Lady Gaga's Early Career Singles Soar To New Peaks Post-Coachella
Gaga currently holds five spots on both of Billboard's worldwide tallies — the Billboard Global 200 and Billboard Global Excl. U.S. Two of her most familiar tracks rise to never-before-seen heights this frame thanks to an uptick in sales and streams, a surge clearly tied to her Coachella showings.
Of the two growing cuts, "Poker Face" ascends the highest. That track, one of Gaga's true breakout hits, reaches new peaks of No. 63 on the Billboard Global Excl. U.S. and No. 72 on the Billboard Global 200.
At the same time, "Bad Romance" also improves its standing. The track only debuted on these two tallies last week and now soars to new peaks. The Grammy-winning tune jumps from No. 172 to No. 149 on the Billboard Global Excl. U.S. Meanwhile, it rises more modestly on the Billboard Global 200, climbing from No. 186 to No. 168 in just its second frame on the list.
As "Poker Face" and "Bad Romance" soar, Gaga also earns a new hit on both tallies. "Judas," taken from her 2011 album Born This Way, debuts at No. 147 on the Billboard Global Excl. U.S. and No. 195 on the Billboard Global 200, as it barely makes space on the 200-spot roster of the most-consumed tracks worldwide.
Gaga even manages to see another hugely successful single return to one of the two planet-spanning charts. "Shallow," her collaboration with A Star Is Born co-star Bradley Cooper, which won her both a Grammy and an Oscar, reappears on the Billboard Global Excl. U.S., landing at No. 174 in its two-hundred-and-first frame on the tally.
Two of Gaga's most recent releases are still performing exceptionally well, as she occupies a pair of spots inside the top 10 on the two tallies. "Die With a Smile," a duet with Bruno Mars, holds at No. 1 on both global rankings yet again. "Abracadabra," the current focus track from Mayhem, climbs back into the uppermost tier, settling at No. 8 on the Billboard Global Excl. U.S. and one spot beneath that on the Billboard Global 200.
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Washington Post
an hour ago
- Washington Post
Chuck Mangione, dead at 84, was no hack with a horn
A healthy segment of Americans knew Chuck Mangione as an object of kitsch. The shoulder-length hair and beard, the colorfully banded fedora, the warm, glossy sound of his flügelhorn (all of which he happily sent up in his self-portrayals on the animated sitcom 'King of the Hill'): Mangione represented not just a weird limbo between hipness and squareness, but an outdated one. Yet if Mangione, who died Tuesday at 84, was game to make fun of himself in that way, it was because he'd already achieved what any artist strives for: He'd made his work an indispensable part of our world. Specifically, his hit 'Feels So Good,' an instrumental pop-jazz crossover that reached #4 on the Billboard charts during the summer of 1978, has unexpectedly had as much staying power as 'Stayin' Alive,' 'I Will Survive' or any other anthemic tune from that era. So much so, in fact, that we didn't always notice it. The melodic, ever-so-gently funky record is played in restaurants and grocery stores, in hotel lobbies and elevators. It has powered more TV and radio commercials than anyone could count. Those of us who aren't pop-music nerds, or just not old enough to remember when it reigned supreme on top 40 radio, know 'Feels So Good's' barrage of hooks by heart without even realizing the song has a name. Those are the qualities that make it easy to mock, of course. It's catchy but toothless, inoffensively pleasant, so of course it's ubiquitous. That was part of the 'King of the Hill' bit. Mangione was a celebrity pitchman (for Mega Lo Mart, the big-box store of the show's universe) who, no matter what he played on his horn, always segued into 'Feels So Good.' Through no fault of its own, the record became a cornerstone of smooth jazz, that intersection of jazz, rock, soul and easy listening that conquered the realm of background music in the 1980s and 1990s. The genre is much despised. 