
Compulsive Contemporaries to read now: Thirst Trap by Grainne O'Hare, Among Friends by Hal Ebbott, Finding Grace by Loretta Rothschild
Flatmates and Irish party girls Roise, Harley and Maggie are turning 30. Having spent their twenties drinking their way around the bars of Belfast and engaging in a string of chaotic love affairs, they are now grieving Lydia, the fourth member of their gang who died in a car accident a year ago.
The nights get wilder as they try to block out their grief rather than process it and the days become darker as a result.
The main reason the friends find it almost impossible to move on is because they had a hideous fight with Lydia just before her death and can't stop ruminating over the bad memories.
It's compulsively readable and brilliant on friendship and grief. I raced through it.
Among Friends by Hal Ebbott (Picador £16.99, 320pp)
Emerson and Amos have been best friends since meeting on the first day of college 30 years ago.
Although from very different backgrounds, the relationship between the men has only deepened as more time passes.
Their wives are friends too and their daughters have grown up together – they are so close that people envy their friendship. Both men live in New York, are wealthy and successful and relish their regular meet-ups.
During one of these weekends away with their families, a shocking act is committed that threatens to destroy everything they have built.
It turns out that what looks solid and unshakeable on the outside is fragile and changeable on the inside, not so impervious to tension and toxicity as imagined. Childhood trauma, competitiveness and shifting power dynamics have been long buried but are not dead.
It's beautifully written and packs a huge emotional punch. I couldn't put it down and kept thinking about it long after I finished. Brilliant.
Finding Grace by Loretta Rothschild (John Murray £16.99, 336pp)
Honor is so desperate for a second child that she finds it difficult to focus on the gorgeous three-year-old she already has, Chloe. Honor's successful husband Tom is also feeling neglected.
While their small family is spending Christmas at the Ritz in Paris, Honor is obsessed with finding out whether their surrogate is pregnant or not. After a row with Tom, Honor takes Chloe down for breakfast on their own. When the unthinkable happens, Tom is left agonising over how things might have been.
A few years later, Tom's life has changed in every way. He finally feels like he might be able to move on when he uncovers a secret that he can't leave alone, and everything changes again. It's full of wisdom and stuffed with unpredictable twists and turns that kept me engrossed to the end.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


BreakingNews.ie
an hour ago
- BreakingNews.ie
Sarah Jessica Parker ‘grateful' after end of And Just Like That is announced
Actress Sarah Jessica Parker has expressed her 'profound gratitude' after HBO announced the third season of Sex And The City spin-off And Just Like That is to be its last. Named after Parker's character Carrie Bradshaw's catchphrase, the series follows the character and her friends as they live out their 50s in New York, with a two-part finale planned. Advertisement In a post on Instagram, Parker, 60, said: 'Carrie Bradshaw has dominated my professional heartbeat for 27 years, I think I have loved her most of all. View this post on Instagram A post shared by SJP (@sarahjessicaparker) 'I know others have loved her just as I have, been frustrated, condemned and rooted for her. 'The symphony of all those emotions has been the greatest soundtrack and most consequential companion, therefore the most sentimental and profound gratitude and lifetime of debt, to you all. 'MPK (Michael Patrick King, the series' showrunner) and I together recognised, as we have in the past, this chapter complete. Advertisement 'AJLT (And Just Like That) was all joy, adventure, the greatest kind of hard work alongside the most extraordinary talent of 380 that includes all the brilliant actors who joined us. 'I am better for every single day I spent with you, it will be forever before I forget the whole thing, thank you all. 'I love you so, I hope you love these final two episodes as much as we all do.' In a statement announcing the show's end, King did not say when the finale episodes would air. Advertisement View this post on Instagram A post shared by And Just Like That... (@justlikethatmax) He said: 'And just like that… the ongoing storytelling of the Sex And The City universe is coming to an end. 'While I was writing the last episode of And Just Like That season 3, it became clear to me that this might be a wonderful place to stop. 'Along with Sarah Jessica Parker, Casey Bloys (HBO chief executive) and Sarah Aubrey, we decided to end the popular series this year with a two-part finale and extended the original series order from 10 episodes to 12. 'SJP (Sarah Jessica Parker) and I held off announcing the news until now because we didn't want the word 'final' to overshadow the fun of watching the season. 'It's with great gratitude we thank all the viewers who have let these characters into their homes and their hearts over these many years.' Advertisement Kristen Davis, who plays Charlotte York in the series said she was 'profoundly sad' to see the show end. She added in a post on Instagram: 'I love our whole beautiful cast and crew, 400 artisans working so hard on our show with deep love. 'And to our loyal fans, we love you forever and ever.' The original Sex And The City show follows Carrie and her three friends Samantha Jones (Kim Cattrall), Charlotte and Miranda Hobbes (Cynthia Nixon), and their dating lives, friendships and femininity. Advertisement It initially ran for six series between 1998 and 2004, before two films, Sex And The City (2008) and Sex And The City 2 (2010) were released.


