
Pierce Brosnan hits back as actor defends his contentious Irish accent in Mobland after critics claimed it was 'all over the place and a huge distraction'
The veteran star takes a lead role in director Guy Ritchie 's Mobland, an ambitious contemporary crime drama based around the fictional Harrigan family and their influence on London's criminal underworld.
The show finds Brosnan, 72, reunited with Dame Helen Mirren, some forty-six years after they both starred in John Mackenzie's iconic 1979 gangster film The Long Good Friday.
But the veteran stars have found themselves at the heart of a contentious debate regarding the believability of their affected Irish accents in the new show - with Brosnan's in particular singled out for criticism.
In their review of the show, The Irish Independent unfavourabaly dismissed it as 'all over the place and a huge distraction.'
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Speaking to the latest issue of Radio Times, the actor - who was born in Drogheda, County Louth - insisted his role as family patriarch Conrad Harrigan demanded a broader Irish accent than his own.
'My own accent is very soft,' he explained. 'Conrad's accent is a million miles away from me.'
While the affected accent used by Conrad - who hails from Kerry on Ireland's south-west coast - has divided viewers, he admits it was inspired by a very real person, suggested by his dialect coach.
'I told him that I needed a Kerry accent,' he said. 'so he gave me the name of a man and I Googled the guy and that was it. It was a Kerry accent.
'And so, I just gave it full tilt.'
His role as the "brutish, cunning, charming and dangerous' Conrad is in stark contrast to Brosnan's past endeavours as secret agent James Bond - a character he played across four blockbuster films from 1995 to 2002.
But the actor admits he enjoys the freedom that comes with playing the villain for a change, adding: 'I like him. I love him. I enjoy him. I mean, I don't want to be that person – he's a psychopath.
'Yes, there are no holds barred. You own the stage, you have wings to fly and be anything you wish.'
The veteran stars have found themselves at the heart of a contentious debate regarding the believability of their affected Irish accents - with Brosnan in particular singled out for criticism
Brosnan is working with celebrated director Ritchie for the first time in Mobland, after admiring a canon of work that has taken the filmmaker from low-budget beginnings with Lock, Stock And Two Smoking Barrels to big-budget Hollywood reinterpretations of Sherlock Holmes.
'I have great admiration for Guy Ritchie's work and the style that he has created for himself,' he said.
'The landscape of film-making that he has embroidered over the years is wildly entertaining.
'And this family [the Harrigans] is so mangled and warped – it's twisted, incestuous and dangerous.'
And reuniting with old friend Mirren - who also stars alongside him in forthcoming film The Thursday Murder Club - is an added bonus.
The 1979 gangster film also starred the more established Mirren (pictured with co-star Bob Hoskins) but the pair did not share any scenes
Read Tom's full interview in Radio Times out now.
Brosnan was 25-years old when he made his screen debut as an unnamed IRA assassin alongside the more established actress in The Long Good Friday.
While Brosnan had no lines and didn't share a single scene with Mirren, his character made a significant contribution to the film's memorable final scene as London gangster Harold Shand, played by the late Bob Hoskins, is whisked away at gunpoint.
'It still holds up as a British gangster movie,' said Brosnan affectionately.
'And now, all these years later, Helen and I are working together again.'
The latest issue of Radio Times is out now.