'Feels So Good,' by association more than any actual element of the song, has thus taken its lumps. It wasn't because he couldn't play anything edgier. The Rochester, New York, native was a graduate, and later a faculty member, of that city's Eastman School of Music. He also did time in the mid 1960s as the trumpeter in Art Blakey's Jazz Messengers, the most prestigious finishing school in postwar jazz. Before earning those two distinctions, he and his brother Gap, a pianist, had some early-1960s success leading the hard-swinging Mangione Brothers sextet, recording an album before he was 20 years old (with two more to follow). Dizzy Gillespie was both a fan of and mentor to the trumpeter. They remained close until Gillespie's death in 1993. Chuck Mangione was no hack with a horn. But he came to jazz when it had split into two poles: a populist one, which was trending ever lighter to suit mainstream tastes, and an arty one, which was increasingly inaccessible. Mangione wanted to reach the people. He saw nothing wrong with that. But he wasn't interested in success for its own sake: 'I didn't want to record something I didn't like, because if it became a hit I wouldn't be happy playing it,' he told JazzTimes magazine. It's a sentiment that was also expressed by the likes of Paul McCartney — who, as a solo artist, had been on the receiving end of the same kind of kitsch accusations as Mangione. But it's also resulted in the horn player getting the same kind of world-class work: In 1980, for example, Mangione was invited to compose a theme song for that year's Winter Olympics. He played the resulting tune, 'Give It All You Got,' live at the Closing Ceremonies in Lake Placid, New York, for a worldwide television audience. (It was another Billboard Top 20 hit, too.) Talk about reaching the people. The comparison with McCartney is apt in another sense. Say what you will about 'Feels So Good' and its particular kind of ubiquity; it means that Mangione achieved, without exaggeration, Beatle-level cultural saturation. More people know his music than know him. He reached this point without, in his own words, having to resort to music he didn't want to play. In the wake of Mangione's passing, there will be plenty of people who are ready to pile on and crack jokes about the kitschy side of his legacy. The joke will be on them. Mangione was perfectly content with that aspect of himself. Meanwhile, he infiltrated our environment and our lives in a way that many of his critics can only dream of.
Business Insider
5 hours ago
- Business Insider
The top song that came out the year you were born
BI looked at Billboard's year-end No. 1 singles since 1940 to determine the top song from each year. The list includes Bing Crosby, Elvis Presley, Prince, Whitney Houston, Adele, Dua Lipa, and more. The biggest song of 2024 was "Lose Control" by Teddy Swims, according to Billboard. Take a look back at the defining hit from each year since 1940, listed below in chronological order. Kirsten Acuna contributed reporting. 1940: "I'll Never Smile Again" by Tommy Dorsey For songs prior to 1946, before Billboard's year-end list existed, we looked at the singles that stayed at No. 1 on the Billboard charts the longest. "I'll Never Smile Again" by Tommy Dorsey, which also features backing vocals from Frank Sinatra and the Pied Pipers, spent a dozen weeks at No. 1 on Billboard's singles chart. 1941: "Amapola (Pretty Little Poppy)" by Jimmy Dorsey Originally written by Spanish-American composer José Maria Lacalle Garcia, Jimmy Dorsey's popular version of the song remained at No. 1 on the Billboard charts for 10 weeks. Glenn Miller's "Chattanooga Choo Choo" was a close second for top song of 1941. It spent nine weeks at No. 1 on the Billboard singles chart. 1942: "White Christmas" by Bing Crosby Bing Crosby's version of the Irving Berlin song, which was featured in the film "White Christmas," holds the record for being the best-selling single since 2012. According to Guinness World Records, the holiday classic has sold an estimated 50 million copies. 1943: "I've Heard That Song Before" by Harry James "I've Heard That Song Before" appeared in the 1942 film "Youth on Parade" and was nominated for best original song at the Oscars. However, it lost to Crosby's "White Christmas." 1944: "Swinging on a Star" by Bing Crosby "Swinging on a Star" appeared in 1944's "Going My Way" and won an Academy Award for best original song. 1945: "'Till the End of Time" by Perry Como "'Till the End of Time" was No. 1 for nine weeks on the Billboard charts. Les Brown and Doris Day's "Sentimental Journey" also spent the same number of weeks atop the chart. 