Mission Impossible 8 box office Day 4: Tom Cruise's film pulls off a steady Tuesday
'MI 8' is expected to slowly surpass the Rs 100 crore nett mark by the end of its lifetime run in India. The last 'MI' film - 'Mission: Impossible - Dead Reckoning Part One' collected around Rs 110 crore nett in 2023. The new 'MI' film is likely to go past this figure, setting new benchmarks for both the franchise and Tom Cruise.The film will see a clash from 'Kesari Veer' and 'Bhool Chuk Maaf' in India this weekend. While none of the films seem to have garnered enough buzz, it will be interesting to see if any new release manages to deter the smooth run of 'Mission: Impossible - The Final Reckoning' in India.The new instalment in the popular action franchise is directed by Christopher McQuarrie, and features Simon Pegg, Hayley Atwell, Pom Klementieff, Esai Morales, Greg Tarzan Davis and Ving Rhames, among others.
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Time of India
33 minutes ago
- Time of India
'Saiyaara' box office collection day 6: The Ahaan Panday, Aneet Padda movie crosses Rs 150 crore despite a slight drop in the business on Wednesday
After created history with its opening weekend numbers, as it's the highest grossing love story, 'Saiyaara' has continued its phenomenal run at the box office even during the weekdays. Tired of too many ads? go ad free now The film which made two newcomers into stars overnight - and has already overtaken many big movies when it comes to the numbers. The directorial saw a drop on Wednesday, day 6, but crossed Rs 150 crore. While on Saturday, it made Rs 25 crore, the number on day 3 which is Sunday saw a growth further. The movie made Rs 35.75 crore on day 3. On Monday, a drop in the numbers was expected as compared to Sunday and that's normal. Yet it crossed Rs 20 crore mark on a Monday is commendable. The film minted Rs 24 crore on day 4. On Tuesday, day 5, there was a slight growth as compared to Monday. The numbers on Tuesday could be higher as many theatres have lower ticket prices, thus, there may have been a higher footfall in theatres. Thus, the movie made Rs 25 crore. Now on day 6,, 'Saiyaara' has collected Rs 21.00 crore. The Wednesday numbers have seen a slight drop as compared to Tuesday. However, that was also expected since there were more footfalls on Tuesday due to discounted ticket prices in some national chains. The film's total collection so far, according to Sacnilk, is Rs 153.25 Cr crore. Even 's 'Sikandar' had failed to cross Rs 100 crore in its first four days. Thus, it has surely done better than many big movies. According to Box Office Inda, in the Delhi/UP circuit, Saiyaara pulled off a stunning feat on Tuesday, raking in more than twice the collections of Chhaava. Even more impressively, it's set to surpass the first Tuesday numbers of Pushpa 2 in the region—an achievement that speaks volumes. Tired of too many ads? go ad free now What makes this even more remarkable is that Saiyaara managed a stronger Tuesday than some of post-pandemic Bollywood's biggest blockbusters, including Jawan and Pathaan. Being a top Tuesday of all time is a huge feat and the film has continued to hold steady even on Wednesday. Day wise collection of the film: Day 1 [1st Friday]₹ 21.5 Cr- Day 2 [1st Saturday]₹ 26 Cr Day 3 [1st Sunday]₹ 35.75 Cr Day 4 [1st Monday]₹ 24 Cr Day 5 [1st Tuesday]₹ 25 Cr Day 6 [1st Wednesday] ₹ 21.00 Cr Total₹ 153.25Cr
Time of India
38 minutes ago
- Time of India
Ratan Thiyam: A Visionary Who Revolutionized Indian Theatre
Guwahati: Born on Jan 20, 1948, at Nabadwip in West Bengal's Nadia district, Ratan Thiyam, recognised as one of India's greatest theatre innovators, grew up in Imphal, surrounded by art and art-making, which profoundly influenced his life and work. His father, Thiyam Tarunkumar, was one of the most respected gurus of classical Manipuri dance, while his mother, Bilasini Devi, was a renowned dancer. Thiyam passed away at 77 at the Regional Institute of Medical Sciences (RIMS) in Imphal at approximately 1:30am Wednesday. Along with KN Panikkar, BV Karanth, Habib Tanvir, Bansi Koul, and Jabar Patel, Thiyam, affectionately known as 'Oja' (teacher in Meiteilon), was a major pioneer of the "theatre of roots" movement, developed during the 1960s-1970s. This movement sought to reclaim and integrate Indian classical, folk, and indigenous performance traditions with modern sensibilities, a powerful strategy for redefining Indian cultural identity. A graduate of dramatic arts from the prestigious National School of Drama (NSD), Thiyam was not only a powerful stage director but also a complete theatre craftsman and creative visionary. He was a multifaceted genius — a designer, music composer, choreographer, lighting expert, costume designer, architect, playwright, painter, and poet, whose brilliance extended across nearly every element of the performing and creative arts. