon sign for the last time say it is the end of an says that while other venues feel "forced", with "neon signs everywhere", The Leadmill has always been something different."That's the charm. It doesn't feel forcibly made for people our age," he Vex Deane, 20, who moved to Sheffield from Braintree in Essex, says Friday night's gig is "like a goodbye, like a funeral"."That sounds really dark, but you want to have a good party afterwards. It needs a good send-off," she says. Also queueing to get in is Sarah Pruim, 24, a freelance music photographer, who says she has travelled up from London for "the final send-off for such an iconic venue".Originally from Chicago, and visiting The Leadmill for the first time, Sarah says: "It feels like such an important part of the music history that is kind of being lost."I think it's an important day to reflect on the importance of these spaces for a lot of different people - and for art."That needs to be in the forefront of people's minds."Sarah adds: "I do shed a tear to think the original historic venue, as it was for so many years, is changing over."I think [they should] prioritise it as a space for smaller artists to have a voice. "Where are the next Arctic Monkeys going to be performing if we lose these venues?"Arctic Monkeys, as well as Pulp's Jarvis Cocker, Richard Hawley, and many other musicians, all credit The Leadmill as a key part of their early careers. Amber, 16, a young musician from Blackpool, says she had hoped to perform at the Sheffield venue one day."Young and upcoming artists need a place to start out, and when places like this are [changing], it's not giving people like us a chance," she explains."When there's less opportunities, and places are getting shut down, I think it's scary." Charlie and Violet, both 17, say they have been to gigs at The Leadmill roughly every month for the last few years and say the change is "heartbreaking".Violet says they had signed "every petition, replied to every email, multiple times" to try and keep The Leadmill in its current form."Losing it is going to have a big impact on Sheffield," she says."I don't think we'll recover from not having it, to be honest." However, Charlie, who says he also attended lots of gigs with his mum who used to work at The Leadmill, says he is trying to stay optimistic about the says he hopes the site will remain an indie venue with small bands on the stage."If it needs refreshing to keep people our age coming and still seeing live music and new bands, that might be better for the local scene," he adds."But I think it's perfect as it is." At the scene: BBC Yorkshire's Steph Miskin attends the Leadmill's final gig As the house lights were on ahead of Miles Kane taking to take to the stage for The Leadmill's final gig, the venue was buzzing in every wearing one of a limited run of t-shirts marked with "the final show" listed on their backs were spread across the dance floor, unable to move without a drink being spilt in the sold-out 900-capacity and the Makers and Pulp blared through speakers warming up the crowd, which in reality needed no more encouragement. When the lights went down, line by line, the crowd in unison sang every single word. wasn't any old gig, it was the last more than an hour the crowd was in Kane's hands, and when he did bow out, everyone stood still - because that was shuffle for the exit - everyone stood there realising: this is it, the end of The then Frank Sinatra's My Way came on and friends hugged, people pulled out their phones to record the moment and a couple snogged on the dancefloor. Listen to highlights from South Yorkshire on BBC Sounds, catch up with the latest episode of Look North
Daily Mirror
4 hours ago
- Daily Mirror
'We were due to play The Leadmill – the closure is terrible,' say The Slates
EXCLUSIVE: Tonight, Sheffield's The Leadmill will close its doors for the final time, but Yorkshire band The Slates have branded the decision by top bosses 'terrible' Yorkshire band The Slates have branded the closure of The Leadmill "terrible". Tonight, the legendary live music venue and club in Sheffield will close its doors for the final time. Bosses behind the venue in the heart of the South Yorkshire city are being evicted by new owners, The Electric Group. After it lost an appeal last month, The Leadmill said the judgment will mean the loss of more than 70 jobs. It described the decision as a "heartbreaking moment not just for our team but for the entire Sheffield community", which "feels like a betrayal of the cultural fabric of our city". The appeal ruling came three months after a judge ruled in favour of the Electric Group, which owns the building and runs Electric Brixton in London, plus venues in Bristol and Newcastle. The group has always stressed that it intends to keep it as a music venue, promising "substantial investment" when it takes over the running of the club. But local band The Slates, who are back with their latest single, Calling Up, were due to play The Leadmill and have been left devastated by the news. "It's terrible, it's just one of those iconic venues," said guitarist Joe Briggs. He went on to add: "I feel like there's one of them iconic venues in most of the cities around the UK. "I've only been to The Leadmill once, but we were meant to be playing it with The Lilacs, and obviously it's been cancelled now because of the closure. It was one thing we were so looking forward to – being on that stage, the amount of people that have played on that stage. "It's a bucket list venue as an artist, if you've played at The Leadmill, you've done something right. It's really sad to see it go." And Joe is right, the likes of Sheffield's Arctic Monkeys started their career on stage at 6 Leadmill Road, with names including The Killers, Coldplay, Lewis Capaldi, Kings of Leon, Inhaler, Scouting for Girls, and Alfie Templeman seeing their names on the bill. Reflecting on their new track, which incorporates the youthful tones of the band with harmonies and a high-energy vibe, but also has a sadder meaning behind it, bassist Jude said: "It was an interesting one, but it kind of clicked straight away. Joe came up with the lyrics, well, the overall tune, I don't know how to describe it. "I don't think we've made a song where we've got meaningful sad lyrics but such an upbeat track behind it." Meanwhile, Louis added: "The juxtaposition of it all, it just comes together nicely." Joe, who penned the track in an hour, said: "I think it was a weird one because I wrote the song really quickly. "We were going to have rehearsals, and it just came out of nowhere. I wrote it in the first year of uni, and I remember there was one