logo
Disney parks boss Josh D'Amaro touts Mouse House bona fides as succession chatter rages

Disney parks boss Josh D'Amaro touts Mouse House bona fides as succession chatter rages

Miami Herald15-05-2025
Disney Experiences Chairman Josh D'Amaro brought his mouse ears to Wall Street Wednesday, in what is seen as part of a high-profile tryout to determine which of the Burbank entertainment giant's executives has the mettle and finesse to succeed Chief Executive Bob Iger.
Speaking before investors at the MoffettNathanson Media, Internet & Communications Conference, the 54-year-old theme parks chief touted the power and promise of his division, which includes resorts, cruise lines and video games.
He leaned into the company's rigorous management techniques and its ambitions. One of D'Amaro's strengths is his enthusiasm for the fabled company, seen as a prerequisite for succeeding Iger. He's spent most of his adult life - nearly 27 years - at Disney.
"It feels like it went by in a moment," D'Amaro said. "I'm so proud to work for the Walt Disney Co."
D'Amaro's assignment could have been a tricky one.
This week in New York has long been reserved for television executives, and it was Iger who, with the help of Mickey Mouse, led a parade of stars to woo advertisers during Walt Disney Co.'s annual upfront programming presentation a day earlier.
Early next year, Disney's board is expected to name a new CEO to take the reins in late 2026, when Iger is scheduled to retire. D'Amaro is among the leading contenders. The co-chairs of Disney Entertainment, Dana Walden and Alan Bergman, also are in the running. So is ESPN Chairman Jimmy Pitaro.
Disney's board has said it plans to consider external candidates as well.
But observers believe that D'Amaro's stock has been rising.
Disney declined to comment on succession speculation.
For Disney's board, the stakes couldn't be higher. The last time it orchestrated a CEO handoff - to another parks leader, Bob Chapek - the arrangement imploded, prompting Iger's rapid return.
D'Amaro on Wednesday recalled that November 2022 event, saying that when Iger returned to the Burbank headquarters, D'Amaro brought him a bulky binder that included detailed updates for each component of the enormous parks and experiences division.
Iger dropped by D'Amaro's office the following day with the 250-page binder in hand.
"He pulled out one page," D'Amaro said, noting that Iger had identified that "we have plenty of room to grow this business. We've got land in all of our locations around the world. ... We've got the stories [and] we've got the fans."
The example was designed to pay tribute to Iger's prowess and leadership, but it also underscored that D'Amaro's parks and experiences division remains key to Disney's success.
Disney has pledged to spend $60 billion during the next decade to expand and revitalize resorts and theme parks. It expects to double its fleet of cruise lines. The company also has invested $1.5 billion in "Fortnite" developer Epic Games to tap into the growing revenue potential of video gamers.
D'Amaro's conference appearance came a week after Disney delivered impressive quarterly earnings, propelling the stock to climb more than 20%, regaining market ground lost since last fall. Shares inched up 1.4% Wednesday to $112.94.
Operating income at the domestic theme parks and experiences division, which includes cruise lines, rose 13% to $1.8 billion.
Disney also announced a major expansion in the Middle East, where it is planning to build its seventh theme park.
"We looked around the world ... and ended up in Abu Dhabi," D'Amaro said. That region has emerged as an entertainment hub within the United Arab Emirates, where the new park will join SeaWorld and Ferrari World.
"If you look at a four-hour flight radius into Abu Dhabi, a third of the world's population is there," D'Amaro said. "We think that there are half a billion consumers that have the right Disney affinity and income to visit one of these theme parks."
Disney is collaborating with Miral Group, an arm of the Abu Dhabi government, which will pay for the multibillion-dollar construction, in a departure from Disney's long-held practice of owning its parks.
Disney won't loosen its grip on the creative elements, D'Amaro said, adding Miral will "ultimately operate the project with a significant amount of oversight from us."
This wasn't the first time D'Amaro has presented at an investor conference. Two years ago, D'Amaro took the stage at the JP Morgan technology and media conference. Other executives have also made the rounds.
In March, Walden spoke at the Morgan Stanley Technology, Media, and Telecom Conference. That same month D'Amaro and Bergman appeared onstage together to present "The Future of World-Building at Disney" at South by Southwest in Austin, Texas.
Hollywood insiders believe Disney needs an Iger-like successor, someone who has a deft touch with talent and is deeply familiar with the television and movie side of the business.
Walden and Bergman also manage a prestigious portfolio, which includes the critically important Disney+ and Hulu streaming services.
D'Amaro, a Massachusetts native, has earned celebrity status among Disney's faithful.
He occasionally mingles with park-goers, a treat for Disney superfans who post TikTok videos in public display of affection. In those clips, D'Amaro is typically beaming, elevating him to a jolly brand ambassador for the "happiest place on earth."
"I've been very fortunate," D'Amaro said of his 27 years at Disney, saying the tenure has allowed him "to connect with and meet a lot of our executives and understand the different businesses, which makes it a bit easier to navigate and keep connected with the rest of the company."
Copyright (C) 2025, Tribune Content Agency, LLC. Portions copyrighted by the respective providers.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Disney+ vs. Netflix: Is Disney Plus Better than Netflix?
Disney+ vs. Netflix: Is Disney Plus Better than Netflix?

