
Palestinian documentary ‘No Other Land' to stream in MENA from April 1
No Other Land, an acclaimed documentary chronicling the friendship between a Palestinian activist and an Israeli journalist amidst the ongoing conflict in the occupied West Bank, will be available across the Middle East and North Africa (MENA) starting April 1. The film can be rented or purchased on OSN Store via set-top boxes and Apple TV, priced at Dh19.99 for rental and Dh49.99 for purchase.
Front Row Filmed Entertainment recently secured distribution rights for the documentary across the MENA region. Front Row plans to imminently release the film theatrically in select cinemas, followed by a premium VOD release across the MENA.
Directed by Palestinian activist Basel Adra and Israeli journalist Yuval Abraham, No Other Land follows Adra's journey as he documents the destruction of his hometown, designated for military training. With the support of Abraham, the film amplifies the urgent reality of displacement and resistance.
The film is an act of resistance documenting the ongoing conflict in the region. A co-production between Palestine and Norway, it had its world premiere at the 74th Berlin International Film Festival, where it won both the Panorama Audience Award for Best Documentary and the Berlinale Documentary Film Award. Since then, it has amassed 68 awards from global film festivals, including honors from the Boston Society of Film Critics, the European Film Awards and the Gotham Independent Film Awards. The documentary reached a historic milestone by winning Best Documentary Feature at the 2025 Academy Awards—making history as the first documentary to claim an Oscar without a traditional distribution deal.
Facing hurdles in securing US distribution, the filmmakers opted for self-distribution in collaboration with Cinetic Media, which facilitated theatrical bookings. The film premiered on February 2 in a single-screen debut, grossing $26,000, and subsequently expanded to 120 screens, surpassing $1.2m in box office earnings over four weeks.
No Other Land provides an intimate portrayal of life in Masafer Yatta, a rural area of the West Bank where Palestinian villagers face the ongoing threat of expulsion by Israeli Defense Forces, who claim the land for military training.
The documentary follows the journey of Adra, a young Palestinian activist from Masafer Yatta, as he fights against the mass displacement of his community. Since his childhood, Adra has captured the demolition of homes and the forced removal of residents under military occupation. His story intersects with that of Abraham, an Israeli journalist who supports his efforts. Despite their collaboration, the stark disparity between their lives — Adra's under occupation and Abraham's in freedom — strains their partnership.
Filmed over four years from 2019 to 2023, the documentary wrapped production in October 2023, offering a deeply personal and urgent account of life under occupation.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Campaign ME
8 hours ago
- Campaign ME
Cannes Lions 2025: On creativity, heaviness and the power of joy
As a half-Palestinian, attending Cannes Lions International Festival of Creativity last year was heavy. Putting on a happy face to talk to customers, partners, and prospects while keeping my family in Palestine in my heart was hard. Not much has improved this year, but as many in my community remind me, finding joy and appreciating the everyday is something we must keep doing. As a shortlisting juror for the Creative Strategy category at Cannes this year, that perspective stayed with me as I reviewed nearly 290 entries. I've been coming to Cannes for over a decade, and since Dove launched the Real Beauty Movement, we've seen a wave of purpose-led campaigns tackling the world's biggest problems. When done right, this work is transformative. AXA's Three Words, which went on to win this year's Grand Prix Titanium, is a brilliant example. It came from a sector not typically known for creative risk-taking and showed how strategy, insight, and bravery can come together to drive real cultural and business impact. But what stood out this year was how refreshing it felt when brands didn't try to carry the weight of the world. Because let's face it, the world is heavy. Escapism isn't just welcome, it's meaningful. Some of the most resonant work embraced wit, lightness, and joy. It reminded me why I love this industry: creativity has the power to emotionally captivate, to move people, and yes, to move product. The brands that sparked delight were the ones that stood out. Heinz continues to surprise and entertain (ketchup in hagelslag , anyone?) a brilliant piece of work by GUT. It's a masterclass in cultural specificity that's still globally accessible. , anyone?) a brilliant piece of work by GUT. It's a masterclass in cultural specificity that's still globally accessible. 