
I tried the new Squid Game experience in the UK – it felt like being in the TV show but there is a downside for families
Presented like a Seoul high street, Squid Game: The Experience immediately transports you to South Korea.
8
Presented like a Seoul high street, the Squid Game experience immediately transports you to South Korea
Credit: Cyann Fielding
Then the anticipation builds as '
pink
guards' lurk around the dark corners, and this is all before you have even been handed your bib.
London's Squid Game experience opened last month at ImmerseLDN on the waterfront at the ExCeL and welcomes players into the world of the hit Netflix show... but without actual violence and death.
Over the course of five challenges, players can get competitive - playing for points to ultimately win.
From the moment I received my numbered bib, I was no longer 'Cyann - travel reporter', I was player '008'.
Read more on experiences
Then after having my mugshot taken, I entered the game.
The first room is set out like the sleeping quarters from the show, with bunk beds uniformly lined
next
to each other.
Your host then introduces you to the experience ahead, as you prepare to enter the first challenge.
As the doors open and you move into the next room, in front of you lies four rows of glass, next to each other.
Most read in News Travel
Mimicking the 'glass stepping stones' from the show, four players simultaneously step in accordance with a pattern memorised a few moments earlier.
The glass lights up green as you go if you get it correct.
You have 2020 vision and a high IQ if you can spot all five guards with triangle masks in Squid Game brainteaser
If you don't, it turns red and you are forced to stay where you are.
Players are then awarded different amounts of points depending on how far they reached across their 'bridge'.
Whilst the game is one of the most iconic moments from the TV show, in the
I was in a group of about 30 people and as one of the first four people to do
the challenge
, myself and my friend found ourselves waiting around for all the other players to complete the challenge.
Whilst watching a few groups attempt the game with some messing it up is entertaining, it wears off quickly and you are left waiting with nothing else in the room to occupy your time.
Once everyone is finished crossing the 'glass stepping stones', you enter the next challenge.
8
Then the anticipation builds as 'pink guards' lurk around the dark corners
Credit: Cyann Fielding
Arguably the best game for those who are super competitive, in groups of four you stand around a small table, each with a bucket of 10 marbles.
The aim of the game is to throw the marbles in the middle of the circle.
Those who achieve this, then get to take all the marbles from the table into their hoard.
If you run out of marbles, you lose.
The game lasts about five minutes or so and it's a great way to meet other people that are in the experience or have some family/group fun.
Once this game is complete, again you scan your wristbands depending on whether you won, lost or drew.
8
Over the course of five challenges, players can get competitive - playing for points to ultimately win
Credit: Cyann Fielding
Then on into a dark room, lit by flickering street lamps, with a singular rope running along the ceiling and dropping down to the floor.
For this challenge, you play as a team - with another group of people on the other side of a glass door, doing the same challenge.
Essentially a version of tug-of-war, each player has five seconds to pull as hard and fast as they can.
Whichever team brings the marker on the ceiling closer to them by the end of the game, wins.
For me, this had to be the least thrilling challenge of the experience.
Whilst my team had no children, the team we played against had several - giving us a slightly unfair advantage.
8
Some challenges you play to get points as a team
Credit: Cyann Fielding
Whilst families on the other team may have had fun together, there were also groups of friends on the team who may have felt a little disappointed with the inevitable lose.
However, the next challenge is where the experience thrives - an icon of the whole Squid Game franchise - 'Red Light, Green Light'.
Standing on a red line, with dozens of people either side of me, I keenly wait for the giant girl at the end of the room to close her eyes.
On green light, you go.
On red light, you do not flinch under any condition.
Guards lurk over your shoulder, waiting for you to scratch the itch on your head or even blink.
8
Players get an wristband which they scan to collect their points on throughout the experience
Credit: Cyann Fielding
The on green light, you can move
freely
and as quickly as you can to the other side of the room.
This was definitely the most fun game of the experience and makes you feel as if you have stepped into the
Again, if you cross the line before the timer ends - you get points added to your player profile.
The final game in the last room plays upon the iconic shapes from the series.
Stars, umbrellas and squares sit around in a circle and you move clockwise around the circle - kind of like a game of musical chairs.
When the music stops, a shape is presented on a screen in the room that you then have to rush to find on the circle.