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Telegraph
31 minutes ago
- Telegraph
My Mrs Brown's Boys endurance test: I cried, cringed and almost laughed
Television's most divisive sitcom is back. Mrs Brown's Boys – widely reviled by critics but adored by millions of viewers – returned to BBC One on Friday night for a fresh four-part run. The full box set is available on BBC iPlayer, so fans can binge them all at once. And that's exactly what I'm doing: watching all four episodes back-to-back and chronicling my experience in an effort to understand the Mrs Brown phenomenon. Along the way, I'm going to keep a tally of the laughs and also those moments of pathos that prompt the studio audience into a collective, 'Aww'. Are the critics correct and it's really an unfunny aberration? Or are they hopelessly out of touch and, actually – steady yourselves – the show is rather good? With a four-pack of Guinness to hand (Irish stereotyping be damned), I press play with an open heart, hoping to be entertained… Episode 1: The Mammy Effect Those cartoon opening credits slightly set my teeth on edge, but let's not write it off just yet… 1 min: Proceedings open, as is traditional, with Agnes Brown (creator Brendan O'Carroll) talking directly to camera from her home in the scrappy Dublin suburb of Finglas. Grandad (Dermot O'Neill) is 'not feeling himself' and more armchair-bound than usual. 'Aww,' choruses the studio audience. 3 mins: Mrs Brown has a heart-to-heart with daughter Cathy (Jennifer Gibney, O'Carroll's real-life wife – confused yet?). Upon hearing that Cathy has a new boyfriend, Agnes is unimpressed: 'He'll pump you and dump you, then we'll all have to listen to Enya for a month while you survive on a diet of ice cream and vengeance.' Actually a well-written, well-observed line. Who knew? 5 mins: Thus begins the main plot of the episode: Cathy launching a new podcast . Mrs Brown's Boys is often dismissed as wilfully old-fashioned, but this feels pleasingly modern. 9 mins: Straight-talking Agnes unwittingly hijacks the podcast and becomes its breakout star. While this all-too-predictable turn of events sends Cathy into a tailspin, it becomes clear that the storyline is actually about their dysfunctional mother/daughter relationship, whereby the controlling Agnes accidentally ends up ruining everything that Cathy does. 18 mins: Eldest son Mark (Pat 'Pepsi' Shields) tries and fails to move Grandad from his armchair. 'It's pointless, Ma,' he sighs. Mrs Brown replies: 'Pointless? Could be worse. It could be The Chase.' O'Carroll apologises for this seemingly ad-libbed quip and the cast reset the scene. It's all part of the show's intentionally chaotic filming style. 21 mins: Breast-feeding, menopause, penises. Yep, we're back to the nudges, winks and lowest-common-denominator material. 29 mins: Time for the industry-standard happy ending. Mrs Brown admits that 'mothers can be cruel without realising' and 'we expect more of our daughters than we do of our sons'. This is verging on profound. Episode 2: Mammy's Talent We're back at the kitchen table for Mrs Brown's opening monologue. It's a misty-eyed riff on her impoverished upbringing with a couple of decent lines. 'My father invested all his money in sick horses. He didn't know they were sick when he backed them.' 'Growing up, all I had was hand-me-downs. I was the only girl in my ballet class with football boots.' Worthy of a 1970s club comic. 2 mins: Grandad drops the bombshell that he's planning to move into a care home, a prospect that makes Agnes panic and vow to find out why. This is followed by a volley of genitalia jokes. 4 mins: Mrs Brown gets a visit from her nemesis, local busybody Hilary Nicholson (comedy veteran Susie Blake, playing one of her trademark snobbish Englishwomen). Offered tea, she asks: 'Have you got anything herbal?' Agnes shrugs: 'My shampoo?' And, yes, I chuckle. 6 mins: As the action shifts to the pub, the Hilary baiting continues as she pompously quotes Latin. 'I've got the vox populi ' (Agnes: 'Well, keep using the cream twice a day'). Come for the toilet humour, stay for the classical references. 12 mins: Grandad unleashes a loud 'Feck off!' at parish priest Father Damien (Conor Moloney). O'Carroll has clearly been taking notes in front of Father Ted repeats. 15 mins: Everybody laments how sad it will be when Grandad leaves. Cue another round of 'Awws'. Mournful piano music strikes up. They're really milking this, but I can't help being drawn in and whimper slightly into my Guinness. 17 mins: Light relief comes from a talent show in the pub. 23 mins: Birdie overcomes her stage fright to lead an arm-swaying, lighters-aloft sing-along of 'That's What Friends Are For'. There's not a dry eye in Foley's Bar. Or, in fact, on my sofa. Sob! 25 mins: Happy ending time again. Agnes finally admits how she doesn't want Grandad to leave and begs him to stay. Before it gets too soppy, they exchange potty-mouthed insults and normal service is resumed. Phew. Time to open a second can of Guinness. Episode 3: Motor Mammy I feared this would be an endurance test. While I wouldn't say I'm a total Mrs Brown convert – not yet, anyway – I am enjoying it much more than I'd expected. Hang on, let me check the strength of this Guinness. 