Daily Mail
2 hours ago
- Daily Mail
People can't stop talking about Anne Hathaway and Meryl Streep's Devil Wears Prada 2 outfits - and we've found where to shop them on the high street
Daily Mail journalists select and curate the products that feature on our site. If you make a purchase via links on this page we will earn commission - learn more The Devil Wears Prada 2 officially began filming last month, nearly twenty years after the original redefined fashion on screen. Anne Hathaway returns as Andrea Sachs and Meryl Streep as the ever-iconic Miranda Priestly, alongside Emily Blunt and Stanley Tucci. Though the film won't premiere until May 2026, snaps of the cast in Manhattan have already ignited huge excitement. Hathaway and Streep have been spotted across the city draped in jaw-dropping designer ensembles. Their characters' razor-sharp wardrobes promise to be just as iconic as the first film's legendary looks. DailyMail has tracked down some of their exact pieces - and chic high-street alternatives - so you can channel their style now. £6,130 Shop EXACT SHOES: SEEN BY CHLOE Lyna leather platform sandals £315.00 Shop EXACT BAG: FENDI Basket Forty8 The best high street alternatives Checked dress CREW CLOTHING Jenny Cotton Wrap-Front Dress £40.00 Shop BODEN Lola Blouson Maxi Dress £88.00 Shop £48.00 Shop Platform heels Basket bags WHISTLES Blue Adaline Crochet Shoulder Bag £89.00 Shop TORY BURCH £200.00 Shop The Suede Blazer And Jeans EXACT BLAZER: RALPH LAUREN Purple Label suede blazer £3,700 Shop EXACT JEANS: LEVI Superlow Loose Jeans £70.00 Shop The best high street alternatives Suede blazers NEXT Chocolate Brown Faux Suede Jacket £65.00 Shop DEBENHAMS Barneys Originals £112.00 Shop RIVER ISLAND Brown Boxy Fit Suede Blazer £160.00 Shop Low-rise jeans COTTON ON Low Rise Straight Jean £40.00 Shop HOLLISTER Low-Rise Medium Wash Baggy Jeans £39.95 Shop The Pinstriped Two Piece The best high street alternatives FRENCH CONNECTION Pinstripe Tailored Waistcoat £55.00 Shop RIVER ISLAND Black Pinstripe co-ord £71.00 Shop WHISTLES Navy Lottie Co-ord £164.00 Shop The White Top And Trousers EXACT JEANS: NILI LOTAN Shon cotton-blend twill barrel-leg pants £395.00 Shop The best high street alternatives White tops M&S Pure Cotton Everyday Fit T-Shirt £8.50 Shop ASOS Weekday Essence standard t-shirt in white £10.00 Shop White trousers NODBY'S CHILD Poppy Delevingne White Denim Stretch Palazzo Gala Jeans £34.00 Shop ARKET SHORE Boyfriend Jeans £43.50 Shop MINT VELVET White Relaxed Tapered Boyfriend Jeans £39.00 Shop The Pale Grey Suit The best high street alternatives NEW LOOK tailored mini skirt co-ord in grey £29.49 Shop MOTEL Lanula Midi Skirt £23.00 Shop £120.00 Shop HOBBS Layla Tailored Jacket £189.00 Shop The Beige Trench The best high street alternatives H&M Twill trench coat £49.99 Shop HOLLAND COOPER Collarless Trench Coat £199.00 Shop JOHN LEWIS Trench Coat, Stone, 12 £62.50 Shop The Brown Leather Skirt Exact skirt EXACT SKIRT: MAX MARA Plata faux leather midi skirt £165.00 Shop The best high street alternatives REISS Leather Pencil Skirt £168.00 Shop H&M Coated pencil skirt £37.99 Shop KAREN MILLEN Leather Clean Pencil Midi Skirt £179.00 Shop


Telegraph
3 hours ago
- Telegraph
My Mrs Brown's Boys endurance test: I cried, cringed and almost laughed
Television's most divisive sitcom is back. Mrs Brown's Boys – widely reviled by critics but adored by millions of viewers – returned to BBC One on Friday night for a fresh four-part run. The full box set is available on BBC iPlayer, so fans can binge them all at once. And that's exactly what I'm doing: watching all four episodes back-to-back and chronicling my experience in an effort to understand the Mrs Brown phenomenon. Along the way, I'm going to keep a tally of the laughs and also those moments of pathos that prompt the studio audience into a collective, 'Aww'. Are the critics correct and it's really an unfunny aberration? Or are they hopelessly out of touch and, actually – steady yourselves – the show is rather good? With a four-pack of Guinness to hand (Irish stereotyping be damned), I press play with an open heart, hoping to be entertained… Episode 1: The Mammy Effect Those cartoon opening credits slightly set my teeth on edge, but let's not write it off just yet… 1 min: Proceedings open, as is traditional, with Agnes Brown (creator Brendan O'Carroll) talking directly to camera from her home in the scrappy Dublin suburb of Finglas. Grandad (Dermot O'Neill) is 'not feeling himself' and more armchair-bound than usual. 