8
An icon of the whole Squid Game franchise - 'Red Light, Green Light' - is also part of the experience
Credit: Cyann Fielding
The players that find the shape first, stay in the game.
For me this is where my ultimate competitive side came out.
I was in this for myself and I'd already not got that many points throughout the other challenges and this was my chance of redemption.
As a nimble person, I sprinted to each shape the screen presented and managed to get past the first and second round.
With just two players against me, I fell at the third - literally on my face.
The final player then goes head to head with the player that has the most points from the experience thus far.
8
Once you leave the experience, there is also a bar and photo opportunities to explore
Credit: Cyann Fielding
The 'Front Man' in a dark black cloak and mask then emerges, to conduct a game of rock, paper, scissors between the final two players.
The winner overall then gets to decide whether they want to share their prize or keep it to themselves.
Unfortunately, this is the rather anti-climatic end of the experience, as you then leave the maze of rooms and head back to the faux highstreet.
However, you can extend your stay by purchasing
The experience definitely transports you to the series, but the lengthy waits really prevent this experience from being the best it could be.
Whilst it cannot be helped if there are children in your booking, it would perhaps be better if the experience separates adult-only sessions and family-friendly ones.
It's great for fans but for competitive friends, not so much.
One woman visited the
Plus, the 'world's most immersive experience' to open two new UK sites after huge success.
8
London's Squid Game experience opened last month at ImmerseLDN on the waterfront at the ExCeL
Credit: Cyann Fielding
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


The Irish Sun
an hour ago
- The Irish Sun
Prince Harry's made a grave error saying he has more royal secrets – we'll all know them soon, experts claim
HE'S already done a tell-all royal memoir and a fly-on-the-wall Netflix documentary, but Prince Harry has shared there are more secrets to be shared. However, royal experts have claimed that we may hear them sooner than the Duke of Sussex , 40, may believe. 6 Prince Harry has said that there are numerous details he omitted to share in his memoir Credit: AFP 6 Harry's bombshell Spare memoir criticised the royal family Credit: Not known, clear with picture desk Speaking on The Sun's Royal Exclusive show, Royal Correspondent at 5 News , Simon Viger, said Netflix will be wanting Prince Harry to spill some juicy information. He shared: 'My issue with Netflix is Harry has said there's stuff he's kept back that he hasn't put in the book, that he didn't put in the documentary. 'And he's never going to talk about it. 'If the Netflix deal is continuing, they're going to say, 'look, so much for behind the scenes at Polo and flower sprinkles, we actually want to know what else there is.'' More on Prince Harry When the Duke of Sussex released his 400-page He explained: "It could have been two books , put it that way. And the hard bit was taking things out. "But there are some things that have happened, especially between me and my brother, and to some extent between me and my father, that I just don't want the world to know. Because I don't think they would ever forgive me. 'Now you could argue that some of the stuff I've put in there, well, they will never forgive me anyway.' Most read in Royals Royal Reporter Bronte Coy agreed that we could learn more royal secrets. She pointed out that the Duke and Duchess of Sussex have years ahead of them to fund their California , with Prince Archie, six, and Harry and Meghan are the world's most boring and unprofitable couple - everything they do is so hilariously bad She added: 'They have a young family. They've got decades ahead of them needing to maintain this lifestyle. 'As you mentioned, it's a California lifestyle.' A-LIST LIFESTYLE The royal reporter added that the couple are 'by no means poor', thanks to However, she added: 'But their security costs, as you mentioned, I think it's like two million pounds a year. 'Their mortgage would be high. If the Netflix deal is continuing, they're going to say, 'look, so much for behind the scenes at Polo and flower sprinkles, we actually want to know what else there is Simon Viger Royal Correspondent at 5 News 'These deals were big deals - the Netflix one, the Spotify one, which has been over I think for two years - and the new one that Megan would be on with a much smaller streaming service, it wouldn't be anything like those numbers, you'd have to assume, that they had with Spotify. 'But for all these reasons, I think that you are talking about huge overheads every year, and especially with staffing costs, and that has to be maintained. 'So I think you are looking at a huge amount of money every year that they're needing to spend.' 