Nobody 2 Trailer: Bob Odenkirk's Vacation Gets Very Violent
'Four years after he inadvertently took on the Russian mob, Hutch remains $30 million in debt to the criminal organization and is working it off with an unending string of hits on international thugs,' reads the official synopsis. 'Much as he likes the slam-bang action of his 'job,' Hutch and his wife Becca find themselves overworked and drifting apart. So, they decide to take their kids on a short getaway to Wild Bill's Majestic Midway and Waterpark, the one and only place where Hutch and his brother Harry went on a vacation as kids. With Hutch's dad in tow, the family arrives in the small tourist town of Plummerville, eager for some fun in the sun.'
Check out the Nobody 2 trailer below (watch more trailers):
In the video, Odenkirk returns as Hutch Mansell, who just can't seem to catch a break. Since going back to the hitman business, Hutch hasn't been able to spend time with his family. Because of this, he decides to go on a spontaneous family vacation, where he'll soon discover that he has taken his family to the most dangerous place ever. The ensemble cast also includes Connie Nielsen, John Ortiz, RZA, Colin Hanks, with Christopher Lloyd and Sharon Stone.
Nobody 2 is directed by Indonesian filmmaker Timo Tjahjanto from a screenplay written by John Wick franchise creator Derek Kolstad, Odenkirk, Aaron Rabin, and Umair Aleem. It is produced by Kelly McCormick and David Leitch for 87North, Odenkirk and Marc Provissiero for Odenkirk Provissiero Entertainment, and Braden Aftergood for Eighty Two Films. During its theatrical run, the first installment received positive reviews from critics. It also earned a worldwide gross of over $57 million against a reported budget of around $16 million.
The post Nobody 2 Trailer: Bob Odenkirk's Vacation Gets Very Violent appeared first on ComingSoon.net - Movie Trailers, TV & Streaming News, and More.
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Yahoo
13 hours ago
- Yahoo
Billy Joel Says Wife Alexis Was 'Unimpressed with the Whole Billy Joel Thing' When They First Met — Which 'Impressed' Him
The legendary musician talks about meeting his wife for the first time in the new HBO documentary 'Billy Joel: And So It Goes' Billy Joel brought out all the stops for his wife Alexis the first time they met — but she wasn't exactly impressed by a private concert. Joel, 76, reflects on the first time he met Alexis, 43, in the new HBO documentary Billy Joel: And So It Goes, and recalls that her nonchalance toward his skills drew him to her. 'When you meet someone who captures your imagination, it renews, it revitalizes,' he says in the film. 'I remember the first time I met Alexis, we went to my house, and I wanted to play the piano for her. It's a form of communication for me.' The 'Just the Way You Are' singer says he drew on a famous scene from the Marilyn Monroe film The Seven-Year Itch, in which the character trying to woo Monroe's character plays a song by the Russian composer Sergei Rachmaninoff. 'I'm playing that and she's completely unimpressed with it, totally. She couldn't care less what I'm playing and I'm thinking, 'Oh OK, this isn't working,'' Joel says. 'She was very unimpressed with the whole Billy Joel thing, which impressed me. Because I thought, 'OK, maybe she's just here because she likes me, not the Billy Joel guy.'' Joel says he was initially uncertain as to whether he wanted to start a new relationship, as he was fresh off a divorce from his third wife, Katie Lee, and was wary. Still, the star explains that 'something popped,' and he knew he was open to love once more. Alexis — whom he went on to marry in 2015 and welcome daughters Della, 9, and Remy, 7 — also appears in the documentary, and says that the couple got to know each other better after that first meeting through phone calls and emails. She also praises his skills in the kitchen, saying Joel would often cook dinner for her to come home to while she was working in finance. 'We had a couple years together before we had kids and he had completely stopped doing shows,' she says. 'We traveled everywhere. We did a motorcycle trip from Maine down to Long Island, we were on boats 24/7. We were in Europe. We had so much fun.' Alexis has been a pillar of strength for the star in recent months as he deals with a treatable brain condition called normal pressure hydrocephalus (The rocker tells PEOPLE in this week's issue that he's 'OK' and not 'deathly ill'). Dennis Arfa, the star's longtime booking agent, tells PEOPLE he's 'so happy' to see Joel 'raising his children and being so in love with them and Alexis and his family.' 'It's quite rewarding,' Arfa says. 'I'm always rooting for Billy's happiness and his success. I've seen Billy have a lot of happy times through his life, [but] he's had to deal with certain adversity. I'm happy for him in this chapter, and I'm looking forward to the next chapter with him.' Joel himself adds that he's 'really enjoying this time in my life.' Billy Joel: And So It Goes (now streaming on HBO Max) is a rare, revelatory glimpse into the private world of one of rock music's most enduring acts, and how he overcame substance abuse, mental health struggles, and more to find peace. Read the original article on People
Buzz Feed
a day ago
- Buzz Feed
29 Actors Who Were Cast At The Very Last Second
