
Thunderbolts*' wins critics over
The worldwide premiere of the superhero tentpole took place on Tuesday, just 10 days before its US release. Reactions poured in on social media soon after, with many describing the film as the expansive franchise's saving grace.
A story for the broken
The film, which makes a team out of some of the MCU's most disgraced characters, boasts a star-studded cast of Florence Pugh, David Harbour, Sebastian Stan, and others previously involved in the MCU, all the while introducing new faces to the superhero multiverse.
Matt Neglia, Next Best Picture's editor in chief, wrote on X, "Thunderbolts* is, in many ways, different from other MCU films that have come before it, and that freshness couldn't have arrived at a more opportune time, when the franchise is in need of new blood and direction. It's some of Marvel's darkest material to date, dealing with the emotional wreckage of broken individuals grappling with their past choices and finding camaraderie amidst the emptiness of their lives."
Critics including Neglia seem to agree that amongst this stellar cast, Pugh delivered a standout performance with her role as Yelena Belova - the new keeper of the Black Widow mantle - along with newcomer Lewis Pullman, who left a lasting impression on his new fans.
"This may be a team-up film, but it very much belongs to Florence Pugh, who carries much of the dramatic weight of the movie on her back, while Lewis Pullman delivers a complex performance as a sympathetic character at war with himself," Neglia said in the review. "It may not be the flashiest, funniest, or strongest Marvel film, but its rough edges and imperfections somehow all feel fitting for this anti-hero team of misfits."
Correcting past mistakes
Some even described the film as a love letter to the unsung heroes due to its tonal gravitas. Sean Chandler said on X, "I really dug Thunderbolts*! It's overtly about depression, loneliness, and purpose. The whole point is that they're reject characters. Two-third of it is mostly ground action and one-third a horror-influenced nightmare. Feels like the MCU is coming together and building towards something again."
Film writer Emily Murray echoed Chandler's sentiments about this redemptive track for the MCU. "Well, Thunderbolts* is easily one of the best MCU movies in a long time (and maybe one of my new personal favourites). It has so much spark, charisma, and tells a genuinely emotional story you connect with. A tear was shed."
Qualms about the MCU's misplaced sense of levity have been raging on since the flawed treatment of Thor's downward spiral post Avengers: Infinity War. While there might still be a long way to go, some critics believe that Thunderbolts* remedies some of the MCU's past mistakes with its much-needed sensitivity towards mental health.
"Finally, a Marvel movie that treats mental health and depression as a serious matter and not like undercutting it for the sake of a quip," wrote Rendy Jones on X. "A legit good character ensemble piece with a compelling Florence Pugh and Lewis Pullman performance in the centre. Yay. I liked it."
At the heart of it, critics acknowledged that superheroes and their films are for the masses to connect with, to take something good from, and Thunderbolts* seems to triumph in that regard.
"For me, Thunderbolts* worked because it peeled back layers on a subject I have long fought with. Florence Pugh continues to be a stand out. I laughed, but I also cried at a story I think people will relate to. Weird in places, in the best way. I can't wait to see it again," said FILMHOUND Magazine's Paul Klein.
Empire Magazine's Amon Warmann summed it for those wondering whether or not they should give Thunderbolts* a shot. "That was pretty great! A visually daring, emotionally resonant superhero film that pushes mental health to the forefront. Florence Pugh brings the heart, David Harbour is consistently funny, and Lewis Pullman might be the stealth MVP. Best MCU film in a long while!"
Finding a way together
Marvel Studios released the film's final trailer last Thursday, paying homage to old characters by letting their successors shine. The catch is, our new heroes don't have the brightest track records.
"The past doesn't go away," Stan's Bucky asserts, as a cinematic rendition of Queen's Under Pressure builds in the background. "So you can either live with it forever, or you can do something about it."
The trailer's message of healing and forgiving oneself resonated with fans in the comments section. From expressing curiosity over the shift in tone to praising the emotional depth of the dialogues, many opened their hearts to the story's redemptive nature.
Elated over this new turn for the MCU, a user wrote, "A whole film about supporting Marvel characters that deserved to be treated better? I'm so excited!"