night when we were going out and I felt I was not there in a sense. I've got to the point now in my writing where I need to be writing about important topics and especially how you're feeling. "I think a lot of people can relate to that, where you might be in a group with your best mates, but sometimes you don't always feel there. It's such an upbeat, lifting, summery song with melancholy lyrics, but I think it just works." The song stemmed from a night out with a group of friends, and feeling like the odd one out, as though it was pointless being there. While the song is instantly catchy, the band admit they were confident to release it. Although they tend to keep songs on the back burner for a while, they recorded it at the end of last year and instantly wanted to release it. "When we played it live for the first time, people were singing the lyrics back to us," said Joe, explaining that "teasing" the release on TikTok worked in their favour. Hailing from the north, the band has had its fair share of inspirations, with influences from Oasis, Arctic Monkeys, and The K's on Calling Up. "They're definitely part of the mix," Louis said of inspirations, adding: "The Stone Roses, they're quite a big one for us." While the North had a reputation for producing some of the best musicians, things soon faded in the early 2000s, with Louis admitting there's now a "Northern Buzz" back. Last weekend, the trio played the Isle of Wight Festival, with Jude admitting they were "hyped" to perform again. "We got there and it was so much better than what we thought," he said: "It was the first one of the year, it was so fun, start to finish." Louis added: "Festivals are just a community spirit, everyone was brilliant." Having played the This Feeling tent, Jude said, as soon as passersby hear news from the tent, people instantly flood in. "The special feeling with the This Feeling tent is that all the bands know each other, it's very community-based. There are so many people looking for new music, which is quite important to us." But the band aren't slowing down any time soon. "We've got Truck Fest and Y Not next month," Louis revealed. Jude added: "On July 5, we've got a London headliner at Water Rats, that's our first ever headliner down south. We've got Gorilla Fest in Mexburgh on August 16, and I think that's the last show we've booked in." However, Joe admits that there are plans for a tour in the near future. And although their show with The Lilacs at the Leadmill was cancelled, the band will be playing The Foundry on February 7.
Daily Mirror
5 hours ago
- Daily Mirror
'We played one of the last gigs at The Leadmill - it closing is a real worry'
EXCLUSIVE: One of the last bands to ever perform at Sheffield's iconic The Leadmill have revealed their fears for the music scene saying the closure meant losing 'the place to go' for a number of generations One of the last ever bands to grace the stage at Sheffield's iconic The Leadmill have revealed their concern as the venue shuts its doors for one last time. The region's longest running live music venue and nightclub lost its battle to remain open earlier this year after 45 years in business. It has been the stomping ground for some of the biggest names in the industry, hosting the likes of Pulp, Coldplay, The Stone Roses, Oasis and The Arctic Monkeys over the years. The venue's owners said they were "truly devastated" they were closing in a heartbreaking statement earlier this year. But now, with time being called on the establishment, exciting indie rock band The Rosadocs have called its closure a "real worry" for the industry's grassroots. Made up of Keelan Graney, Joe Egan, Adam Sleight, Callum Raynor and Myles Henderson, the band - like many others - used The Leadmill as a stepping stone to success, calling it "the place to go" for generations. Frontman Keelan explained: "I think the feeling in the city is that it's going to be really sorely missed. It's still a place that we wanted to return and I think with the history of it, it's more about the grassroots - it's for people going to gigs. "If you've got somewhere to go where it's almost just a given that that's where you go and see bands, then losing that is massive." Drummer Callum added: "It's closure kind of puts a real worry for musicians and music fans in general." "Grassroots is being hit from all sides at the moment," Keelan continued. "Festivals are disappearing day after day. "There's an infrastructure that's provided these opportunities for artists and if we lose that then we're going to lose the music, we're going to lose the festivals, we're going to lose everything." However, the boys were thrilled to have been able to put on a spectacle for the fans at the venue one last time earlier this month. "It was amazing," Keelan confessed. "I think it was one of the best shows we've ever done. "I think it was a culmination of the mood with the fact the venue's shutting and also because it's almost like that one last hurrah. We really enjoyed it. It was bouncing from the start of the set to the end. We couldn't even hear ourselves during some of the songs because it was so loud being sang back to us." "There's still a feeling in the room," keyboard star Myles said of returning to the venue. "I don't know what it is, but it feels different playing there." Despite the show being a true end of an era performance, the future is very bright for the band. The rising force from Sheffield recently released their latest five-track collection named The City's No Good for Reflection. Among the tunes is a powerful and poignant anthem of hope and emotional resilience titled In the Storm. Speaking of the release, Keelan said the collection of songs on the EP vary brilliantly. "We tried to give each track its own personality, to say something different about this theme," the singer said. "And I think it's a good culmination of ballads and a sort of anthemic indie sound and then also Bittersweet, which is the first track on it, was is a little bit more rocky." Callum added the five tracks are the perfect sample of what a fan would get from their full gigs, with Myles explaining it's a "similar kind of journey" to how they would set out to entertain a live crowd. And speaking of their live shows - the group has a busy schedule of festivals this summer including Rock n Roll Circus and Hardwick Festival - Keelan said it's their live presence that helps set them apart in the scene. "We like things to flow," he said. "We like to get everybody jumping and bouncing. But in between, I think it's nice to have that interaction, and people feel like they're more involved in the show if you bring them into it."
