logo
Priyanka Chopra Texted Ibrahim Ali Khan After Nadaaniyan: 'She Said I Have A Bright Future'

Priyanka Chopra Texted Ibrahim Ali Khan After Nadaaniyan: 'She Said I Have A Bright Future'

News1812-05-2025
Last Updated:
Ibrahim Ali Khan — son of Saif Ali Khan and Amrita Singh — has broken his silence on the criticism that followed his debut film.
A few months after Naadaniyan hit the screens, Ibrahim Ali Khan — son of Saif Ali Khan and Amrita Singh — has broken his silence on the criticism that followed his debut. Starring alongside Khushi Kapoor, daughter of the late Sridevi and Boney Kapoor, Ibrahim faced intense trolling online, with many questioning the performances of both star kids. In a recent interview with GQ India, Ibrahim spoke openly about the backlash and shared his thoughts on the pressure and public scrutiny that came with his first film.
On being asked if he received any advice after his debut film released, Ibrahim said, 'From two people. My dad said this is not the year 2000 when a star can just walk around in a movie and it can be a blockbuster. Today you must be very prepared, and be a quick learner. Most importantly, he said the script and the filmmaker are two things you cannot compromise on."
Ibrahim also opened up on a special text. He said, 'The second one was from -Priyanka Chopra. She sent me a very sweet -message saying she watched the film and thinks I have a bright future. She said I have to hold my head high and keep grinding; and that I must grow a thick skin. Coming from someone as accomplished as she is, I felt really comforted and motivated."
Earlier, in a chat with Filmfare, he had admitted that audiences may have entered the theatre expecting a grand, high-stakes launch vehicle, but that was never the intention behind Naadaniyan. 'People go into the film with very high expectations of what it should be. It was not to be some grand film. It was meant to be a sweet, breezy rom-com that you should enjoy on a Friday night, chilling in bed," he had said.
Ibrahim Ali Khan's next film is reportedly Diler, a sports drama where he will be paired with South Indian actress Sreeleela. The young star will also be seen in Sarzameen with Kajol, directed by Kayoze Irani.
First Published:
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Did Prithviraj Sukumaran compare Kajol to Mohanlal? Actor says ‘sometimes it's tough…' to shoot scenes with her in Sarzameen
Did Prithviraj Sukumaran compare Kajol to Mohanlal? Actor says ‘sometimes it's tough…' to shoot scenes with her in Sarzameen

Economic Times

time2 hours ago

  • Economic Times

Did Prithviraj Sukumaran compare Kajol to Mohanlal? Actor says ‘sometimes it's tough…' to shoot scenes with her in Sarzameen

Prithviraj Sukumaran and Kajol's Sarzameen released on July 25. Prithviraj Sukumaran, who recently starred in Sarzameen alongside Kajol and debutant Ibrahim Ali Khan, has opened up about his experience working with the Bollywood icon—and he had nothing but praise, mixed with some hilarious on-set moments. In a conversation with Bollywood Bubble, the Malayalam superstar, known for his versatility and depth, revealed that Kajol's acting style reminded him of another screen legend—Mohanlal. Describing Kajol as 'wonderful' and 'truly gifted,' Prithviraj said that working with instinctive actors like her brings an element of unpredictability to a scene. He explained that much like Mohanlal, who delivers a different performance with every take, Kajol doesn't rely on rehearsals and instead trusts her instincts. 'She truly believes in being instinctive about her performance pitch,' he shared, noting that it made the collaboration exciting and dynamic. Prithviraj also spoke fondly of Kajol's vibrant energy on set, calling her 'a constant caffeine overdose in a very nice way.' But things didn't always go smoothly—especially when filming an emotional scene where Kajol's character delivers a powerful line about motherhood. For some unexplained reason, both actors couldn't stop laughing during takes, to the point where director Kayoze Irani nearly gave up on them. Despite the challenge, Prithviraj said it was all in good fun and expressed his admiration for Kajol, adding that he hopes they get to work together again in the is written and directed by Kayoze Irani, son of Boman Irani, in his feature directorial debut. Backed by Dharma Productions and Star Studios, the film is produced by Karan Johar, Hiroo Yash Johar, and Apoorva Mehta. Headlined by Prithviraj Sukumaran, Kajol, and Ibrahim Ali Khan, Sarzameen unfolds against the politically volatile backdrop of Kashmir. The story follows Colonel Vijay Menon (Prithviraj Sukumaran), an Indian Army officer stationed in Jammu and Kashmir, whose world turns upside down when he discovers that his long-missing son, Harman (Ibrahim Ali Khan), may have joined a terrorist organisation. As he sets out to uncover the truth, his wife Meher (Kajol) is pulled into a heart-wrenching emotional struggle—where the line between duty to the nation and loyalty to family begins to blur. The film premiered on July 25, 2025, exclusively on JioHotstar. While netizens have hailed Prithiviraj and Kajol's performance, many criticised the movie's weak scripting. ( Originally published on Jul 25, 2025 )

