Latest news with #Cruise


India Today
2 hours ago
- Entertainment
- India Today
Tom Cruise celebrates 35 years of Days of Thunder, supports Brad Pitt's F1 release
Actor Tom Cruise is celebrating 35 years of his popular racing film 'Days of Thunder' and also showed support for Brad Pitt's latest racing movie 'F1'. At the same time, he hinted at the possibility of teaming up with Pitt for a film in the shared a series of nostalgic photos on X and wrote, 'I always love the fun and adrenaline of a racing film. Today marks two racing milestones for my friend Jerry Bruckheimer, the release of 'F1' and the 35 year anniversary to the day of our collaboration with the great Tony Scott on 'Days of Thunder' (sic).'advertisementHe concluded, 'Incredible to look back on this film today, and congratulations to Jerry, Brad, Joe and the whole 'F1' team on their release! (sic)' Meanwhile, 'F1' director Joseph Kosinski, who previously directed Cruise in 'Top Gun: Maverick', revealed in a GQ Magazine UK interview that he is already dreaming up a sequel - one that would bring Cruise and Pitt together in a 'Days of Thunder–F1' crossover. Cruise played racecar driver Cole Trickle in the 1990 film, and Kosinski is keen to blend that legacy into his new racing Joseph Kosinski had once planned a film with Tom Cruise and Brad Pitt, similar to 'Ford v Ferrari', where both stars would do their own racing stunts. But the studio didn't approve the budget, and the film was later made by James Mangold with Christian Bale and Matt Damon in the lead. advertisement Though Cruise and Pitt haven't shared screen space since 1994's 'Interview With the Vampire', the two remain friends. Cruise even made an appearance at the 'F1' premiere in London, posing with Pitt. Speaking to E! News, Pitt recently expressed his interest in acting, with Cruise again jokingly adding, 'I'm not gonna hang my ass off airplanes and shit like that.'Joseph Kosinski's 'F1' hit theatres on June 27. The film features Brad Pitt as a retired 'F1' champion who returns to the track to save a struggling team and honour his former teammate's legacy. With high-octane racing sequences and an emotional storyline, the movie appeals to both 'F1' enthusiasts and general audiences.- EndsTrending Reel


Daily Record
3 hours ago
- Entertainment
- Daily Record
Tom Cruise's all time best movies ranked including 'breathtaking and moving' 80s classic
A full list of Tom Cruise's movies has been ranked from best to worst, according to their Rotten Tomatoes scores, with some surprise entries doing better than you might expect Tom Cruise, the quintessential '80s Hollywood heartthrob, has been dazzling audiences for decades, and now we've got the definitive list of his best and worst films. Rotten Tomatoes, the esteemed review aggregator, has crunched the numbers, using authentic critiques to sort through Cruise's extensive filmography. The rankings may throw up a few surprises, with some of Cruise's more obscure roles securing spots in the top 10, while others are expected entries thanks to widespread critical praise. Topping the charts as the actor's most celebrated work, according to viewer ratings, is the high-octane Mission: Impossible-Fallout. The 2018 blockbuster, which is the sixth instalment in the Mission: Impossible saga, has garnered an outstanding 98% rating, making it a clear fan favourite. One critic said: "Mission: Impossible - Fallout is hands down one of the best action movies I've seen in a while. The stunts are absolutely wild, and knowing Tom Cruise actually did them makes it even crazier." They added: "The pacing keeps you locked in from start to finish-there's never a dull moment. The story ties in nicely with the previous films but still stands strong on its own." Cruise's reputation for performing his own death-defying stunts has certainly paid off, influencing the high ranking of his stunt-laden features, with the recent hit Top Gun: Maverick soaring into second place in the 2022 charts. Unexpected entries have climbed the rankings out of 44 films, with the 2002 Steven Spielberg hit Minority Report making a notable appearance. It's closely tailed by Spielberg's 1988 classic Rain Man, which is just a whisker behind with an 88% rating, followed by The Color of Money in tenth place. Discussing Rain Man, the Mirror US reports that one film enthusiast remarked it is a "comedy that brings you to tears when the credits role". They added: "A breathtaking and moving film with such fantastic acting from both lead roles, with Tom Cruise showcasing that he can be more than a blockbuster protagonist who runs and jumps. It is a lost gem, and I hope it gains more attention as years go on." Languishing at the bottom of the pile, in 44th place with a mere 9% score, is the romantic comedy Cocktail. In this early Tom Cruise vehicle, he plays a New York bartender with grand ambitions that take him to Jamaica to open his own bar. The general view labels the film as rather "average," though some critics are more scathing. A review stated: "Yes, Tom Cruise has charisma. All that doesn't change the fact that this film isn't that good. Much like Cruise's character, Brian, this story drifts along without any real purpose." It continued: "And while the acting isn't terrible, the writing is watered down, and the characters are one-dimensional. It seems that the filmmakers didn't get the mix right when it comes to Cocktail." The Top 10 Rotten Tomatoes ranking Mission: Impossible - Fallout (2018) Top Gun: Maverick (2022) Mission: Impossible - Dead Reckoning Part One (2023) Mission: Impossible - Rogue Nation (2015) Mission: Impossible - Ghost Protocol (2011) Risky Business (1983) Edge of Tomorrow (2014) Minority Report (2002) Rain Man (1988) The Color of Money (1986)


