logo
The festival for dogs that is coming to Glasgow

The festival for dogs that is coming to Glasgow

BBC News6 hours ago
The entertainment is booked, the food is on site and the health and safety checks have taken place.However there is a difference to Glasgow's newest festival - it's all for dogs.The first ever Bark Love will be held at SWG3 on Sunday, with everything from DJs playing "dog-friendly sets" to workshops on grooming and pampering pups.Human owners of the day's star attractions will be catered for too, but the focus of the event is primarily on paws.
The event is the brainchild of Jenn-Nimmo Smith, a dog enthusiast who owns both an excitable golden retriever called Scout and a music PR company."About 18 months ago I thought about doing something where I could combine my lifelong love of dogs and my experience working at events," she says. "I wanted to do something different, for the urban dog. There's so many events in the countryside but I wanted to do something in the city, with indoor and outdoor options."
'My dog was honestly a life saver'
The plan progressed quickly, though within months Jenn was being given paws for thought by various logistical issues.Among them was getting artificial grass sorted to turn the venue's courtyard into a play area, and another was checking there was a good number of water stations brought in, to make sure no dog would be thirsty on the day."There's definitely more things to take into account when you're thinking of dogs," she says. "What's in their sight level? What can they see on the ground? How is the flow of movement outdoors going to be? We've worked to position things the best way for humans and dogs so it's the safest, most comfortable experience."Jenn's passion for dogs goes back to her childhood, with a family springer spaniel Bracken and a golden retriever owned by her gran. However, as an adult she feels Scout - who was a ring bearer at her wedding - has been important in her life in a number of different ways."With dogs there's that constant love, but also they're there with difficult times. "I lost my dad seven years ago and we got Scout that year. She was honestly a life saver. "When you're grieving, waking up to see that happy furry face, and someone that loves you unconditionally, is so important. It also means you need to leave the house, you need to take them for a walk – it gives you a routine in a really hard time."
Scout's family ties have continued since then. Jenn's mum is now in a care home, and when Jenn visits she makes sure to bring her pal with her."My mum's a massive dog lover and now there's other residents in the care home who we must go and visit when we're in too, because they love seeing her. "I think being in a care home, when Scout recognises and you see their faces brighten, it's really lovely."Jenn says she hopes Sunday will have an equally sweet vibe to the day.It will mix practical aspects, like a marketplace with around 30 stalls and all sorts of food and drink, with more surprising offers - like the chance to have a tarot card reading for you and your pet.Entertainment includes a dog show, a collaboration with the Yard Works graffiti art studio called Bark Works featuring live murals being painted, and a steady flow of dog friendly tunes played by DJs.The latter does not mean Dog Days Are Over, Who Let the Dogs Out and I Wanna Be Your Dog on a loop, though."My background is music, so there was always going to be an element of that, laughs Jenn."For DJ sets think ambient, Balearic beat tunes – nothing too intense, just something to ease you through the day. So not a full on rave..."
And just like any music festival, Jenn is keen to ensure those attending have plenty to make some noise about."Someone was saying to me they've just had to put their dog to sleep at 17 – Scout's eight and I just want her to live forever. "Bracken died in my 20s and I didn't get Scout until my early 30s. You know the day will come but it's also unthinkable. "Scout's a part of the family. Their life spans are short but that's why I want to bring her as many places as I can and keep her happy and healthy."
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Properly posh prom dresses your teen will love
Properly posh prom dresses your teen will love