7-Eleven's Loser Pizza made people laugh while connecting with a niche sports audience. A fresh, clever take on feeling down. It proved that small insights, when deeply human, can scale. made people laugh while connecting with a niche sports audience. A fresh, clever take on feeling down. It proved that small insights, when deeply human, can scale. Grey Thailand's Sad Khamachan used melancholy to spark national conversation, becoming the most awarded campaign in Thai history. used melancholy to spark national conversation, becoming the most awarded campaign in Thai history. Nutter Butter's You Good? embraced absurdity with purpose, winning two Golds and proving nonsense can be strategic. embraced absurdity with purpose, winning two Golds and proving nonsense can be strategic. FP7 McCann's Read Better for Waterstones delivered a deeply insightful message. With a wink, not a lecture. It hit that rare balance of meaning and memorability. For many, humour isn't a cop-out, it's a connector. These campaigns were emotional and commercial wins. Our vision is to help every brand feel personal to their customers. Yet despite advances in digital tools, Braze's 2025 Global Customer Engagement Review found that 85 per cent of marketing execs are concerned their messages aren't hitting home and over half feel very or extremely concerned. The takeaway? Brands must balance technology and content to create work that resonates. It starts with treating customers less like users, and more like people. Unsurprisingly, artificial intelligence was a major theme at Cannes this year, appearing in everything from mainstage talks to whispered hallway debates. But the most compelling conversations weren't just about automation. They were about amplification. The most forward-thinking marketers are using agentic AI not just to increase efficiency, but to fuel more expressive, adaptive creativity. AI has the potential to give creative teams more space to experiment, tailor campaigns with precision, and unlock emotional relevance at scale. Done right, it's not a replacement for creative strategy, it's a multiplier. Ultimately, our goal is simple: help brands tap into creativity that doesn't just reach people, but moves them. That's why the work that stayed with me this year wasn't always the boldest or the loudest. It was the work that made people feel something, sometimes deeply, sometimes lightly, but always meaningfully. By Mariam Asmar, VP, Brand and Strategic Consulting at Braze


Middle East Eye
14 hours ago
- Middle East Eye
'Death to the IDF' is not antisemitic. Reserve your outrage for Israeli crimes in Gaza
Punk bands have always been known for crossing the red lines of polite society, for shocking the mainstream. If they didn't, they wouldn't be punks. They are not there to give people a warm, fuzzy feeling about the world. For that, there is always James Blunt or Coldplay. Punks are there to channel the anger and alienation that many feel against the hypocrisy and bigotry of society. And at Glastonbury, both Kneecap and Bob Vylan held a mirror up to the UK over its support for Israel's genocide in Gaza. Cue hysteria and confected outrage. Rapper Bobby Vylan's chant on a sunny afternoon at the Glastonbury music festival began with the familiar 'free, free Palestine'. The crowd chanted along with him, highlighting the widespread support for the Palestinian cause among festival-goers, and among wider British society. He then said: 'But have you heard this one?' As he launched into a chant of 'death, death to the IDF', referencing the Israeli army, the crowd roared the same line back in response. New MEE newsletter: Jerusalem Dispatch Sign up to get the latest insights and analysis on Israel-Palestine, alongside Turkey Unpacked and other MEE newsletters 'We're not pacifist punks … Sometimes you've gotta get your message across with violence,' the rapper said on stage, 'because that is the only language that some people speak.' Bobby Vylan, however, did not call for the deaths of Israelis, as the Mail on Sunday's front-page headline falsely claimed - one of the more appalling printed lies for which the Mail has become known over the decades. Now the band are paying the price for this burst of rage at mass murder and western complicity: US tour cancelled, agent contract axed, police investigation launched. Genocidal violence After almost two years of a genocidal campaign in Gaza, the desire to dismantle Israel's military apparatus might be a natural reaction for the millions of Palestinians whose lives have been destroyed, their homes turned to rubble, and their children starved and killed by that army. Most of all, they want an end to war - not just this war, but any future onslaught waged against them by the Israeli state. After nearly eight decades of recurrent wars, occupation, dispossession and massacres, they simply want to live in their homeland without fear of being terrorised by the Israeli army. Follow Middle East Eye's live coverage of the Israel-Palestine war Millions of people around the world are disgusted and outraged at the vast number of Israeli crimes recorded by Palestinian journalists, doctors and aid workers in Gaza for more than 20 months. But that outrage does not seem to be shared by our political rulers, who put the protection of Israel above international law, or even basic