Daily Mirror
6 hours ago
- Entertainment
- Daily Mirror
The best teen movie ever is back in cinemas - and, like its star, it hasn't aged
Between billionaire weddings, Scary hen parties and more drama offscreen than on at ITV, it's been a busy old week in Showbizland. Poor Lorraine Kelly has been been tearing her hair out - literally. Plans are in motion for a certain movie crossover and the Duke and Duchess of Sussex are the literal butt of jokes on the Royal Family's Instagram account. This weekend's looking just as busy. The lucky (rich and organised) fans at Glasto may be baking in the heat but they are in for a giant aural treat - with the likes of Olivia Rodrigo, The Libertines, Raye and Rod Stewart all playing over the next two days. Okay, the latter's not my cup of tea, but what do I know? I'm still in disbelief Alanis Morissette was only ranked third , yes, THIRD, on the bill on Friday, behind headliners the 1975 and Biffy Clyro. That must have been a bitter (jagged little) pill for her to swallow. For those not waking up in a sweltering tent, regretting their life choices for not packing Factor 50, there's some even cooler entertainment to be had this weekend - in the delightful air con surroundings of your local cinema. For, one of the BEST films of the past 30 years is back on the big screen this weekend. And clue - it's NOT Jurassic World: Rebirth. What is it? Well, duh, it's the one teen movie so truly close to perfect it should be, like, taught in schools, obviously. More on that below..... but first let's take two minutes to appreciate some of the quirky, ironic and often whimsical moments of the past showbiz week..... Talk about bang for your buck. Movie fans in Leicester Square got two (albeit slightly-ageing) A-list hunks for the price of one on Monday night. For Brad Pittmay have expected to be the biggest name at the London premiere of his racing driver epic F1. But then his old pal – and Interview With a Vampire co-star – Tom Cruise decided to make a pit, or rather a Pitt , stop. The surprise addition of Cruise came with an even bigger shock. F1 and Top Gun: Maverick director Joseph Kosinski has revealed his dream pitch for the racing film's sequel: F1's Sonny Hayes coming face to face with old foe Cole Trickle – aka Tom's character from 1990's racing driver movie Days of Thunder. 'It'd be Cole Trickle, who was [Cruise's] Days of Thunder character, [and] we find out that he and [Brad Pitt's] Sonny Hayes have a past,' Kosinski says. 'They were rivals at some point, maybe crossed paths…' Interesting. But what inspired this? Kosinski says: 'I heard about this epic go-kart battle on Interview With a Vampire that Brad and Tom had, and who wouldn't pay to see those two go head-to-head on the track?' You make a valid point, Joe. Now, throw in Chris Hemsworth as James Hunt in 2013's Rush and you'll be guaranteed pole position at the box office. Thanks to her MBE, Mel B will be following in Princess Diana's footsteps when she weds fiance Rory McPhee at St Paul's Cathedral next month. And while sources close to Mel have assured it will be a very sophisticated affair, I genuinely hope she's going full out Scary Spice – leopard-print bridesmaid dresses and the works. But this week it was the details of her hen do not her nuptials making headlines. For Scary recently took 35 pals to Tunisia. As the country is famously dry, they spent most of their time partying in their private mega-villa, often finishing at 4am. 'It was an absolute riot from start to finish,' one source was quoted as telling reporters this week. Fortunately it didn't turn into a literal one. For there was one bar serving booze in the apartment block next door – but it only served MEN. So I wonder what would've happened if Mel 'Girl Power' B had popped in by accident? I imagine it would indeed have been a Scary encounter. But not for her. For them.... Here's a shot to cast a dark cloud over sunny Montecito. For George Clooney and wife Amal – one-time wedding guests for the Duke and Duchess of Sussex – this week made it quite clear which side of the royal rift they were on. Spoiler alert: I don't think it's Haz and Meg's. Yes, the pair appear to be firmly Team Charles as they were snapped enjoying quite the charming chit chat with our monarch at a King's Trust reception on Wednesday. And in case there's any doubt about their even an award for female achievers presented in Amal's name. (This year's recipient was Alice, a 19-year-old Kenyan woman who launched a bead-making