1 mins: We're flung straight into this episode's storyline: Winnie's impending driving test. Will the pedestrians of Dublin ever be safe again? These ponderous jokes aren't pulling their weight. I might have spoken too soon when it comes to enjoying myself. 3 mins: Buster and Dermot make their weekly entrance. This time, they're dressed in insect costumes, promoting pest control. At least the quality of the gags improves slightly. Birdie says: 'I was going to start a celebrity magazine for the elderly. I was going to call it 'HELLOOOOOO?' 5 mins: Uh-oh. Birdie has lost her pet snake. Something tells me this will become crucial later in the episode. 10 mins: A pub gossip session throws up some more resolutely unreconstructed gags. One woman's teeth are described as 'only short of the white one for a full snooker set'. 14 mins: Hilary has been campaigning for a new bus depot and now we learn why – her husband has lost his high-flying job and is secretly working as a bus driver. Even Agnes feels sorry for them. All together now: 'Aww.' 17 mins: Winnie's driving test arrives. So does a veritable traffic jam of phallic innuendoes. Just when Mrs Brown's Boys ambushes me with its emotional resonance, it reverts to type. 21 mins: Wait, I spoke too soon. There's a shock plot twist. Winnie is understandably distracted at the wheel by the presence of a snake inside the car. The vehicle mounts the pavement and hits a pedestrian. who turns out to be… dramatic pause… Mrs Brown. Cue gasps. 22 mins: With our heroine in an induced coma, family and friends gather at her hospital bedside. They share happy memories, which is essentially a chance to rewind some classic clips – including the infamous bikini wax. 27 mins: Ordained deacon Trevor Brown (Martin Delany) says fondly of Agnes: 'I remember how kind Mammy was when I told her I wanted to join the missions. She just smiled and said, 'A lot of men are gay'.' Mrs Brown's Boys might be written off as politically incorrect, but it occurs to me that it's more diverse than many assume,with the family spanning four generations. It boasts gay characters, priests, lonely widows and sexually active pensioners. It also happens to star a man in drag. 28 mins: Has tragedy struck? A consultant tells the assembled family that they need to turn the machine off. A cliffhanger leaves things agonisingly poised for the series finale. We play out with a poignant piano version of the theme song and a beeping heart monitor. Soapy but effective. Episode 4: Easy Rider Mammy There's a rare 'Previously on Mrs Brown's Boys…' pre-titles recap. Does that mean no title sequence for once? 1 min: No, here it comes. Even these cartoon credits are growing on me. I find myself humming along to the theme song. Worrying. 2 min: Sharp intakes of breath when bungling GP Dr Flynn (Derek Riddin) says, 'She's gone.' False alarm. Mammy merely has a herniated disc. Phew. As for 'turning off the machine', the consultant meant Birdy's noisy coffee machine. I feel manipulated but relieved. 4 mins: 'I'm home!' trills a familiar voice. Mrs Brown makes her entrance on a mobility scooter to a raucous reception. 9 mins: Another peek behind the comedy curtain as Agnes drives her granny wagon from one set to another, chatting to the camera crew as she goes. If Fleabag had done this, it would have been hailed as avant-garde genius. 12 mins: The mobility scooter causes more mayhem at the Wash & Blow salon. Never let it be said that Mrs Brown doesn't milk a gag for every last drop. 19 mins: Dermot and Buster present Agnes with a surprise gift: an automatic recline-and-rise armchair. Hark, I hear more slapstick opportunities coming over the horizon. 27 mins: A chaotic final sequence sees Agnes wearing a sombrero (best not to ask) and getting rumbled for faking her injuries. Yes, she can walk after all. It's a medical miracle. As everyone takes her to task , she slumps into her new armchair. It promptly malfunctions, blows up and throws her across the room. After one last cuppa, we roll credits on the series. Mercifully, my Mrs Brown's Boys marathon is at an end. But what have I learnt? Yes, what have I learnt? To my surprise, I realise I have actually been sucked in by the pathos of several storylines. The humour might be hit-and-miss, but the emotion isn't. This is a show about family, friendship and community. Unfashionable topics in our fractured age, perhaps, but the new series does have huge warmth… Sure, it's frequently panto-adjacent (oh, yes it is), but it also plays with the sitcom form, with fourth-wall breaks and knowing nods to its own artifice. It's unabashedly working class and exists far outside the metropolitan bubble. The liberal elite might blanch, but it's not for them. Ratings have declined from a blockbuster peak of 11 million, but it still pulls in 4 million loyal viewers – figures that most comedies (and many dramas) would kill for. In an era when critically lauded comedies often struggle to get recommissioned, such review-proof longevity is surely to be applauded. I'll raise a pint of the black stuff at Foley's Bar to that. Mrs Brown's Boys airs on Fridays at 9.30pm on BBC One. The whole series is available on BBC iPlayer now


