
Debbie Harry turns 80: what next for Blondie?
The pop icon and
Blondie
singer has just turned 80.
She
is now the same age as Rod Stewart, 12 months behind Mick Jagger and just ahead of Dolly Parton, Bette Middler and Neil Young.
How does she feel about reaching that milestone?
Conflicted, judging by a recent interview in Vanity Fair. Harry said she had been affected by the death of Blondie drummer Clem Burke in April. 'What is this space I live in now? I'm curing – I'm doing a cure,' she said, meaning that she was taking stock and working out what she wants at this stage in life. 'And part of that is decluttering up my space, which is crowded with that life. I need to get some breath, get some air in there.'
So that's the end of Blondie?
Not quite: the band have a new album on the way – though, following Burke's death, it is unclear if they will tour again. The record is to be produced by John Congleton, a well-known figure in alternative music who has worked with St Vincent and Mogwai.
[
Rock of ages: The Rolling Stones, Bob Dylan, Debbie Harry and 12 other classic acts still going strong
Opens in new window
]
Any idea what we can expect?
With no new music released, it's still a guessing game. However, their last LP, 2017's
Pollinator
, featured contributions from Joan Jett, Johnny Marr of The Smiths and a pre-Brat Charli XCX. So fans can look forward to something exciting and boundary-breaking – elevated, as ever, by Harry's hard-as-diamond, soft-as-featherdown vocals.
READ MORE
Debbie Harry and Blondie perform on stage during Day 5 of Glastonbury Festival 2023 (Photo by)
Why are Blondie so important anyway?
In the 1970s and early 1980s they broke boundaries in numerous ways. The group emerged from the downtown New York punk movement, yet hits such as Sunday Girl, Hanging on the Telephone, and Atomic had a pop sheen. They also helped put a spotlight on the rap scene bubbling up in Harlem by incorporating elements of hip-hop into their 1980 song Rapture.
Punk roots: Debbie Harry with Blondie in Amsterdam, November 1977. Photograph: Gie Knaeps/Getty
What happened then?
By 1981, they had been on the road quite a while and tensions were rising. Their sixth album, The Hunter, was regarded as a disappointment.
Plus, because they weren't selling all that many records, they were under financial strain. More seriously, guitarist Chris Stein – Harry's then romantic partner – had developed a rare autoimmune condition. He had to take time away to recuperate, and Harry put her career on hold to care for him. However, with Stein having recovered, they reformed in 1997 and achieved success with their comeback single, Maria, which peaked at number three in Ireland in 1999.
Why is Harry considered such an important pop star?
She was one of the great front people of the 1970s – a fashion icon as well as an influential singer. At a time when the music industry was still weighted against female performers, her take-no-prisoners outlook made her an important role model.
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Irish Times
12 hours ago
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Debbie Harry turns 80: what next for Blondie?
Why is Debbie Harry in the headlines? The pop icon and Blondie singer has just turned 80. She is now the same age as Rod Stewart, 12 months behind Mick Jagger and just ahead of Dolly Parton, Bette Middler and Neil Young. How does she feel about reaching that milestone? Conflicted, judging by a recent interview in Vanity Fair. Harry said she had been affected by the death of Blondie drummer Clem Burke in April. 'What is this space I live in now? I'm curing – I'm doing a cure,' she said, meaning that she was taking stock and working out what she wants at this stage in life. 'And part of that is decluttering up my space, which is crowded with that life. I need to get some breath, get some air in there.' So that's the end of Blondie? Not quite: the band have a new album on the way – though, following Burke's death, it is unclear if they will tour again. The record is to be produced by John Congleton, a well-known figure in alternative music who has worked with St Vincent and Mogwai. [ Rock of ages: The Rolling Stones, Bob Dylan, Debbie Harry and 12 other classic acts still going strong Opens in new window ] Any idea what we can expect? With no new music released, it's still a guessing game. However, their last LP, 2017's Pollinator , featured contributions from Joan Jett, Johnny Marr of The Smiths and a pre-Brat Charli XCX. So fans can look forward to something exciting and boundary-breaking – elevated, as ever, by Harry's hard-as-diamond, soft-as-featherdown vocals. READ MORE Debbie Harry and Blondie perform on stage during Day 5 of Glastonbury Festival 2023 (Photo by) Why are Blondie so important anyway? In the 1970s and early 1980s they broke boundaries in numerous ways. The group emerged from the downtown New York punk movement, yet hits such as Sunday Girl, Hanging on the Telephone, and Atomic had a pop sheen. They also helped put a spotlight on the rap scene bubbling up in Harlem by incorporating elements of hip-hop into their 1980 song Rapture. Punk roots: Debbie Harry with Blondie in Amsterdam, November 1977. Photograph: Gie Knaeps/Getty What happened then? By 1981, they had been on the road quite a while and tensions were rising. Their sixth album, The Hunter, was regarded as a disappointment. Plus, because they weren't selling all that many records, they were under financial strain. More seriously, guitarist Chris Stein – Harry's then romantic partner – had developed a rare autoimmune condition. He had to take time away to recuperate, and Harry put her career on hold to care for him. However, with Stein having recovered, they reformed in 1997 and achieved success with their comeback single, Maria, which peaked at number three in Ireland in 1999. Why is Harry considered such an important pop star? She was one of the great front people of the 1970s – a fashion icon as well as an influential singer. At a time when the music industry was still weighted against female performers, her take-no-prisoners outlook made her an important role model.