Recently, Reddit user ValoNoctis asked about last-minute casting that saved a movie, and I can't believe some of these actors almost didn't play these iconic roles. Here are actors who came in at the eleventh hour and killed it. Director Quentin Tarantino struggled to find the right actor to play Hans Landa in Inglourious Basterds. On the podcast The Moment With Brian Koppelman, Tarantino said the movie was already in pre-production, and they hadn't cast the role — which was a problem, as Tarantino had decided to shelve the project for a few years if he couldn't find the perfect actor. "It's Tuesday morning, and by Friday, Universal Pictures sign the check, and now we're making the movie for Universal. And I know if I'm gonna pull the plug, I've gotta pull it before Thursday," he revealed. On Wednesday, Christoph Waltz auditioned, and Tarantino immediately knew he'd found his Landa. Waltz would end up winning an Oscar for his portrayal. Suggested by u/bvmse Gene Wilder wanted the role of Jim in Blazing Saddles, but director Mel Brooks thought he was too young. "I need an older guy — someone who could look like an over-the-hill alcoholic," he told Wilder. He went with Gig Young, who was known to struggle with alcoholism in real life, which Brooks thought would work well with the character. However, on the very first morning of filming, Young was dealing with alcohol withdrawal — which was made worse by the fact that his character was upside-down. "We draped Gig Young's legs over and hung him upside down. And he started to talk and he started shaking." At first, Brooks thought this was just great acting. Suggested by u/hedbopper But..."The shaking never stopped, and green stuff started spewing out of his mouth and nose, and he started screaming." Brooks said he learned his lesson not to cast someone with alcoholism as a character with alcoholism: "I said, 'That's the last time I'll ever cast anybody who really is that person.'" He continued, "Poor Gig Young, it was the first shot on Friday, nine in the morning, and an ambulance came and took him away. I had no movie." Brooks quickly called up Wilder, who flew out the next day to film. They were shooting again on Monday. Wilder ended up being perfect for the role, cementing the movie in comedy history. Another actor who was replaced after filming started? Harvey Keitel in Apocalypse Now. He actually shot for a full week before being recast. The film's director, Francis Ford Coppola, apparently felt he wasn't right for the role, and also that Keitel was uncomfortable filming in the jungle (which Keitel has disputed). Coppola convinced Martin Sheen to take the role instead — he'd originally wanted Sheen for the role, but he was unavailable. Sheen's performance would end up being the most memorable part of the film. Suggested by u/congo66 Joaquin Phoenix was originally cast as the lead in Split, but dropped out only weeks before filming began. James McAvoy stepped in to play the role and said he only had two weeks to prepare. While Phoenix obviously is a talented actor, McAvoy's performance was stellar, garnering critical acclaim — one reviewer called it "the performance of his career." Suggested by u/ralo229 Tim Colceri spent weeks rehearsing for his role as a drill sergeant in Full Metal Jacket, with director Stanley Kubrick continuously telling him shooting would begin the next day, then not following through. Eventually, Colceri was given a letter by Kubrick stating he had been recast with R. Lee Ermey. Ermey, a Vietnam War veteran, had been initially hired as a technical consultant on the film. However, he won Kubrick over with an unsolicited audition tape, earning the role over Colceri, who had been cast eight months earlier. Ermey knocked it out of the park, with the scene of him yelling at the recruits — which was half improvised — becoming one of the most memorable parts of the film. Colceri was cast in a smaller role. Suggested by u/Alteredego619 Paul Dano only had about four days to prepare for his role as Eli in There Will Be Blood. He had already been cast as Paul, and Kel O'Neill had been cast as Eli (who was not initially Paul's brother). In fact, O'Neill had already filmed for weeks. However, O'Neill did not work well with the director, Paul Thomas Anderson, so Anderson decided to give Dano the additional role and make the characters twins. "I just went for it, threw myself in there and gave it everything I had," Dano said. "That was just guts and instinct, not a lot of preparation. ... I had to cut loose and go for it," he said. Dano was nominated for a BAFTA for his role as the twins. Suggested by u/MrAldoRayne Director John Carpenter was unsure about casting Kurt Russell as R.J. MacReady in The Thing and only decided on him the day they flew out to film the movie. There's actually a scene where MacReady flies a helicopter that's not even Russell — it's a pilot in the character's costume because they didn't have Russell on hand yet. The film ended up being one of Russell's best roles. Dianna Agron was cast the day before the pilot for Glee began shooting. Producers were actually about to cut her character as they hadn't found someone for the role — and her casting ended up vastly changing how they envisioned the character. Series creator Ryan Murphy said Agron "ruined the part" for him because she "humanized" Quinn. "She can cry at the drop of a hat. So now her character has a conscience, a soul, and great vulnerability." Murphy was right; Agron imbued the character with a complexity that elevated the role beyond a basic cheerleader role. Viggo Mortensen was cast after production began for The Lord of the Rings. He replaced Stuart Townsend, who was deemed too young for the role and fired the day before filming began. "I felt unprepared," Mortensen revealed. "The other actors had been there for weeks and months, in some cases, preparing for the arduous task of shooting the whole trilogy. I also felt awkward because I'd never been in a position of replacing another actor." Despite his fears, Mortensen killed it in the role. Suggested by u/revdon Stuart Townsend was also replaced in Thor just days before the start of filming. Josh Dallas was cast in the role instead after "creative differences" (though there were rumors Townsend had been late for a screen test and was fired), and he only had a few days before he had to film. Nevertheless, he did well in the small role. Stanley Tucci similarly replaced another actor days before production began. After Ryan Gosling was cast in The Lovely Bones, he started drinking melted ice cream and gained 60 pounds because he "really believed he should be 210 pounds." However, he didn't communicate this to director Peter Jackson, who "had a different idea of how the character should look." When Gosling showed up on set to film, Jackson fired him. Tucci was cast in the role instead, and was the perfect level of creepy. Peter Jackson's wife and collaborator Fran Walsh said it was more Gosling's youth that led to him being ousted, saying Gosling believed he was too young for the role and "was so uncomfortable moving forward, and we began to feel he was not right." Speaking of Tucci, he accepted his role in The Devil Wears Prada only 72 hours before the start of shooting. "I was cast at the 11th hour," Tucci told Entertainment Weekly. "But it was just such a beautiful piece of writing, and there's no way that you could ever say no to such a thing. ... It touched you emotionally. It's the perfect Hollywood movie." Today, it's one of Tucci's most beloved roles. Over 40 women auditioned to play Nurse Ratched in One Flew Over the Cuckoo's Nest, and Louise Fletcher eventually nabbed the part — days before filming began. "It's a miracle I survived the first day. I was so scared. It was only later that I realized that everybody was scared," she said. Fletcher earned an Oscar for her portrayal. Michael Garza was cast as Ramón Morales in Scary Stories to Tell in the Dark only "a couple of days before filming" because writer/producer Guillermo del Toro and director Andre Ovredal couldn't find someone they wanted for the role. "It was a last-minute audition, and I got it. It was crazy, a whirlwind of emotions," Garza revealed. Garza was nominated for an Imagen Award for his portrayal. A week before Prison Break began shooting, it didn't have either of its leads. Wentworth Miller was cast only a week before shooting. And Dominic Purcell wasn't officially cast until three days prior to filming. Both actors were perfect for the role and contributed to the show lasting five seasons. Similarly, Richard Dreyfuss and Robert Shaw, who played two of the leading roles in Jaws, were cast only nine days before shooting began. Both earned critical acclaim for their performances. Michael J. Fox was cast in Back to the Future five weeks after it started filming. Eric Stoltz had initially been cast in the role and even filmed for multiple weeks before director Robert Zemeckis and writer Bob Gale decided he didn't have the right comedic tone for Marty. They decided to replace him with Fox, their first choice for the role. However, they couldn't do this right away (Fox was still busy shooting Family Ties) and continued to film with Stoltz for days knowing they wouldn't use the footage. It ended up becoming Fox's most memorable role. Suggested by u/Drewp655321 Sam Waterston was cast in Godless at the last minute because the actor who was supposed to play Marshal John Cook got sick. He only had four days to prepare for the role — yet he killed it in the critically acclaimed series. Chris Sheffield was cast in The Maze Runner so late that the director, Wes Ball, and the producers for the film were already in Louisiana, preparing the production. A few days later, Sheffield was heading to Louisiana, too, to shoot, crafting a strong performance despite his lack of preparation. David Hayman was cast days before Bull started shooting because the original actor had dropped out. "I had no time to think about it," Hayman revealed. "I love Paul Andrew Williams's work. His movies and work are challenging. I love the cast. So it was a no-brainer for me to do it." Hayman's performance was highly praised in reviews. Patrick Renna was the last actor cast in The Sandlot after another actor dropped out only two days before production started on location. Director David Mickey Evans called meeting Renna a "godsend" as he was perfect for the role. Michael Biehn was cast in Aliens weeks into filming, as James Remar had recently been fired after getting arrested for drug possession. According to Biehn, Aliens producer Gale Anne Hurd called him on a Friday and asked if he had a current passport — which, luckily, he did. By Monday, he was on set, giving a legendary performance. Suggested by u/jayseventwo Ed Harris was cast to play Christof in The Truman Show when principal photography was almost done, and shot for only 10 days. He replaced Dennis Hopper, who left the cast due to "creative differences." Harris was nominated for an Oscar for the role. In a pretty unprecedented move, Christopher Plummer was cast in All the Money in the World AFTER the film had been entirely shot. Replacing Kevin Spacey in the wake of his sexual assault allegations, Plummer reshot all of Spacey's scenes in just nine days. He was nominated for an Oscar for his work on the film. Suggested by u/boringwhitecollar Similarly, Tobey Maguire had already filmed all of his scenes for Life of Pi when the director decided to replace him because he was too famous, making his presence distracting. Rafe Spall was quickly cast in Maguire's role, putting him in the rare position of being cast AFTER a movie was technically "complete," though, of course, he had to reshoot all of Maguire's scenes. This was probably the right decision, as I can't picture Maguire in this role. Ben Whishaw was cast as the voice of the titular teddy bear in Paddington after the film was shot. Colin Firth had initially taken on the role but came to a mutual agreement with producers that his voice sounded too mature. "That was a bit scary because it was late in the process. We'd shot the film, but it was the right call," recalled producer David Heyman. Firth's exit was in June, and the film was set to come out in November. Luckily, since Whishaw was just providing a voice, they could still finish the movie for its November release. Paddington would end up becoming critically acclaimed, with Whishaw's voice fitting perfectly. The same happened with Scarlett Johansson in Her. Samantha Morton had originally been cast and worked on set throughout filming. While editing during post-production, director Spike Jonze "realized that what the character/movie needed was different from what Samantha and I had created together." They recast Johansson in the role in the 11th hour, re-recording the character's dialogue. Johansson's voice ended up being a much better fit for the role. And finally, Dougray Scott was originally meant to play Wolverine in the first X-Men film, but issues relating to Scott's role in Mission Impossible II forced him to drop out just as they were about to start shooting. Hugh Jackman — who had first auditioned for the role nine months earlier — took on the role at the 11th hour and was unprepared. In fact, Jackman said that they had to push back the first scene he was meant to shoot, which was a shirtless scene, because he needed time to bulk up. Jackman's performance would end up being one of the most memorable of his career. Suggested by u/Fun-Contribution-601 What do you think? Were these actors the right choice? How did they do considering they had no prep time? Let us know in the comments!
Los Angeles Times
a day ago
- Los Angeles Times
Hollywood is struggling. So why does anyone want to buy a movie studio now?
The theatrical box office market is down. It's harder than ever to get people out of their homes and into the cinema. The business model for movies in streaming is still a work in progress. Given all these challenges, who would want to buy a movie studio now? Many people, it turns out. Earlier this month, the entertainment industry was abuzz after reports that film and TV production company Legendary Entertainment, the company behind 'Dune' and 'A Minecraft Movie,' was considering a potential acquisition of 'Hunger Games' and 'John Wick' producer and distributor Lionsgate Studios. Both companies have declined to comment on the reports. It's hardly the only deal news in the film business. In June, independent film finance and production firm Alcon Media Group — known for 'The Blind Side' and 'Blade Runner 2049' — bought the film library of 'Joker' and 'Ocean's Eleven' producer and financier Village Roadshow Entertainment for $417.5 million after an auction process that was part of the West Hollywood company's Chapter 11 bankruptcy proceedings. Village Roadshow did not respond to a request for comment. Alcon could not be reached for comment. And of course, the biggest takeover in the business is the long-pending sale of Paramount Global to Skydance Media, an $8-billion deal that received government approval Thursday. Though the first half of the year has been rocked by uncertainty in the financial markets, including fears about the effects of President Trump's tariffs and trade policies, there is likely pent-up demand for dealmaking that could emerge in the coming months and years, said lawyer Tom Ara, a partner in the private equity group at Weil, Gotshal & Manges, who also leads the firm's entertainment, sports and media practice. 'There's a lot of capital sitting on the sidelines, and I think there's a lot of desire by different strategic and financial players to make deals,' he said. 