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like 15 most beautiful women in the world Undo Thiyam took Manipur and Indian theatre onto the global stage, creating a new theatrical form by synthesising diverse performance traditions from his homeland. His works showcase the seamless blending of elements from the classical Natya Shastra (Indian theatre style during the second century BC) and Western realistic theatre with Manipuri's rich indigenous performing arts such as martial arts (thang-ta), dance, music, and ritualistic gestures. Through this artistic strategy, Thiyam asserted the socio-political and cultural uniqueness of Manipur, positioning it as separate from the mainland's dominant cultural narratives. This gained him national and international recognition as a playwright and director. His celebrated plays, such as Chakravyuha and Uttar Priyadarshi, brought global acclaim to Manipuri theatre and Indian drama at large. His main contributions to Indian theatre innovations are profound and transformative, significantly shaping the direction of contemporary Indian performance. His influence reverberates through his unique stylistic language, institutional leadership, and continued advocacy for indigenous forms and social consciousness. In 1976, Thiyam established the Chorus Repertory Theatre in Imphal, which became a national hub for experimental, visually rich, and socially responsible theatre. The theatre trained and inspired generations of artists and encouraged the fusion of rural and urban motifs, traditional and modern directing techniques, and innovative stagecraft. His work is celebrated for its striking visual design, choreography, and music, combining scenic minimalism and grand imagery. His plays featured stylised movements, ritualistic gestures, symbolic props, and a deep focus on atmosphere that set new standards for Indian stagecraft, creating a holistic theatre experience. Thiyam's plays often explore profound themes. His Leima Yenlingai Khuna Kaba (1980) addresses the motif of corruption in society transforming into an instrument of religious terror, while Urubhangam (1981), adapted from the Sanskrit play by Bhāsa, focuses on Duryodhana's tragic story from the Mahabharata. Lengshonnei (1986), his adaptation of Bertolt Brecht's version of Sophocles' Antigone, reinterprets the Greek tragedy through classical and traditional Indian forms interwoven with tribal rituals. Another masterwork, Chakravyuha (1984), rooted in the Mahabharata (Drona Parva), is considered one of Thiyam's finest productions, where he presents a powerful meditation on war, entrapment, and the heroism of the young warrior Abhimanyu. Another acclaimed production, Urubhangam (Broken Thigh, 1981), adapted from the Sanskrit play by Bhāsa, is based on an episode from the Mahabharata, focusing on the tragic downfall of Duryodhana. Both Urubhangam and Chakravyuha reflect Thiyam's belief in the timeless relevance of epics, recontextualised to comment on modern dilemmas. One of his most internationally acclaimed works is Uttar Priyadarshi, an adaptation of a Hindi verse play by celebrated poet and writer Agyeya, where Thiyam retells the story of Emperor Ashoka's spiritual transformation. These works exemplify Thiyam's ability to blend ancient texts and diverse performing traditions into cohesive contemporary theatre, addressing social, political, and philosophical questions with a rooted yet innovative dramatic language. A towering figure in contemporary Indian theatre, celebrated for combining classical, indigenous, and modern elements in his plays, Thiyam's death marks the departure of one of India's greatest theatre innovators, whose lifelong dedication elevated Manipuri traditions to the global stage and enriched the country's artistic heritage.
Time of India
2 hours ago
- Time of India
Heritage makeover of 117-yr-old Roxy to restore art deco glory by March 2026
1 2 Kolkata: The art deco-style opera house turned cinema hall at Esplanade, constructed by Maurice Bandmann and Arathoon Stephen 117 years ago, is set to undergo a heritage makeover. This transformation will be similar to Mumbai's Eros Cinema, with real estate developers' body Credai signing an MoU with KMC to renovate it at a cost of Rs 5 crore. The renovation will be completed by March 2026. Currently known as Roxy Cinema, it started as Empire Theatre in 1908 before being converted to a cinema hall in 1941. Empire Theatre hosted Uday Shankar's dance recitals. Others who performed at the Empire include Harry Lauder, Dame Clara Butt, Anna Pavlova, Marie Tempest, and Matheson Lang. After it became Roxy Cinema, the first movie to be screened was the Ashok Kumar-starrer 'Naya Sansar' in 1941. Another Ashok Kumar-starrer, 'Kismet', was screened in 1943 for a record 186 weeks. Credai Kolkata president Siddharth Pansari said the project is the single largest private investment in the restoration of public infrastructure in Kolkata. "We have pledged to spend Rs 5 crore in doing up the 25,000 sq ft interiors of Roxy Cinema in art deco style. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Villas For Sale in Dubai Might Surprise You Dubai villas | search ads Get Deals Undo When complete, it will be an auditorium that KMC can use for its programmes or rent out," said Pansari. Architecture firm Innate, led by founder Anirban Bhaduri, will execute the project. You Can Also Check: Kolkata AQI | Weather in Kolkata | Bank Holidays in Kolkata | Public Holidays in Kolkata The civil work, including exterior repairs, has already been carried out by KMC. The KMC heritage committee will continue to inspect and supervise the restoration. Mayor Firhad Hakim lauded the Credai Kolkata initiative to step forward and support the restoration project. Roxy was nearly facing the hammer a decade ago when heritage enthusiasts — writer Amit Chaudhuri and Intach Kolkata convenor GM Kapur — filed a PIL. The subsequent change of guard at KMC led to the demolition plan being dumped. The restoration project marks a remarkable turnaround in the theatre's fortunes.
