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‘Jurassic World Rebirth' bites off $318 million at the global box office

‘Jurassic World Rebirth' bites off $318 million at the global box office

Dinosaur fatigue may be a theme in 'Jurassic World Rebirth,' but moviegoing audiences don't seem to have that reservation. The newest installment in the 'Jurassic World' franchise ruled the Fourth of July holiday box office with a global, five-day launch of $318.3 million, according to studio estimates Sunday.
The Universal Pictures release, directed by Gareth Edwards, opened on Wednesday and earned $147.3 million in its first five days in 4,308 North American theaters. An estimated $91.5 million of that comes from the traditional 'three day' weekend, which includes the Friday holiday, Saturday and projected Sunday ticket sales.
Internationally, it opened in 82 markets including China, adding $171 million to the opening total. According to the studio, $41.5 million of that came from China alone, where it played on 65,000 screens, 760 of which were IMAX. It's the country's biggest MPA (Motion Picture Association) opening of the year.
'Rebirth,' starring Scarlett Johansson, Mahershala Ali and Jonathan Bailey, is the fourth movie in the 'Jurassic World' series and the seventh since Steven Spielberg's original Michael Crichton adaptation stormed theaters in the summer of 1993. The new film received mixed reviews from critics, carrying a 51% on Rotten Tomatoes, and B CinemaScore from opening weekend audiences.
Factors like the holiday weekend, inflation and post-COVID moviegoing realities make it difficult to fairly compare the 'Rebirth' launch to the other films in the 'Jurassic World' franchise, the first of which opened to $208 million domestically in 2015. The other two, 'Fallen Kingdom' and 'Dominion' opened to $148 million and $145 million respectively.
'Jurassic World Rebirth' introduced a new main cast to the series and brought back a familiar voice in
'Jurassic Park' screenwriter David Koepp
to guide the story about a dangerous hunt for dinosaur DNA (not for making dinosaurs this time, but for curing heart disease). It cost a reported $180 million net to produce, not including marketing and promotion costs.
The campaign was far reaching, including a global press tour, with stops everywhere from London to Seoul, integrated marketing across NBC Universal platforms and brand tie-ins with everything from Jeep and 7-11 to Johansson's skincare line.
No major new films dared go up against the dinosaurs, who left
last week's champion
, the
Brad Pitt racing movie 'F1,'
in the dust. 'F1' fell a modest 54% in its second weekend with $26.1 million, helping bring its domestic total to $109.5 million. It continues to play on IMAX screens with accounted for $7.6 million of the North American weekend ticket sales. Globally, it's nearing $300 million with a running total of $293.6 million.
Third place went to Universal's live-action
'How to Train Your Dragon,'
which earned $11 million in its fourth weekend, bringing its domestic total to $224 million. Disney and
Pixar's 'Elio'
landed in fourth place with $5.7 million. Globally, 'Elio' has just crossed $96 million in three weekends.
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Scarlett Johansson Was Welcomed to the ‘Jurassic World' Family by Bryce Dallas Howard with a ‘Long Email'
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timean hour ago

  • Yahoo

Scarlett Johansson Was Welcomed to the ‘Jurassic World' Family by Bryce Dallas Howard with a ‘Long Email'

