
San Diego Comic-Con 2025: 27 Best Cosplays We've Seen So Far
From a giant Galactus to a dog cosplaying as Loki (yeah, you heard right), here's what everyone wore.
Garrett "The Garbageman" Garrison from A Minecraft Movie.
Maleficent from the Maleficent movie.
Doctor Octopus from the Spider-Man comics.
Queen Amidala from Star Wars.
Doc Brown and Marty McFly from Back to the Future.
Eevee from Pokémon.
Hitchhiking Ghosts from The Haunted Mansion ride.
Galactus from the Fantastic Four comics.
Mexican Wonder Woman.
Zombie Captain America from Marvel Comics.
Forrest Gump from Forest Gump.
Bender from Futurama.
Jane Porter from Tarzan.
An Illusioner from the Minecraft video game.
He-Man's Battle Ram Vehicle.
Ken Takakura from Dan Da Dan.
Samus Aran from the Metroid video games.
Wiccan from Agatha All Along.
Kuzco and Yzma from The Emperor's New Groove.
Loki from the Loki TV show.
Orin from Baldur's Gate 3.
Mr. Milchick from Severance.
Roz from Monsters Inc.
Chappell Roan's "Pink Pony Club."
Denji from Chainsaw Man.
Inosuke Hashibira from Demon Slayer.
And finally, Erik from The Phantom of the Opera.
Do you have a favorite cosplay costume from San Diego Comic Con? Tell us your thoughts in the comments below.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Tom's Guide
an hour ago
- Tom's Guide
‘Spider-Man: Brand New Day' set photos might have just revealed when this movie takes place in the MCU
'Spider-Man: Brand New Day' is less than a year away in our timeline. But now, we might know exactly when the next Spidey movie takes place in the Marvel Cinematic Unvierse's timeline. Yesterday (July 28), the account Spider-Man News took to X (Twitter) to share photos from the set of the next "Spider-Man" film. These photos don't share much at first glance, but there's a key detail hiding in them that potentially reveals when this movie is set in the MCU. Set photos from the set of Spider-Man Brand New DayVia @lukec1605 28, 2025 If you look at the first and third photos in the post, you'll seee an anticipated completion date for the under construction "Building AJ816" as Dec. 2027 (incidentally, you'll also see that Manhattan is misspelled). We already know that "Captain America: Brave New World" and "Thunderbolts*" take place in 2027, with the latter taking place precisely 14 months prior to the events of the upcoming "Avengers: Doomsday." Now, it seems that "Spider-Man: Brand New Day" will also join these two movies before "Doomsday" in the MCU timeline, and likely in 2027 as well. We still don't know exactly when it takes place in relation to "Brave New World" or "Thunderbolts*," but given we don't expect the fourth "Spider-Man" film to be tied narratively to those two films, it likely doesn't matter. We don't know a ton yet about "Spider-Man: Brand New Day," but here's everything we've learned so far: Get instant access to breaking news, the hottest reviews, great deals and helpful tips. This streaming bundle deal is a total steal if you're looking to get both Disney Plus and Hulu on a budget. Follow Tom's Guide on Google News to get our up-to-date news, how-tos, and reviews in your feeds. Make sure to click the Follow button.
Yahoo
2 hours ago
- Yahoo
Fantastic Four Theory Reveals How They Travel From Earth-828 To 616 Universe
A new Avengers: Doomsday theory explores how the Fantastic Four might travel to Earth-616. It suggests Reed Richards uses Galactus' ancient ship tech, combined with his own inventions, to build multiversal transport and rescue Franklin Richards from Doctor Doom's grasp. How Reed Richards cracks multiverse travel in Avengers: Doomsday and why Reed Richards designs an inter-universe transportation during the course of The Fantastic Four: First Steps. That's what he uses to transport Galactus to a different corner of the universe. But after that, Galactus' ship Taa II was lying dormant in Earth's orbit. So, it'd be safe to assume that Reed would gain access to it to explore ancient technology that could be billions of years old. In the movie, Reed says he needs 10 years to study its systems. But the post-credits scene takes place four years later, which could suggest that Reed may have spent that time analyzing Galactus' technology. According to a theory by New Rockstars, Reed likely combines his own transportation and faster-than-light travel technology with the ancient systems aboard Galactus' ship to enable multiversal travel. The film confirms that Reed had previously built a teleportation bridge capable of moving objects across vast interstellar distances. His chalkboard also includes speculation about the bridge opening portals to other dimensions. New Rockstars notes that Reed had already mastered wormhole travel via the Excelsior ship's FTL engine and routinely tracks cosmic signals. He also possesses a comprehensive star map and cosmic observation tools. These details support the idea that he could integrate cosmic-level technology from Galactus' ship to expand his reach beyond Universe-828. The theory further suggests Reed's motivation to enter Earth-616, which may stem from Doctor Doom's possible kidnapping of Franklin Richards. That's how and why we see the Fantastic Four's ship in Thunderbolts*' post-credits scene. Avengers: Doomsday features Universe-828 and includes scenes set in the Baxter Building. So, according to New Rockstars' theory, this setup allows the Fantastic Four to travel to Earth-616 using enhanced multiversal tech built from Reed's inventions and Galactus' ship. Alternatively, the Avengers could also use America Chavez for the same. But we'll find out more when Avengers: Doomsday hits theaters on December 18, 2026. Originally reported by Anubhav Chaudhry on SuperHeroHype. The post Fantastic Four Theory Reveals How They Travel From Earth-828 To 616 Universe appeared first on Mandatory. Solve the daily Crossword