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Express Tribune
an hour ago
- Express Tribune
Kevin Feige confirms Marvel's post-Secret Wars reset with MCU recasts and what's next
Marvel Studios President Kevin Feige has confirmed that the Marvel Cinematic Universe will undergo a major reset following Avengers: Secret Wars. The announcement came during a press briefing for Marvel's upcoming projects, where Feige outlined long-term plans for the franchise's evolution beyond its current slate. As part of this reset, Marvel will gradually transition into a new era, which includes recasting several iconic characters such as Tony Stark (Iron Man) and Steve Rogers (Captain America). Feige clarified that Secret Wars will serve as a narrative reset, distinct from a full reboot, using the multiverse to streamline the MCU into a refreshed continuity. While acknowledging the lasting legacy of original heroes, he emphasized the need to introduce a new generation of talent to carry the franchise forward. While Kevin Feige did not confirm any return for Robert Downey Jr. or Chris Evans, he acknowledged that legacy characters could potentially reappear if handled with care. He cited Hugh Jackman's upcoming role as Wolverine in Deadpool & Wolverine as an example of how past heroes can return without undermining their previous story arcs. Feige emphasized that any such moves would need to honor what has already been established in the characters' journeys. Feige also confirmed a slowdown in the MCU's release schedule, citing a renewed emphasis on storytelling quality. Projects like Blade and Fantastic Four will follow restructured timelines, and Disney+ content will be more selectively developed. The goal, he stated, is to reduce franchise fatigue and restore focus to individual character journeys. Looking ahead, Feige said that announcements surrounding the X-Men and the introduction of Miles Morales are expected in the coming months. Specific casting has yet to be revealed, but post-Secret Wars plans will begin taking shape after the conclusion of Phase 6.


Express Tribune
10 hours ago
- Express Tribune
Kevin Feige confirms MCU slowdown after Avengers: Doomsday
Marvel Studios President Kevin Feige has confirmed that the Marvel Cinematic Universe (MCU) will significantly scale back its content output following Avengers: Doomsday. Speaking during a roundtable with journalists, Feige addressed recent concerns about MCU fatigue, stating that the real issue wasn't superheroes themselves, but overexpansion. Feige revealed that while the first three MCU phases totaled about 50 hours of content, the post-Endgame era exploded to 127 hours when including live-action and animation. 'That's too much,' he admitted, acknowledging that this expansion overwhelmed audiences and devalued the storytelling. Much of the growth came from the Disney+ streaming push, which saw the launch of multiple interconnected series such as WandaVision, Moon Knight, and Ms. Marvel. While many shows gained praise, others left viewers feeling lost, especially when vital characters or storylines were essential to understanding theatrical releases. 'There was a mandate we were put in the middle of,' Feige said of the streaming boom. 'We thought it'd be fun to bring these characters to life.' But the result, he says, was confusion: 'It used to be fun. Now people ask, 'Do I have to know everything?'' Looking ahead, Marvel plans to produce fewer films and shows, with some years seeing just one movie or one Disney+ series. Budgets will also be reduced by up to a third. Upcoming titles like Avengers: Doomsday, Fantastic Four: First Steps, and Spider-Man: Brand New Day are designed as jumping-on points that require minimal homework.


Express Tribune
14 hours ago
- Express Tribune
Rebecca De Mornay reflects on relationship with 'Risky Business' co-star and ex Tom Cruise
Rebecca De Mornay is opening up about her former relationship with Tom Cruise, expressing admiration for the actor and their early days together. In a recent interview with Page Six while promoting her new thriller Saint Clare, the 65-year-old actress spoke warmly about Cruise, whom she dated for nearly three years after meeting on the set of Risky Business in 1982. 'I'm really, really proud of him,' De Mornay said, acknowledging Cruise's extraordinary rise to Hollywood superstardom. The 1983 film, which launched both of their careers, remains a cultural touchstone, and De Mornay credited Cruise's drive and vision even back then. 'He is a brilliant interpreter of the zeitgeist,' she added. 'We started this together and look what he did with it.' De Mornay reflected on their differences, likening Cruise to a 'major chord' and herself to a 'minor chord,' noting that his career path fulfilled what America wanted, while she pursued more unconventional and gritty roles after Risky Business. Her filmography includes Runaway Train, Backdraft, The Hand That Rocks the Cradle, and a role in Marvel's Jessica Jones. Now, De Mornay appears in Saint Clare, a dark thriller starring Bella Thorne as a serial killer with a fixation on Joan of Arc. De Mornay said she was drawn to the project by its unique perspective. 'It's very rare that I read scripts about a female serial killer who's obsessed with Joan of Arc,' she explained. 'I just wanted to be a support to this project.' Despite the film's violent themes, she admitted she didn't initially associate it with real-life figures like Jeffrey Epstein. 'I never even thought of that… it's freaky that that would come into it,' she said.