Scarlett Johansson received a special welcome to 'Jurassic World' by former franchise lead Bryce Dallas Howard. Johansson, who stars in the latest installment 'Jurassic World Rebirth,' told People that Howard was so supportive of her casting. 'When I first got cast, Bryce Dallas Howard reached out to me and was so excited,' Johansson said. 'She wrote me a whole long email about her experience and how wonderful the fans were and how that was part of the excitement, joining the 'Jurassic' family and having these fans for life.' More from IndieWire Ari Aster and Lars Knudsen Want to Help You Get Your Movie Made Dick Cavett Says John Cassavetes 'Chewed Out' His 'Husbands' Co-Stars After Infamous Talk Show Appearance: They Were 'Total A***s' Johansson has previously voiced that it was one of her career goals to join the franchise for years. Howard starred in 'Jurassic World' (2015), 'Jurassic World: Fallen Kingdom' (2018), and 'Jurassic World Dominion' (2022). Howard told ScreenRant that she might even star in another installment later down the road. 'For myself as a fan, I am so excited for 'Jurassic World Rebirth.' I'm going to be there in the theater opening day, and they have an amazing cast,' Howard said. 'I mean, Mahershala Ali, Scarlett Johansson, Jonathan Bailey. It's going to be absolutely fantastic. I'm excited. And then maybe in 20 years or something like that, if they ever asked, of course, I would be back in a heartbeat.' Of course, there may have to be some changes to Howard's character. After the viral high heels controversy for her character Claire's wardrobe when running from dinosaurs, Howard also came clean about some difficulties on set. Howard claimed that it wasn't until Colin Trevorrow directed 2022's 'Jurassic World: Dominion' that she was allowed to use her 'natural body' on set; Howard formerly had been repeatedly asked by the studio to 'lose weight' for the role. 'On the third movie, it was actually because there were so many women cast, it was something that Colin [Trevorrow, director] felt very strongly about in terms of protecting me because the conversation came up again, 'We need to ask Bryce to lose weight,'' she said. (Trevorrow helmed 'Jurassic World' and 'Jurassic World: Dominion,' and previously penned the sequel 'Jurassic World: Fallen Kingdom,' which was directed by J.A. Bayona.) Howard also credited co-star Chris Pratt for helping her negotiate her trilogy salary back in 2014. Reports circulated in 2018 that Howard was making $8 million compared to Pratt's $10 million for 'Fallen Kingdom.' Howard later clarified the details. 'The reports were so interesting because I was paid so much less than the reports even said, so much less,' Howard told Insider. 'When I started negotiating for 'Jurassic,' it was 2014, and it was a different world, and I was at a great disadvantage. And, unfortunately, you have to sign up for three movies, and so your deals are set.' Pratt later tried to remedy the situation by confirming she had pay parity on all other 'Jurassic World' properties. 'What I will say is that Chris and I have discussed it, and whenever there was an opportunity to move the needle on stuff that hadn't been already negotiated, like a game or a ride, he literally told me, 'You guys don't even have to do anything. I'm going to do all the negotiating. We're going to be paid the same and you don't have to think about this, Bryce,'' Howard said of her 'Jurassic World: Dominion' co-lead. 'I love him so much for doing that. I really do, because I've been paid more for those kinds of things than I ever was for the movie.' Best of IndieWire Guillermo del Toro's Favorite Movies: 56 Films the Director Wants You to See 'Song of the South': 14 Things to Know About Disney's Most Controversial Movie Nicolas Winding Refn's Favorite Films: 37 Movies the Director Wants You to See

Scarlett Johansson Becomes Hollywood's Highest Grossing Lead Actor With ‘Jurassic World Rebirth'
Scarlett Johansson Becomes Hollywood's Highest Grossing Lead Actor With ‘Jurassic World Rebirth'

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Scarlett Johansson Becomes Hollywood's Highest Grossing Lead Actor With ‘Jurassic World Rebirth'

