logo
Hollywood star parties with Kneecap at Glastonbury amid police probe over ‘free Palestine' chant and ‘terror group' top

Hollywood star parties with Kneecap at Glastonbury amid police probe over ‘free Palestine' chant and ‘terror group' top

The Sun5 hours ago

HOLLYWOOD actor Jamie Dornan was seen backstage at Glastonbury partying with Irish rap group Kneecap as police investigate politically charged moments during their set and another by Bobby Vylan.
Kneecap's Glastonbury appearance went ahead with a packed crowd despite calls for them to be dropped from the line-up.
3
3
An unexpected celebrity endorsement came from Jamie as The Robin Hood star, from Northern Ireland, posed backstage with the band made up of rappers Mo Chara and Móglaí Bap, and DJ Próvaí.
They performed shortly after punk duo Bob Vylan also stirred controversy, with frontman Bobby Vylan shouting 'Death, death, to the IDF' during a live-streamed BBC broadcast.
Avon and Somerset Police confirmed on X that they are reviewing footage from both sets: 'We are aware of the comments made by acts on the West Holts Stage at Glastonbury Festival this afternoon.
'Video evidence will be assessed by officers to determine whether any offences may have been committed that would require a criminal investigation.'
The BBC declined to stream Kneecap's performance live, citing editorial standards, though one audience member live streamed it in full on TikTok.
The band also led anti- Keir Starmer chants after he called for them to be axed from the Glastonbury line-up.
However, many fans waved pro-Palestinian banners and wore themed face paint in support.
The West Holts stage was temporarily closed due to fears of overcrowding, with festival organisers issuing a 'no access' warning shortly before Kneecap's 4pm performance.
The decision not to broadcast the set live follows mounting political pressure.
Prime Minister Sir Keir Starmer had previously called for the Irish group to be banned from the festival altogether.
'It just makes me happy', says legendary singer Elton John as he praises 'brave' Irish musicians
The controversy was further fuelled by footage of rapper JJ Ó Dochartaigh (Móglaí Bap) wearing a T-shirt referencing Palestine Action — a group the UK government has discussed banning as a terrorist organisation under the Terrorism Act 2000 after they spray painted RAF planes red.
Home Secretary Yvette Cooper has the authority to proscribe organisations she deems 'concerned in terrorism.'
In a separate case, Kneecap frontman Liam Óg Ó hAnnaidh (Mo Chara) was charged under the Terrorism Act last month.
He allegedly displayed a Hezbollah flag and shouted 'up Hamas, up Hezbollah' during a November 2023 gig in Kentish Town, London.
Following the performance from Bob Vylan, Glastonbury said: "Glastonbury Festival was created in 1970 as a place for people to come together and rejoice in music, the arts and the best of human endeavour.
"As a festival, we stand against all forms of war and terrorism. We will always believe in - and actively campaign for - hope, unity, peace and love.
"With almost 4,000 performances at Glastonbury 2025, there will inevitably be artists and speakers appearing on our stages whose views we do not share, and a performer's presence here should never be seen as a tacit endorsement of their opinions and beliefs.
"However, we are appalled by the statements made from the West Holts stage by Bob Vylan yesterday.
"Their chants very much crossed a line and we are urgently reminding everyone involved in the production of the Festival that there is no place at Glastonbury for antisemitism, hate speech or incitement to violence."

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Collectors gather for retro football nostalgia at Chelmsford
Collectors gather for retro football nostalgia at Chelmsford

BBC News

time26 minutes ago

  • BBC News

Collectors gather for retro football nostalgia at Chelmsford

Thousands of models of footballers have been on display along with kits from the past 50 years as people gathered to remember the football of their Tottenham Hotspur captain Steve Perryman was a special guest at the Retro Football Show in Chelmsford, Essex, on Saturday."A lot of people of a certain age have fallen out of love with modern football and as a result they want to immerse themselves in retro football, in nostalgia," said event organiser Greg of the large-headed Corinthian models also attended the 30th anniversary of their conventions. "It's just amazing to see that 30 years on, people share the same passion and they still buzz off the figures like you do," said collector Craig Robinson, who valued his collection at £ hobby began with "a routine trip to Woolworths on a Saturday with my dad and brother" when he discovered the figures."From that point it was a weekly Saturday trip and my pocket money was spent on those figures."Mr Landsdowne had a similar experience collecting Panini football stickers in 1979."My brother was a pro at West Ham, and he collected all the stickers. Pardon the pun - it's amazing how those stickers stick in your memory."He said football items used to be a lot more "tactile" before the digital age."Some clubs don't even produce programmes any more, which is a sad thing – if you want to look back on a game from the past, you won't be able to. "Tickets from the past are very sought after now." Visitors to the show were not just figure enthusiasts, and some attended for the vintage football shirts."Retro football shirts have just gone off the scale," Mr Landsdowne said."People in their teens and 20s will be wearing a York City shirt from 2013, then a Celtic shirt."A lot of them have no interest in football and they've probably never seen any of these teams play, but they're willing to spend £100 on shirts to show their Instagram channels."Although I love people of my age and older, it's nice to have younger crop coming too and appreciating it." Adam Grocott, also a Corinthian collector, said the main reason people enjoyed looking at the mini figures was "the nostalgia"."It's looking at your figures and knowing that you can get transported straight back to a period of time."It's also - and this is just a personal opinion -I think it takes you back to when football was proper," he said. Follow Essex news on BBC Sounds, Facebook, Instagram and X.

Cutting personal independent payments: potentially devastating or justified?
Cutting personal independent payments: potentially devastating or justified?

The Guardian

time28 minutes ago

  • The Guardian

Cutting personal independent payments: potentially devastating or justified?

