
Guy Sebastian shares sweet throwback photo with wife Jules as the couple celebrate 17 years of marriage... after the pop star suffered a horrific sporting injury
The pop star took to Instagram on Saturday to share an adorable throwback photo of the couple on the red carpet at the 2004 ARIA awards.
The photo was taken four years before the couple tied the knot, bit it is clear that they were very much in love.
The photo showed Guy, sporting his then trademark black curly hair, standing on the red carpet with his future bride.
As Jules smiled broadly for the waiting photographers, Guy could only stare lovingly at his partner.
It turned out to be quite the auspicious night for Guy, too, picking up his first ARIA award for selling single with his post-Australian Idol track Angels Brought Me Here.
Captioning the post, guy also made a comedic reference to his recent sporting injury that saw him rushed to hospital requiring surgery on a ruptured Achilles tendon.
'Happy 17th anniversary @julessebastian,' he wrote. 'I bet you thought you wouldn't have to help me get in the shower for a few more years.'
He kept the joke going with an inset on the image that showed Stan Laurel from iconic comedy group Laurel and Hardy.
The picture, taken from the 1934 film Country Hospital, showed Stan lying in a hospital bed with his leg, enveloped in a plaster cast, elevated as he reads a book.
The incident occurred after Guy teamed up with AFL great and radio host Brendan Fevola last weekend to help struggling club Masala Dandenong break a long losing streak
However, Guy's afternoon was cut short by injury with the pop star seen limping from the park in the fourth quarter.
Guy took to social media after the match, writing: 'Thought I'd strap on the boots after a LONG hiatus and performed for the locals.
'Great day out for Masala Dandenong getting their first win with @brendanfevola25 kicking a bag!
'Unfortunately I've done a proper number on myself. #realitycheck #sticktosinging #footyglorydaysareover.'
Brendan revealed the extent of Guy's injuries the following day on Channel 7's Sunday Footy Feast.
'Fourth quarter, I saw him fall down and I couldn't stop laughing because he just fell. I was like "mate, singers shouldn't play footy, footy players shouldn't sing, keep to your genre"', he said.
'And he looked around and he goes "I think something popped". I said that's not good, because I've done both Achilles.
'He's ruptured his Achilles. He's getting surgery on Monday and is in hospital. So he missed his mate's 40th but hey we got good headlines, which is great (laughs).'
Guy and Jules (née Egan) became engaged in late 2007 after eight years of courtship.
They tied the knot in May 2008 and have since welcomed two sons, Hudson 12, and Archie 11.
In 2020, Guy revealed to Who Australia Jules was hesitant to have children when they first started dating.
'Jules was a tomboy growing up. You know how some women growing up are kind of like, "I just can't wait to be a mum?"' he said.
'Whereas Jules was petrified of it. I never heard the words "I want to be mum" ever come out of her mouth because I think she was scared that she wouldn't do a good job,' he said.
Despite her reservations, Guy claims Jules has naturally taken to motherhood with the couple's two sons.
'The thing that I've seen her do unbelievably well is be a mum,' the pop star said, praising his wife.
'I think you have a newfound love for your partner when you see them in a role like that – nurturing and looking after the people that matter the most to you. She's killing it!' he added.
