logo
The Emmy Race Is On—Here's Who's Leading

The Emmy Race Is On—Here's Who's Leading

Newsweek20-06-2025

Based on facts, either observed and verified firsthand by the reporter, or reported and verified from knowledgeable sources.
Emmy nominations won't be announced until July 15, but the campaigns are in full swing. (June in Los Angeles is basically one big "For Your Consideration" event every single day.) The big question is, who will be nominated?
From Kathy Bates in Matlock to Adam Brody in Nobody Wants This and literally the entire cast of The White Lotus, Newsweek has had so many potential nominees on the Parting Shot Podcast with H. Alan Scott. So make sure you're subscribed to never miss some of the best chats in entertainment news.
Emmy nomination season is here, with Severance, The Bear, and The White Lotus leading the prediction pack. Expect a mix of returning favorites and buzzy newcomers—and a few inevitable snubs.
Emmy nomination season is here, with Severance, The Bear, and The White Lotus leading the prediction pack. Expect a mix of returning favorites and buzzy newcomers—and a few inevitable snubs.
Getty Images
DRAMA CATEGORIES: CAN ANYONE STOP SEVERANCE?
Severance is likely to be a big contender, but don't count out new entries like The Pitt and Paradise.
In the acting categories, Noah Wyle (The Pitt) and Kathy Bates (Matlock) are likely winners. Everyone has been talking about them all season, and both of their shows are brand new and very buzz worthy. But don't count out Sterling K. Brown (Paradise) or even Gary Oldman (Slow Horses).
Other names that would be nice to see in the mix are Jon Hamm for Your Friends & Neighbors and Melanie Lynskey for Yellowjackets. Also, Elisabeth Moss (The Handmaid's Tale) and Penn Badgley (You) should get some recognition for the finales of their respective shows.
But the one series you can expect to be all over the drama categories: The White Lotus. Expect most of the cast, including Carrie Coon, Walton Goggins, Aimee Lou Wood and Parker Posey, to get nominated. Will they win? Unlikely, considering the less than thrilled reaction to the season, but they will certainly be recognized.
COMEDY CATEGORIES: WILL GHOSTS FINALLY GET RECOGNIZED?
Ghosts has consistently been a hit in the CBS' lineup, and yet it has never received much love from the Emmys. (Which is crazy considering that CBS announced earlier this year a two-season renewal for the hit comedy, a rarity these days for any show, let alone a network sitcom.) Asher Grodman, who plays Trevor on the series and is one of the potential nominees from the show, talked about this on a recent episode of the Parting Shot Podcast. It's seriously about time this incredible ensemble cast gets some Emmys love.
Besides Ghosts, expect lots of mentions of new entries like The Studio and Nobody Wants This to be among the Emmy nominees. In addition to these new entries, past winners like Hacks, The Bear and Abbott Elementary will likely pick up multiple nominations.
While it's no surprise that Jean Smart from Hacks will be nominated (and likely win), this could be Hannah Einbinder's year to finally win in the Supporting category. She had a stand-out season this year, and her name is the one that keeps coming up in many of these FYC conversations happening in Hollywood.
Another show that deserves more attention is Mid-Century Modern. The entire cast is worthy of nominations, but Nathan Lane and Matt Bomer are the most likely to pick up nominations. Also, don't count out the love people have for Linda Lavin, who died while the show was still in production.
Other worthy contenders in the comedy categories include Sharon Horgan's Bad Sisters and Wendi McLendon-Covey's incredible performance on St. Denis Medical. (It's one of the funniest shows from last year and she's yet to ever get any Emmys love. It's her time.) It would also be incredible to see Somebody Somewhere finally get some love. Bridget Everett's small town comedy ended this year, but it had so much heart and humor that hopefully its small but loud fanbase are screaming loud enough to help it finally pick up a nod.
TV MOVIE AND LIMITED SERIES CATEGORIES: HAS ADOLESCENCE KILLED THE MONSTERS?
Going into awards season, for a long time it seemed like Monsters: The Lyle and Erik Menendez Story was going to dominate all categories. Then Adolescence debuted and everyone couldn't stop talking about it. At this point, it doesn't look like anything is going to stop Adolescence's momentum.
That said, you can expect Monsters to pick up nominations for literally everyone involved, including Nicholas Alexander Chavez, Cooper Koch, Javier Bardem, Chloë Sevigny and Ryan Murphy. But there's one person from Monsters who really deserves some recognition: Leslie Grossman. She's been consistent in so many of Murphy's projects and always delivers, but she especially delivered in Monsters.
Another one to watch out for is Bridget Jones: Mad About the Boy. Renée Zellweger's return as Bridget Jones was a hit for Peacock and well, when it comes to awards, nobody ignores Zellweger. (We couldn't either, we made her our cover story when the film premiered.) Expect the two-time Oscar winner to be a first-time Emmy winner.
Another is Jesse Armstrong's Mountainhead. This all-star cast will almost certainly pick up nominations, but there's one member of the cast who truly deserves a nomination: Cory Michael Smith. His performance is literally haunting and we chatted with him about it on the Parting Shot Podcast.
The Emmy nominations will be announced on July 15, and the 77th annual Emmy Awards will air on CBS on September 14.
Subscribe to the Parting Shot Podcast with H. Alan Scott and the For the Culture newsletter for all the latest in pop culture and entertainment news.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