1946: "The Gypsy" by The Ink Spots Perry Como's "Prisoner of Love" may have been Billboard's year-end top single of the year, but the magazine voted "The Gypsy" as the year's top tune. 1948: "Buttons and Bows" by Dinah Shore Though Pee Wee Hunt's "Twelfth Street Rag" was the year-end No. 1 Billboard single of the year, the magazine named Dinah Shore's "Buttons and Bows" No. 1 on "the honor roll of hits" and the top "disk in the nation's jukeboxes." 1949: "Riders in the Sky (A Cowboy Legend)" by Vaughn Monroe Numerous recordings of Vaughn Monroe's country-western song have been made over the years by the likes of Johnny Cash, Elvis Presley, and even Sesame Street. 1950: "Goodnight, Irene" by Gordon Jenkins and The Weavers The Weavers' version of "Goodnight, Irene" was released a year after the death of Lead Belly, who sang the song first. 1951: "Too Young" by Nat King Cole "Too Young" was originally written by Sidney Lippman and Sylvia Dee. 1952: "Blue Tango" by Leroy Anderson Leroy Anderson's instrumental recording was the top Billboard song and seller of the year. 1953: "The Song From Moulin Rouge (Where Is Your Heart)" by Percy Faith 1954: "Little Things Mean A Lot" by Kitty Kallen Kitty Kallen's version of the 1953 hit "Little Things Mean A Lot" is the most popular version of the song. It was ranked as Billboard's top song of 1954. 1955: "Cherry Pink (and Apple Blossom White)" by Pérez Prado 1956: "Heartbreak Hotel" by Elvis Presley Although "Heartbreak Hotel" was the No. 1 single of 1956, Presley's songs "Hound Dog" and "Don't Be Cruel" both spent several weeks atop the chart that same year. 1957: "All Shook Up" by Elvis Presley "All Shook Up" was so popular that The Beatles and Billy Joel have both recorded their own renditions of the song. 1958: "Nel Blu Dipinto di Blu (Volare)" by Domenico Modugno The Italian song, widely known as "Volare," received both song of the year and record of the year at the first annual Grammy Awards in 1959. 1959: "The Battle of New Orleans" by Johnny Horton 1960: "Theme From a Summer Place" by Percy Faith The instrumental track was featured in the 1959 film "A Summer Place," which starred Richard Egan, Dorothy McGuire, Troy Donahue, and Sandra Dee. 1961: "Tossin' and Turnin'" by Bobby Lewis 1962: "Big Girls Don't Cry" by Frankie Valli and the Four Seasons "Big Girls Don't Cry" was a hit on the Hot 100 for five weeks during the holiday season. 1963: "Surfin' U.S.A." by The Beach Boys Billboard ranked the Beach Boys' summer track the No. 1 song of 1963. 1964: "I Want to Hold Your Hand" by The Beatles The sweet single hit No. 1 in the US, UK, Norway, Sweden, Netherlands, and Australia. 1965: "I Can't Help Myself" by Four Tops 1966: "The Ballad of the Green Berets" by Staff Sergeant Barry Allen Sadler Written and performed by the Vietnam War veteran Barry Sadler, the patriotic song was No. 1 in the US for five weeks in 1966. 1967: "Respect" by Aretha Franklin Otis Redding originally released a different version of the song before it became a hit for Aretha Franklin. In 1968, she won two Grammys for "Respect." 1968: "Hey Jude" by The Beatles Paul McCartney originally wrote the song as "Hey Jules" for John Lennon's son during his parents' divorce. It's one of The Beatles' 20 No. 1 hits on the Hot 100. 1969: "Sugar, Sugar" by The Archies 1970: "Bridge Over Troubled Water" by Simon & Garfunkel "Bridge Over Troubled Water" won several Grammy Awards, including record of the year and song of the year. 1971: "Joy to the World" by Three Dog Night 1972: "Let's Stay Together" by Al Green 1973: "Let's Get It On" by Marvin Gaye "Let's Get It On" helped cement Marvin Gaye as a sex symbol and remains one of the singer's most popular singles. 1974: "The Way We Were" — Barbra Streisand "The Way We Were" was recorded as the theme song for the movie of the same name, starring Barbra Streisand and Robert Redford. It won the Golden Globe for best original song in 1974 and song of the year at the Grammys the following year. 1975: "Love Will Keep Us Together" by Captain & Tennille American pop duo Captain & Tennille won record of the year for "Love Will Keep Us Together" at the 1976 Grammys. 1976: "Silly Love Songs" by The Wings McCartney wrote "Silly Love Songs" after people accused the former Beatle of only writing love songs. "The song was, in a way, to answer people who just accuse me of being soppy," McCartney told Billboard. 1977: "Tonight's The Night (Gonna Be Alright)" by Rod Stewart "Tonight's the Night" was released as a single from Stewart's 1976 album "A Night on the Town." It has been covered by numerous artists, including Janet Jackson. 