Time Business News

timean hour ago

  • Time Business News

Disney+ vs. Netflix: Is Disney Plus Better than Netflix?

Netflix boasts over 17,000 titles globally across movies, TV series, documentaries, anime, and international originals. Its library is diverse, constantly evolving, and highly localized depending on your country. Netflix is also known for licensing third-party content alongside its own originals. Disney+ focuses on quality over quantity, offering around 7,000 TV episodes and 500+ movies, but with some of the most iconic and beloved brands in entertainment. From the entire Marvel Cinematic Universe to Pixar classics and every Star Wars installment, Disney+ appeals strongly to families and franchise lovers. Verdict: Netflix wins for variety and volume. Disney+ wins for nostalgic and family-friendly content. Standard with Ads : $6.99/month : $6.99/month Standard (no ads) : $15.49/month : $15.49/month Premium (4K + extra members): $22.99/month Netflix also offers extra member add-ons at a fee, making account sharing more limited. With Ads : $7.99/month : $7.99/month Ad-Free : $13.99/month : $13.99/month Disney Bundle (Hulu + ESPN+): Starting at $14.99/month Disney+ also allows unlimited downloads for ad-free users, making it easy to download on Disney Plus and watch offline. Verdict: Disney+ is more affordable, especially when bundled. Netflix is pricier but offers broader content. Netflix sets the gold standard for user experience. It's available on virtually every device—smart TVs, game consoles, phones, tablets, web browsers, and streaming boxes. Its AI-driven recommendation engine and easy-to-navigate interface are fan favorites. Disney+ supports most major devices, though it may lag behind Netflix in terms of smart TV app optimization and user personalization. Still, it offers up to 7 user profiles and 4 simultaneous streams on its standard plan. Verdict: Netflix wins for refined UX and broader device support. Disney+ is close but still playing catch-up. With hits like Stranger Things , The Crown , Wednesday , Squid Game , and The Witcher , Netflix revolutionized streaming with its originals. It spends billions annually to develop fresh, exclusive content across genres and languages. Disney+ offers premium originals, but they lean heavily on existing franchises. The Mandalorian , Loki , WandaVision , and The Imagineering Story are hits—but fewer in number compared to Netflix's catalog. Verdict: Netflix takes the lead in volume and diversity. Disney+ wins for franchise continuity and cinematic quality. Netflix is available in over 190 countries, with regional content libraries and subtitles in dozens of languages. It's optimized for low-bandwidth usage in regions with slower internet. As of 2025, Disney+ is available in around 130+ countries, with steady expansion. However, content availability varies more than Netflix, especially in Europe and parts of Asia. Downloads are supported, but some users prefer third-party tools like a Disney Plus downloader to get around geo-restrictions or keep content permanently. Verdict: Netflix wins in global reach and localization. Disney+ is improving, but still behind. The final verdict depends entirely on your needs and preferences: You want a wide variety of genres and languages You're into international and adult-targeted content You care about cutting-edge original productions You want the best tech features and personalization You love Disney, Marvel, Star Wars, Pixar, and Nat Geo You're looking for family-friendly programming You want a budget-friendly bundle with Hulu and ESPN+ You want to download on Disney Plus and watch without Wi-Fi The Disney Plus vs Netflix battle is far from over. While Netflix maintains its global dominance in size and scope, Disney+ continues to rise with unmatched franchise power and a more affordable price point. If you're a family user or franchise fanatic, Disney+ delivers enormous value. If you're into cutting-edge, genre-diverse entertainment, Netflix is still the one to beat. Looking at Disney Plus subscribers vs Netflix, Netflix still leads with over 250 million global users, but Disney+ is catching up fast, with over 165 million and growing. Whichever you choose, both platforms are evolving fast—and the good news? You don't necessarily have to choose. Many users are opting to subscribe to both, taking advantage of the best from each world. TIME BUSINESS NEWS