Times

timean hour ago

  • Times

Properly posh prom dresses your teen will love

For a teenager, what to wear to prom can feel like one of the most defining choices of the year — often unhelpfully coming just as exams have drained their mental energy. Sure, GCSEs and A-Levels are important, but it's hard to underplay the sheer joy of swanning out onto the dance floor in the perfect dress. • This article contains affiliate links that can earn us revenue In the past, the aim was to channel princess vibes in layers of tulle, ballerina-style skirts and sickly pink colours. However, intel from the teenage daughters of our trusted editors reveals things are a lot more slinky in 2025. Those winning the title of Best Dressed at any event this summer are likely to be wearing 1990s-inspired bias-cut slip dresses undoubtedly influenced by the Olsen twins' The Row and the quiet luxury trend. For mothers who cherish tradition, however, the Regency revival continues thanks to the influence of Bridgerton. Elegant gowns, sequin embellishments and voluminous ruffles courtesy of Zimmermann, Carolina Herrera and Emilia Wickstead will never look out of place at prom. Make no mistake, the pressure on prom is perpetual but to make things easier we've rounded up the best luxury prom dresses below — guaranteed to please even the most discerning of teens. Blame the Olsen twins and their quiet luxury brand The Row, but Gen Z are far more likely to be found in a bias-cut satin gown than a princess skirt this prom season. Luckily Galvan is the king of the minimalist silhouette. The brand's Sienna style is defined by a full length hemline, elegant high neckline and sophisticated scarf detail to the back, and available in light blue, burnt orange and bronze satin. £1,495, Galvan at Net-a-Porter Another bias cut beauty, Australian designer Rebecca Vallance's electric blue slip dress features an elegant cowl neck but is still school soirée appropriate thanks to the delicate lace underlay which acts like a little camisole beneath. £770, Rebecca Vallance at Net-a-Porter Norma Kamali's red satin gown turns to reveal a delicately draped, low cowl back. While it looks fiddly, a near invisible strap sits along the very top of the back keeping everything in place. The fishtail hemline adds beautiful movement too. £445, Norma Kamali at Net-a-Porter Although a less is more approach seems to be popular with teens of late, if you're going to wear a pearl-adorned dress at any time in your life it should really be to prom. Inspired by the La Peregrina pearl, worn by the likes of Elizabeth Taylor, Rebecca Vallance's gown features a studded halterneck bodice, fitted waist and full length skirt. £1,170, Rebecca Vallance at Harrods A black prom dress is a timeless choice – one your teen is unlikely to regret when they look back on photographs decades later. The perfect combination of cool and classic, this Giambattista Valli romantic dress is crafted from a weighty cotton poplin and has a tulle skirt underlay to create a flared shape. The floral-appliques all around the neckline and corset-style bodice are a pretty touch too. £1,914, Giambattista Valli at Mytheresa The epitome of prom, this Carolina Herrera strapless gown is perfect for those with a penchant for princess silhouettes. It has been carefully crafted using twenty layers of striking red tulle and features subtle crystal embellishments across the bodice. The drop waist and cropped hem keep things feeling modern. £3,969, Carolina Herrera at Mytheresa Costarellos knows how to make tulle cool. The Athens-based brand takes inspiration from ancient Greek mythology and culture to create its unique evening wear. Crafted from alternating tiers of French tulle and Chantilly lace, this Trissa style was made to be worn to a ball. £1,704, Costarellos at Mytheresa Royal-approved brand Emilia Wickstead's Abella embellished dress demonstrates the contemporary appeal of sequins in 2025. In the place of the standard sparkly stuff there's clever constructed floral appliques in clusters framing the neckline. Crafted from bonded satin this structured prom dress has a classic fit and flare shape that alludes to vintage 1950s styles while feeling distinctly modern £2,400, Emilia Wickstead at Mytheresa Featuring a corseted, shirred bodice and pretty flower petal details on the adjustable, tie-bow straps, Zimmermann's lilac dress is perfect for the hotter, summer months. While some prom dresses cut from satin tend to cling in the heat, this lightweight silk linen organza is both structured and flowing. £1,120, Zimmermann at Mytheresa This Valentino Garavani prom dress — which has been cut using a weighty silk gazar to emphasize its beautiful structure — looks like it's been taken straight from a scene in Bridgerton. Opt for a sleek updo to showcase the ruffled one-shoulder neckline. £2,402, Valentino Garavani at The Outnet The Times Luxury is brought to you by the award-winning team behind the Times Luxx magazine. For nearly 20 years the Times Luxx experts have been curating an unrivalled selection of the best in fashion, jewellery, travel, tech, cars, design, food, drink and more. The same rigour and insider industry knowledge underpins The Times Luxury. All the products and experiences recommended are thoroughly researched and vetted by our team. If we love it, we know you will too.