1978: "Shadow Dancing" by Andy Gibb "Shadow Dancing" reached No. 1 on the Hot 100 for seven consecutive weeks. 1979: "My Sharona" by The Knack "My Sharona" was released as The Knack's debut single. It has since appeared in the game "Rock Band" and the movie "Super 8." 1980: "Call Me" by Blondie "Call Me" was the theme song for the 1980 crime drama "American Gigolo." 1981: "Bette Davis Eyes" by Kim Carnes "Bette Davis Eyes" edged out "Endless Love" by Diana Ross and Lionel Richie, which also rose to the top of the Billboard charts. Carnes' hit cover song won Grammy Awards for record of the year and song of the year. 1982: "Physical" by Olivia Newton-John "Physical" was released as the lead single from Newton-John's 12th album. It was later sampled by Dua Lipa in her single of the same name. 1983: "Every Breath You Take" by The Police Sting's song from the band's 1983 album "Synchronicity" was a hit in both the US and UK. "Every Breath You Take" was later sampled by Diddy for his hit song "I'll Be Missing You," though he didn't ask for Sting's permission until after the song was released. 1984: "When Doves Cry" by Prince "When Doves Cry" was released as the lead single from Prince's iconic album "Purple Rain." 1985: "Careless Whisper" — George Michael "Careless Whisper" was George Michael 's first solo single following his success with Wham! 1986: "That's What Friends Are For" by Dionne Warwick featuring Elton John, Gladys Knight, and Stevie Wonder Dionne Warwick, Stevie Wonder, and Gladys Knight, along with composer Elton John, won the Grammy for song of the year at the 29th annual awards show. "That's What Friends Are For" also won best pop group performance. 1987: "Walk Like An Egyptian" by The Bangles The song was the third single from The Bangles' album "Different Light." The group has since said it's one of their least favorite songs. 1988: "Faith" by George Michael "Faith" was featured on Michael's debut solo album. 1989: "Look Away" by Chicago "Look Away" topped the Hot 100 for two weeks. 1990: "Hold On" by Wilson Phillips "Hold On" won the Billboard Music Award for Hot 100 Single of the Year in 1990. 1991: "(Everything I Do) I Do It For You" by Bryan Adams "(Everything I Do) I Do It For You" appeared on the "Robin Hood: Prince of Thieves" soundtrack and became an international hit. It won the Grammy for best song written for a motion picture or television. 1992: "End Of The Road" by Boyz II Men "End of the Road" charted at No. 1 on the Hot 100 for 13 weeks. The song won best R&B performance by a duo or group at the 1993 Grammys. 1993: "I Will Always Love You" by Whitney Houston Whitney Houston recorded her version of the Dolly Parton classic for her movie, "The Bodyguard." The song won record of the year at the 1994 Grammys. 1994: "The Sign" by Ace of Base "The Sign" is one of three singles from the Swedish band's 1993 album of the same name. 1995: "Gangsta's Paradise" by Coolio featuring L.V. "Gangsta's Paradise" was featured on the soundtrack of Michelle Pfeiffer's 1995 movie "Dangerous Minds." 1996: "Macarena" by Los del Rio The ubiquitous dance hit of the '90s is a go-to song for parties and weddings. 1997: "Something About The Way You Look Tonight" by Elton John "Something About the Way You Look Tonight" was released as a double A-side single with "Candle in the Wind 1997." The same year, John's "Candlelight in the Wind" rose to the top of the chart after he performed a new version of his 1973 hit at Princess Diana's funeral. Billboard named both the top pop songs of the year. 1998: "Too Close" by Next "Too Close" is one of the great one-hit wonders of the '90s. It was featured on the soundtrack for "Save the Last Dance" and topped Billboard's end-of-year chart for 1998. 1999: "Believe" by Cher The dance-pop song was the lead single from Cher's 22nd album. It has appeared in episodes of "Friends," "Grey's Anatomy," and "Buffy the Vampire Slayer." 2000: "Breathe" by Faith Hill Although "Breathe" never reached the top of the Hot 100, it was named Billboard's top-performing single of 2000, becoming the first country song to achieve the feat. 2001: "Hanging By A Moment" by Lifehouse "Hanging By A Moment" was the lead single released from the alternative band's debut album, "No Name Face." 2002: "How You Remind Me" by Nickelback According to Nielsen Soundscan, "How You Remind Me" was the most played song on US radio in the 2000s. 2003: "In Da Club" by 50 Cent "In Da Club" was the rapper's first No. 1 single. The song's music video won best rap video at the 2003 MTV Video Music Awards. 