'Aww,' choruses the studio audience. 3 mins: Mrs Brown has a heart-to-heart with daughter Cathy (Jennifer Gibney, O'Carroll's real-life wife – confused yet?). Upon hearing that Cathy has a new boyfriend, Agnes is unimpressed: 'He'll pump you and dump you, then we'll all have to listen to Enya for a month while you survive on a diet of ice cream and vengeance.' Actually a well-written, well-observed line. Who knew? 5 mins: Thus begins the main plot of the episode: Cathy launching a new podcast . Mrs Brown's Boys is often dismissed as wilfully old-fashioned, but this feels pleasingly modern. 9 mins: Straight-talking Agnes unwittingly hijacks the podcast and becomes its breakout star. While this all-too-predictable turn of events sends Cathy into a tailspin, it becomes clear that the storyline is actually about their dysfunctional mother/daughter relationship, whereby the controlling Agnes accidentally ends up ruining everything that Cathy does. 18 mins: Eldest son Mark (Pat 'Pepsi' Shields) tries and fails to move Grandad from his armchair. 'It's pointless, Ma,' he sighs. Mrs Brown replies: 'Pointless? Could be worse. It could be The Chase.' O'Carroll apologises for this seemingly ad-libbed quip and the cast reset the scene. It's all part of the show's intentionally chaotic filming style. 21 mins: Breast-feeding, menopause, penises. Yep, we're back to the nudges, winks and lowest-common-denominator material. 29 mins: Time for the industry-standard happy ending. Mrs Brown admits that 'mothers can be cruel without realising' and 'we expect more of our daughters than we do of our sons'. This is verging on profound. Episode 2: Mammy's Talent We're back at the kitchen table for Mrs Brown's opening monologue. It's a misty-eyed riff on her impoverished upbringing with a couple of decent lines. 'My father invested all his money in sick horses. He didn't know they were sick when he backed them.' 'Growing up, all I had was hand-me-downs. I was the only girl in my ballet class with football boots.' Worthy of a 1970s club comic. 2 mins: Grandad drops the bombshell that he's planning to move into a care home, a prospect that makes Agnes panic and vow to find out why. This is followed by a volley of genitalia jokes. 4 mins: Mrs Brown gets a visit from her nemesis, local busybody Hilary Nicholson (comedy veteran Susie Blake, playing one of her trademark snobbish Englishwomen). Offered tea, she asks: 'Have you got anything herbal?' Agnes shrugs: 'My shampoo?' And, yes, I chuckle. 6 mins: As the action shifts to the pub, the Hilary baiting continues as she pompously quotes Latin. 'I've got the vox populi ' (Agnes: 'Well, keep using the cream twice a day'). Come for the toilet humour, stay for the classical references. 12 mins: Grandad unleashes a loud 'Feck off!' at parish priest Father Damien (Conor Moloney). O'Carroll has clearly been taking notes in front of Father Ted repeats. 15 mins: Everybody laments how sad it will be when Grandad leaves. Cue another round of 'Awws'. Mournful piano music strikes up. They're really milking this, but I can't help being drawn in and whimper slightly into my Guinness. 17 mins: Light relief comes from a talent show in the pub. 23 mins: Birdie overcomes her stage fright to lead an arm-swaying, lighters-aloft sing-along of 'That's What Friends Are For'. There's not a dry eye in Foley's Bar. Or, in fact, on my sofa. Sob! 25 mins: Happy ending time again. Agnes finally admits how she doesn't want Grandad to leave and begs him to stay. Before it gets too soppy, they exchange potty-mouthed insults and normal service is resumed. Phew. Time to open a second can of Guinness. Episode 3: Motor Mammy I feared this would be an endurance test. While I wouldn't say I'm a total Mrs Brown convert – not yet, anyway – I am enjoying it much more than I'd expected. Hang on, let me check the strength of this Guinness. 1 mins: We're flung straight into this episode's storyline: Winnie's impending driving test. Will the pedestrians of Dublin ever be safe again? These ponderous jokes aren't pulling their weight. I might have spoken too soon when it comes to enjoying myself. 3 mins: Buster and Dermot make their weekly entrance. This time, they're dressed in insect costumes, promoting pest control. At least the quality of the gags improves slightly. Birdie says: 'I was going to start a celebrity magazine for the elderly. I was going to call it 'HELLOOOOOO?' 5 mins: Uh-oh. Birdie has lost her pet snake. Something tells me this will become crucial later in the episode. 