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Andy Sachs is back! Anne Hathaway shares 1st look at 'The Devil Wears Prada 2'

Andy Sachs is back! Anne Hathaway shares 1st look at 'The Devil Wears Prada 2'

Yahoo6 days ago
Hathaway posted a photo of herself in character on Monday morning.
Anne Hathaway has officially reprised one of her chicest roles to date.
The 42-year-old actress shared a first-look photo of herself in costume while filming The Devil Wears Prada 2. The photo, posted to Instagram on Monday, sees Hathaway in a pin-striped vest and matching trousers, which she paired with pointed-toe boots and a gold T-bar necklace.
'Andy Sachs 2025 #dwp2,' Hathaway captioned the photo.
Hathaway was also seen filming the sequel on Monday. The actress, with her lightly tussled locks and rectangular shades, strutted down a New York City sidewalk in a sleeveless white top, unbuttoned black vest, light-washed denim skirt and Chanel slides.
The Idea of You star shared a video on TikTok earlier that morning, with a subtle nod to the original film. Alongside the caption, 'Heading to work #dwp2,' Hathaway wears a blue sweater while brushing her teeth. Fans, of course, remember the famous cerulean blue monologue from the 2006 film.
Confirmation that The Devil Wears Prada 2 is officially in the works came in June, when 20th Century Studios, the distributor for the original 2006 film, shared a 21-second clip on Instagram, which featured a pair of red stilettos with the devil's pitchfork as heels. The sequel is set to hit theaters on May 1, 2026.
Based on the novel by Lauren Weisberger, the 2006 film follows recent journalism graduate Andy Sachs (Hathaway) as she's thrust into the fast-paced world of high fashion after becoming an assistant to Miranda Priestly (Meryl Streep), the cutthroat editor in chief at Runway magazine. Streep earned an Oscar nomination for her portrayal of Miranda, who was famously modeled after Vogue's former editor in chief Anna Wintour.
Nearly 20 years later, the sequel will focus on Priestly as she deals with the changing tides in fashion journalism and the decline of traditional magazine publishing. The indomitable editor will be forced to confront former assistant Emily Charlton (Emily Blunt), a now ultra-successful executive for a luxury group with financing that could determine the future of Runway magazine.
Hathaway, Streep and Blunt aren't the only stars reprising their roles in the sequel. Stanley Tucci, who played Priestly's stylish left-hand man in the original film, Tracie Thoms, who portrayed the best friend of Hathaway's character, and Tibor Feldman, the chairman of Runway's parent company, will also return.
New additions to the cast, according to Variety, include Lucy Liu, Justin Theroux, B.J. Novak, Pauline Chalamet and Kenneth Branagh, who will portray the husband of Streep's character.
Fashion, unsurprisingly, is at the forefront of the original beloved film. As Andy grows more comfortable in her new position, so does her inclination to express herself sartorially. We soon see her swapping cerulean blue sweaters for head-to-toe Chanel. Fans of the original can expect standout, high-end style to play just as significant a role in the sequel.
Production of The Devil Wears Prada 2 appears to be well underway, but Hathaway initially had low expectations of it ever coming to fruition.
'Probably not,' she told V Magazine in 2024. 'We all love each other, and if somebody could come up with a way to do it, I think we'd all be crazy not to. But there's a huge difference in the world now with technology, and one of the things about that particular story is it was about producing a physical object. Now with so much being digital, it would just be very different.'
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After ‘Eddington:' 7 Offbeat Westerns to Watch Next
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After ‘Eddington:' 7 Offbeat Westerns to Watch Next

We've got some movies that'll scratch that itch Ari Aster's 'Eddington' is here. The movie, which pits a small-town sheriff (Joaquin Phoenix) against his mayor (Pedro Pascal), set during the early days of the global pandemic, is fierce and raw. Considering this is from Aster, the director of 'Midsommar,' 'Hereditary' and 'Beau is Afraid,' it is also confrontational and strange and deeply funny, with the action set at the precipice of the complete breakdown in communication that accompanied lockdown. (Indiewire called it 'the first truly modern American Western.') More from TheWrap After 'Eddington:' 7 Offbeat Westerns to Watch Next 'The Fantastic Four: First Steps' Post-Credits Scenes Explained: Who Was That? 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Donald Trump Repeats False Claim Beyoncé Was Paid $11 Million To Endorse Kamala Harris; Calls To Prosecute Singer, Oprah & Al Sharpton
Donald Trump Repeats False Claim Beyoncé Was Paid $11 Million To Endorse Kamala Harris; Calls To Prosecute Singer, Oprah & Al Sharpton