2004: "Yeah!" by Usher featuring Lil Jon and Ludacris The only song that overthrew Usher's "Yeah!" from the top of the Billboard chart in 2004 was his next single, "Burn." 2005: "We Belong Together" by Mariah Carey "We Belong Together" arrived when some critics thought Mariah Carey's career was coming to an end. The smash hit single charted at No. 1 on the Hot 100 for 14 weeks. It later won best R&B song and best female R&B vocal performance at the 2006 Grammys. It was also nominated for record of the year and song of the year, but lost to Green Day and U2, respectively. 2006: "Bad Day" by Daniel Powter "Bad Day" has been parodied and used extensively in ads and TV shows. It's been used so much since its release that Powter said he felt " detached from the song" because it's essentially in the public domain. 2007: "Irreplaceable" by Beyoncé "Irreplaceable" was released as the third single from Beyoncé's second solo album, "B'Day," and was crowned the third-best breakup song of the 21st century by Business Insider. 2008: "Low" by Flo Rida featuring T-Pain "Low" was featured on the soundtrack for the 2008 film "Step Up 2: The Streets." 2009: "Boom Boom Pow" by The Black Eyed Peas "Boom Boom Pow" was the group's first No. 1 single in the US and won the Grammy for best short form music video. 2010: "Tik Tok" by Kesha Kesha's debut single has been parodied by Weird Al and appeared on an episode of "The Simpsons." 2011: "Rolling In The Deep" by Adele Adele's music video for "Rolling in the Deep" is one of the few to cross 1 billion views on YouTube. 2012: "Somebody That I Used To Know" by Gotye featuring Kimbra The one-hit wonder won best pop duo/group performance and record of the year at the 2013 Grammys. 2013: "Thrift Shop" by Macklemore & Ryan Lewis featuring Wanz Macklemore's novelty hit won best rap performance and best rap song at the 2014 Grammys. 2014: "Happy" by Pharrell Williams Pharrell delivered the perfect feel-good song of the summer in 2014. It was recorded for the "Despicable Me 2" soundtrack and wound up being the year's biggest hit. 2015: "See You Again" by Wiz Khalifa featuring Charlie Puth "See You Again" was made as a tribute to Paul Walker for the "Furious 7" soundtrack and spent 12 weeks at the top of the Hot 100. For several years, it was the most-watched music video on YouTube with more than 3 billion views. Bruno Mars's "Uptown Funk" was also a massive hit in 2015, topping the Billboard pop chart. 2016: "Love Yourself" by Justin Bieber "Love Yourself" was released as the third single from Justin Bieber's fourth album, "Purpose." It was one of the best-selling songs of 2016, and its music video has over 1 billion views on YouTube. 2017: "Despacito" by Luis Fonsi and Daddy Yankee featuring Justin Bieber Although Ed Sheeran's "Shape of You" was the top Billboard single of 2017, Luis Fonsi and Daddy Yankee's infectious club banger (with a boost from Bieber) claims one of the longest streaks atop the chart with 16 consecutive weeks throughout summer 2017. That's longer than Sheeran's 11 weeks with "Shape of You." The original music video for "Despacito" (sans Bieber) was the first in history to reach five billion views on YouTube. 2018: "God's Plan" by Drake Drake's "God's Plan" was Billboard's year-end No. 1 single for 2018. The rapper had another big hit that year when his song "In My Feelings" became a meme. 2019: "Old Town Road" by Lil Nas X featuring Billy Ray Cyrus Lil Nas X enlisted Billy Ray Cyrus for a remix of "Old Town Road" because he was a childhood fan of "Hannah Montana," in which Cyrus costarred with his daughter, Miley Cyrus. The country-rap duet holds the record for the longest stretch at No. 1 with 19 weeks atop the chart. It also became the fastest song in history to be certified diamond. 2020: "Blinding Lights" by The Weeknd Less than one year after "Blinding Lights" was crowned Billboard's top song of 2020, it was named the top Hot 100 song of all time. The Weeknd's smash hit spent 43 weeks in the chart's top five, 57 weeks in the top 10, 86 weeks in the top 40, and 90 weeks on the Hot 100. 