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In the 1980s, during the height of the Aids epidemic in New York, she recalled how some people jumped up from a park bench if a person with symptoms of Kaposi sarcoma sat down. It was important for her never to forget. She had in-depth knowledge of JFK's domestic and foreign policies, and did not put him on a pedestal like other Irish-Americans. I had never before had a friend like Frances, and I probably never will again. 'Quentin, New York is my home. My roots are here. Your roots are in Ireland. That's your home.' Photograph: Leonardo Munoz/AFP via Getty She was patient, funny, smart and a politically active New Yorker. Frances could argue her point, but she never lost her cool. We talked about sex, relationships and politics. Although she was a Democrat, she did have friends who were Republican. Even from behind her dark glasses, which protected her eyes from the light, she believed in dialogue over judgment. When a person who 'sees you' disappears into the divine, ethereal nothingness of time, or the afterlife, they leave a void, but she embarked on that journey, willingly and with dignity. Such was her strength, it took weeks for her to finally slip away. Covid was one of the strangest eras she lived through, she said, but McCarthyism remained one of the darkest. She left us during the protests in LA, but she passed the baton during her lifetime. When Frances wanted to make a change, or file a complaint, she wrote directly to the chief executive officer. She trained as an actor, appeared in a TV comedy pilot, and among her many career trajectories, worked for an organisation that found housing for people with low income. She described herself, jokingly, as 'shanty Irish' and me as 'lace-curtain Irish', even though she had a well-known penchant for Campbell's loose tea. I, meanwhile, scoured the internet for Barry's. She also taught me the difference between being alone and loneliness, and that the latter is an inside job She taught me about friendship, letting the right ones in, letting go of needing to be liked by others, and the importance of liking and accepting yourself for who you are. 'Once upon a time I used to pursue people who didn't like me,' she told me. 'If I finally had them in my life, what did I do? I had people in my life that I was so upset about and I had to pretend that I liked them, and pretend that I was whoever it was they wanted me to be. I don't have to do that any more. This is who I am. The people who do like me are the people I want in my life and I am delighted to have them.' She spoke in a slow, considered manner, in those aged, earthy tones. She also taught me the difference between being alone and loneliness, and that the latter is an inside job. 'I'm not uncomfortable being alone and I'm never bored,' she said. 'I accept my life a day at a time.' I felt guilty leaving New York, and our coterie of friends on the Upper West Side, but she said, 'Quentin, New York is my home. My roots are here. Your roots are in Ireland. That's your home.' I left a lot behind when I left Dublin, and I left a lot behind when I left New York. But her words made my decision easier. She knitted hats and scarfs for prisoners, and I took a couple of those, knitted with love and dedication, with me. [ Quentin Fottrell on a Dublin scam: After more than 10 years in New York, nothing like this had ever happened to me Opens in new window ] In school she was scolded by the nuns for having friends outside of her 'own kind'. She was friends with people of all religions and cultures – gay, straight, black, white, Jewish, Christian – and when she told the nun that the Bible preached inclusivity and generosity of spirit, the nun slapped her. But that slap only propelled her forward. Her parents weren't thrilled either, but she found her own family in the Metropolis. She married three times and her first husband was black; interracial marriage was not at all common in the 1940s, but she lived by her own moral compass and her own social mores. Of course, she still voted. She moved to New York at the end of the second World War, and she hung out in the West Village. When he missed the train home, James Baldwin crashed on her sofa. That was before he was a celebrated writer and cultural icon. But it was just a side note for Frances in a rich life that will mostly be known only to her. 'Not everything that is faced can be changed, but nothing can be changed until it is faced,' Baldwin said. Frances never stopped learning and listening to jazz. She had a ferocious curiosity. When she could no longer read, friends read to her and she rented countless audiobooks from the library. Frances Ballantyne and Beth in Cafe Arte, New York During one of our last dinners, I told her I had to have potentially life-saving heart surgery . At the end of our meal, our friend Beth, Frances and I all held hands. We sat in silence. I needed calm, and I needed courage. We had more than 200 years between the three of us. And yes, it made a difference. The quiet moments with loved ones are filled with a powerful, healing energy if you choose to seek it. Here was a woman with a life force in the 0.02 per cent – that's roughly how many people live for a full century. She was cool as a cucumber with bad news, and she was cool as a cucumber with good news. She did regret never visiting Ireland, so memorialising her here is my gift to her. I'm not sure if Frances believed in an afterlife, but she talked about going to her cloud and, as our friends Beth and Kathrina reminded me, the first thing she wanted to do was apologise to anyone who needed an apology from her during her lifetime. In a world of selfies, Frances thought of how she could be of service to others, no matter their political beliefs. She worked hard to maintain humility. It was a daily practice. 'I am still interested in growing,' she said. 'I do have character defects that I'd like to get rid of. I need to change because I want to change.' She may indeed now be on her cloud and, even if it's only in my mind's eye, it makes me fear death that little bit less She did not complain, although she had plenty of reason to; she asked for help when needed and offered it to others when asked. She couldn't see, but she cooked every day and lived independently. But finally her time came. After days of semi-consciousness she had a lucid day and, when Kathrina put me on speakerphone, Frances said, 'Did you purchase your house yet?' Those were her last words to me. How could she care at a time like this, or even remember at a time like this that I was househunting? Because, simple as it seems, she was genuinely, wholeheartedly invested in other people. Some of Frances's ashes were scattered by friends near the Eleanor Roosevelt Monument in Riverside Park. She may indeed now be on her cloud and, even if it's only in my mind's eye, it makes me fear death that little bit less. If she can exit so gracefully, perhaps so can I. That's the hope, anyway. For Frances to have a spiritual connection, she needed a human connection. That might be why her landline almost never stopped ringing. There's one way I can keep her around, and make sure she is never far away during my own lifetime. Whenever I am faced with a challenging situation, I can ask, 'What would Frances do?' Frances Ballantyne, a New Yorker, was born on March 5th, 1925 and died on June 10th, 2025