Funko Pop! And The Rise Of Bitty Pop!: A Tiny Twist On A Pop Culture Giant
Funko Pop! And The Rise Of Bitty Pop!: A Tiny Twist On A Pop Culture Giant

Forbes

timean hour ago

  • Forbes

Funko Pop! And The Rise Of Bitty Pop!: A Tiny Twist On A Pop Culture Giant

Funko Pops! are designed to be collectible, featuring a wide range of characters from popular ... More movies, TV shows, and franchises like Harry Potter, Disney, and Star Wars. Full disclosure: I've lost track of how many Funko Pop! figurines I currently own. My collection spans everything from I Love Lucy, The Brady Bunch, Gilligan's Island, and The Golden Girls to animated classics like The Flintstones, The Jetsons, and Top Cat. Add in characters from DC and Marvel, plus more recent fan favorites like The Sopranos, The Office and Stranger Things, and… well, I could go on and on. And I am far from alone in my obsession. Of course, Funko Pops! are instantly recognizable: oversized heads, small bodies, and those signature large, round black eyes. Few collectibles have left as lasting a mark on pop culture as these beloved vinyl figures. With over 10,000 unique figures covering a vast range of genres - from TV and film to video games, anime, comics, sports, and music - Funko has cemented itself as a cornerstone of modern fandom. Being turned into a Funko Pop! isn't just a novelty; it's a badge of honor, signaling a character's cultural impact and devoted following. From Bobbleheads to Pop! What began in 1998 as a humble line of bobbleheads called Wacky Wobblers evolved into the now-iconic Funko Pop! brand. The transformation took off in 2010, when Funko unveiled its first line of Pop! figures - featuring DC Comics characters - at San Diego Comic-Con. Now, in a nostalgic nod to its origins, Funko is offering fans at this year's convention to a limited run of exclusive collectibles inspired by those early designs. Limited to just 2,010 pieces each, collectors can grab exclusive Pop! Batman, Pop! Robin, and Pop! Penguin figures - packaged in their original 2010 clamshell cases while supplies last. The brand has exploded in popularity, offering something for nearly every fandom under the sun. Plus, with 'Pop! Yourself," Funko lets fans personalize figures to resemble themselves, their friends, or loved ones — a feature that further fuels its mass appeal. Today, owning a Funko Pop! isn't just about collecting; it's about identity, nostalgia, and belonging. And for any event with 'Con' in the title, picking one up feels less like a choice and more like a rite of passage. FEATURED | Frase ByForbes™ Unscramble The Anagram To Reveal The Phrase Pinpoint By Linkedin Guess The Category Queens By Linkedin Crown Each Region Crossclimb By Linkedin Unlock A Trivia Ladder So, what's driving the craze? The sheer range allows fans to connect with their favorite franchises and characters — tapping into deep nostalgia for childhood favorites and iconic pop culture moments. LOS ANGELES, CA - MARCH 25: Funko POP! figures are displayed during WonderCon 2016 at the Los ... More Angeles Convention Center on March 25, 2016 in Los Angeles, California. (Photo by) 'We don't just consume pop culture, we collect it, we savor it, and we dream of being a part of it. Funko lets us do it all in a way that is accepted, respected and very much coveted,' noted Mike Tankel, partner/optimist at the marketing and development firm To Be Continued. 