Daily Record
2 hours ago
- Daily Record
The Thursday Murder Club film update as Richard Osman announces exciting news
The on-screen adaptation of Richard Osman's best selling The Thursday Murder Club is set to be released later this month. Richard Osman has provided fans with an exciting update on the on-screen adaptation of his best selling novel, The Thursday Murder Club as he announced it is now coming to UK cinemas as well as Netflix. Osman's first book, The Thursday Murder Club, is now being turned into a film which is set to be released this summer. The story follows a group of elderly amateur sleuths living in a retirement home, played by Helen Mirren, Pierce Brosnan, Ben Kingsley and Celia Imrie, who accidentally uncover a murder case and are willing to risk their lives to solve it. Filming for the first book in the murder mystery series began in 2024 with Chris Columbus as the director. As the release date for the highly anticipated film looms, Osman has been keeping fans up to date with the latest developments. Taking to Instagram, he announced that fans will be able to see the film in cinemas for a limited time only before it lands on Netflix just days later. He said: "Some very good news for everyone who wanted to see #TheThursdayMurderClub in UK cinemas. Netflix have listened to the clamour, and the film will now have a run in UK cinemas." Here is everything you need to know about the release date, cast and more. When is The Thursday Murder Club out? For those who are keen to see the film on the big screens, The Thursday Murder Club is set to be released in cinemas on August 22, a week before its Netflix release The film will then be available to stream on Netflix from August 28. It has a run time of almost two hours. Who is in the cast of the Thursday Murder Club? The four main characters in the film are the four elderly sleuths, Elizabeth Best, Joyce Meadowcroft, Ron Ritchie and Ibrahim Arif. Ex-spy Elizabeth is played by Dame Helen Mirren while Bridget Jones star Celia Imrie takes on ex-nurse Joyce's role. Former 007 agent Pierce Brosnan stars as ex-union activist Ron while Sir Ben Kingsley will portray ex-psychiatrist Ibrahim Arif. Osman recently defended the controversial casting of Ron, telling Empire: "You have to do something unusual and different and interesting. "Here's the key thing about Pierce Brosnan playing Ron: Pierce Brosnan is who Ron would choose to play Ron." Other famous faces in the film include David Tennant with the Scots actor set to play Ian Ventham, who is the owner of the luxury retirement village Coopers Chase which is set in the English countryside. Join the Daily Record WhatsApp community! Get the latest news sent straight to your messages by joining our WhatsApp community today. You'll receive daily updates on breaking news as well as the top headlines across Scotland. No one will be able to see who is signed up and no one can send messages except the Daily Record team. All you have to do is click here if you're on mobile, select 'Join Community' and you're in! If you're on a desktop, simply scan the QR code above with your phone and click 'Join Community'. We also treat our community members to special offers, promotions, and adverts from us and our partners. If you don't like our community, you can check out any time you like. To leave our community click on the name at the top of your screen and choose 'exit group'. If you're curious, you can read our Privacy Notice. Is there a trailer for The Thursday Murder Club? The official The Thursday Murder Club trailer was released by Netflix in May. The short clip shows Elizabeth digging up a cold case from 1973 and fans are teased with a glimpse of Cooper's Chase. When a murder takes place close by, Joyce is keen for the team to step up and solve a new mystery. Fans took to the comments to express their excitement, with one sharing: "The perfect cast, I am sooooo looking forward to seeing this film, love all the books, get ready to snuggle in and be totally enthralled." Another wrote: "Totally didn't expect this book series to be adapted by Netflix really looking forward to this. I hope it's good. And man this cast is stacked!" The Thursday Murder Club will be released in cinemas across the UK on August 22. It will then be available to watch on Netflix from August 28.