business, which saved her from being a child bride when her father died.) Don't worry Haz, I'm sure it isn't personal. After all, it wouldn't be the first time George Clooney's switched allegiances – as a certain former President Biden may well recall.... …Sadly, for H&M, the Clooneys weren't the only ones at the event who may have risked their wrath. Cheeky Radio One DJ Jamie Laing, whose great-great-grandfather invented McVitie's Digestives, was also at the same event - and 'appeared' to take a swipe at Meg's now infamous hospital twerking video. How? Well in quite a spectacular way. He filmed his own version with pregnant wife Sophie Habboo… on the staircase of Buckingham Palace itself… and then posted it to his millions of followers on Instagram, going viral on Thursday. I can't imagine The Sussexes loved being the butt of a former reality star's joke. But what must really take the, um, biscuit, is how the Royal Family reacted. For this was their exact response from the official, yes the official, Instagram account: "We see you, Side Eye emoji, Winky Face emoji." Ummmm. It's not exactly the vigorous telling off one would expect for flouting royal protocol. In fact, I'd go as far as to say it's halfway to encouragement. So why was the official Instagram account for the Royals embroiling itself in social media tit for tat and frippery? I suppose we shouldn't be surprised that the old emphasis on etiquette, decorum, dress code and a stiff upper lip is becoming more relaxed. The gloves came off with Megxit, after all. However, the royals foray into Instagram quippery did make me wonder: What if social media had been around for some of the infamous Royal moments of the past? How would Edward VIII have announced his abdication on X? An 'I'm out' meme from Dragons' Den, perhaps? Alongside the hashtags: #TheGreatResignation, #YouDoYou?Would Henry VIII be for ever trawling the 'gram looking for a new wifey, sliding into the DMs of every 1500s' hottie flashing a bit of ankle? You can picture his opening gambit: 'S'up? Ur (Fire Emoji). Wannabe my (Crown Emoji)? Send nudes. #NoFilter, #Nohorsefaces #NoPsychos (Aubergine Emoji)' Or maybe Spain would try to scare us with a photo of their giant 1588 Armada, captioned: 'Off to Blighty! #ladsontour #VacayVibes'. Only for Elizabeth I to pop up in the comments with a cluster of emojis: Yawn Face, Eye Roll and every passive aggressive's favourite: Painting Nails – the universal symbol for 'Me? Bothered? As If!'? Excitement over the wedding of Jeff Bezos and Lauren Sanchez has been swamping showbizland this week. The Amazon founder has been having a three-day Venice extravaganza, with everything a showbiz wedding needs: A $20million budget, Elton John as the wedding band, a whole raft of Kardashians and a (possibly) newly-single Orlando Bloom. But it can't be all fun and games being a guest. Because there's that age-old quandary: what do you get for the man who has everything? (Quite literally, for sale at After all, he has come a long way since he was working in a tiny office in Seattle. Back when he married his first wife in 1993, he was probably grateful for the usual toaster and microwave essentials. But now with £210billion in the bank, he can literally have anything he wants in the world. Or indeed out of it – if he takes a ride in his Blue Origin rocket. Have you done something different with your hair, Lorraine Kelly? The TV star was clearly feeling a little devil may care and playful this week. For when discussing hairstyles with a guest, she revealed she's been wearing extensions every day for years – and then proceeded to take them out ....live on air. It didn't end there. Scottish Lorraine bizarrely went on to demonstrate how her extensions could 'also double as a beard'. Her actions, on Thursday's show, came a month after ITV bosses announced they were slashing her one-hour morning show to just 30 minutes, and airing it for 30 weeks of the year instead of 52. This week, there was a further blow for Lorraine and Loose Women. It was revealed cost-cutting bosses were preparing to bid goodbye to their plush studios at west London's iconic Television Centre - and potentially move them to a smaller site in the basement of an old London club. So, to be fair, after the way Lorraine has been treated after 30-odd years at ITV, I can understand why she's – quite literally – tearing her hair out. Well, like, duh, obviously...... Don't get me wrong there's tough competition: Legally Blonde, 10 Things I Hate About You, The Breakfast Club, Say Anything, American Pie, Heathers, Road Trip Mean Girls, The Craft, Carrie, Never Been Kissed, The Lost Boys, Go!, Cruel Intentions, To All the Boys I've Loved Before, Stand By Me...... But NOTHING beats the one the that made a million fans crave a yellow plaid suit. Yes, it's that slice of quotable cinematic perfection - CLUELESS. The movie's been remastered and is back in Cineworld cinemas this weekend to celebrate a whopping 30 years on June since Alicia Silverstone made Cher Horowitz a 1990s' icon. Forget Gwyneth Paltrow and Anya Taylor-Joy's period adaptations of Emma. Do you think the queen of wit Jane Austen would have preferred those versions of her classic novel to Amy Heckerling's ironic, masterful and, like, totally charming script? Urgh, As If! The tent fits two people comfortably