'This is far more than a rite of passage, it's a modern family heirloom.' Who's Buying? Fans of all ages (this senior writer included!) have eagerly hopped aboard the speeding Pop! bandwagon. But Funko's success goes beyond nostalgia or trend-chasing. At its core is a rare, cross-generational appeal - particularly among what the company calls 'tweens' and 'kidults.' Tweens, caught in that in-between stage of childhood and adolescence, are naturally drawn to the playful, approachable mini format. Meanwhile, kidults - adults who unapologetically enjoy hobbies and interests traditionally labeled 'for kids' - see Funko Pops! as fun, expressive, and highly collectible pieces of pop culture. Whether displayed on a shelf, desk, or dashboard, these figures become a personal statement, a conversation starter, and a nostalgic nod all at once. It's a collectible that truly spans generations. And it continues to evolve. Enter Bitty Pop! Bitty Pop! Towns Beetlejuice and Dante's Inferno Room. Launched in March 2023, Bitty Pops! are micro-scale versions of Funko Pop! figures — standing just about one inch tall. Each four-pack includes three visible characters and one mystery figure, adding an element of surprise. The first wave featured beloved icons from Harry Potter, Disney Classics, Beetlejuice, and Star Wars. With the introduction of the Bittyverse, the line has expanded to include Bitty Pop! Towns, Rides, and Displays — setting the stage for a bite-sized collectible universe. Sitcom "The Office" is one of the many TV shows - and characters - now represented in the new Bitty ... More Pop! Funko line. 'We saw a clear opportunity to tap into a trend while offering something no one else could: a true micro-scale Pop! that still feels premium and displayable,' said Doug Oglesby, SVP of Product Strategy, Planning & Marketing. 'The idea came from our creative team as they explored how to bring the Funko aesthetic into the fast-growing micro collectibles space.' What's the secret to Bitty Pop!'s appeal? According to Oglesby, 'It's that thoughtful mix of familiarity, fandom, and fun. We took a form fans already love and gave them a new way to experience it — in a format that encourages collecting, trading, and imaginative play.' 'We knew we had the brand recognition, which gave us the opportunity to engage with new consumers and reach additional retail placements, including areas like the toy aisle through a new Funko product line,' he said. With the introduction of the Bittyverse, the line has expanded to include Bitty Pop! Towns, Rides, ... More and Displays So how does a character make it into the Bitty Pop! lineup? 'It's all about staying in tune with our fans and the pulse of pop culture,' noted Oglesby. 'At the same time, we rely on market insights, license performance, retail strategy, and how characters translate to the one-inch format.' What's next for the Bitty brand? 'We've already introduced new formats like Bitty Bots, Bitty Arcades, and Bitty Boxes. This summer, we're soft-launching Bitty City, which takes the idea of world-building to the next level,' said Oglesby. 'Further ahead, we're expanding into music with Bitty Stages and preparing Countdown Calendars for the holiday season. And in 2026, we'll roll out Bitty Sports, a targeted expansion into the world of athletics.' Funko is launching Bitty City this summer to build on its Bitty Pop! brand. Final Thoughts Funko Pop! revolutionized the world of collectibles, turning fandom into a fun, accessible, and deeply personal experience for people of all ages. Now, with Bitty Pop!, the brand is redefining small-scale collecting—making it even more playful, collectible, and immersive. Whether you're a seasoned collector, a casual fan or just starting your Pop! journey, one thing's for sure: there's always another figure to add, another fandom to celebrate, and another shelf waiting to be filled. Just don't ask me how many I own - I've lost count a long time ago!