2021: "Levitating" by Dua Lipa "Levitating" was originally released in March 2020 as the fifth track on Dua Lipa's sophomore album " Future Nostalgia." It was promoted as the album's fifth single and peaked at No. 2 on the Hot 100 in May 2021, eventually becoming the longest-charting song by a female artist, spending a total of 77 weeks on the chart. 2022: "Heat Waves" by Glass Animals In March 2022, "Heat Waves" completed an unprecedented 59-week climb to No. 1. The sleeper hit, written solely by Glass Animals front man Dave Bayley, reigned atop the chart for five straight weeks and ended the year as Billboard's top-performing hit. "Heat Waves" later became the longest-charting hit in the Hot 100's 64-year history. It spent 91 weeks on the chart, breaking the record set by The Weeknd's "Blinding Lights." (It has since been broken again by "Lose Control" by Teddy Swims.) An honorable mention goes out to "As It Was" by Harry Styles, which ended 2022 as Billboard's second-biggest song. The lead single from " Harry's House" spent 15 nonconsecutive weeks at No. 1 on the Hot 100, setting a record among British artists. 2023: "Last Night" by Morgan Wallen Despite a string of controversies, Morgan Wallen's single "Last Night" became the singer's first No. 1 hit on the Hot 100. It spent 16 weeks atop the chart in 2023, setting a record among solo artists. It has since been broken by Shaboozey's "A Bar Song (Tipsy)." 2024: "Lose Control" by Teddy Swims Although Taylor Swift topped the year-end Hot 100 Artists ranking and her album, " The Tortured Poets Department," topped the Billboard 200 Albums recap, the magazine crowned Teddy Swims' sleeper hit "Lose Control" as the top-performing single of 2024. "Lose Control" was originally released in June 2023 and debuted at No. 99 on the Hot 100. It reached No. 1 in March 2024 after a 32-week climb. In July 2025, "Lose Control" became the first song ever to spend 100 weeks on the all-genre chart.
Yahoo
6 hours ago
- Yahoo
Wendy's unveils Wednesday-themed 'Meal of Misfortune': When you can get it
Wendy's has announced a new meal in collaboration with the hit Netflix show "Wednesday" that the restaurant chain calls "pure punishment in a bag." The company unveiled on – you guessed it – Wednesday, July 23, the Wendy's Wednesday Meal of Misfortune. The limited-time meal is centered around four mystery sauces called the "Dips of Dread," along with "Rest in 10-Piece" nuggets, small "Cursed & Crispy" fries, and a new Frosty flavor called "Raven's Blood." The items will all be served in custom packaging, according to Wendy's. The meal will coincide with the release of Season 2 of "Wednesday" that will premiere on Netflix. The show will be in two parts. Part 1 will debut Aug. 6 at 3 a.m. ET and Part 2 will premiere Sept. 3 at 3 a.m. ET. More news: What to know about 'Wednesday' Season 2: Jenna Ortega returns with Lady Gaga When will the Wednesday meal be available? The items will be available at restaurants nationwide beginning Monday, Aug. 4, or via the Wendy's app on Wednesday, Aug. 6, according to Wendy's. In Canada, customers can get the meal in restaurants or via the Wendy's app starting Monday, Aug. 11. Will the Wednesday meal be available at all Wendy's locations? The company said the Meal of Misfortune will also be available at Wendy's locations in Puerto Rico, the Bahamas, and Guam. "Wendy's and Wednesday are both cultural icons famous for challenging convention with wit and a bit of sass," said Liz Geraghty, international chief marketing officer for The Wendy's Company, in a news release. "This isn't a typical collaboration, because not just any brand could scheme up a Meal of Misfortune with Wednesday Addams. But for a brand that's proudly customer-obsessed and unapologetically bold, it was a match made in dark, dry-witted heaven." What kinds of sauces are the 'Dips of Dread'? Wendy's said two mystery dipping sauces come in each meal, adding that "fate will decide which of the four dips" customers receive. The four flavors are called: You Can't Hyde This Will Sting Grave Mistake Nowhere to Woe "Don't bother asking which sauce you'll get – you must surrender to your destiny. Those brave enough to try them all must endure multiple visits," Wendy's said in the news release. Contributing: Taijuan Moorman, Kelly Lawler, Bryan Alexander, Pamela Avila; USA TODAY Gabe Hauari is a national trending news reporter at USA TODAY. You can follow him on X @GabeHauari or email him at Gdhauari@ This article originally appeared on USA TODAY: Wendy's unveils Wednesday-inspired menu items: When you can get them
