logo
Are our must-have love lists killing our chance at happiness?

Are our must-have love lists killing our chance at happiness?

The Age3 days ago

In the final moments of Celine Song's debut feature film, Past Lives, a woman closes the door to a cab taking her childhood love, a man who represented a lifelong 'what if?', to the airport to fly from New York back to Korea, where he lives and she grew up. The camera follows her down the street to the stoop where her husband sits waiting. The first time I watched it, the cinema lights came up soundtracked to my heaving sobs.
The second time I saw the film, I excused myself from the cinema before it reached that scene, because I feared the post-screening Q&A I was hosting with the writer-director would be embarrassing and damp. A deeply romantic, patient and quiet film, Past Lives went on to top many of the year's 'best of' lists and earn Oscar attention. It cemented me as a fan of Song for life.
Then it was announced that her follow-up would be another romantic drama positioning one woman between two men who represent bigger choices than just affection and passion. Materialists is in Australian cinemas now, and before bundling up in half a dozen layers to see it on Sunday night, I'd heard the director had pulled off another feat and that the marketing of Materialists as a fluffy rom-com about a big-city matchmaker played by Dakota Johnson was something of a Trojan horse. The real story was a treatise on modern dating and what our outsized expectations for partners does to our chance at relationships.
My curiosity was piqued. As the perpetually single one, I've learned to tune out the inquiries from well-meaning friends who've never had to swipe left or right, have never had to scroll through profiles of men in their late 30s who are still 'not sure' if they want to have children. Every attempted date organised with a man whose profile bleats about how 'no one on this app actually wants to meet in person!' and who unmatches me the day we've made plans to do just that makes me more hardened towards the whole process … until a month or two later I decide to reinvest because what is there to lose.
People these days, I've been conditioned to believe, don't meet by chance any more. They don't meet as children or at artist residencies, like Nora in Past Lives did with the two men she felt split between.
Loading
I've been asked, by those friends spared from the Hinge trenches, what I want in a partner – and then been scolded for not having high enough standards when my answer was simply, 'taller than me and has a job'. (After every year on the apps, even those criteria become less 'dealbreakers' and more 'nice to haves'.)
Lucy, Johnson's character in Materialists, notes down similar expectations of her clients when they first meet. Men in their late 40s looking for women under 25. Women who make $80k a year on the hunt for a man making more than $300k. Men wanting a 'fit' woman – which, of course, has nothing to do with strength or cardiovascular health or time spent in the gym, but is instead code for 'not fat'. Women not looking twice at men under 180 centimetres.
Lucy's similarly calloused to the whole enterprise. Her clients are seen as either 'high value' or delusional. She personally believes that romance is a numbers game – specifically the numbers in a prospective partner's bank account.
What her career – and the collective time we singles are spending on miserable, hopeless apps – has missed is the surprise and spontaneity underpinning so many of the good relationships, the ones that don't just get the chance to begin, but last. A friend of mine drunkenly declared she'd marry a man she saw in line at Hungry Jack's one night. They took their wedding photos outside that takeaway spot years later. If another friend had not gone to a house party, who knows if she'd have a baby and a mortgage with the guy she met there. I was the officiant, early this year, of the wedding between two friends who were dancing near each other at a pub when one of them worked up the courage to put their number in the other's phone (and barely remembered afterwards).
No criteria or checklists or forensic accounting or seeing how someone (literally) measures up. Just chemistry that an app or matchmaker can never dream of conjuring up. It's almost enough to give a sceptical human barnacle some hope. Almost.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Hailey Bieber's latest makeup trend is ‘fairy magic'. Here's how to nail it
Hailey Bieber's latest makeup trend is ‘fairy magic'. Here's how to nail it