Oasis reunion: A high-five and a hug - the gestures were there, but ultimately it was all about the music
Oasis reunion: A high-five and a hug - the gestures were there, but ultimately it was all about the music

Sky News

time2 hours ago

  • Sky News

Oasis reunion: A high-five and a hug - the gestures were there, but ultimately it was all about the music

Oasis have reunited on stage for the first time in almost 16 years - with brothers Liam and Noel Gallagher sharing a high five and the briefest of hugs as they closed a performance that for fans was more than worth the wait. After the split in 2009, for many years Noel said he would never go back - and for a long time, as the brothers exchanged insults through separate interviews (and on social media, for Liam), it seemed pretty unlikely to ever happen. But now, here they are. As they walked out on stage at Cardiff's Principality Stadium, all eyes were on the Gallaghers for a sense of their relationship - dare we say it, friendship? - now after all these years. There was no reference to their fall-out or making up, but the gestures were there - lifting hands together as they walked out for the first time. Headlines and tweets of speculation and then confirmation of the reunion filled the screens as the show started. "This is happening," said one, repeatedly. In the end, it was all about the music. Liam has received criticism in the past for his voice not being what it once was, but back on stage with his brother tonight he delivered exactly what fans would have hoped for - a raw, steely-eyed performance, snarling vocals, and the swagger that makes him arguably the greatest frontman of his day. This was Oasis sounding almost as good as they ever have. 2:56 They opened with Hello, because of course, "it's good to be back". And then Acquiesce, and those lyrics: "Because we need each other/ We believe in one another." The song is said to be about friendship in the wider sense, rather than their brotherly bond and sibling rivalry, but you can't help but feel like it means something here. Over two hours, they played favourite after favourite - including Morning Glory, Some Might Say, Cigarettes & Alcohol, Supersonic and Roll With It. In the mid-section, Liam takes his break for Noel to sing Talk Tonight, Half The World Away and Little By Little; the tempo slows but there is by no means a lull, with the fans singing all his words back to him. Liam returns for hits including Stand By Me, Slide Away, Whatever and Live Forever, before sending the crowd wild (or even wilder) with Rock And Roll Star. When the reunion announcement was made last summer, it quickly became overshadowed by the controversy of dynamic pricing causing prices to rocket. As he has done on X before, Liam addressed the issue on stage with a joke. "Was it worth the £4,000 you paid for the ticket?" he shouted at one point. "Yeah," the crowd shouts back; seemingly all is forgiven. After Rock And Roll Star, the dream that very quickly became a reality for this band, Noel introduced the rest of the group, calling Bonehead a "legend". Then he acknowledges all their young fans, some who maybe weren't even born when they split. "This one is for all the people in their 20s who've never seen us before, who've kept this shit going," he says before the encore starts with The Masterplan. Noel follows with Don't Look Back In Anger, and the screens fill with Manchester bees in reference to the arena bombing and how the song became the sound of hope and defiance for the city afterwards. 1:31 During Wonderwall, there's a nice touch as Liam sings to the crowd: "There are many things I would like to say to you, but I don't speak Welsh." It is at the end of Champagne Supernova, which closes the set, that it happens; Noel puts down his guitar, and they come together for a high-five and a back-slap, a blink-and-you'd miss it hug. 0:26 "Right then, beautiful people, this is it," Liam had told the crowd as he introduced the song just a few minutes earlier. "Nice one for putting up with us over the years." From the roar of the audience, it's safe to say most people here would agree it's been worth it.