‘Sirens' Star's Mystery Thriller ‘Drop' Gets Peacock Streaming Date
‘Sirens' Star's Mystery Thriller ‘Drop' Gets Peacock Streaming Date

Forbes

time25 minutes ago

  • Forbes

‘Sirens' Star's Mystery Thriller ‘Drop' Gets Peacock Streaming Date

Meghann Fahy and Brandon Sklenar in "Drop." Drop — a mystery thriller starring Netflix's Sirens star Meghann Fahy and 1923's Brandon Sklenar — is coming soon to streaming on Peacock. Directed by Christopher Landon, Drop was released in theaters on April 11 before debuting on digital streaming via premium video on demand on April 29. The summary for Drop reads, "Meghann Fahy (Devon in Sirens) plays Violet, a widowed mother on her first date in years, who arrives at an upscale restaurant where she is relieved that her date, Henry (Brandon Sklenar) is more charming and handsome than she expected. "But their chemistry begins to curdle as Violet begins being irritated and then terrorized by a series of anonymous drops to her phone.' According to Peacock, Drop will begin streaming on the NBC Universal platform on Friday, July 11. For those who haven't subscribed to the platform, Peacock offers an ad-based package for $7.99 per month or $79 per year and an ad-free package for $13.99 per month or $139.99 per year. Meghann Fahy Gets Top Billing On 'Drop' Following Meghann Fahy's success of Max's The White Lotus Season 2 — which earned her an Outstanding Actress in a Drama Series Primetime Emmy Award nomination in 2023 — and a pivotal supporting role in Netflix's limited series The Perfect Couple, Fahy is billed as the lead actor in Drop. In an interview with Variety before Drop was released in theaters in April, Fahy told the trade publication that she was excited to be No. 1 on the call sheet for the film. 'It's been amazing. It's so interesting when you go film something, and then a year later, you get to see and share it with people,' Fahy told Variety. 'It's a really, really cool moment. I loved the process of making the film so much. It was a very new experience for me in a lot of ways. I learned a ton, and I met some amazing people.' Ultimately, Fahy knows there are several other talented people who come together to make movies happen. 'I formed such close relationships with the cast, especially Brandon Sklenar and [fellow actor] Jeffrey Self, so sharing the moment with them is something I will remember when I look back because it felt like such a team sport,' Fahy told Variety. 'Everybody in the cast was there every day, from the beginning to the end of the day, whether or not they ended up being on camera, because we never knew how far we were going to get [in each scene]," she added. "So, it felt very communal, like, everybody was a big part of the making of the film.' Drop earned $16.6 million domestically and $12 million internationally for a worldwide box office gross of $28.6 million. Drop had an $11 million production budget before prints and advertising, per The Numbers. Drop was a big hit with Rotten Tomatoes critics, who collectively gave the film an 84% 'fresh' rating based on 220 reviews. Drop also earned a 79% 'fresh' Popcornmeter score based on 1,000-plus verified user ratings. Rated PG-13, Drop begins streaming on Peacock on July 11.