'Film, TV — it's still the least expensive form of entertainment for the vast majority of the general public, and so it's not going anywhere.' Movie attendance was badly damaged by the COVID-19 pandemic and has not recovered. Domestic revenue remains down 24% from 2019, according to Comscore. But even as the industry has undergone change and upheaval, strategic buyers, both foreign and domestic, see value in what film studios are producing. Intellectual property has become key, as audiences now gravitate mostly toward what they already know. With studios' vast libraries of films, not only could those collections be ripe for reboots, sequels, prequels or spinoffs, but they also give owners options for other, non-film revenue streams, such as merchandise, theme park opportunities, TV shows, streaming deals and licensing. 'It's less about short-term earnings and more about using that film studio as a key to unlock strategic value down the road,' said Brandon Katz, director of insights and content strategy at research firm Greenlight Analytics. 'They're not necessarily standalone cash cows. The interest in one is more about the broader ecosystem.' While intellectual property can come from anywhere, movies are a particularly valuable way to generate value because of their worldwide distribution. A major hit can drive more revenue at every stage of a film's post-release distribution journey, said J. Christopher Hamilton, a practicing entertainment attorney and a professor at Syracuse University who focuses on the business of media. 'It's like being given the raw materials to build the empire,' he said. 'No matter how successful the streaming network is ... it's never going to have the same level of impact globally on every level as a blockbuster hit.' Private equity firms — which tend to be attracted to film and TV libraries because of the cash flow they generate — have retrenched a bit from their previous interest in Hollywood. But some groups have participated in recent deals, including RedBird Capital Partners, which is backing the Skydance bid for Paramount, and Apollo Global Management, which also made a play for Paramount in a joint bid with Sony Pictures Entertainment. Apollo has a minority stake in Legendary. Lionsgate has long been considered a potential acquisition target, particularly as it's one of few so-called mini-major studios left in the industry. The company acquired cable network Starz in 2016 for $4.4 billion to bulk up and better compete in the media ecosystem. But the business model for traditional television cratered amid the rise of streaming, and earlier this year, the two formally split into separate publicly-traded companies. Lionsgate merged its studio business with a special purpose acquisition company in a deal that valued its assets at $4.6 billion and gave it a way to raise new capital. The decoupling from Starz was seen as a way for Lionsgate to separate itself from the declining fortunes of the TV business and potentially be more attractive to buyers as a standalone studio, analysts said. Lionsgate also has a distribution arm, which could be enticing for a company like Legendary, which partners with other studios such as Warner Bros. to release its films. Village Roadshow, which has a library of 108 films including stakes in 'The Matrix' films and 'Mad Max: Fury Road,' went up for sale amid a bruising legal battle with Warner Bros. and after the pandemic and the dual writers' and actors' strikes of 2023 throttled an ambitious slate. Alcon, led by co-CEOs Broderick Johnson and Andrew Kosove, could be limited in what it can do with the properties, many of which were released by and co-financed with Warner Bros. Pictures. But Alcon still saw value in the assets to supplement its own content library. The Village Roadshow titles collectively generate an estimated $50 million annually, Alcon said. For David Ellison and his billionaire father, Oracle Corp. co-founder Larry Ellison, buying a legacy studio like Paramount is an opportunity to turn around an asset that has long suffered from poor corporate decision making and chronic underinvestment. Who else could be in the market for a studio or film library during this period of consolidation? Foreign buyers are a possibility, particularly those from the Middle East, analysts and experts said. Qatari broadcaster BeIN Media Group already owns a 51% stake in film and TV studio Miramax (Paramount Global owns the other half). Last year, Saudi Arabia launched a $100 million film fund to attract productions to the country. And Hollywood studios are recognizing the potential for new audiences and customer bases in the Middle East — earlier this year, Walt Disney Co. said it would open a new theme park in Abu Dhabi, United Arab Emirates. Though tech companies like Apple or Google are frequently discussed as potential buyers of legacy studios, the fact that none have yet embarked on a deal — with the exception of Amazon for MGM Studios — could indicate that they don't see it as a business priority, Hamilton said. In the end, the discussion about mergers and acquisitions indicates the volatility of the industry — and individual studios' realistic assessments about their own futures, said Corey Martin, managing partner and chair of Granderson Des Rochers' entertainment finance practice. 'I think that we're going to see further consolidation,' he said. 'You're already seeing the signs of some of these various parties coming to grips, being honest with themselves as companies and platforms about whether they're buyers or sellers — and to the extent you are a seller, how do you best position yourself to maximize shareholder value?'