Oasis review – a shameless trip back to the 90s for Britpop's loudest, greatest songs
Oasis review – a shameless trip back to the 90s for Britpop's loudest, greatest songs

The Guardian

time3 hours ago

  • The Guardian

Oasis review – a shameless trip back to the 90s for Britpop's loudest, greatest songs

The noise from the audience when Oasis arrive on stage for their first reunion gig is deafening. You might have expected a loud response. This is, after all, a crowd so partisan that, in between the support acts, they cheer the promotional videos – the tour's accompanying brand deals seem to involve not just the obviously Oasis-adjacent sportswear brand Adidas, but the more imponderable Land Rover Defender. Even so, the noise the fans make as the reconstituted Oasis launch into Hello takes you aback slightly, and not just because Hello is a fairly bold choice of opener: this is, after all, a song that borrows heavily from Hello, Hello, I'm Back Again by Gary Glitter. But no one in Cardiff's Principality Stadium seems to care about the song's genesis: the noise is such that you struggle to think of another artist that's received such a vociferous reception. So, the success of the show seems more or less like a foregone conclusion. Anyone who saw them in the 00s will tell you that the old Oasis were a hugely variable proposition live: you never knew what mood Liam Gallagher would show up in, or how the current state of familial relations might affect their performance. But evidently as little as possible has been left to chance at these reunion gigs. No one – including, to their immense credit, Liam and Noel Gallagher – seems interested in pretending this tour is anything other than a hugely lucrative cash-grab, and clearly, you only grab the maximum possible cash if the tour doesn't descend into the kind of bedlam to which Oasis tours were once prone. Liam is on his best behaviour – 'thanks for putting up with us,' he offers at one juncture, 'I know we're hard work', a noticeable shift from the days when he was wont to rain abuse on the audience – and Liam and Noel have rhythm guitarist Paul 'Bonehead' Arthurs stood squarely between them on stage, creating distance. You could say that removes combustibility, the hint of potential chaos that was at least part of Oasis's appeal, but you might as well save your breath: no one would be able to hear you over the sound of people singing along en masse to a set that plays to the strengths of Oasis's back catalogue. Few bands' reputations have been better served by the rise of streaming, both in its favouring of curated playlists over albums – all the highlights and none of the rubbish, of which there was a great deal in Oasis's later years – and in the way it decontextualises music, denuding it of its accompanying story or contemporary critical responses. The much-vaunted Oasis fans too young to remember the band first-hand definitely exist – you can see them in the audience – but you do wonder how many of them believe Oasis split up in 1998, rather than grimly trudging on for another decade, to declining artistic returns. The show seeks to maintain this myth. It's very much playlist Oasis, big on the first two albums and B-sides from the years when Noel Gallagher's songwriting talent seemed so abundant he could afford to blithely confine stuff as good as Acquiesce or The Masterplan to an extra track on a CD single, and low on anything at all from their later years. Only the presence of 2002's Little By Little indicates that Oasis existed into the 21st century. You can still sense inspiration declining – 1997's D'You Know What I Mean? sounds like a trudge regardless of how many people are singing along – but far more often, the show serves as a reminder of how fantastic purple patch Oasis were. Against a ferocious wall of distorted guitars, there's a weird disconnect between the tone of Noel's songs – wistful, noticeably melancholy – and the way Liam sings them like a man seething with frustration, on the verge of offering someone a fight. Even discounting half their career, they have classics in abundance: Cigarettes & Alcohol, Slide Away, Rock 'n' Roll Star, Morning Glory. Enough, in fact, that a section where Liam cedes the stage and Noel takes over vocals doesn't occasion a dip in the audience's enthusiasm: during Half the World Away, the audience's vocals threaten to drown the song's author out entirely. It ends with precisely the encore you might have expected – Don't Look Back in Anger, Wonderwall and Champagne Supernova – which understandably occasions precisely the response you might have expected. A very perfunctory clap on the back – the only time the Gallaghers interact beyond playing the same songs – and Liam vanishes: a car is waiting by the side of the stage to whisk him away before the final notes die away, a triumph in the bag.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store