Four years after exiting the Marvel Cinematic Universe with 'Black Widow,' Scarlett Johansson has now set a new record as the global box office's highest grossing lead actor before inflation adjustment, passing fellow MCU stars Samuel L. Jackson and Robert Downey Jr. And it is all thanks to 'Jurassic World: Rebirth.' In the new film, Johannson takes over from Chris Pratt as the lead star of the dinosaur franchise, playing ex-military operative Zora Bennett in a mission to one of the few remaining islands where dinosaurs still live following the events of the 'Jurassic World' trilogy. In its first six days in theaters worldwide, the film has earned a $318 million global launch, second only to the Chinese animated film 'Ne Zha 2' among all 2025 releases. More from TheWrap 7 Best Movies Streaming Free on YouTube Right Now Jon M. Chu to Direct Live-Action 'Hot Wheels' Movie From Mattel, Warner Bros. and Bad Robot Hollywood's Top 10 Highest-Grossing Lead Actors – From Scarlett Johansson to Chris Evans Netflix's Love Affair With Korea Isn't Ending With 'Squid Game' According to data from The Numbers, that start gives Johansson a lifetime career box office gross of $14.8 billion in films where she plays a lead role or a lead ensemble role. More than $8.7 billion of that total comes from the four 'Avengers' films and 'Captain America: Civil War,' in which she played Natasha Romanov, a.k.a. Black Widow. Other lead ensemble roles that count towards that total include her MCU debut film, 'Iron Man 2,' and the two animated 'Sing' films, in which she voiced the rock-loving porcupine Ash. Of the top five highest grossing lead actors on The Numbers' list, the only one that has not appeared in a Marvel film is Tom Hanks, with the others being Downey Jr. (Tony Stark/Iron Man), Jackson (Nick Fury) and Chris Pratt (Peter Quill/Star-Lord). Jackson previously held the record with $14.6 billion, with Pixar's two 'Incredibles' films being counted by the site as a lead ensemble role. Downey Jr., the MCU's founding father, has $14.2 billion in leading roles in The Numbers' books, with approximately $11.8 billion coming from his nine Marvel movies. His Best Supporting Actor Oscar winning turn in the $976 million 'Oppenheimer,' as the name of that award would suggest, is not included in that count. Depending on whether one counts Doctor Doom as a lead ensemble role, Downey Jr. will have a chance to take the box office crown back from Johansson in December 2026 when 'Avengers: Doomsday' hits theaters … assuming of course that the film and/or its 2027 follow-up 'Avengers: Secret Wars' doesn't use multiversal loopholes to bring Black Widow back from the dead despite Johansson's assertions in multiple interviews that her time in the MCU has ended. The post Scarlett Johansson Becomes Hollywood's Highest Grossing Lead Actor With 'Jurassic World Rebirth' appeared first on TheWrap.

‘Jurassic World' needed a restart. Steven Spielberg knew who to call
‘Jurassic World' needed a restart. Steven Spielberg knew who to call

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  • San Francisco Chronicle​