Meet Rinke Khanna, younger daughter of Rajesh Khanna and Dimple Kapadia, worked in films, quit acting 21 years ago, here's how she looks now
Meet Rinke Khanna, younger daughter of Rajesh Khanna and Dimple Kapadia, worked in films, quit acting 21 years ago, here's how she looks now

India.com

time5 hours ago

  • India.com

Meet Rinke Khanna, younger daughter of Rajesh Khanna and Dimple Kapadia, worked in films, quit acting 21 years ago, here's how she looks now

With a face full of innocence and the weight of a film legacy, Rinke Khanna entered Bollywood in 1999 with Pyaar Mein Kabhi Kabhi. She played a character named Khushi, and her songs, especially 'Musu Musu Hasi Deu' and 'Woh Pehli Baar', became instant hits. The film may not have set the box office on fire, but Rinke's performance earned her a Filmfare nomination for Best Female Debut. She was the daughter of two legends, Rajesh Khanna and Dimple Kapadia, and sister to Twinkle Khanna. Stardom seemed only natural. But it didn't pan out that way. Who did she act with before quitting? Despite her promising start, Rinke appeared in only nine films. She shared the screen with big names, Govinda in Jis Desh Mein Ganga Rehta Hai, Salman Khan in Yeh Hai Jalwa, and Tusshar Kapoor in Mujhe Kucch Kehna Hai. She even did a Tamil film Majunu, and featured in offbeat titles like Mango Soufflé, Jhankaar Beats, Chameli, and Pran Jaaye Par Shaan Na Jaaye. Her last appearance was in 2004's Chameli, where she played a supporting role to Kareena Kapoor. And then—silence. Why did she step away from the spotlight? After a lukewarm run in Bollywood, Rinke quietly exited the scene. In 2003, she married businessman Sameer Saran and moved to London. She shifted focus from scripts to family. The camera never found its way back into her life. Why is her name suddenly trending again? Recently, during the premiere of Akshay Kumar's 'Sky Force', all eyes were on a fresh face, Naomika Saran, Rinke's daughter. Social media buzzed about her resemblance to her mother and grandmother Dimple Kapadia. Naomika's poise, simplicity, and grace reminded many of Rinke's early days. That one event brought Rinke Khanna back into conversations. She was also spotted recently in Mumbai alongside her mother, sparking rumours about whether the family might be preparing Naomika for a debut of her own.

Malayalam star was betrayed by all the men she loved. Died all alone at 53
Malayalam star was betrayed by all the men she loved. Died all alone at 53