The Age

timean hour ago

  • The Age

Hailey Bieber's latest makeup trend is ‘fairy magic'. Here's how to nail it

This story is part of the June 29 edition of Sunday Life. See all 13 stories. The weather may be drab, but that doesn't mean our make-up has to be. In fact, our latest palette choice is a light, soft, ethereal look with all the required elements – dewy blushed cheeks, peachy lids and glossy, barely there lips – inspired by delicate, pale-pink cherry blossoms. The poster girl for this look is Hailey Bieber, who embodied the strawberry make-up trend, with its focus on hues based on freshly picked summer berries, that flooded TikTok in 2023. Cherry blossom make-up is a more transparent, blushed version. Says Australian make-up expert Rae Morris, 'I've completely fallen in love with this trend – it's soft, it's romantic, but still modern. It's not about heavy make-up but blush tones that look like they've always been part of your skin. Think gentle, seamless colour across your cheeks, lids and lips. The magic is in keeping everything soft and tonal.' To craft this delightful look, you'll need a luminous foundation applied to freshly cleansed and moisturised skin. Begin your routine with a gentle exfoliating cleanser to create the smoothest skin possible – try Avène Gentle Exfoliating Gel ($42) and finish with a moisturising sunscreen like SkinCeuticals Ultra Facial Defense SPF 50+ ($68). Next, apply a dewy base that lets your skin be the hero – we like Shiseido's Synchro Skin Radiant Lifting Foundation ($70) – and top it off with Rae Morris Invisible Mattifier ($88) for a velvety finish. The centrepiece to this look is artfully applying cream blush to keep it soft and blurry. Make-up superstar Bobbi Brown, famous for her take on the power of this 'pop of colour', has this advice: 'To find your perfect natural-looking blush, choose the colour that matches your cheeks when you are flushed from exercise.' Take the blush high on the cheek bones, then run it over the bridge of the nose and lids and under the lower lash line for a subtle pink panda effect. Try Bobbi Brown 's Jones Road Beauty Miracle Balm in Happy Hour ($90), a barely there balm with a pearly glow. For more definition around your eyes, use a soft nude eyeliner drawn as close to the lash line as possible as well as the inner rim of the eye. Our choice? Tarte Fake Awake Eye Highlight in Nude ($34). When it comes to mascara, switch black for brown and apply a single coat. Our choice is Lancôme Hypnôse Volumising and Non-Clumping Mascara in brown ($71). For extra oomph, apply a luminous highlighter over your blushed cheeks and lids. We adore Fenty Beauty

Eight albums and two hip replacements: Shirley Manson shows no sign of slowing down
Eight albums and two hip replacements: Shirley Manson shows no sign of slowing down

The Age

timean hour ago

  • The Age

Eight albums and two hip replacements: Shirley Manson shows no sign of slowing down