10 mins: A pub gossip session throws up some more resolutely unreconstructed gags. One woman's teeth are described as 'only short of the white one for a full snooker set'. 14 mins: Hilary has been campaigning for a new bus depot and now we learn why – her husband has lost his high-flying job and is secretly working as a bus driver. Even Agnes feels sorry for them. All together now: 'Aww.' 17 mins: Winnie's driving test arrives. So does a veritable traffic jam of phallic innuendoes. Just when Mrs Brown's Boys ambushes me with its emotional resonance, it reverts to type. 21 mins: Wait, I spoke too soon. There's a shock plot twist. Winnie is understandably distracted at the wheel by the presence of a snake inside the car. The vehicle mounts the pavement and hits a pedestrian. who turns out to be… dramatic pause… Mrs Brown. Cue gasps. 22 mins: With our heroine in an induced coma, family and friends gather at her hospital bedside. They share happy memories, which is essentially a chance to rewind some classic clips – including the infamous bikini wax. 27 mins: Ordained deacon Trevor Brown (Martin Delany) says fondly of Agnes: 'I remember how kind Mammy was when I told her I wanted to join the missions. She just smiled and said, 'A lot of men are gay'.' Mrs Brown's Boys might be written off as politically incorrect, but it occurs to me that it's more diverse than many assume,with the family spanning four generations. It boasts gay characters, priests, lonely widows and sexually active pensioners. It also happens to star a man in drag. 28 mins: Has tragedy struck? A consultant tells the assembled family that they need to turn the machine off. A cliffhanger leaves things agonisingly poised for the series finale. We play out with a poignant piano version of the theme song and a beeping heart monitor. Soapy but effective. Episode 4: Easy Rider Mammy There's a rare 'Previously on Mrs Brown's Boys…' pre-titles recap. Does that mean no title sequence for once? 1 min: No, here it comes. Even these cartoon credits are growing on me. I find myself humming along to the theme song. Worrying. 2 min: Sharp intakes of breath when bungling GP Dr Flynn (Derek Riddin) says, 'She's gone.' False alarm. Mammy merely has a herniated disc. Phew. As for 'turning off the machine', the consultant meant Birdy's noisy coffee machine. I feel manipulated but relieved. 4 mins: 'I'm home!' trills a familiar voice. Mrs Brown makes her entrance on a mobility scooter to a raucous reception. 9 mins: Another peek behind the comedy curtain as Agnes drives her granny wagon from one set to another, chatting to the camera crew as she goes. If Fleabag had done this, it would have been hailed as avant-garde genius. 12 mins: The mobility scooter causes more mayhem at the Wash & Blow salon. Never let it be said that Mrs Brown doesn't milk a gag for every last drop. 19 mins: Dermot and Buster present Agnes with a surprise gift: an automatic recline-and-rise armchair. Hark, I hear more slapstick opportunities coming over the horizon. 27 mins: A chaotic final sequence sees Agnes wearing a sombrero (best not to ask) and getting rumbled for faking her injuries. Yes, she can walk after all. It's a medical miracle. As everyone takes her to task , she slumps into her new armchair. It promptly malfunctions, blows up and throws her across the room. After one last cuppa, we roll credits on the series. Mercifully, my Mrs Brown's Boys marathon is at an end. But what have I learnt? Yes, what have I learnt? To my surprise, I realise I have actually been sucked in by the pathos of several storylines. The humour might be hit-and-miss, but the emotion isn't. This is a show about family, friendship and community. Unfashionable topics in our fractured age, perhaps, but the new series does have huge warmth… Sure, it's frequently panto-adjacent (oh, yes it is), but it also plays with the sitcom form, with fourth-wall breaks and knowing nods to its own artifice. It's unabashedly working class and exists far outside the metropolitan bubble. The liberal elite might blanch, but it's not for them. Ratings have declined from a blockbuster peak of 11 million, but it still pulls in 4 million loyal viewers – figures that most comedies (and many dramas) would kill for. In an era when critically lauded comedies often struggle to get recommissioned, such review-proof longevity is surely to be applauded. I'll raise a pint of the black stuff at Foley's Bar to that. Mrs Brown's Boys airs on Fridays at 9.30pm on BBC One. The whole series is available on BBC iPlayer now