As predicted (Starmer offers 'massive concessions' on welfare bill to Labour rebels, 26 June), an attempt has been made to salvage the welfare bill. Discontented MPs and disabled people alike will welcome the assurance that people currently receiving personal independence payments (Pip) or the health element of universal credit will be protected from changes. But the episode is damaging, has caused thousands of disabled people needless worry, and may come to be seen as pivotal in Keir Starmer's tenure. There is something deeply invidious about having two classes of benefit recipients – the protected current recipients, and those making future claims. At the same time, it is clear that the benefits system does need reform and, in particular, needs to support people into work rather than taking a punitive and brutal approach to cost saving. How Starmer has ended up in this position is fascinating, if it were not extraordinary for a government with such a majority and the potential to make radical and equitable change to be repeatedly wrongfooted. U-turns look weak and messy, and presenting them as a response to active listening is unlikely to convince anyone. Starmer claims not to be ideological, and there is the issue; policy is being shaped not by a coherent strategic vision and principle-driven aspirations for better lives, opportunities and genuine equality, but by economic necessity and caution. It's a flawed model, certain to intensify divisions between ministries, Labour members, taxpayers, benefit recipients and the wider electorate. There is major learning and reflection needed by the government; the optics have gone badly wrong, but the welfare reform chaos is a symptom of a much deeper political Melanie HenwoodHartwell, Northamptonshire I am a social worker and I support cutting Pips. I have encountered a number of young adults trapped in a cycle of welfare dependency, unemployment and chaotic lifestyles. They share a belief that the state must fund every aspect of life, and a lack of understanding that benefits come not 'from the government' but are redistributed from taxation of the population. Pip is often claimed on the basis of anxiety or depression, but the idea of working to support oneself, or seeking training or education to make work more attainable, is absent from their thinking. The answer? Probably a combination of education, early interventions and nudges towards culture change, including reducing the availability of Pip. In the long term the status quo won't help the young people I work and address supplied What is not being made clear in government statements and coverage of the cuts to disability benefits is the personal independence payment's relationship to work. Pip is paid to help with the additional costs arising from disability. It is paid to people in work and out of work. It is crucial in enabling people to stay in work, paying for technical and personal support, health needs, travel and other costs. It also enables people who cannot work full-time to work. What will happen to these working people when they can no longer afford the additional costs? It's clear the government does not understand the role of Pip in enabling BetteridgeManchester As we approach the parliamentary vote on the new welfare bill, spare a thought for the many Pip recipients who received the benefit when it was known as disability living allowance. I suspect, for many, the scars still linger from that government change to the system. What that revealed was that disability allowance was not directed to those most in need of it due to their disability. Rather, receiving the new benefit depended upon one's ability to fill out a 40-page form. Next, it depended on having the physical and mental resilience to challenge the result and take it to a tribunal. This was a protracted and stressful period of time. For many, who made it that far, the tribunal reversed the DWP scoring and people found that they had their old level of benefit reinstated. Just a shame that stress makes many medical conditions far worse for the individual. Many years ago, I believed that the DWP wanted to help those with serious disabilities. These days, I have as much faith in them as they appear to have in disabled people (DWP letters now seem to be written with a subtext of 'you're a fraud and we'll catch you').Name and address supplied Have an opinion on anything you've read in the Guardian today? Please email us your letter and it will be considered for publication in our letters section.

Beyond the acts: Glastonbury Festival after dark in pictures
Beyond the acts: Glastonbury Festival after dark in pictures

BBC News

time36 minutes ago

  • BBC News

Beyond the acts: Glastonbury Festival after dark in pictures

Beyond the big acts and stages, there is much more to Glastonbury Festival – a place peppered with art installations, unique bars and random festival has a Dragon's Tail for people to find, wood-top walks and hillside views, as well as campfires and late-night so much on offer, we take a look at Glastonbury after dark. What a night in Glasto's 'Naughty Corner' looks likeGlastonbury 'appalled' by Bob Vylan IDF commentsRed Arrows fly over Glastonbury as Pulp performFood, fire crews and solar stages: The people of Glasto What a view: People who make the climb up to the Glastonbury sign are rewarded with sprawling views of the festival site. The dragonfly: Arcadia is one of the festival's most popular late-night venues. Its dragonfly, made from an old helicopter, made its debut at the festival in 2024. Flames and lasers: While acts perform from the head of the dragonfly, festival-goers are treated to a sensory display of fire and lights. On a dark, dark night in a dark, dark wood: Nestled on the north side of the festival is Woodsies - a nature-rich sanctuary with a platform high up in the trees Impromptu performances: During a night-time wander, festival-goers are likely to come across a number of astounding street performers. The magic of the woods: People take a stroll along the bridge through the tree-top canopy. Part of the woodland has interactive elements, with instruments people can play as they walk. The South East Corner: The so-called 'naughty corner' is a place where festival-goers can continue the party until when the sun comes up and beyond. It is filled with quirky instillations, including these lit-up paper trees. The Unfairground: This is a popular late-night area full of the weird and sometimes downright scary. Monsters in the night: An installation at the Unfairground, in Glastonbury's South East Corner. The Dragon's Tail: The 40m (131ft) dragon installation is made of stained glass and attracts old and young festival-goers alike. The Rum Shack: A glowing beacon of the South East Corner, the venue is one of Glastonbury's essential after-hours destinations. An angel: These rainbow wings are a big attraction for little angels at the festival. Oh I do like to be beside the seaside: Glastonbury may be miles from the coast, but it has its own pier with plenty of entertainment. The Glade: Just off the festival's railway track sits the Glade area, which sees DJs play long into the night and early hours. The Stone Circle: Many festival-goers will end their night at the Stone Circle, perhaps even staying to watch the sun rise around the campfire.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store