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Donald Trump Repeats False Claim Beyoncé Was Paid $11 Million To Endorse Kamala Harris; Calls To Prosecute Singer, Oprah & Al Sharpton

On Saturday, Donald Trump repeated false claims that Beyoncé was paid $11 million to endorse Kamala Harris on the campaign trail in October of last year. The Truth Social post comes as the president faces scrutiny from his own base over the release of the Jeffrey Epstein files. Taking to his social media platform yesterday, the GOP leader wrote, 'I'm looking at the large amount of money owed by the Democrats, after the Presidential Election, and the fact that they admit to paying, probably illegally, Eleven Million Dollars to singer Beyoncé for an ENDORSEMENT (she never sang, not one note, and left the stage to a booing and angry audience!), Three Million Dollars for 'expenses,' to Oprah, Six Hundred Thousand Dollars to very low rated TV 'anchor,' Al Sharpton (a total lightweight!), and others to be named for doing, absolutely NOTHING! These ridiculous fees were incorrectly stated in the books and records. YOU ARE NOT ALLOWED TO PAY FOR AN ENDORSEMENT. IT IS TOTALLY ILLEGAL TO DO SO. Can you imagine what would happen if politicians started paying for people to endorse them. All hell would break out! Kamala, and all of those that received Endorsement money, BROKE THE LAW. They should all be prosecuted! Thank you for your attention to this matter.' More from Deadline Beyoncé Reunites Destiny's Child For Final 'Cowboy Carter' Tour Stop In Vegas Stephen Colbert Praises 'South Park's Naked AI Trump PSA: "An Important Message Of Hope" Donald Trump Denies Being Briefed That His Name Appeared In Jeffrey Epstein Files, Despite Wall Street Journal Report That He Was Informed Trump is referring to the 35-time Grammy-winning artist's appearance at a rally in Houston, where the singer took to the stage to endorse the vice president and call for unity. 'It's time to sing a new song, a song that began 248 years ago. The old notes of downfall, discord, despair no longer resonate. Our generations of loved ones before us are whispering a prophecy, a quest, a calling, an anthem. Our moment right now — it's time for America to sing a new song. Our voices sing a chorus of unity. They sing a song of dignity and opportunity,' she said to the crowd. Federal campaign spending records show a $165,000 payment made from the Democratic presidential candidate's organization to Beyoncé's production company, per CNN, with 'campaign event production' listed as the reasoning for the expenditure. Last year, senior spokesperson for the Harris campaign Adrienne Elrod told Deadline that the campaign did not pay any celebrity endorsers but was required by campaign finance law to cover costs associated with holding such events, per Federal Election Commission rules. This accounts for the $1 million the Harris campaign spent on Oprah's Harpo Productions, as the famed TV personality endorsed her at a Michigan-held 'Unite for America' event in September 2024. The baseless allegation was fact-checked by websites and PolitiFact last year, though Trump repeated his sentiments about Beyoncé, Oprah and Al Sharpton back in February. Trump has also previously harped on the matter in a post made back in May, where he named other influential Harris endorsers like Bruce Springsteen and Bono, calling for a 'major investigation.' There's also no evidence to suggest such expenses were incorrectly categorized, and though Trump maintained payment for endorsement is illegal, there's actually no FEC law that prohibits such campaigns for paying for endorsements, though they must disclose such expenditures. Best of Deadline Celebs Supporting Zohran Mamdani In New York's Mayoral Race: From Ramy Youssef To Cynthia Nixon The Fox News To White House Pipeline: TV Personalities Who Joined The Trump Administration Celebrities Voting And Encouraging Voting In The 2024 Election

Tom Lehrer, musical satirist, dies at 97
Tom Lehrer, musical satirist, dies at 97

Yahoo

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Tom Lehrer, musical satirist, dies at 97