humanity. Culture Secretary Lisa Nandy was all over the media condemning the BBC for broadcasting Bob Vylan and Kneecap, describing what she called "appalling and unacceptable scenes" at Glastonbury. On the actual massacres taking place at the hands of the Israeli army, she remains silent after nearly two years of slaughter. Last year, Prime Minister Benjamin Netanyahu and his former defence minister, Yoav Gallant, were accused of war crimes and crimes against humanity by the International Criminal Court. The Israeli army does not need protection from a punk poet at Glastonbury. It needs to be held to account for its crimes Israeli soldiers frequently engage in genocidal racism through chants such as 'death to Arabs' and 'may their villages burn'. The very fact that the Mail falsely rewrote Bobby Vylan's chant suggests that the words 'death to the IDF' were not seen as sufficiently inflammatory, even among the newspaper's readers. It also implies that Israel and its military are indistinguishable; that Israeli society is the army. According to figures from Israel, about half of all Israelis serve in the army. It is a conscription society, and the army is the most powerful and revered institution in a militarised settler-colonial nation. Most of its rulers were veterans of Israel's many wars. Bobby Vylan did not call for the death of Netanyahu or any other Israeli leader. He called for an end to the most violent force on the world stage today. No other military force brazenly and routinely carries out such extreme atrocities against men, women and children, and boasts about them openly. On Monday, the IDF bombed a cafe on Gaza City Beach, killing photojournalist Ismail Abu Hatab, visual artist Frans al-Salmi and 31 others. It did not make the Mail front page, like countless other Israeli atrocities. No words of condemnation from UK political leaders. Israeli soldiers recently told Haaretz that their commanders ordered them to shoot starving aid seekers as they approached aid hubs in southern and central Gaza. One soldier said that Palestinian aid seekers were 'treated like a hostile force - no crowd-control measures, no tear gas - just live fire with everything imaginable: heavy machine guns, grenade launchers, mortars'. The soldier added: 'I'm not aware of a single instance of return fire. There's no enemy, no weapons.' Manufactured outrage But now, rather than focusing on these crimes, the British media and politicians are up in arms over the words of a punk poet and the BBC's broadcasting of this event as part of its live coverage of Glastonbury. Glastonbury organiser Emily Eavis put out a statement distancing the festival from Bobby Vylan's words, condemning antisemitism, calls to violence, and hate speech. Lisa Nandy claimed in the House of Commons that "Chanting 'death to the IDF' is the same as calling for the death of every single Israeli Jew." Lord Ian Austin, the government's trade envoy to Israel, called on police to 'investigate as a matter of urgency and, if necessary, arrest the band members'. On Monday, police launched a criminal investigation into the Glastonbury performances by Bob Vylan and Kneecap. As various commentators have noted, calling for the death of an army accused by major human rights groups of carrying out a genocide is not antisemitic. Claims to the contrary in right-wing media and by British politicians are disingenuous at best. At worst, such claims are themselves antisemitic, suggesting that Jewish people in general are indistinguishable from the Israeli army, amid all the crimes it is carrying out to this day. Sharren Haskel, Israel's deputy foreign minister, conflated the band's chant with anti-Jewish hate, telling the Mail on Sunday: 'Because the target is Israel - let's be honest, because it's Jews - it's tolerated, even broadcast. This is clearly incitement.' The attempt to manufacture outrage over a punk band's chant, even putting words in their mouth to whip up fear among Jewish people, is itself a dangerous, incendiary act. As anti-Zionist Jewish activist Naomi Wimborne-Idrissi told me: 'He didn't say death to Israelis [civilians], he said death to the IDF, a murderous armed force. His slogan is already being taken up on demos in Australia and elsewhere. It's not calculated to win people of a delicate disposition to the cause, but if you try to repress legitimate outrage against a televised genocide, this is what you will get.' Bobby Vylan - real name Pascal Robinson-Foster - said in a statement on Instagram: 'Teaching our children to speak up for the change they want and need is the only way that we make this world a better place. As we grow older and our fire possibly starts to dim under the suffocation of adult life and all its responsibilities, it is incredibly important that we encourage and inspire future generations to pick up the torch that was passed to us.' The Israeli army does not need protection from a punk poet at Glastonbury. It needs to be held to account for its crimes. The views expressed in this article belong to the author and do not necessarily reflect the editorial policy of Middle East Eye.