Rupert Murdoch should fight Trump's bogus lawsuit against the Wall Street Journal
Rupert Murdoch should fight Trump's bogus lawsuit against the Wall Street Journal

Yahoo

timean hour ago

  • Yahoo

Rupert Murdoch should fight Trump's bogus lawsuit against the Wall Street Journal

Rupert Murdoch is arguably one of the people most responsible for President Donald Trump's ascension to the White House. And yet, at a time when major news outlets' corporate parents are settling Trump's bogus lawsuits and capitulating to regulatory threats by doling out multimillion-dollar payoffs, any freedom-loving American should be rooting for the Australian-born right-wing media mogul to stand up to the president's all-out assault on free speech. Trump is suing Murdoch, News Corp., Dow Jones & Co., The Wall Street Journal's publisher and two reporters who wrote a bombshell article last week about a 'bawdy' Trump-penned birthday note to the late billionaire sex offender Jeffrey Epstein. Trump claims the letter is a 'fake,' and his lawyers in the suit accuse the Journal of 'glaring failures in journalistic ethics and standards of accurate reporting.' He wants the defendants to pay at least $20 billion. Trump posted to Truth Social on Friday: 'I look forward to getting Rupert Murdoch to testify in my lawsuit against him and his 'pile of garbage' newspaper, the WSJ. That will be an interesting experience!!!' The White House also booted the Journal from the press pool for an upcoming presidential visit to Scotland. It's not hard to see why Trump thinks this could work. Disney and Paramount, rather than take Trump to court and win (as many legal experts said they would), paid off settlements of $15 million and $16 million, respectively, to end Trump's legal attacks against ABC News and CBS News. Just as some white shoe law firms and universities sheepishly bent the knee when faced with the Trump administration's punitive threats, Disney and Paramount helped solidify a model of corporate cowardice. These companies demonstrated they'd rather just pay off the shakedown artist in the White House than stand up for their news operations or the First Amendment. A representative with Dow Jones, the Journal's parent company, said in a statement: 'We have full confidence in the rigor and accuracy of our reporting, and will vigorously defend against any lawsuit.' To be sure, that's what they all say at first. But there are reasons for hope that the 94-year-old Murdoch could show more spine than his competitors. Murdoch's Fox News and New York Post properties — for the most part — have been reliable MAGA cheerleaders in the decade since Trump's 2015 escalator ride announcing he was running for the Republican presidential nomination. But there have been cracks in their Trump devotion. The day after the Jan. 6 Capitol riots, the Post's editorial board put the blame on Trump. Murdoch, for his part, was so outraged at Trump's conduct that he wrote in an email to a Fox News executive that he wanted the network to 'make Trump a non person.' Obviously, once the Republican base made it clear that there was literally nothing Trump could do that would make it vote for another contender, Fox News once again got in line behind Trump during the 2024 election. But Murdoch seems to understand that The Wall Street Journal is a much different property from a cable news network and a shouty local tabloid. Murdoch never turned the Journal into a sensationalist, ideologically conservative outlet. Under his ownership, the Journal has maintained its well-deserved reputation for diligent, independent news reporting. And Murdoch knows there's a distinct value to that. Even the Journal's typically Trump-adoring editorial board has repeatedly decried Trump's shakedowns of media outlets' parent companies. A WSJ editorial from June beseeched Paramount to resist the 'threat of regulatory disapproval' and instead 'win the legal case, vindicate its CBS journalists and the First Amendment, and trust that the FCC has enough integrity to operate as something more than the President's personal protection racket.' If only Paramount shared the right-wing editorial board's ethical clarity on the matter. Oh, well. Trump's history of bogus, speech-chilling lawsuits is well-documented. He's been filing them for decades, even once boasting that he knew he'd lose the cases but persisted with them because he knew they would make his perceived enemies' lives 'miserable.' There are other reasons Murdoch should fight back against Trump's legal thuggery. A judge last week threw out Trump's nearly $50 million lawsuit against legendary journalist Bob Woodward, and as my colleague Steve Benen noted, 'When Trump sued CNN and demanded $475 million, the case was thrown out; when he sued The Washington Post, the case was thrown out; and when he sued The New York Times, seeking $100 million, the case was thrown out.' In a thread posted to X, attorney Andrew Fleischman noted some of the reasons Trump's lawsuit against Murdoch and the Journal is a complete mess. These include the fact that Trump's legal team filed the suit in Florida, which has an anti-SLAPP law to protect people menaced by such bogus suits. Fleischman also noted what he says is a procedural error by Trump's legal team that could lead to a dismissal and Trump's paying the Journal's legal fees. Fleischman's conclusion: 'This lawsuit is meant to punish a newspaper for fair reporting. Any lawyer who tells you it has merit is talking out his ass.' Murdoch's often factually challenged right-wing media empire has done incalculable damage to the American body politic — and continues to serve as a faithful echo chamber for MAGA rhetoric during Trump's reign of flagrant authoritarianism. But the nonagenarian billionaire has a chance to stand up to a bully whom he clearly has no great personal affection for, and he has the chance to at least do his part in blocking Trump's rampage on the First Amendment. This is a legacy-defining moment. If Murdoch stands up to Trump's cancel culture and his defamation suit lawfare — and vigorously defends The Wall Street Journal and its journalists — Murdoch can boast that, at least once, he did the right thing for America. This article was originally published on

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store