
SGCA 2025 seeks campaigns driving social impact and preserving Arabic identity
These two categories underscore SGCA's commitment to celebrating academic rigour, exceptional public engagement, and innovative leadership within the vital field of government communication. They recognise not only the ideas that advance the discipline but also the authentic voices that build stronger connections between institutions and the communities they serve.
The submission deadline is July 24, 2025, and entries can be submitted via the official SGCA portal: https://gca.sgmb.ae/en.
Now in its 12th edition, the Sharjah Government Communication Award (SGCA) has established itself as a global benchmark for excellence in this field, having attracted over 3,800 submissions from 44 countries in 2024. The winners will be announced on the sidelines of the International Government Communication Forum (IGCF), which will be held in September 2025 at Expo Centre Sharjah.
Positive Behaviours, Shared Values
Her Excellency Alia Bu Ghanem Al Suwaidi, Director of the Sharjah Government Media Bureau, affirms the Sharjah Government Communication Award's dedication to cementing the role of purposeful communication in serving society and preserving identity.
She stated that the categories of 'Best Communication Practice in Supporting Social Responsibility' and 'Best Campaigns Promoting Cultural Identity and the Arabic Language' embody the award's commitment to harnessing responsible government communication that places people at the heart of its message, strengthens their bond with their mother tongue and culture, and drives initiatives that positively impact social issues and values.
Al Suwaidi also highlighted Sharjah's keen efforts to advance the presence of the Arabic language across media and communication spaces and government communication strategies, reinforcing its role in shaping an impactful official discourse that reflects our unique identity while engaging the world in our own language.
Best Communication Practice in Supporting Social Responsibility
The 'Best Communication Practice in Supporting Social Responsibility' category honours government agencies, private entities, and international organisations that have initiated communication campaigns with a clear and measurable impact on social well-being. Eligible campaigns should demonstrate an integrated communication strategy rooted in ethical practices, effective community engagement, and innovative outreach methods. Submissions will be evaluated on their long-term impact, ability to build partnerships, and success in promoting social awareness and change.
The evaluation process includes 10 weighted criteria, ranging from innovation and use of modern communication tools to tangible social outcomes and ethical alignment. Jury members will assess the campaign's ability to measure and sustain its impact through collaboration and documented success.
Best Campaign Promoting Cultural Identity and the Arabic Language
As globalisation poses challenges to linguistic and cultural preservation, SGCA seeks to reward campaigns that reinforce the central role of the Arabic language in shaping national identity and collective heritage. The 'Best Campaign Promoting Cultural Identity and the Arabic Language' category is open to public and private sector initiatives that have creatively and effectively promoted Arab identity, values, and linguistic pride; especially among younger generations.
The campaigns should use compelling storytelling, modern technology, and culturally resonant messaging to engage the public and spark meaningful conversations around Arab identity. The jury will evaluate entries based on seven key components, including content quality, impact on the target audience, innovation, and documentation of results. Submissions must show how the initiative tackled real challenges around cultural dilution and inspired communities to embrace and celebrate the Arabic language as a pillar of heritage and unity.
Submission Process and Deadline
SGCA welcomes entries from across the globe, provided the campaigns were launched or significantly updated within the past two years. Submissions must include a 1,000-word description along with supporting documentation such as photos, statistics, reports, or videos. Each file should also contain a 250-word executive summary outlining the campaign's key objectives, tools, target audience, and measurable outcomes.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Zawya
2 hours ago
- Zawya
Saudi Arabia is among world's top donors with assistance worth $140.8bln
RIYADH — The Saudi Aid Platform has revealed that the total value of financial assistance provided by Saudi Arabia to around the world is amounted to approximately SR528.4 billion ($140.9 billion), cementing the Kingdom's position as one of the largest donors globally. The Saudi official platform revealed that Egypt topped the list of countries that benefited most from Saudi aid, with a total of $32.49 billion, followed by Yemen with $27.69 billion, and then Pakistan with $13.19 billion. The list of countries that benefited the most also included Syria: $7.53 billion; Iraq: $7.33 billion; and Palestine: $5.37 billion. These figures reflect the Kingdom's commitment to its humanitarian and development role by supporting peoples and countries in confronting humanitarian crises and natural disasters, and achieving sustainable development. These efforts are part of the realization of Saudi Vision 