Tom Lehrer, an acerbic songwriter and Harvard-trained mathematician who rose to fame in the 1950s and '60s by pillorying the sensibilities of the day, has died at age 97. Lehrer died at his home in Cambridge, Mass., on Saturday. His death was confirmed by friends on Facebook. No cause of death was given. The bespectacled Lehrer began performing on college campuses and clubs across the country in the 1950s, playing the piano and singing darkly comedic numbers that he penned on topics such as racial conflict, the Catholic Church and militarism, earning him the sobriquet of "musical nerd god." In "National Brotherhood Week," which lampooned the brief interlude of imposed tolerance celebrated annually from the 1930s through the early 2000s he wrote: Oh, the white folks hate the black folksand the black folks hate the white folks,to hate all but the right folks is an old established rule …But during National Brotherhood Week (National Brotherhood Week),Lena Horne and Sheriff Clark are dancing cheek to fun to eulogizeThe people you despise,As long as you don't let 'em into your school. Lehrer's songs also took aim at then-taboo subjects such as sexuality, pornography and addiction. In 1953, his self-released album 'Songs of Tom Lehrer" became an underground hit. Produced for $40 and promoted by word of mouth, the cover image was of Lehrer in hell playing piano as the devil. It eventually sold an estimated 500,000 copies and sparked demand for concert performances around the world. During the mid-1960s, Lehrer contributed several songs to the satirical NBC news show 'That Was the Week That Was,' hosted by David Frost. The show inspired Lehrer's third album, 'That Was the Year That Was.' Released in 1965, it reached the 18th spot on American music charts. On the occasion of his 90th birthday in 2018, Los Angeles Times columnist Michael Hiltzik wrote that Lehrer's lyrics were written "with the facility of William S. Gilbert and tunes that evoked the felicity of Sir Arthur Sullivan. Lehrer's work bounced the absurdities and paranoias of that period back at us, in rhymed couplets and a bouncy piano beat." Thomas Andrew Lehrer was born in New York City on April 9, 1928, to a middle-class family. His father James Lehrer was a successful necktie manufacturer. As a child he took piano lessons but preferred Broadway show tunes — with a particular affection for the works of Gilbert and Sullivan — to the classics. After entering Harvard University at age 15, his penchant for sardonic humor surfaced in his parody song "Fight Fiercely Harvard," which challenged the football team's reputation for toughness and earned him a measure of renown on campus. For a time he followed a dual track, music and academia, though he never completed the PhD thesis he began while pursuing doctoral studies at Harvard and Columbia University. After a two-year break between 1955 and 1957 when he served in the Army, Lehrer once again performed concerts across the U.S., Canada and Europe. In a 1959 Time article, the magazine described Lehrer and fellow comedians Lenny Bruce and Mort Sahl as the symbols of a new 'sick' comedy. 'What the sickniks dispense is partly social criticism liberally laced with cyanide, partly a Charles Addams kind of jolly ghoulishness, and partly a personal and highly disturbing hostility toward all the world." Lehrer's work opened the door for generations of musical satirists including Randy Newman and 'Weird Al' Yankovic and exerted an influence on everything from the musical skits of "Saturday Night Live" to the mockumentary "This Is Spinal Tap." "He set the bar for me — and provided an example of how a nerdy kid with a weird sense of humor could find his way in the world,' Yankovic once said of Lehrer. 'Done right, social criticism set to a catchy tune always makes politics easier to digest,' Lizz Winstead, co-creator of "The Daily Show," told Buzzfeed in an article examining Lehrer's influence on modern satirical comedy. But Lehrer was first and foremost an academic, over the course of his career teaching math and musical theater at Harvard, the Massachusetts Institute of Technology and UC Santa Cruz and working for a time at the Atomic Energy Commission. He viewed entertainment largely as a sideline, and by the late 1960s had grown weary of life in the public eye. After several pauses to focus on his academic pursuits, he stepped off the stage in 1967 following a concert in Copenhagen. In 1971, he wrote songs for the PBS children's series "The Electric Company." His last turn in the spotlight was a year later. After performing at a presidential campaign rally for the Democratic nominee, South Dakota Sen. George S. McGovern, he gave up performing for good. Lehrer explained his retreat from the stage by saying that 'political satire became obsolete when Henry Kissinger was awarded the Nobel Peace Prize." In an interview with the New York Times, he elaborated: 'The Vietnam War is what changed it. Everybody got earnest. My purpose was to make people laugh and not applaud. If the audience applauds, they're just showing they agree with me.' But audiences were not through with Lehrer. After nearly a decade in self-imposed exile, Lehrer became a hit once again in the early 1980s when Cameron Mackintosh, the British theatrical producer, created "Tomfoolery," a revue of Lehrer's songs that opened in London's West End before going to to play New York, Washington, Dublin and other cities. Despite the public acclaim, Lehrer maintained a fiercely private life. He never married nor did he have children. In 2020, Lehrer announced through his website that he was making all of the lyrics he wrote available to download for free without further permission, whether or not they were published or retained a copyright. Two years later he went further in relinquishing his rights, saying: 'In short, I no longer retain any rights to any of my songs. So help yourselves, and don't send me any money.' Get notified when the biggest stories in Hollywood, culture and entertainment go live. Sign up for L.A. Times entertainment alerts. This story originally appeared in Los Angeles Times. 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