This story is part of the June 29 edition of Sunday Life. See all 13 stories. I am an outspoken person,' says Shirley Manson on a Zoom call from her home in Los Angeles. 'It comes naturally to me, and it's how I was brought up. I don't get easily frightened. As a result, I get it in the neck, but I don't allow it to shut me up.' It's fair to say the Scottish lead singer of rock band Garbage doesn't suffer fools gladly. You'll often find Manson on social media calling out humanitarian crises and weighing in on cancel-culture debates and world politics. She has firm views on Gaza, Ukraine, Sudan, Haiti and the Congo. 'According to the way I was parented, you need to say something when people can't stand up for themselves,' she explains. 'Sometimes I get frustrated when people don't speak out, but not everybody has a robust psyche like me.' Manson first caught our attention in 1995 when she burst onto the music scene with Garbage's hit single, Only Happy When It Rains, a song penned with founding member and drummer Butch Vig, who famously produced Nirvana's 1991 breakthrough album, Nevermind. The late Michael Gudinski toured Garbage in Australia and New Zealand while the band was still relatively unknown, following a hunch they'd make it big. And they did. Garbage's self-titled 1995 debut peaked at No.4 in the Australian charts and went on to sell four million copies worldwide. Since then, the band's seven albums have sold more than 17 million copies. Manson still gets teary when she talks about Gudinski. 'Michael saw me as a human being,' she says. 'He acknowledged my loyalty and witnessed me as the soft yielding mess that I actually am in real life. And when somebody sees you for how you really are, you are bound to them forever.' The mid-1990s was a pivotal period in music, the release of Garbage coinciding with Alanis Morissette's Jagged Little Pill, Björk's Post, Oasis's (W hat's the Story) Morning Glory? and No Doubt's Tragic Kingdom. Now 58, and with two hip replacements behind her, Manson returns with her band for their eighth studio album, Let All That We Imagine Be the Light. The release feels like a chance for Garbage to finally embrace a sunnier disposition, trading emo anthems for hope in the face of fear. It's music fuelled by a defiance that comes with age, a perspective that's matured, and a self-confidence that's finally been acknowledged. 'I had to put positive thinking into practice and imagine something bigger and better than myself.' SHIRLEY MANSON Manson knows that in 2025, her band is competing with the likes of Chappell Roan, Dua Lipa, Taylor Swift and Gracie Abrams for attention. That hasn't deterred Garbage's ambitions to keep making music for their loyal followers, just tempered the band's expectations. 'You can't have the same cultural impact you had when you were young,' says Manson. 'That is the province of youth, and how it should be.' Manson wrote most of the songs for Let All That We Imagine Be The Light in 2023 and 2024 during two bouts of post-operation rehab in the LA home she shares with husband Billy Bush, Garbage's recording engineer. She had been told she would be walking three days after surgery, but each time took three months, while a diet of painkillers led to brain fog. But rather than feel sorry for herself, the situation inspired positive thinking. 'At first, I thought it was a tragedy that I was so crippled, but it turned out to be a gift,' she says. Loading She elaborates, 'I couldn't bear weight on my legs – it was frightening. I think I was clinically depressed, and I knew that if I didn't change my thinking about my health, about the dark events happening in the world at the same time, I would die of a broken heart. So, I had to put positive thinking into practice and imagine something bigger and better than myself. I employed a positive way of thinking for the first time in 58 years and was astounded by the results.' Sisyphus, the first song she wrote for the new album, points to the recovery process. 'It's about learning how to garner all my powers to recover and walk again,' she says. 'It was good to learn new things about myself, to reacquaint myself with the idea of patience and employ it for the first time in my life.' Earlier this year, a UK tabloid criticised Manson for looking 'unrecognisable' in a new promotional photo, a huge blow for someone who's spent her entire career fighting sexism. Asked about it now, Manson hits back: 'How can anyone expect to look the same as they did in their 20s? I don't even want to try.' Another new song, Chinese Fire Horse, is an ode to that inner feminist fire, calling out those who put women down. 'A few years ago, I had two journalists in different countries, one male and one female, ask me when I was going to retire. I was 54 at the time and completely thrown back on my heels. How did they have the audacity to ask me that question? Nobody would ever ask this question of the men in my band, who are considerably older than me – Butch [Vig] will be 70 this year. 'It was then I realised the experience of an ageing woman in our culture has never really been fully investigated in pop music. Bob Dylan has never written a song about what it's like to be an ageing woman.' She acknowledges that there's now a wave of female rock stars enjoying success in their 70s and even 80s. 'Women like Deborah Harry, Patti Smith, Stevie Nicks, Chaka Khan and Chrissie Hynde are the first wave who have ever done it,' she says. 'It's thrilling, and I can't think of anything more beautiful than pointing younger women to this messaging. 'When society tells you that you're dead at 25, they're lying to you. You have agency into your 80s thanks to these women. I am sick and tired of men being told how beautifully they age and how great they are. Well, how about we start talking about how great, gallus and courageous women are, because we haven't had any doors opened for us?' Away from the spotlight, Manson often turns to her inner circle – including fellow musicians Peaches, Santigold and the Yeah Yeah Yeahs' Karen O – for support. She still travels back to Scotland to visit her 88-year-old father and laughs while observing that, where she grew up, nobody cares that she went to LA and became a rock star. Manson lost her mother to dementia in 2008. While sad, it was another experience that gave the singer a spur to re-evaluate her life. 'I kept waiting for someone to recognise that I was enough,' she says. 'It wasn't until my mother died that I realised, 'Wow, I'm on my own now. I have no Joan of Arc in front of me. It's me versus the world and I have to value myself.'' That, however, doesn't make the sting of public scrutiny any easier, and Manson continues to attract media attention based on what she wears, both on and off the stage. 'I always ask myself, 'How can I be as authentic as possible with the clothing choices I make?'' says the woman who caused a ruckus in the 90s by wearing a T-shirt with the slogan 'Don't touch my tits'. Loading 'I don't want to play dress-up and I'm uninterested in being fashionable,' she continues. 'I don't give a f--- about fashion because I don't want to look like everybody else, nor do I want my identity consumed by the mainstream. Yes, I love beautiful clothes, but I'm not consumed by them.' Keeping it simple is her approach now. 'I feel very concerned about the unbelievable waste the fashion industry is creating. I am trying to be more conscious. I am re-using pieces over and over again. 'Am I perfect? No. Do I make mistakes? Yes. But I will never wear fur. I am eating fewer animal products nowadays, and I'm sure that within a few years I'll be wearing rubber Crocs 100 per cent of the time, not 99.9 per cent.'