2030 goals that focus on strengthening international partnerships and establishing the Kingdom as a pillar of regional and international peace and stability, under the leadership of Custodian of the Two Holy Mosques King Salman and Crown Prince and Prime Minister Mohammed bin Salman. It is noteworthy that the Saudi Aid Platform is the precise electronic reference for the Kingdom's foreign contributions. The platform is divided into three categories: humanitarian, development and philanthropic projects, contributions to international organizations and bodies, and visitors' services (refugees living inside the Kingdom). The Saudi Aid Platform, inaugurated by King Salman in 2018, highlights the size and type of assistance provided by Saudi Arabia. The King Salman Humanitarian Aid and Relief Centre (KSrelief) re-launched this platform. Due to the multiplicity of Saudi donor entities, this platform has become an imperative and effective tool for collecting, coordinating and documenting statistics on international assistance provided by the Kingdom to countries and people in need around the world. © Copyright 2022 The Saudi Gazette. All Rights Reserved. Provided by SyndiGate Media Inc. (


The National
3 hours ago
- The National
'Door is finally open': Cameras roll again in Syria as sanctions lift after a decade
For more than a decade, Syria's television industry operated under the weight of crippling sanctions, political isolation and dwindling resources. What was once a regional powerhouse of drama – especially during the lucrative Ramadan season – faded as producers struggled with blocked funding channels, severed international ties and a shrinking market for distribution. In a significant development reflecting Syria's evolving economic situation, the country's new leadership has finalised an agreement with Qatari company Al Maha International to construct a media and entertainment complex on the outskirts of Damascus. This deal, celebrated as a key element of Syria's post-sanctions, comes on the heels of US President Donald Trump's recent decision to remove long-standing sanctions on the war-affected nation. The focal point of the Qatari agreement is the City of Damascus Gate, an ambitious mega-project designed to establish Syria as a regional leader in film, television and tourism. Planned as a production city that combines cultural richness with modern efficiency, the complex will cover nearly two million square meters across the Damascus governorate. It is anticipated that the site will become a regional centre for Arab television networks, film producers and media firms looking for an affordable yet culturally significant filming venue. The initiative is projected to generate more than 4,000 permanent jobs and an additional 9,000 seasonal positions, providing a crucial economic boost to the local labour market and a possible route to rejuvenating Syria's once-vibrant creative sectors. This announcement arrives amid a surge of foreign interest in Syria's previously stagnant industries, especially in tourism, real estate and entertainment. The lifting of US sanctions may mark a turning point for Syria's constrained television industry. For leading showrunners and industry veterans like Ahmad Alshiekh, who has been bringing some of the country's best productions in difficult times, it feels less like a diplomatic gesture and more like an existential reset. 'The lifting of US sanctions is not just symbolic, it's a potential reset button for the entire Syrian film and television ecosystem,' Shiekh tells The National. 'For over a decade, the industry operated under tremendous constraints, cut off from global resources, partnerships and even basic tools of the trade. Now, for the first time in years, there's space to rebuild with proper structure, transparency and international collaboration. It won't happen overnight, but the door is finally open.' The effects, he says, won't be limited to economic logistics. The most immediate change is psychological. 'Once the fear of legal and financial complications fades, doors naturally open,' Shiekh explains. 'I expect regional distributors, broadcasters, and even advertisers to re-engage first. Production will follow, but not just in quantity, in quality.' That quality, long praised in Syrian drama for its emotional depth and sharp social commentary, has suffered in recent years. Yet the foundation remains. Shiekh believes the industry's core strengths – strong narratives and culturally grounded storytelling – position it for a powerful return, especially if professional standards can be restored and co-productions with regional and international partners flourish. 'The real opportunity lies in restoring professional standards, improving production value, and building co-productions with trusted partners inside and outside the region,' he says. 'As for funding, it's never just about access, it's about confidence, and that will take time to rebuild. But this is the first real step.' The goal is not just recovery, it's global relevance. Shiekh is confident that, with the right foundations in place, Syrian series can compete internationally not as underdog curiosities, but as compelling, high-quality productions. 'The potential is undeniable,' he says. 