6 Experts have claimed that Prince Harry and Meghan Markle have a lavish lifestyle to maintain Credit: Getty 6 The couple live in a massive nine-bedroom, 16-bathroom £12million mansion with Prince Archie and Princess Lilibet Credit: Google Earth FUTURE REVELATIONS She added: 'So, yes, I think that you are looking at a scenario where maybe there will be more books. 'I don't know. We don't know what they'll do in the future .' Simon Viger said that he wishes Prince Harry and Meghan Markle success in their new post-royal life, following He added: 'I mean, they do have a lot of loyal fans, as we know, especially in America. 6 The Duke and Duchess of Sussex spilled secrets about the royals in their chat with Oprah Winfrey Credit: AFP 6 Experts say Netflix may wish Prince Harry to reveal more royal tidbits Credit: Splash 'So I'm sure they'll be able to monetize stuff for a long time. 'I hope it all works out. But I don't know how long you can keep stringing along some of those deals.' Along with Prince Harry's ventures, Meghan has also kept busy, including this year launching her cooking show, Meghan Markle's ventures after stepping down as a working royal THE Duchess of Sussex has kept busy since stepping down as a senior working royal in 2020 and relocating to California. Here are some of her business ventures... Archewell Foundation – A nonprofit supporting charitable initiatives. Netflix Deal – Producing content like Harry & Meghan and With Love, Meghan . Archetypes Podcast – Former Spotify show on female stereotypes. Clevr Blends – Investment in a women-owned wellness latte brand. Cesta Collective – Minority stake in a handbag brand supporting Rwandan artisans. As Ever – Previously known as American Riviera Orchard lifestyle brand selling jam. ShopMy Page – Online store featuring her curated fashion and beauty items. New Podcast – Confessions of a Female Founder focusing on entrepreneurship.


Extra.ie
5 hours ago
- Extra.ie
Katie Taylor's pure class overcomes Netflix's warped fight coverage
Katie Taylor did it. Of course, she did. Like we always knew she would. And she saved her best for last. The final act of the trilogy lacked the savage intensity of the first two wars, but the more conservative nature of the fight allowed the legend from Bray to deliver a clinic in pugilism. Anyone who had stayed up into the wee small hours of Saturday morning expecting another brutal war was disappointed. The third instalment followed a different script entirely. The tone was set by the cagey first round where Sean Grande, Netflix's blow-by-blow guy, pointed out 'remarkably, only three punches connected.' With Taylor and Amanda Serrano knowing each other inside-out, this was always going to be a different kind of fight. 11 July 2025; Katie Taylor (L) and Amanda Serrano (R). Pic: Stephen McCarthy/Sportsfile 'Both boxers want to fight a cleaner fight, a smarter fight,' André Ward explained as they were both sitting on their stools ahead of the second round. A cleaner fight meant there was less action and none of the brutality that defined their first two battles. By the seventh round, even an accomplished ring technician such as Ward appeared to be growing a little frustrated. 'Someone needs to step it up here,' the former light-heavyweight and super-middleweight world champion suggested. Maybe, the most telling image of the entire fight came at the end of that seventh round. Serrano went to land a big shot only for a typically evasive Taylor to move her head and force her opponent to miss. It was the fight in a microcosm. André Ward. Pic:for Netflix © 2024) The bell sounded shortly afterwards, and the Puerto Rican looked a tad despondent, even demoralised. She knew, like all of us knew, that Taylor was in complete control. The only people who didn't seem to acknowledge that were the people calling the fight for the millions around the world. Perhaps, Netflix were hoping for one final unexpected twist. Granted, the commentary was a vast improvement on what went down in November when White Men Can't Jump star Rosie Perez was so disgusted by the fair verdict of the judges that she said there would be an asterisk on Taylor's record. The actor later retracted that wild claim, although it didn't stop Netflix from using it as part of the promotion for the fight. Katie Taylor fights Amanda Serrano. Pic:) It felt like the streaming service was pulling for a Serrano win all evening. Even Ward appeared to be infected by its bias. The former world champion is one of the most knowledgeable and incisive analysts around, but it didn't feel like that. As early as the third round, he was suggesting that Serrano was in control of the fight on one of the many occasions that Katie made her punch thin air and landed with her own left counter. In boxing, more than in a lot of other sports, those calling the shots for the watching public have a lot of power to shape the perception of the viewer. This is especially true when it's a close fight. Katie Taylor. Stephen McCarthy/Sportsfile As Sean Grande, the blow-by-blow announcer, said halfway through it – 'the prism through