
Jennifer Aniston's favorite low-impact workout is finally on sale - here's how to get sculpted for summer for LESS!
When you want something more manageable, gentler on your joints, or simply more enjoyable, turn to Pvolve.
The popular, low-impact workout method delivers high rewards, and it's made serious waves thanks in part to its most famous fan: Jennifer Aniston.
Pvolve Total Transformation Bundle
Here's everything you need to get started on your journey to complete health and fitness with Pvolve.
This collection includes 13 tools designed to enhance strength and mobility while boosting your confidence.
That includes three patented tools plus 10 pieces of signature Pvolve equipment — all for a rare $150 discount.
Save $150 Shop
The actress and wellness icon partnered with the now beloved fitness brand in 2023, praising its smart and functional approach to movement that focuses on strength, mobility, and longevity.
I've had a chance to test drive the system, and I can attest that the Pvolve difference is evident from the start — it feels refreshing, fun, and different instead of punishing and agonizing. Don't take that the wrong way, because it definitely burns!
But the overall effect feels a lot like self care, especially because it's designed to deliver visible results over time. You can experience it both in the way your body changes and the way you feel as you progress.
If you're curious about trying it yourself, now is the perfect time as Pvolve is currently offering major deals across its signature equipment.
That includes discounts on the signature bundles, which are available in assorted sizes and contain all of the tools needed to mimic the dynamic resistance and sculpting benefits of a full studio class — from the comfort of your home.
Everything in the Total Transformation Bundle is ready to go straight out of the packaging. It's tough to resist the temptation to get started right away, even if all you do is slip on the ankle weights while walking around the house!
You have options to stream on-demand workouts anytime, anywhere, and the companion app can even help you build a personalized plan based on your goals. (Pro tip: There are a few totally free workouts lurking on YouTube, too.)
The beauty of Pvolve is that it's incredibly accessible to people of all fitness levels. Whether you're just getting back to movement or want to challenge your body in a new way, the variety alone is seriously impressive.
There are thousands of classes ranging from standing sculpt and strength training to stretching, recovery, and even pelvic floor support. They range from just five minutes to an hour, so even if you're short on time you can break a quick sweat. Basically, you can find the answer to any of your fitness needs in the vast Pvolve library.
Jennifer has stated that Pvolve is one of the few workouts that doesn't leave her feeling wrecked. The brand dubs its workouts 'fitness evolved," and it's hard to argue with that.
Add in a sale, and you can basically take it as a sign that this is the chance to feel a little more like Jen without spending a fortune. Shake up your routine or boost your existing workout. Whatever you decide, you may just be thrilled with what Pvolve can do for you.
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The millennium is back – not just in fast fashion or TikTok remixes, but in the mood of American fiction. Think peak Chabon and Eugenides; the intellectual gymnastics of Helen DeWitt; the last profane and puckish gasp of Tom Robbins. That brief window – before 9/11, smartphones and the chokehold of autofiction – when the novel felt as playful as it did expansive: bold and baggy as wide-legged jeans. Joyce Carol Oates channelling Marilyn Monroe. Jonathan Franzen snubbing Oprah. You can feel that early-00s energy jostling through a new crop of American novels: Lucas Schaefer's The Slip, Kaveh Akbar's Martyr! and Maggie Shipstead's Great Circle are top-shelf examples. They're big in all kinds of wonderful, infuriating ways: antic, overstuffed and richly peopled. While it's less hyperactive than some of its book-fellows, Susan Choi's Flashlight still has the wide-legged feel of turn-of-the-century fiction: domestically sprawling, geopolitically bold. Stretching from a strawberry farm in Indiana to the North Korean border, Choi's sixth novel reckons with the lies that undo families and underpin empires. Flashlight first appeared in the New Yorker as a short story – a standoff in a psychiatrist's office. The novel opens here too. It is the late 1970s: 10-year-old Louisa has been dragged in for a consultation, and she's not playing nice. She waits out the clock, evading, deflecting; a tight little knot of fury. 'This room is full of tricks to get children to talk, but you're too smart for them,' the doctor flatters her. 'I'm too smart for compliments,' Louisa snaps back. Louisa's father has drowned, and her mother has turned into a strange new invalid. What the girl feels defies grief or sympathy. This isn't mourning, it's mutiny; and it will take more than some avuncular desk jockey to tame her. While the doctor is distracted, she steals an emergency flashlight from his office and smuggles it home – a low-stakes theft with high-voltage meaning. The night Louisa's father disappeared into the water, he was holding a flashlight. Portentous torches will appear throughout these pages (it's not the subtlest of metaphors for a novel about absence and secrecy). There's one at a seance, its battery case loosened to summon some otherworldly flickering. Another at an archaeological dig in Paris. This is a story told in brief illuminations, like a child spinning a torch in a dark bedroom. Slices of light; slices of life. We begin with a flashback to Louisa's parents, meeting them before they meet each other. Her father, Serk, an ethnic Korean raised in Japan, is a child of postwar limbo. Caught between two nations, and claimed by neither, he trades his borderland life for a blank American slate – or so he thinks (America has other ideas). 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'The sum of things she knew about her father could fit inside the sum of things she'll never know about him an infinite number of times,' Choi writes. 'The things she knows are as meagre as a pair of backgammon dice rattling in their cup.' Flashlight is a study of absence – absence of narrative, of inheritance, of place, of affection. Who are you, it asks, when there's no story to inherit, no history to claim? How might that void be filled, or inhabited or weaponised? It's a year for canon building, and as the best-of-the-century (so far) lists are tallied, Choi's previous novel, 2019's Trust Exercise, remains firmly on mine. It begins as a high-school drama, libidinous and gossipy, but midway through, Choi triggers a controlled implosion. From the wreckage, another story emerges: one about power, authorship and blame. Truth isn't fixed, Choi shows us here – it's framed. I love this novel's confident chaos, its metafictional brio. 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Sign up to get the inside story from our top writers as well as all the must-read articles and columns, delivered to your inbox every weekend. after newsletter promotion Like the best of those early-00s novels, Flashlight is all kinds of big: capacious of intent and scope and language and swagger. Choi confronts a chapter of North Korean history that American fiction has barely touched. But there is something missing. That Y2K brand of irony – glib, evasive, laddish – is gone. Good riddance to it. It's hard to be flippant when you know which way the arc of the universe really bends. Flashlight by Susan Choi is published by Jonathan Cape (£20). To support the Guardian order your copy at Delivery charges may apply.