'The Handmaid's Tale' Season 6, Episode 9: After That Explosive End, Who Makes It To The Finale Alive?
'The Handmaid's Tale' Season 6, Episode 9: After That Explosive End, Who Makes It To The Finale Alive?

Elle

time3 hours ago

  • Elle

'The Handmaid's Tale' Season 6, Episode 9: After That Explosive End, Who Makes It To The Finale Alive?

Spoilers below. Rebellion requires sacrifice. Many have died in the fight against Gilead, and the penultimate episode of The Handmaid's Tale only spills more blood. The Mayday rebellion set out to kill commanders by lacing Serena (Yvonne Strahovski) and Commander Wharton's (Josh Charles) wedding cake with a strong sedative. June (Elisabeth Moss) and Moira (Samira Wiley) disguised themselves in red robes to secretly distribute weapons to the handmaids during the nuptials and reception. Almost everything went according to plan. However, like any other operation executed in this world, there are immediate repercussions. June, her fellow co-conspirators, and even Aunt Lydia (Ann Dowd) don't get the benefit of a trial before their punishment is decided. It is a tense hour of television (though I wouldn't expect anything less) that puts many lives on the chopping block, and two big characters meet an explosive end in the final moments. Moss plays double duty, directing an episode for the third time this season, and once again, the Emmy-winner shows poise in front of and behind the camera. Read on to find out who makes it to the final episode alive. The episode opens with June, Moira, Janine (Madeline Brewer), Aunt Phoebe (D'Arcy Carden), and the other handmaids running toward freedom with 'Look What You Made Me Do' by Taylor Swift soundtracking their escape. It is an appropriate song choice for this brief respite. Everything appears to be on schedule, but nearby explosions indicate that Gilead's Guardians are starting to retaliate. In the trucks, Phoebe reveals to June that her real name is Ava. 'I guess all that community theater finally paid off,' says Ava. Discussion turns to who is going to stay and fight. June wants the women to live their lives, but Janine won't leave without her daughter Angela. Unfortunately, the Guardians block the gates, ready to take the handmaids into custody. First, they demand June reveal herself, which she does when they threaten to shoot other handmaids. You would think everyone in Gilead knows June's face by now. Serena also learns that she has very few options to escape. As the bombs go off in the distance, Serena runs to Commander Lawrence's (Bradley Whitford) house to seek refuge—and witnesses a handmaid stabbing a wife on the way. Naomi (Ever Carradine) is bewildered that Serena left her husband on their wedding night because that thought would never occur to her. The following morning, Naomi takes it upon herself to call Wharton to let him know his bride's location. Commander Wharton is a man who can multitask as he first meets with Lawrence to discuss the next steps after the massacre they suffered. Next, he asks for Serena's forgiveness. Serena says having a handmaid is a deal breaker, and to her surprise, Wharton agrees to try for a baby on their own. Serena is still skeptical about the whole thing, which is why it is a little too neat that Wharton spills the beans that June used their wedding to plan the attack that left 37 commanders dead. He is reminding his wife that Gilead is good and June is evil. 'I thought that we were friends,' Serena says. Wharton reassures Serena that 'God's justice will be served.' However, the new Mrs. Wharton's concerned reaction highlights that she disagrees with Wharton's intended retribution. 'So, was it the bride who figured it out?' June asks Wharton. To give a sense of his 'civility,' Wharton lets June out of her Gilead cage to have a face-to-face meeting without bars between them. Wharton assures June that Serena was stunned by her betrayal. What follows is a back-and-forth about whose sins are an affront to God. June is fearless, which rattles Wharton. Of course, everything June said to Serena about the kind of man Wharton is was accurate, and this was before she had even met the man. 'This is the beginning of the end,' says June. When Wharton continues to preach about God, June turns the tables and reminds him of the blood on his hands after what he did to the women at Jezebel's. June then brings up that Serena's version of God is one of love and quotes from the Bible: 'He that dwelleth in love dwelleth in God.' This strategy helped persuade Aunt Lydia (Ann Dowd) to do the right thing last week, but Wharton is unmoved. Gilead leaders love nothing more than putting on an elaborate public execution, with Wharton reveling in the role of emcee. Ava isn't dead yet, but her cover as Aunt Phoebe is blown, which means she is part of the hanging theatrics. The platform is a gallows equipped for multiple executions; Ava stands in place with a noose around her neck. June stands center stage with her rope attached to a crane so her soon-to-be dead body can be seen far and wide. Surprisingly, Aunt Lydia faces the same punishment but has been deemed responsible for the rogue handmaids by Wharton. The rest of the handmaids are the final piece of the execution tableau. But Lydia is full of fury, telling the crowd that her 'precious girls have been prisoners of wicked Godless men.' Finally, Aunt Lydia is part of the