Economic Times

time6 hours ago

  • Economic Times

Malayalam star was betrayed by all the men she loved. Died all alone at 53

Agencies Malayalam star Srividya died lonely at the age of 53 Srividya, an iconic figure in South Indian cinema, captivated audiences with her grace, charisma, and emotional depth. While her presence on the silver screen evoked admiration and reverence, her personal life was marked by pain, heartbreak, and an unfulfilled longing for love. Beneath her luminous performances was a woman who yearned for sincere affection—love that she was ready to give unconditionally but tragically never received in return. Despite being cherished by fans and respected by peers, she lived a life burdened by betrayal, loneliness, and sorrow until the on July 24, 1953, in Chennai, Srividya came from a family deeply entrenched in the performing arts. Her mother, M. L. Vasanthakumari, was an acclaimed Carnatic vocalist, and her father, 'Vikatam' Krishnamurthy, was a Tamil actor. Despite her lineage suggesting a future in music, Srividya gravitated toward dance and acting. Her early exposure to classical dance helped her develop expressive facial movements and poised body language—skills that later defined her onscreen magnetism. Srividya began her cinematic journey at just 13, making her debut in the Tamil historical film Thiruvarutchelvar (1967), which featured veterans like Sivaji Ganesan, Savitri, and Gemini Ganesan. It was a modest role, but it ignited a lifelong connection with 1969, at the age of 16, Srividya entered the Malayalam film industry with the movie Chattambikkavala. She was cast opposite Sathyan, a legendary actor who was 57 at the time. Her poise, maturity, and beauty surprised many. The following year, she featured in Kumara Sambhavam, playing the celestial nymph Menaka. Her elegant dance in the song 'Maya Nadana Viharini' garnered widespread appreciation and highlighted her as an emerging her versatility and grace, Srividya swiftly became a sought-after actor in Malayalam, Tamil, and Telugu films. Filmmakers were drawn to her ability to balance glamour with gravitas, and she transitioned seamlessly from one powerful role to another, building a formidable body of work across made Srividya distinct from her contemporaries was her readiness to play characters beyond the conventional mold. While many actresses of her era pursued glamorous leads, Srividya embraced roles that were far more layered—even those where she played older women or secondary characters. Rather than chase stardom, she prioritized the depth and relevance of a like Kattathe Kilikkoodu, Ente Sooryaputhrikku, Innale, Kabooliwala, Aniyathi Pravu, Aaraam Thampuran, and Randam Bhavam featured her in motherly or supporting roles, which she portrayed with incredible emotional depth. Her performances resonated so strongly that audiences frequently remembered her more than the leads. Even on television, she left an indelible impression with her nuanced roles in various serials, maintaining her connection with the audience until her final the height of her career in the early 1970s, Srividya fell in love with Kamal Haasan, who was then a rising star. Their relationship was intense and, by many accounts, genuine. They even considered marriage. However, as Kamal's career took off, he asked Srividya to postpone their plans to tie the knot. She, unwilling to delay her dreams of building a home and family, expressed her desire to move later recalled, during an interview with Kairali TV, that Kamal had visited her home one day. Her mother advised them to wait a few more years, suggesting that both had bright futures and shouldn't rush into a decision they might regret. This advice did not sit well with Kamal, who left abruptly. Soon afterward, he married dancer Vani Ganapathy, and their once-promising relationship ended in silence. Despite the break, Kamal always remained a significant emotional figure in Srividya's her heartbreak, Srividya found comfort in her connection with filmmaker Bharathan. Their relationship, as revealed by screenwriter and Bharathan's friend John Paul on Safari TV's Charithram Enniloode, went beyond societal definitions. It was an intimate, soulful bond that didn't conform to labels like KPAC Lalitha, who eventually married Bharathan, recounted that he often visited her home just to talk to Srividya over the phone since her family disapproved of male callers. Lalitha, who worked with both, revealed that Srividya once confided her doubts about the relationship, citing Bharathan's growing mistrust. Eventually, the two parted ways. Though he later married Lalitha, Bharathan reportedly attempted to reconnect with Srividya—but she distanced herself for emotional turmoil, Srividya crossed paths with George Thomas, a film producer involved with her movie Theekkanal. He appeared attentive, caring, and aligned with her need for emotional security. Desperate to feel loved and hoping to prove to her detractors that she had moved on, she decided to marry him. Despite warnings from her mother and close friends like actor Madhu and veteran performer Manorama, she converted to Christianity and married George in Mumbai. However, Srividya's dream of domestic bliss soon turned into a nightmare. Contrary to his claims, George was not a wealthy film producer but a salaried employee appointed by a chit fund company, Star of Cochin, as a frontman for their film ventures. He had misrepresented himself entirely, using her fame for personal and financial gain. Having realized the deception, Srividya had no choice but to return to work. Offers still came her way, and her performances were consistently appreciated. However, her husband began siphoning off her earnings. Director Alleppey Ashraf once stated that George forged her signatures to access her bank accounts and depleted her if financial exploitation wasn't enough, he also abused her physically and emotionally. Rumors of his infidelity surfaced, further damaging their already crumbling marriage. The arguments between them became frequent and intense. After enduring years of pain and betrayal, Srividya left George and returned to her separation initiated a long and arduous legal battle. Because the marriage had been registered under the Christian Marriage Act, divorce proceedings were complicated. George held on to much of her property and assets, and the case dragged on for 14 years. Srividya eventually won, but the personal toll was immense. She had lost years of her life and most of her emotional compound her misery, her mother—her only close family—passed away during this time. Srividya, already devastated by her failed relationships and a bruising legal fight, now found herself utterly alone. Her relatives, sensing her vulnerability, abandoned her too. Despite all her public acclaim and cinematic triumphs, she had no one to turn to in her most difficult pained Srividya most was not the loss of money or status, but the emotional void. She had always longed for a loving partner, a child, and a peaceful home—experiences she was denied throughout her life. Her own childhood had been devoid of warmth, as her parents were locked in a loveless marriage. She had hoped to create a better life for herself, but fate seemed determined to keep happiness out of dream of settling in America to escape the scars of her past also collapsed when she was diagnosed with cancer. It was an aggressive form of the disease, and as her health deteriorated, so did her hopes. Those who cared for her during this time reported that she would often plead with doctors to end her suffering.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store