Hailey Bieber's latest makeup trend is ‘fairy magic'. Here's how to nail it
Hailey Bieber's latest makeup trend is ‘fairy magic'. Here's how to nail it

Sydney Morning Herald

timean hour ago

  • Sydney Morning Herald

Hailey Bieber's latest makeup trend is ‘fairy magic'. Here's how to nail it

This story is part of the June 29 edition of Sunday Life. See all 13 stories. The weather may be drab, but that doesn't mean our make-up has to be. In fact, our latest palette choice is a light, soft, ethereal look with all the required elements – dewy blushed cheeks, peachy lids and glossy, barely there lips – inspired by delicate, pale-pink cherry blossoms. The poster girl for this look is Hailey Bieber, who embodied the strawberry make-up trend, with its focus on hues based on freshly picked summer berries, that flooded TikTok in 2023. Cherry blossom make-up is a more transparent, blushed version. Says Australian make-up expert Rae Morris, 'I've completely fallen in love with this trend – it's soft, it's romantic, but still modern. It's not about heavy make-up but blush tones that look like they've always been part of your skin. Think gentle, seamless colour across your cheeks, lids and lips. The magic is in keeping everything soft and tonal.' To craft this delightful look, you'll need a luminous foundation applied to freshly cleansed and moisturised skin. Begin your routine with a gentle exfoliating cleanser to create the smoothest skin possible – try Avène Gentle Exfoliating Gel ($42) and finish with a moisturising sunscreen like SkinCeuticals Ultra Facial Defense SPF 50+ ($68). Next, apply a dewy base that lets your skin be the hero – we like Shiseido's Synchro Skin Radiant Lifting Foundation ($70) – and top it off with Rae Morris Invisible Mattifier ($88) for a velvety finish. The centrepiece to this look is artfully applying cream blush to keep it soft and blurry. Make-up superstar Bobbi Brown, famous for her take on the power of this 'pop of colour', has this advice: 'To find your perfect natural-looking blush, choose the colour that matches your cheeks when you are flushed from exercise.' Take the blush high on the cheek bones, then run it over the bridge of the nose and lids and under the lower lash line for a subtle pink panda effect. Try Bobbi Brown 's Jones Road Beauty Miracle Balm in Happy Hour ($90), a barely there balm with a pearly glow. For more definition around your eyes, use a soft nude eyeliner drawn as close to the lash line as possible as well as the inner rim of the eye. Our choice? Tarte Fake Awake Eye Highlight in Nude ($34). When it comes to mascara, switch black for brown and apply a single coat. Our choice is Lancôme Hypnôse Volumising and Non-Clumping Mascara in brown ($71). For extra oomph, apply a luminous highlighter over your blushed cheeks and lids. We adore Fenty Beauty

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store