resistance. Wharton offers June a chance to say some last words before the mass hanging begins. While June starts with a prayer, Luke (O-T Fagbenele), Rita (Amanda Brugel), and other Mayday operatives have weapons ready to strike before it is too late. June's tone switches to rage, calling for everyone to rise up before yelling the famous Handmaid's Tale refrain: 'Don't let the bastards grind you down.' The crane pulls June up at this point, dangling her from high above. Grenades are thrown, shots are fired, and the handmaids free themselves. Rita shoots the crane operator, lowering June before it is too late. Ava is a certified badass, and it is later confirmed that the undercover aunt is actually a CIA agent. Suddenly, it all makes sense! American bombers fly above, and in the chaos, Wharton escapes. At Lawrence's, Mark Tuello (Sam Jaeger) arrives for both Serena and Lawrence, but only Serena is there. One person I thought would come to June's aid was Nick (Max Minghella). However, he is at the hospital with Rose (Carey Cox). The baby is okay, though the sedative in the cake is what led to this scare. Rose wants Nick to show his allegiance to her and Gilead, and it is disappointing that he doesn't put up much of a protest. Serena has been taken into protective custody but has told Tuello that she doesn't have any information that will help the American cause. June thinks she can get through to her, and what follows is a classic June-Serena tête-à-tête. Serena is glad to see June is alive, with June quipping about ruining her wedding. June has zero regrets about the dead commanders and keeps pressing Serena for information about the ones who escaped. Eventually, June calls Serena out for her empty promises about 'reform'—that word is meaningless with those men in charge. When that doesn't work, June focuses on what Serena values most: motherhood. Using love didn't work as a strategy on Wharton, but Serena responds to this plea. Serena tells June that Wharton and the other higher-ups will fly to Washington, DC later that day. Earlier in the episode, Serena is the one who won't let it go when Lawrence appears to be going about business as usual. She tells Lawrence that June is the reason she is alive (and the same goes for her son Noah), and it hits the spot. Without a hint of sarcasm, Lawrence asks Serena to say a prayer for June, which is a first. Lawrence tried to appeal to the remaining commanders to choose reason and restraint, but they wanted a new reign of terror. Given how much Lawrence has assisted, getting him to do another big favor for Team Mayday might be an easy ask. 'I'm an economist, I'm not James Bond,' he demurs when they ask him to put a bomb on the plane with an altitude trigger. They can't shoot the plane down because the airspace is restricted. Tuello says it is now or never; if the commanders get away, they can regroup. Lawrence won't be alone as June volunteers to be his getaway driver. Lawrence refuses this offer as she is finally safe, but June knows they will never be safe with those men still in the world. When they arrive at the plane, June tells Lawrence that courage looks brave on him. First, security at this private airfield is terrible because how is this plane left unguarded? Second, June's face should be plastered everywhere as public enemy number one. I can maybe give the Guardians a pass for earlier, but not after the whole public execution thing. Of course, the other commanders are early, and this throws the entire operation because Lawrence can't pop the case on board and then leave after they've seen him. June hides behind their car, and Lawrence looks ready to accept his fate as he walks up the stairs. He takes one final look at June, touching his heart to show he will see this through, and I get as teary as June does watching this sacrifice. Whitford has been reliably great throughout his time on the series, and he peels back the vulnerability of this character in this final moment. There is one latecomer who arrives before wheels up. June gasps when she sees Nick get out of the car—as did I. For a brief moment, I thought Nick would see her and not climb onboard the death flight. Moss cranks up the tension in her devastated look toward the man she might still love and in how she shoots this scene. (My notes at this point were just the word 'no' repeatedly.) This season has been hard for Team Nick, and I must admit that this conclusion is not the hero's end I was hoping for. Instead, Nick remarks to Lawrence about being on the winning side before asking how June is. Nick also mentions that June had told him to give all of this up, and Lawrence points out that he should've listened to her. Yep, he really should have. The plane takes off and explodes when it hits a certain altitude. Lawrence goes out as a hero, Nick goes out as a man who could only go with the rebellion so far. June has tears in her eyes, and so do I. The Handmaid's Tale is going out with a bang. ELLE Collective is a new community of fashion, beauty and culture lovers. For access to exclusive content, events, inspiring advice from our Editors and industry experts, as well the opportunity to meet designers, thought-leaders and stylists, become a member today HERE. Emma Fraser is a freelance culture writer with a focus on TV, movies, and costume design. You can find her talking about all of these things on Twitter.