Gulf Today
15 hours ago
- Gulf Today
UK police probe Bob Vylan's festival chants against Israeli military
British police launched a criminal investigation Monday into a televised performance at the Glastonbury Festival by rap punk duo Bob Vylan, who drew intense criticism after they led crowds of music fans in chanting "death' to the Israeli military. Meanwhile. the U.S. State Department said it has revoked the U.S. visas for Bob Vylan, who were set to go on tour in the United States later this year, after their "hateful tirade at Glastonbury.' Rapper Bobby Vylan - who until the weekend was relatively little known - led crowds in chants of "free, free Palestine' and "death, death to the IDF" - the Israel Defense Forces - on Saturday at Britain's biggest summer music festival. The BBC said it regretted livestreaming the performance. "The antisemitic sentiments expressed by Bob Vylan were utterly unacceptable and have no place on our airwaves,' the broadcaster said, adding that it "respects freedom of expression but stands firmly against incitement to violence.' British Prime Minister Keir Starmer and U.K. politicians condemned the chants, saying there was no excuse for such "appalling hate speech.' Bobby Vylan of British duo Bob Vylan crowd surfing while performing on the West Holts Stage on the fourth day of the Glastonbury festival at Worthy Farm in the village of Pilton in Somerset, south-west England. AFP Avon and Somerset Police said Bob Vylan's performance, along with that by Irish-language band Kneecap, were now subject to a criminal investigation and have been "recorded as a public order incident.' Israel's war against Hamas in Gaza has inflamed tensions around the world, triggering pro-Palestinian protests in many capitals and on college campuses. Israel and some supporters have described the protests as antisemitic, while critics say Israel uses such descriptions to silence opponents. Ofcom, the UK's broadcasting regulator, said it was "very concerned' about the BBC livestream and said the broadcaster "clearly has questions to answer.' The BBC said earlier in its defense that it had issued a warning on screen about "very strong and discriminatory language' during its livestream of Bob Vylan's act. US Deputy Secretary of State Christopher Landau said the visas for Bob Vylan's two members - who both use stage names for privacy reasons - have been revoked. "Foreigners who glorify violence and hatred are not welcome visitors to our country,' Landau said in a social media post Monday. Starmer said the BBC must explain "how these scenes came to be broadcast.' Bob Vylan perform on the West Holts Stage, during the Glastonbury Festival at Worthy Farm. AP Bob Vylan, which formed in 2017, have released four albums mixing punk, grime and other styles with lyrics that often address issues including racism, masculinity and politics. In a statement posted on social media, singer Bobby Vylan said he was inundated with messages of both support and hatred. "Teaching our children to speak up for the change they want and need is the only way that we make this world a better place,' he wrote. Bob Vylan performed on Saturday afternoon just before Kneecap, another band that has drawn controversy over its pro-Palestinian stance. Kneecap led a huge crowd in chants of "Free Palestine' at the festival. They also aimed an expletive-laden chant at Starmer, who has said he didn't think it was "appropriate' for Kneecap to play Glastonbury after one of its members was charged under the Terrorism Act. Liam Óg Ó hAnnaidh, who performs under the stage name Mo Chara, was charged with supporting a proscribed organization for allegedly waving a Hezbollah flag at a concert in London last year. On Saturday a member of the group suggested fans "start a riot' outside his bandmate's upcoming court appearance - though he then said "No riots, just love and support, and support for Palestine.' The BBC had already taken a decision not to broadcast Kneecap's Glastonbury performance live, though it did make available an unedited version of the set to its festival highlights page on BBC iPlayer service. The Israeli Embassy to the UK said over the weekend it was "deeply disturbed by the inflammatory and hateful rhetoric expressed on stage at the Glastonbury Festival.' The acts were among among 4,000 that performed in front of some 200,000 music fans this year at the festival in southwest England. Hip hop duo Bob Vylan attend the 25th MOBO Awards in London, Britain November 30, 2022. File/Reuters Israel has faced heavy international criticism for its war conduct in Gaza. In May, the U.K., France and Canada issued a sharply worded statement calling for Israel to stop its "egregious' military actions in Gaza and criticizing Israel's actions in the occupied West Bank. More than 6,000 people have been killed and more than 20,000 injured in Gaza since Israel ended a ceasefire in March. Since the war began in October 2023 with a Hamas attack on Israel, Israeli attacks have killed more than 56,000 people and injured 132,000, according to Gaza's Health Ministry. It doesn't distinguish between civilians and combatants, but has said that women and children make up more than half the dead. Israel says it only targets militants and blames civilian deaths on Hamas, accusing the militants of hiding among civilians, because they operate in populated areas. Associated Press