which you are viewing this will influence how you feel the fight is going. If you are a Katie Taylor fan, you think she is up. If you are an Amanda Serrano fan, you will feel she is doing enough. But it will all come down to the three judges.' And two of those three judges saw the fight as most of us did. That was the most convincing and commanding performance that Taylor had delivered against her best dance partner. It's just that Ward, Lalia Ali and Seniesa Estrada saw things differently, maybe because Netflix wanted things to be different. It is a small quibble on the coverage, which overall was far better than the messy production from Cowboys Stadium. The streaming giant is slowly gaining more confidence when it comes to live sport, but they might need to understand that neat narrative arcs don't always happen in live sport. Vince McMahon. Pic:Not like in the WWE, with whom Netflix shamelessly hitched themselves to earlier this year with a $5 billion deal and a six-part documentary series on Vince McMahon just as more horrifying allegations of sexual misconduct were coming to light about the wrestling promoter. But it will be interesting to see if Friday night is the beginning of something for Netflix. With men's boxing increasingly being used as a vehicle of soft power for Saudi Arabia and its Public Investment Fund, there seems to be an opening for someone to become the anchor for the continued growth of women's boxing. Even if females can now drive in Saudi, it's unlikely the repressive kingdom will be too bothered by putting their considerable financial weight behind women's boxing. There isn't a whole lot to like about Jake Paul but, to be fair to the relentless publicity hound, he and his MVP company, for which his business partner Nakisa Bidarian is the more acceptable face, has driven the sport to new heights. MVP have signed the likes of Chantelle Cameron, who is still waiting for her trilogy fight with Taylor, and Ebaine Bridges. The Madison Square Garden card, which had 17 world title belts on the line, was all down to MVP's business acumen. Paul mightn't be to your taste, but he knows how to put on and promote a show. With Netflix on board, it will be a space worth watching. But as women's boxing seems destined to keep growing, the big question will be if its figurehead, the fighter who has done more than anyone to bring into the sporting mainstream, will be part of that growth. Taylor turned 39 last week. She has been at the top of her craft for 20 years now, winning her first world amateur title in 2006, and it is now 13 years since she captivated the nation with her Olympic gold in London. She has endured a fair bit of punishment in various wars against the likes of Serrano, Cameron and Delfine Persoon. At the end of the broadcast, Ward even speculated that Taylor might have dropped a hint about retirement in her post-match interview, with Ward going on to say it's not just the fights, but the constant sparring that takes its toll. Of course, Chantelle Cameron is now an MVP fighter, so Paul and Bidarian might be eyeing another trilogy bout with a seven-figure purse that will be hard to refuse. But, as Katie Taylor stood in the centre of the Madison Square Garden ring with all the belts she has for her undisputed super-lightweight crown, for once, the Netflix commentary caught the moment perfectly. 'If that is the final image we see of Katie Taylor, it is as storybook as it comes,' Grande said. Indeed. She has nothing left to prove, has taken her sport to unparalleled heights. She has done it all, as we knew she would. There would be no better way to go out.


Extra.ie
5 hours ago
- Extra.ie
Lights, Gaeilge, Action! - Irish filmmaker on his family legacy of shooting movies
A young filmmaker whose debut short premiered at the Galway Film Fleadh this week is extending an established family legacy of shooting as Gaeilge – and working with legendary Hollywood director Ridley Scott. Oíche Chultúir – a boy racer-themed action short that is set in Gaeltacht-area Connemara – was well received in Galway, almost 50 years after writer/director/star Oisín Fleming's grandfather broke the mould for Irish language cinema. Bob Quinn's 1978 film Poitín, set in the same part of the world, was the first full-length feature shot entirely in the Irish language. Quinn, now 89, ran an independent cinema from his home, later immortalised in the 2004 documentary Cinegael Paradiso, directed by his son Robert and also screened in Galway this week. A young filmmaker whose debut short premiered at the Galway Film Fleadh this week is extending an established family legacy of shooting as Gaeilge. Pic: Sean Dwyer Fleming said he hasn't given much thought to the evolution of life in rural Ireland between his grandfather's film about illicit alcohol production and his own Kneecap-soundtracked caper, which deals in harder substances. But the 26-year-old has 'definitely thought about' the similarities between the films. 