Anupam Kher recalls clash with Aamir Khan during Dil Hai Ke Manta Nahin shoot
'Dil Hai Ke Manta Nahin', released in 1991, starred Aamir Khan and Pooja Bhatt in lead roles, marking Pooja's first major appearance on the big screen. Directed by Mahesh Bhatt, the film was a remake of the 1934 Hollywood classic 'It Happened One Night' and became a box office success. Anupam Kher, Sameer Chitre, Tiku Talsania, and Deepak Tijori also played key roles in the romantic drama.Anupam's upcoming film, 'Metro In Dino', directed by Anurag Basu, is a sequel to 'Life in a Metro'. The ensemble cast includes Neena Gupta, Ali Fazal, Sara Ali Khan, Aditya Roy Kapur, Fatima Sana Shaikh, Konkona Sen Sharma, and Pankaj Tripathi. With music composed by Pritam, the film is set to release in theatres on 4 July 2025.- EndsMust Watch
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Hindustan Times
19 minutes ago
- Hindustan Times
Credit, and contempt, for the paths to quick riches
A screenshot on the internet screamed, '41 crores! That's the net worth of a 23-year-old content creator'. Many on the internet lost it. They beat their breasts, posting their marksheets and entrance exam ranks, and their current in-hand salary, and claimed life is unfair. I wonder. Young people getting rich quick isn't new. Almost every new IPL player has a similar rags to five-tattoos-on-arm story. Hindi newspapers have been forever converting Day-0 dollar salaries to rupees to scare parents into packing their offspring off to Kota. A girl having poha in the college canteen being spotted by Subhash Ghai is not unheard of. So, why the commotion over influencers becoming famous and, subsequently, rich? Maybe this new path to wealth — earning money on the internet — is not yet culturally acceptable, hence the distaste among people. Several acceptable ways to make money have become Bollywood tropes. Going to school is just a brief and annoying interruption before you hop onto a plane to New York to study film-making, eventually to return and manage your family's spare-parts business in Karol Bagh. 'Vicky baba aaj hi vilayat se apni padhaai poori karke wapas laute hai (Vicky baba has returned home, after finishing his studies abroad),' an old caretaker helpfully tells the guests seated in the large living space. Clearly, Vicky baba's vilayati degree couldn't ensure employment, which is why he had to return. But nobody treats Vicky baba like a loser, he is ripe to be married off by converting dosti (friendship) to rishtedaari (relationship). A moviegoer in Muzaffarpur then aspires for this life. Another acceptable and respected way to get rich young is to study very hard, sacrifice friends, cable TV, smartphones, and get an All India Rank that doesn't look like a phone number. The number of hours studied is akin to currency. News-channels will ask you about the number of hours studied every day; smartness doesn't count, they just want to promptly report the number of hours, and a parent hearing that the topper studied 12 hours a day will use that benchmark to make their kid's life miserable. Here again, several movies have glorified the academic path. A scene with a person studying under a street lamp moves to the same chap jostling with scores of youngsters like him, gathered around a list stuck outside the Union Public Service Commission office, to find his name on it. Then he breaks down, uplifting music playing in the background. The academic path to wealth is the most common — the one that generates the least wealth at a young age and yet expects 70 hours of work a week. And still another is for ones who won the genetic lottery, blessed with such good looks that a film director spots them even as they are having paani puri on the street. Most such multi-million dollar careers kick off when a car stops at the roadside, a window rolls down, and an offer is made. Within a year or two, the paani puri eater is stepping out of a Land Rover, wearing oversized glasses, and making patronising small-talk with the paparazzi, while suffering from success. Very few in India begrudge such meteoric rise. It is, as they say, very acceptable. So, why are content creators judged so harshly? There is a concept in differential calculus, called the 'Local Maxima'. It relates to the highest point of a mathematical function in the immediate neighbourhood. When the internet was not there, those good at academics (local maxima) got accolades from relatives and neighbours for cracking a tough exam. The comparisons were local. And the relative superiority gave happiness. With the internet, the world became one's neighbourhood, and suddenly all the local maxima realised they aren't the global maxima. People their age were earning much more, while doing really, really less, and not necessarily studying 12 hours a day. It disturbed the local maximas' mental equations. Rags to riches stories, propelled by genetics and a bit of luck, always existed, but they were distant. With the internet, they are at your doorstep. The rise is swift, and every bit is recorded. 'My first two-wheeler' to 'first foreign trip with parents' to 'my first BMW', it is live-streaming large-scale hay production while the sun is shining. Then, Bollywood is yet to validate this new path, glamourise it and make a serious actor of repute play the role of a content creator, making the general public root for an influencer. Perhaps till then, influencers won't be immune to day-to-day jealousy, like Bollywood stars are. Barely any layperson would be jealous of Aishwarya Rai. She and her kind are in the stratosphere already. Influencers, however, operate somewhere in the middle, within range for people on the ground to take potshots. People like me, however, who aren't genetically chiseled or have the content creation chops, would do better to focus on differential calculus. Abhishek Asthana is a tech and media entrepreneur, and tweets as @gabbbarsingh. The views expressed are personal.