‘Jurassic World' needed a restart. Steven Spielberg knew who to call

An eyeball, big, yellowish, distinctly inhuman, stares raptly between wooden slats, part of a large crate. The eye darts from side to side quickly, alert as hell. So begins David Koepp's script to 1993's 'Jurassic Park.' Like much of Koepp's writing, it's crisply terse and intensely visual. It doesn't tell the director (in this case Steven Spielberg) where to put the camera, but it nearly does. 'I asked Steven before we started: What are the limitations about what I can write?' Koepp recalls. 'CGI hadn't really been invented yet. He said: 'Only your imagination.'' Yet in the 32 years since penning the adaptation of Michael Crichton's novel, Koepp has established himself as one of Hollywood's top screenwriters not through the boundlessness of his imagination but by his expertise in limiting it. Koepp is the master of the 'bottle' movie, films hemmed in by a single location or condensed timed frame. From David Fincher's 'Panic Room' (2002) to Steven Soderbergh's 'Presence' (2025), he excels at corralling stories into uncluttered, headlong movie narratives. Koepp can write anything — as long as there are parameters. 'The great film scholar and historian David Bordwell and I were talking about that concept once and he said, 'Because the world is too big? ' I said, 'That's it, exactly,'' Koepp recalls. 'The world is too big. If I can put the camera anywhere I want, if anybody on the entire planet can appear in this film, if it can last 130 years, how do I even begin? It makes me want to take a nap. 'So I've always looked for bottles in which to put the delicious wine.' By some measure, the world of ' Jurassic World ' got too big. In the last entry, 2022's not particularly well received ' Jurassic World: Dominion,' the dinosaurs had spread across the planet. 'I don't know where else to go with that,' Koepp says. Koepp, a 62-year-old native of Wisconsin, hadn't written a 'Jurassic' movie since the second one, 1997's 'The Lost World.' Back then, Brian De Palma, whom Koepp worked with on 'Carlito's Way' and 'Mission: Impossible,' took to calling him 'dinosaur boy.' Koepp soon after moved onto other challenges. But when Spielberg called him up a few years ago and asked, 'Do you have one more in you?' Koepp had one request: 'Can we start over?' And so, 'Jurassic World Rebirth' is a fresh start for one of Hollywood's biggest multi-billion-dollar franchises. It's a new cast of characters (Oakland's own Mahershala Ali, Scarlett Johansson and Jonathan Bailey co-star), a new director (Gareth Edwards) and a new storyline. But just as they were 32 years ago, the dinosaurs are again Koepp's to play with. 'The first page reassured me,' says Edwards. 'It said: 'Written by David Koepp.'' For 'Jurassic World Rebirth,' Koepp wanted to reorder the franchise. Inspired by Chuck Jones' 'commandments' for the Road Runner cartoons (the Road Runner only says 'meep meep'; all products are from the ACME Corporation, etc.), Koepp put down nine governing principles for the 'Jurassic' franchise. They included things like 'humor is oxygen' and that the dinosaurs are animals, not monsters. A key to 'Rebirth' was geographically herding the dinosaurs. In the new movie, they've clustered around the equator, drawn to the tropical environment. Like 'Jurassic Park,' the action takes place primarily on an island. Going into the project, Edwards was warned about his screenwriter's convictions. 'At the end of my meeting with Spielberg, he just smiled and said, 'That's great. If you think we were difficult, wait until you meet David Koepp,''' says Edwards, laughing. But Edwards and Koepp quickly bonded over similar tastes in movies, like the original 'King Kong,' a poster of which hangs in Koepp's office. On set, Edwards would sometimes find the need for 30 seconds of new dialogue. 'Within like a minute, I'd get this perfectly written 30 second interaction that was on theme, funny, had a reversal in it — perfect,' says Edwards. 'It was like having your own ChatGPT but actually really good at writing.' In the summer, especially, it's common to see a long list of names under the screenplay. Blockbuster-making is, increasingly, done by committee. The stakes are too high, the thinking goes, to leave it to one writer. But 'Jurassic World Rebirth' bears just Koepp's credit. 'There's an old saying: 'No one of us is as dumb as all of us,'' Koepp says. 'When you have eight or 10 people who have significant input into the script, the odds are stacked enormously against you. You're trying to please a lot of different people, and it often doesn't go well.' The only time that worked, in Koepp's experience, was Sam Raimi's 2002 'Spider-Man.' 'I was also hired and fired three times on that movie,' he says, 'so maybe they knew what they were doing.' Koepp, though, prefers to — after research and outlining — let a movie topple out of his mind as rapidly as possible. 'I like to gun it out and clean up the mess later,' he says. But the string of 'Jurassic World Rebirth' may have tested even Koepp's prodigious output. The intense period of writing, which fell before, during and after the writers strike, he says, meant five months without a day off. 'I might have broke something,' he says, shaking his head. Still, the film also shows a veteran screenwriter working in high gear, judiciously meting out details and keeping dinosaurs hurtling forward. Anything like a perfect script — for Koepp, that's 'Rosemary's Baby' or 'Jaws' — remains elusive. But even when you come close, there are always critics. 'After the first 'Jurassic' movie, a fifth-grade class all wrote letters to me, which was very nice,' Koepp recalls. 'Then they wrote, 'P.S., when you do the next one, don't have it take so long to get to the island.' Everyone's got a note!'

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