'I suppose it's interesting how we both made a crime film with a car chase, and kind of similar cheeky dialogue,' he explained to Fleming, who comes from Bray in Co. Wicklow, has two 'very proud grandparents' in Bob and his wife Helen, who 'helped write Bosco', so filmmaking 'definitely runs deep' in the family. Fleming, who comes from Bray in Co. Wicklow, has two 'very proud grandparents' in Bob and his wife Helen, who 'helped write Bosco', so filmmaking 'definitely runs deep' in the family. Pic: RTÉ That is true even before considering he is the son of Vikings: Valhalla director Hannah Quinn and cinematographer Tim Fleming, whose credits include Gladiator, Once and the Netflix smash Fate: The Winx Saga (which was directed by Quinn). In fact, both his parents worked on Gladiator, where the infant Fleming first shared a set with legendary filmmaker Ridley Scott, though it turned out that it would not be the last time. Fleming was a trainee assistant director on the 2021 historical epic The Last Duel, starring 'absolute gent' Matt Damon. 'I definitely was inspired by how direct he was and how calm he was and how simple it was,' Fleming said of working with Scott. 'Just don't overcomplicate it. Direct and clean [instruction] is just always better. You don't want to confuse anybody.' The emerging filmmaker has learned from his parents, too, and doesn't play down the head start he got over less-connected peers. Pic: Supplied One day of the shoot 'really sticks out', he remembered. 'It's a massive scene, 150 extras in the middle of this medieval battle. And over the walkie-talkie, they're like, 'Right, stand by, rolling.' 'And then he goes, 'Okay, wait, wait, let it cook.' And he just waits for 30 seconds, just lets the tension build just to get more out of the performance – just little things like that. 'He'd also set up a shot and say over the walkie: 'I'm painting a Vermeer.' He's an amazing artist. He's always referencing shots or paintings that he wants to recreate. I just love that.' 'I won't lie; it makes my life a lot easier because [my parents are] so well-liked. And I've actually worked with a lot of these people in my career now, that I'd been on set with as a kid. So I'm so lucky. Pic: Supplied The emerging filmmaker has learned from his parents too, and doesn't play down the head start he got over less-connected peers. 'I won't lie; it makes my life a lot easier because [my parents are] so well-liked. And I've actually worked with a lot of these people in my career now, that I'd been on set with as a kid. So I'm so lucky. 'I don't take it for granted. I've had every opportunity to move up in the industry, and I never, ever complain. I just keep my head down and work on it. When I get the nepo baby accusations, I just take it on the chin.' Fleming said he abandoned plans to go to film school after hearing from enough graduates that they 'wish they'd just started working'. Pic: Sean Dwyer Some 60 credits into a career that began at 16, his parents would appear correct in telling him they have 'only brought me to the door'. 'If I'm not good enough, there's no way I'd make it to 60 credits, I suppose,' he added. Fleming said he abandoned plans to go to film school after hearing from enough graduates that they 'wish they'd just started working'. 'They wished that they just learned on the job, because there's only so much film school can teach you, I think. And then people come out of film school maybe and they get a shock to the system, because the industry can be pretty brutal.' Both his parents contributed to Oíche Chultúir, and have mentored their son on their own jobs. 'We work really well together. My mum was definitely tough on me when she trained me first as an assistant director for my first few jobs, but I suppose she did that for a reason, to kind of shape me up. But I'd really love to work with them more.' His brother Jacob and half-brother Eoin are also pursuing film careers, following their father into cinematography. It was not his pedigree or Gaeilgeoir background that inspired Fleming to make films in Irish, but the international success of Colm Bairéad's Oscar-nominated An Cailín Ciúin – first noticed by Fleming while working on The Gone with his mother in Australia. 'All the Aussies I was with wouldn't stop going on about this little Irish film called The Quiet Girl, and I thought, 'Wow, I'm on the other side of the world, and we don't seem to be celebrating our own Irish language films as much as other people do.' 'On the way home, I did the [funding pitch for Screen Ireland] with the Kneecap track [H.O.O.D] in mind, having not known there was going to be this massive Kneecap explosion.' The band were 'reasonable' in licensing the track for use in the film, while fellow Irish-language rapper Súil Amháin requested a donation to the charity ACALI' Palestine in place of a fee. Fleming said the feedback so far has confirmed his belief that the 'tone of the Irish just feels better than the English' in his film. 'I like the cadence when you write it, and I just like the cadence of my film. I'd love to play around with that more.'