Daily Mirror
3 hours ago
- Daily Mirror
Celebs Go Dating's Kerry Katona 'desperate' over new boyfriend amid 'tense moments'
EXCLUSIVE: Kerry Katona and new boyfriend Paolo Margaglione have been pictured together for the first time since going public - but a body language expert claims the pair look tense Kerry Katona may already be facing issues in her relationship with hunky new beau, Yorkshire-born fitness trainer Paolo Margaglione, after snaps of the pair in Ibiza seemed to show them in a tense exchange. The photos of the pair on the White Isle – their first couple's trip – confirmed their romance. But a source claims that, while they're totally 'smitten' with each other, Kerry, 44, is nervous about putting yet another relationship in the public eye – and, with Celebs Go Dating about to hit screens, it could already be causing issues between the lovebirds. 'Kerry is being very cautious with this romance,' they claim. 'She has been very wary about going public with Paolo and it impacting their relationship. She's been down the route of high-profile, public relationships before and she doesn't want anything to ruin things this time.' It comes after Cat Deeley found moving back to the UK 'really hard' before split from Patrick Kielty. Kerry and father-of-two Paolo, 33, are thought to have met during the new series of Celebs Go Dating, set to air next week. However, Kerry has remained resolutely tight-lipped on her new relationship. But with each high and low of her previous relationships played out in public, our source claims Kerry is worried to go down the same path as the past. 'Kerry's worries have caused some tense moments as she doesn't want any exterior drama getting in the way. But Paolo isn't overthinking it – he's just really happy to be with her. He doesn't see the problem and is telling her not to worry, they're great together and should just enjoy what they've got.' Body language expert Adrianne Carter believes that, while the couple appear loved-up in their holiday pictures, the body language they are displaying suggests there could well be some tension behind the scenes. "Kerry's body is angled towards Paolo's slightly, so she is interacting with him, but the top half of her body is leaning away – this is often a sign of disagreement – maybe they've had a bit of a row, or bust-up. 'He's holding her hand possessively and taking a more dominant position with the hands, while she looks like she's ready to disengage her hand,' explains Adrianne. 'The tilt of her head looks like she may be questioning or disputing something. There's a tenseness to both of their expressions that doesn't look relaxed.' However, our source maintains that the route of Kerry's stress could just be the strength of her feelings for Paolo and a strong desire, after so much heartache in the past, to make this work. 'Kerry loves being in love – she's trying to do this the right way. They're smitten with each other and can't believe they've found one another. They just don't want anything getting in the way.' The new couple have also had to face some outside pressure, having come under fire after Paolo's ex-girlfriend Jessica Smith publicly claimed he was dating her when he signed up for the show, alleging he was solely looking for fame with his TV stint. Our source adds that Kerry's loved ones also have concerns. 'Friends and family are worried she's jumping in a bit fast and should maybe take a break from men. But she's very happy and determined to make it work with Paolo,' they claim. But Kerry, who recently underwent a fourth boob job, and Paolo brushed off the claims and have remained together since filming for the show wrapped earlier this summer. Kerry was previously married to Brian McFadden, who she shares daughters Molly and Lilly with, before they split after two years of marriage in 2004. She went on to wed taxi driver Mark Croft, who she welcomed Heidi and Max with, before their split in 2010. And in 2014, she tied the knot with George Kay, the same year they welcomed daughter DJ. George passed away in 2019, two years after the couple split. Kerry then found love with Ryan Mahoney, who she'd met on a dating app. The personal trainer popped the question in 2020, but the pair never married and split last November. But our source claims Kerry has got her mojo back, thanks to Paolo. 'She feels like this is the real deal. It's a really big thing for her. Hopefully, this will be it now – no more turbulence.'