Jeremy Allen White Reveals Why He Always Buys Flowers
Jeremy Allen White Reveals Why He Always Buys Flowers

Buzz Feed

time4 hours ago

  • Buzz Feed

Jeremy Allen White Reveals Why He Always Buys Flowers

Jeremy Allen White is a sucker for a beautiful bouquet, but the sentimental reason behind it even more alluring. If you've seen paparazzi photos of The Bear star out in the wild, then there's a strong chance he was spotted with flowers in his hands. He's been seen on numerous occasions buying an assortment of flowers, ranging in beautiful, bright colors. And it's happened so much that people have speculated what he does with them — gifting them to a significant other, fueling a hobby, etc. So, when he stopped by The Tonight Show Starring Jimmy Fallon on Thursday to promote the new season of the Emmy-winning series, the late night host made sure to ask Jeremy about it. "You're always carrying giant bouquets of flowers, everywhere you are," Jimmy said, while showing a collage of pictures of Jeremy holding pretty plants. "I love it. It's your your one else can take this move. That is your move. Do you work at a florist or what?" 'I have this farmer's market near my house," Jeremy replied. "It's on Sundays, and I just love going there, and I love flowers in my house. I like them in the house." "It's so strange, though, it's become this thing. I saw a friend a couple of weeks ago that I hadn't seen in a while, and she goes, 'What's up with the flowers?'" He jokingly remembered feeling like his friend might've thought he was doing something "sinister" or "strange" with the flowers. "I just like them," he continued. "I like them in the house. I give them to people. I arrange them with my daughters on Sunday, and it's like — it's a nice thing that we do." The audience erupted in a sea of "awws" at the sweet activity he does with his kids. Jeremy shares two little girls — Ezer, 6, and Dolores, 4 — with his ex-wife, Addison Timlin. And fans online proudly voiced their admiration for Jeremy's hobby: How adorable! You can watch Jeremy's full interview with Jimmy below:

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store