NDTV
23 minutes ago
- NDTV
Ramayana: Part I - Ranbir Kapoor And Yash's Film Posters Light Up Times Square
New Delhi: Ramayana: Part I, featuring Ranbir Kapoor as Lord Ram, Yash as Ravana and Sai Pallavi as Sita, is making waves worldwide. On Thursday, July 3, the makers unveiled the film's first glimpse, offering a peek into the epic battle. Ramayana: Part I, directed by Nitesh Tiwari, witnessed a grand launch event across major Indian cities. Now, the movie's international rollout has reached North America. The iconic Times Square in New York City has been lit up with stunning visuals and posters of the film. Giant billboards featuring Ranbir Kapoor and Yash in their divine avatars adorn the bustling Times Square. Pictures of the same are currently going viral. View this post on Instagram A post shared by Spice (@spicesocial) Ramayana: Part I, produced by Namit Malhotra and co-produced by Yash, revolves around the timeless battle between two of the world's most iconic forces: Rama vs Ravana. It's a fight between good and evil. The film's first look was accompanied by a caption that read, 'Ten years of aspiration. Relentless conviction to bring the greatest epic of all time to the world. An outcome through a collaboration of some of the world's best to ensure that Ramayana is presented with the greatest amount of reverence and respect. Welcome to the beginning. Let's celebrate the IMMORTAL story of Rama v/s Ravana." View this post on Instagram A post shared by Namit Malhotra (@iamnamitmalhotra) Besides the titular cast, Sunny Deol will be seen as Lord Hanuman, whereas Ravie Dubey is set to play Ram's brother Lakshman in Ramayana: Part I. Adding to the grandeur, Oscar-winning musicians AR Rahman and Hans Zimmer crooned the movie's music. Previously, Namit Malhotra shared some details about Ramayana: Part I at the World Audio Visual Entertainment Summit. He said, 'The way we want to go about it is to make it feel local to people in the world. Again, with the use of some technology, we're trying to make sure that we'll be able to localise the film in languages with performance, which means that it should play in English with lip sync without subtitles or dubbed versions, because it should be in English. It should be in Spanish; it should be in Japanese."
India.com
26 minutes ago
- India.com
Aamir Khan beats Shah Rukh Khan, Salman Khan as Sitaare Zameen Par creates history, becomes first Indian film to....
Aamir Khan's Sitaare Zameen Par has been well received by audiences on the big screen. The movie, described as the spiritual sequel to Taare Zameen Par, has recorded its name among the highest-grossing movies of 2025. As per the industry tracker Sacnilk, the movie has grossed over ₹200 crore worldwide. Aamir's vision behind the film was not only to mint money but to reach out to as many people as possible with the concept. Aamir Khan's Movie Becomes the First Film to… Sitaare Zameen Par has become the first Indian film that can be viewed and understood by all kinds of people. It has closed captions, audio descriptions, and Indian Sign Language, ensuring that viewers with visual, hearing, or speech impairments can enjoy the film with respect and freedom. Sitaare Zameen Par Features Indian Sign Language Released on June 20, the movie created history not only in Indian cinema but across the globe. While many international films have introduced various accessibility tools in the past, Sitaare Zameen Par is the first film to incorporate Indian Sign Language through the XL Cinema app, which allows users to access a real-time ISL interpreter on their mobile devices. What Does the XL Cinema App Do? The app helps sync the audio of the film in the theater, which eventually benefits deaf and hard-of-hearing viewers. People with hearing impairments can easily understand the story and background audio cues of the film because the closed captions provide on-screen dialogue and sound descriptions. On the other hand, a voiceover describing the visual elements inclduing settings, actions, making the film easier to flow for people with partial vision is done with the help of audio description feature.