Geek Girl Authority
2 hours ago
- Geek Girl Authority
Who Gets To Be a Geek: Unpacking Gatekeeping in the Geek Community
Who Gets To Be a Geek: Unpacking Gatekeeping in the Geek Community by Amanda Boyd The gatekeeping conversation is as old as the geek community itself. We continue to ask, 'Who gets to be a fan?' Even though geekdom has become more mainstream and inclusive than ever, gatekeeping is still very present. At its worst, it's outright discrimination. At its best? Even then, it's often rooted in fear of loss rather than love for the work. When Gatekeeping Is Just Discrimination Many of us have either experienced or witnessed the most unfortunate side of gatekeeping: a woman being asked whether she really knows Star Wars , a BIPOC cosplayer being told their costume isn't 'accurate,' or someone being met with surprise because they don't 'look' like an anime fan. This isn't passion for fandom, it's prejudice wearing a fandom t-shirt. It's discrimination, plain and simple. Some people use fandoms as a shield for their racism, sexism, and other biases. They try to turn communities meant to celebrate creativity and connection into exclusive clubs. However, fandoms thrive when they're open and diverse. Women make up nearly half of the gaming community, and LGBTQ+ fans also have a prominent presence, despite being underrepresented. We're finally living in an age where diverse stories and voices are being recognized and celebrated in geek spaces, and the communities are better for it. RELATED: SDCC 2025: Anne Rice Immortal Universe Panel Unveils Dark Delights for The Vampire Lestat and Talamasca So, when you see someone being targeted online or at a con just for existing in a space they love, speak up. This form of gatekeeping doesn't come from love of the content; it comes from dislike of others. And that's never what fandom should be about. The Emotional Roots of 'Protective' Gatekeeping That said, not all gatekeeping comes from a place of hate. Some of it comes from fear, fear that something meaningful will be changed or lost. For long-time fans, especially those who found a deep personal connection to a show, game, or story before it hit the mainstream, there's a feeling of ownership. You were there at the start. You 'got it' before the world did and saw yourself in the art. Then comes the adaptation. The reboot and the studio cash-in. Suddenly, that once-intimate thing feels mass-produced, rebranded for people who don't love it the way you do. It can feel like watching a cherished memory get turned into a marketing campaign. You can probably name at least three franchises that have gone through this exact trajectory. Many fans can. RELATED: New TV Shows This Week (July 27 – August 2) Wanting to protect that original feeling, the authenticity, is natural. Art helps us express who we are, and when that expression feels diluted or co-opted, it stings. But here's the hard truth… Gatekeeping Doesn't Really Work Despite all the fan debates, trivia battles, purity tests, and cosplay critiques, gatekeeping hasn't stopped fandoms from growing. In fact, geek culture is bigger than ever. There's a constant tug-of-war over who's the 'real' fan: Who's been here longer? Who knows more? Can you quote every line? Do you own the rare collector's edition? But none of that actually controls what happens to the art. Fans rarely dictate whether something becomes mainstream, rebooted, or franchised. Artists themselves know that once their work is out in the world, it stops belonging to them. It takes on a life of its own. Fans, on the other hand, often struggle with that reality. RELATED: Everything Coming to Netflix in 2025 The truth is, the art you love is going to change. The community around it will change too. But change doesn't mean loss. You Will Always Have What You Loved Here's the most important thing to remember: no matter how popular or diluted a franchise becomes, you will always have the version that made you fall in love. No one can take that from you. The original game, book, show, or comic is still there. Even if the new versions don't speak to you, you still own your connection to what once was. We all chase the high of that first time a piece of art really hit us. But that feeling isn't meant to be recreated exactly. Art evolves. Artists evolve. Culture evolves. And while we can mourn what's changed, we can also choose to celebrate the impact the original had on us, and still has. RELATED: SDCC 2025: Star Trek Universe Panel Beams Up With Exciting Franchise Updates Maybe the 'posers' fade away. Maybe the fandom finds its balance again. Or maybe it becomes something entirely new. Regardless, your love for it is real, and it endures. So, instead of guarding the gates, maybe it's time we opened them. With care, with context, and with community. Because the best thing about art is that it brings people together, and there's room for everyone who truly loves it. SDCC 2025: Prime Video Sets Premiere Date for HAZBIN HOTEL Season 2