'Syrian drama has always had a unique voice in the Arab world, and international audiences are more receptive than ever to authentic, culturally rich storytelling. But let's be realistic – growth requires more than the lifting of constraints. It takes vision, infrastructure, professional standards and smart partnerships.' That international vision may not be so far off. Streaming giants like Netflix and regional platforms like Shahid have already expanded their Arabic content portfolios in recent years. With sanctions out of the way, Shiekh suggests that conversations with major platforms are quietly already under way. 'Platforms like Netflix and Shahid are constantly searching for fresh, authentic narratives,' he says. 'Syrian content has always delivered on depth and drama, but until now, the logistical and legal complexities kept the big players hesitant. With those barriers easing, I believe we'll see Syrian stories finding their place, not just as niche titles, but as part of mainstream Arab and global line-ups.' One of the clearest markers for a Syrian television revival will be next year's Ramadan season. Often dubbed 'TV's Super Bowl' in the Arab world, it's historically been a defining showcase for Syrian drama. Shiekh believes 2026 could mark a comeback, if the industry steps up. 'Ramadan has always been the stage where Syrian drama made its mark, not just in the region, but across the Arab world,' he says. 'But the reality is, for the past decade, that golden period was dimmed by logistical, financial, and political obstacles. Now, with restrictions easing, we have the opportunity, not the guarantee, to reclaim that position. 'But success won't come from nostalgia alone. It will depend on whether we as an industry can deliver the kind of high-quality, relevant and technically strong productions that audiences expect today. If we get that right – and I believe many of us are ready – the 2026 Ramadan season could mark the true comeback of Syrian drama on screens across the region.' For award-winning Syrian-Palestinian director Anas Zawahri, the lifting of US sanctions on Syria is a potential rebirth of an industry that has long struggled to survive under isolation. 'The lifting of sanctions marks a real turning point for Syrian television and film,' Zawahri tells The National. 'For over a decade, we've been creatively and financially paralysed. Sanctions made it nearly impossible to collaborate with institutions abroad or to access even the most basic forms of funding and support. We were working in a vacuum.' Zawahri, who was born in 1987 and resides in Damascus, is part of a new wave of Syrian creatives who have persisted despite those constraints. His award-winning documentary, My Memory is Full of Ghosts, was produced independently and went on to receive international acclaim. The film chronicles the shattered lives of Homs residents who returned to find their city reduced to rubble, haunted by war, displacement, and silence. It won the Anhar Award for Best Human Rights Film at the 2024 Karama Human Rights Festival in Jordan and was screened widely across the Arab world and Europe. 'That film came from a place of truth, of loss, of memory and of confrontation. We told stories about arrests, torture, and displacement at a time when even speaking about those things was dangerous,' he recalls. 'There was no support. No structure. We were completely on our own.' Now, with sanctions lifted, Zawahri sees new opportunity on the horizon – not just for himself, but for the industry as a whole. 'We're already seeing the change. Investors are coming in. Producers who were once hesitant worried about reputational or legal risks are re-engaging. Syria is fertile ground for storytelling, and it's cheaper to operate here than in Lebanon or the Gulf. The potential is massive.' While he admits that the revival of Syrian cinema will take time, Zawahri says the television industry is poised for immediate growth. 'Television is the heart of Syrian culture. We're a series-driven country. Syrian dramas have long held a regional reputation. Now, with fewer restrictions, we can begin to tell more daring stories, stories about the brutality of the past decade, the revolution, the regime's violence – subjects that were once completely taboo. 'This moment offers a real chance to build something new. But we need support: funding, festivals, platforms to promote our work. Syrian drama is trending again, not just in the region, but globally. The next few years could define a generation of new creators.' For Zawahri, who identifies as a Syrian-Palestinian refugee and self-taught filmmaker, the end of the sanctions era is a rare moment of possibility, one that he hopes will not be wasted. 'We've paid the price. We've waited in silence. Now it's time to create again and to be heard.'


The National
4 hours ago
- The National
Gaza ceasefire negotiations and Hezbollah faces pressure
Parties are back at the negotiating table to discuss a potential ceasefire in Gaza. Hezbollah is reviewing a US proposal urging the group to disarm within a few months. Ashura has been marked in Lebanon for the first time since Hezbollah lost much of its power. On today's episode of Trending Middle East: Crucial Gaza ceasefire talks resume in Doha ahead of Netanyahu's US visit Hezbollah 'divided' over whether to scale back its arsenal amid US pressure to disarm Lebanon's Shiite Muslims mark Ashura amid calls for Hezbollah to disarm and security threats This episode features Mohamad Ali Harisi, Foreign Editor; and Jamie Prentis, Beirut Correspondent. Editor's note: We want to hear from you! Help us improve our podcasts by taking our 2-minute listener survey. Click here.