Indian Express
6 hours ago
- Entertainment
- Indian Express
F1: Brad Pitt, Joseph Kosinski reminds what going to the movies is all about
In a world too eager to draw lines between 'cinema' and 'content,' there's something liberating about watching a film that unapologetically blurs them. F1: The Movie is that film. It screeches into the cultural conversation like a perfectly timed overtake — sleek, loud, emotionally resonant, and utterly commercial. But most importantly, it reminds us why we fell in love with going to the movies in the first place. Yes, it's a popcorn flick. But perhaps, it's time we act as if it's a bad thing. There's a particular kind of snobbery that often trails behind the phrase 'popcorn movie.' It suggests something frivolous, temporary, even intellectually disposable. As if real cinema can only happen in quiet conversations, long takes, or prestigious festival halls. But anyone who's ever clutched their armrest during a climactic car chase or felt goosebumps rise as the score swelled in a packed auditorium knows that what commercial cinema offers is no less sacred. As I walked out of my IMAX show of F1, heart racing, breath caught somewhere between awe and adrenaline, I was entertained, sure, but I was also revived. It was a visceral reminder that spectacle, when done with care and vision, is not the enemy of art. It is art. When we talk about blockbusters – real, heart-thumping, stadium-filling blockbusters – we have to start with Tom Cruise. The man has never pretended to chase awards. The Academy's recent decision to honour him with a career-first Honorary Oscar is less about a golden statue and more a belated acknowledgment of something much bigger: Cruise doesn't just make movies. He fights for them. He was one of the first global stars to urge people back to theatres when the COVID-19 pandemic was at its peak –– even flying to London to support Christopher Nolan's Tenet. That was less about promotion and more about preservation. Cruise, more than a star, has always been a patron of the big screen. His last major commercial success, Top Gun: Maverick, was described by Spielberg as the film that 'saved Hollywood's a**.' That wasn't hyperbole, it was history. But Cruise didn't do it alone. Director Joseph Kosinski, who returned after the elegant dogfights of Maverick, now turns his eye to the tarmac. In F1, Kosinski cements his place as the next great architect of big-budget cinema –– one who understands that spectacle without soul is just noise. Kosinski doesn't just choreograph speed, he composes with it. His action sequences aren't stitched together in the edit, they're scored like symphonies. There's rhythm. Tension. Payoff. Somewhere along the way, 'popcorn movie' became shorthand for something unserious. But what if that label isn't an insult, but an invitation? I've argued against this kind of cinema myself. I've scoffed at Minecraft making millions. I've raised eyebrows at Animal dominating the box office. But then, F1 hit me like a memory I didn't know I'd misplaced. It brought me back to Ta Ra Rum Pum, a racing drama that might not rank high in Bollywood's pantheon but, for me, was where it all began. I rooted for Saif Ali Khan's RV. I sang the title track. I felt something. Maybe I've always had a thing for racing films. Or maybe racing films just know how to tap into something primal: motion, momentum, meaning. There is a strange, beautiful alchemy that happens in a dark theatre. The communal gasps. The silence that falls before the final lap. The vibration of engines that you feel in your ribcage. That can't be replicated on a phone. It's not supposed to be. F1 is a reminder of why we gather in the dark –– why we still need those towering screens and that cavernous sound, and why the theatrical experience isn't dead, just dormant, waiting for the right ignition. And F1 is nothing if not a push-start for cinema. Let's retire the old dichotomy: that art belongs at Cannes and commerce belongs at the box office. History has proven otherwise. From Jaws to Titanic, The Dark Knight to Avatar, and now Maverick to F1—blockbusters can have brains, and heart, and soul. F1 doesn't just make the case for popcorn movies. It makes them personal again. It proves that emotional depth and mass appeal aren't contradictions—they're co-drivers. Beneath the rubber, the smoke, the turbocharged glitz, there's philosophy. Time. Obsession. Mortality. A meditation on the human need to chase, to risk, to move. Blockbusters like F1 don't dumb us down. They lift us up. They unite us, move us, and yes, sell us popcorn. And maybe – just maybe – that's exactly what movies are meant to do.


Deccan Herald
7 hours ago
- Entertainment
- Deccan Herald
Joseph Kosinski wants Tom Cruise and Brad Pitt to star in 'F1' and 'Days of Thunder' crossover
Cruise and Pitt have collaborated only once on the 1994 horror fantasy film 'Interview with the Vampire'.