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Daily Mail
3 hours ago
- Daily Mail
Hulk Hogan's ex-wife Linda made heartbreaking comments about WWE wrestler just days before his sudden death
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Together, they navigated the highs and lows of celebrity life, raising two children in the spotlight: daughter Brooke Hogan and son Nick Hogan, both now 36. The family became even more recognizable in the mid-2000s through their VH1 reality show, Hogan Knows Best, which pulled back the curtain on the challenges of fame, marriage, and parenting. Though the couple officially divorced in 2009 following a very public breakup, they remained connected through their children and shared history. confirmed on Thursday that the WWE icon passed away early in the morning on July 24. 911 operators dispatched paramedics to his Clearwater, Florida home. A Clearwater Police Department spokesman said in a statement: 'Clearwater Fire Department and Clearwater Police Department personnel responded to a medical call at 9:51 a.m. today in the 1000 block of Eldorado Avenue on Clearwater Beach. 'The nature of the call was for a cardiac arrest. 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Daily Mail
5 hours ago
- Daily Mail
Gwyneth Paltrow branded as 'cringe' after gushing over 'scripted' praise from husband Brad Falchuk
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The Guardian
5 hours ago
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What Kept You? by Raaza Jamshed review – an extraordinary debut full of ritual and poetry
What Kept You opens in death: fires are raging through the Sydney hills, where Jahan lives with her husband, Ali. The revelation that she is grieving her nani's death follows shortly afterwards and, a beat later, we learn she has recently suffered a miscarriage. In the early pages of her extraordinary debut, Raaza Jamshed warns the reader this is not a story of clean endings and tidy miracles. This is a novel full of ritual and poetry. A type of witchcraft, and of healing. 'Perhaps, that's what I'm trying to do here – to build a staircase out of words, to climb towards you to the sky or descend into the grave and lie down beside you,' Jahan writes of her nani. This is a novel that sits comfortably in the grey areas between the literal and the figurative; between overcoming grief and being overcome by it. It exists between two worlds – not unlike Jahan herself, who grew up in Pakistan, raised by her nani, before fleeing, as a young adult, to Sydney. In Pakistan, Jahan's nani kept a watchful eye on her, mapping out the shadowy motivations of the world around them through story and superstition. But as an adolescent, Jahan begins to rebel against the stories she has been told, wanting, as all young people do, to find her own narrative, and her defiance brings her closer to danger. Her recollections start to form a second narrative: we begin to learn the reason she couldn't stay in Pakistan, and the night she did something that has haunted her in the years since. Jahan tries to find herself between the stories of her mother, who believed in the predictable arcs of conventional romance, and those of her nani, who spoke of dark things hiding in the shadows. She struggles to identify with either. This disconnect is amplified by her life in Australia, a country where she both belongs and doesn't, where she has found a friend and a husband who accept her but never seem to fully understand her. There's a sense that everyone in this story holds themselves at arm's-length from each other, preventing true intimacies, although their relationships are underpinned by genuine care and concern. Sign up for our rundown of must-reads, pop culture and tips for the weekend, every Saturday morning In first-person narration, Jahan addresses her nani throughout. Early on, a facilitator at a grief circle tells her to write for 14 days to a person with whom she has unfinished business: 'You write and write and write. And when you're done, you don't back-read the letter. You burn it.' And even though this seems to fly in the face of her nani's belief in the power of stories spoken aloud and shared, the idea takes root in Jahan. There is a sense across the novel's 15 chapters that we are reading her response to the writing assignment, as she processes the unfinished business she had hoped to leave in Pakistan; the business that keeps her from returning to visit her nani, even upon her death. Alternating between her recollection of the past and the immediate crisis in the present, these chapters are in part a confession and in part Jahan's attempt to gain control over her own story. Jamshed peppers her text with Urdu and Arabic phrases. She leans into the slippage of words, delighting in the poetry and double meanings found in translation. For example, Shamshad (nani's name) 'implicates itself in the English 'shame' in the first half but swiftly escapes it in the Urdu 'happiness' of the second'. The pleasure for the reader is twofold: Jamshed's expression is a joy to read, treading carefully between poetry and prose; and thematically, the careful unpacking of words and meaning adds complexity, indirectly critiquing the loss of identity and language that occurs through the flattening process of western colonisation. Sign up to Saved for Later Catch up on the fun stuff with Guardian Australia's culture and lifestyle rundown of pop culture, trends and tips after newsletter promotion Towards the end of the novel, as the fires close in around her and Jahan nears the climax of her recollection of the past, she picks through the half lies and truths that she has told herself over the years. Finally, she lands on this: 'All I wanted to be was a girl who was not afraid.' Has she succeeded? In some ways, she has outrun the fears that kept her in place throughout her adolescence, but there is a sense that these have been replaced by something just as dark and unforgiving. What Kept You? is tightly crafted and rich in poetic metaphor, but the real satisfaction for a reader lies in its complex portrayal of grief and growing up. By rejecting either of the fixed narratives that Jahan's matriarchs have prescribed her, Jamshed imagines a space in which grief and hope might coexist. Ultimately, her question is not how to outwit fate, but how to make peace with uncertainty. What Kept You by Raaza Jamshed is out now through Giramondo ($32.95)